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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7F53 it is the complementary color #5480AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7F53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7F53 shade: #B07F4E, #C19161, #D2A374, #E3B587 and #F4C79A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7F53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7F53 shade: #AB7F53, #9A6D40, #895B2D, #78491A and #673707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7F53 shade: #AC7F52, #AC6752 and #AC5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7F53 shade: #AC7F52, #AC9752, #A8AC52, #90AC52 and #78AC52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7F53 shade matches the following richer shades: #AC7F52, #C07F3E, #D57F29, #EA7F14 and #FE7F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7F53 shade: #AC7F52, #977F67, #827F7C, #6E7F90 and #597FA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7F53 shade: #AC5255, #AC6752, #AC7F52, #AC9752 and #A9AC52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7F53 shade: #745638, #906A45, #AC7F52, #B9946E and #C6A88A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7F53 shade: #AB7F53, #6DAC52 and #5B52AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7F53 shade: #AB7F53, #52AC7F and #7F52AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7F53 shade: #AB7F53, #6DAC52, #527FAC and #9152AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7F53 shade: #AB7F53, #52AC52, #527FAC and #AC52AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 51 / 33

HEX #AB7F53

RGB 171 127 83

HSL 30, 0.35%, 0.5%

LAB 56.55, 11.65, 30.44

 

Complementary color

CMYK 51 / 26 / 0 / 33

HEX #5480AC

RGB 84 128 172

HSL 210, 0.35%, 0.5%

LAB 52.18, -2.43, -27.99

 

CMYK 0 / 28 / 56 / 31

HEX #B07F4E

RGB 176 127 78

HSL 30, 0.39%, 0.5%

LAB 57.04, 13.34, 33.89

 

CMYK 0 / 25 / 50 / 24

HEX #C19161

RGB 193 145 97

HSL 30, 0.44%, 0.57%

LAB 63.71, 12.3, 32.41

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 0 / 20 / 41 / 11

HEX #E3B587

RGB 227 181 135

HSL 30, 0.62%, 0.71%

LAB 76.76, 10.63, 29.76

 

CMYK 0 / 18 / 37 / 4

HEX #F4C79A

RGB 244 199 154

HSL 30, 0.8%, 0.78%

LAB 83.13, 9.95, 28.56

 

CMYK 0 / 26 / 51 / 33

HEX #AB7F53

RGB 171 127 83

HSL 30, 0.35%, 0.5%

LAB 56.55, 11.65, 30.44

 

CMYK 0 / 29 / 58 / 40

HEX #9A6D40

RGB 154 109 64

HSL 30, 0.41%, 0.43%

LAB 49.71, 12.77, 31.97

 

CMYK 0 / 34 / 67 / 46

HEX #895B2D

RGB 137 91 45

HSL 30, 0.51%, 0.36%

LAB 42.75, 14.13, 33.59

 

CMYK 0 / 39 / 78 / 53

HEX #78491A

RGB 120 73 26

HSL 30, 0.64%, 0.29%

LAB 35.66, 15.82, 35.11

 

CMYK 0 / 47 / 93 / 60

HEX #673707

RGB 103 55 7

HSL 30, 0.87%, 0.22%

LAB 28.46, 17.92, 35.93

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 40 / 52 / 33

HEX #AC6752

RGB 172 103 82

HSL 14, 0.35%, 0.5%

LAB 50.78, 25.46, 23.62

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 2 / 0 / 52 / 33

HEX #A8AC52

RGB 168 172 82

HSL 62.67, 0.35%, 0.5%

LAB 68.34, -14.18, 45.22

 

CMYK 16 / 0 / 52 / 33

HEX #90AC52

RGB 144 172 82

HSL 78.67, 0.35%, 0.5%

LAB 66.55, -24.03, 42.66

 

CMYK 30 / 0 / 52 / 33

HEX #78AC52

RGB 120 172 82

HSL 94.67, 0.35%, 0.5%

LAB 65.05, -33.22, 40.5

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 34 / 68 / 25

HEX #C07F3E

RGB 192 127 62

HSL 30, 0.51%, 0.5%

LAB 58.73, 19.08, 44.63

 

CMYK 0 / 40 / 81 / 16

HEX #D57F29

RGB 213 127 41

HSL 30, 0.68%, 0.5%

LAB 61.21, 27.05, 57.34

 

CMYK 0 / 46 / 91 / 8

HEX #EA7F14

RGB 234 127 20

HSL 30, 0.84%, 0.5%

LAB 63.93, 35.22, 67.25

 

CMYK 0 / 50 / 100 / 0

HEX #FE7F00

RGB 254 127 0

HSL 30, 1%, 0.5%

LAB 66.71, 42.94, 73.75

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 16 / 32 / 41

HEX #977F67

RGB 151 127 103

HSL 30, 0.19%, 0.5%

LAB 54.8, 5.5, 16.49

 

