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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8F54 it is the complementary color #5470AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8F54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8F54 shade: #B08F4F, #C1A162, #D2B375, #E3C588 and #F4D79B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8F54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8F54 shade: #AB8F54, #9A7D41, #896B2E, #78591B and #674708

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8F54 shade: #AA8E54, #AA7754, #AA6054 and #AA5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8F54 shade: #AA8E54, #AAA654, #97AA54, #80AA54 and #69AA54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8F54 shade matches the following richer shades: #AA8E54, #BF963F, #D49D2A, #E8A416 and #FDAC01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8F54 shade: #AA8E54, #968768, #81807D, #6C7892 and #5871A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8F54 shade: #AA5F54, #AA7654, #AA8D54, #AAA554 and #99AA54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8F54 shade: #736038, #8F7746, #AA8E54, #B8A16F and #C6B38B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8F54 shade: #AB8F54, #5FAA54 and #6B54AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8F54 shade: #AB8F54, #54AA8D and #8D54AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8F54 shade: #AB8F54, #5FAA54, #5471AA and #9F54AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8F54 shade: #AB8F54, #54AA62, #5471AA and #AA549C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 51 / 33

HEX #AB8F54

RGB 171 143 84

HSL 40.69, 0.34%, 0.5%

LAB 60.73, 2.81, 35.13

 

Complementary color

CMYK 51 / 35 / 0 / 33

HEX #5470AB

RGB 84 112 171

HSL 220.69, 0.34%, 0.5%

LAB 47.51, 6.85, -34.7

 

CMYK 0 / 19 / 55 / 31

HEX #B08F4F

RGB 176 143 79

HSL 39.59, 0.38%, 0.5%

LAB 61.17, 4.52, 38.39

 

CMYK 0 / 17 / 49 / 24

HEX #C1A162

RGB 193 161 98

HSL 39.79, 0.43%, 0.57%

LAB 67.81, 3.66, 37.04

 

CMYK 0 / 15 / 44 / 18

HEX #D2B375

RGB 210 179 117

HSL 40, 0.51%, 0.64%

LAB 74.33, 2.93, 35.74

 

CMYK 0 / 13 / 40 / 11

HEX #E3C588

RGB 227 197 136

HSL 40.22, 0.62%, 0.71%

LAB 80.76, 2.31, 34.5

 

CMYK 0 / 12 / 36 / 4

HEX #F4D79B

RGB 244 215 155

HSL 40.45, 0.8%, 0.78%

LAB 87.1, 1.77, 33.32

 

CMYK 0 / 16 / 51 / 33

HEX #AB8F54

RGB 171 143 84

HSL 40.69, 0