CMYK 0 / 2 / 5 / 49

HEX #827F7C

RGB 130 127 124

HSL 30, 0.02%, 0.5%

LAB 53.36, 0.55, 2.02

 

CMYK 24 / 12 / 0 / 44

HEX #6E7F90

RGB 110 127 144

HSL 210, 0.13%, 0.5%

LAB 52.41, -2.22, -11.24

 

CMYK 46 / 23 / 0 / 35

HEX #597FA5

RGB 89 127 165

HSL 210, 0.3%, 0.5%

LAB 51.86, -2.73, -24.41

 

CMYK 0 / 52 / 51 / 33

HEX #AC5255

RGB 172 82 85

HSL 358, 0.35%, 0.5%

LAB 46.26, 37.09, 15.81

 

CMYK 0 / 40 / 52 / 33

HEX #AC6752

RGB 172 103 82

HSL 14, 0.35%, 0.5%

LAB 50.78, 25.46, 23.62

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 2 / 0 / 52 / 33

HEX #A9AC52

RGB 169 172 82

HSL 62, 0.35%, 0.5%

LAB 68.42, -13.76, 45.33

 

CMYK 0 / 26 / 52 / 55

HEX #745638

RGB 116 86 56

HSL 30, 0.35%, 0.34%

LAB 38.99, 8.42, 22.23

 

CMYK 0 / 26 / 52 / 44

HEX #906A45

RGB 144 106 69

HSL 29.6, 0.35%, 0.42%

LAB 47.84, 10.53, 26.6

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 20 / 41 / 27

HEX #B9946E

RGB 185 148 110

HSL 30.4, 0.35%, 0.58%

LAB 63.85, 8.69, 25.35

 

CMYK 0 / 15 / 30 / 22

HEX #C6A88A

RGB 198 168 138

HSL 30, 0.34%, 0.66%

LAB 70.76, 6.49, 19.58

 

CMYK 0 / 26 / 51 / 33

HEX #AB7F53

RGB 171 127 83

HSL 30, 0.35%, 0.5%

LAB 56.55, 11.65, 30.44

 

CMYK 37 / 0 / 52 / 33

HEX #6DAC52

RGB 109 172 82

HSL 102, 0.35%, 0.5%

LAB 64.46, -37.11, 39.65

 

CMYK 47 / 52 / 0 / 33

HEX #5B52AC

RGB 91 82 172

HSL 246, 0.35%, 0.5%

LAB 39.98, 27.58, -47.23

 

CMYK 0 / 26 / 51 / 33

HEX #AB7F53

RGB 171 127 83

HSL 30, 0.35%, 0.5%

LAB 56.55, 11.65, 30.44

 

CMYK 52 / 0 / 26 / 33

HEX #52AC7F

RGB 82 172 127

HSL 150, 0.35%, 0.5%

LAB 64.02, -37.64, 15.09

 

CMYK 26 / 52 / 0 / 33

HEX #7F52AC

RGB 127 82 172

HSL 270, 0.35%, 0.5%

LAB 43.54, 36.8, -41.32

 

CMYK 0 / 26 / 51 / 33

HEX #AB7F53

RGB 171 127 83

HSL 30, 0.35%, 0.5%

LAB 56.55, 11.65, 30.44

 

CMYK 37 / 0 / 52 / 33

HEX #6DAC52

RGB 109 172 82

HSL 102, 0.35%, 0.5%

LAB 64.46, -37.11, 39.65

 

CMYK 52 / 26 / 0 / 33

HEX #527FAC

RGB 82 127 172

HSL 210, 0.35%, 0.5%

LAB 51.78, -2.32, -28.61

 

CMYK 16 / 52 / 0 / 33

HEX #9152AC

RGB 145 82 172

HSL 282, 0.35%, 0.5%

LAB 45.68, 41.79, -37.8

 

CMYK 0 / 26 / 51 / 33

HEX #AB7F53

RGB 171 127 83

HSL 30, 0.35%, 0.5%

LAB 56.55, 11.65, 30.44

 

CMYK 52 / 0 / 52 / 33

HEX #52AC52

RGB 82 172 82

HSL 120, 0.35%, 0.5%

LAB 63.27, -45.49, 37.93

 

CMYK 52 / 26 / 0 / 33

HEX #527FAC

RGB 82 127 172

HSL 210, 0.35%, 0.5%

LAB 51.78, -2.32, -28.61

 

CMYK 0 / 52 / 0 / 33

HEX #AC52AC

RGB 172 82 172

HSL 300, 0.35%, 0.5%

LAB 49.23, 49.43, -31.97

 

Description

Color code: HEX #AB7F53 | qconv.com Color code: HEX #AB7F53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 127 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 127 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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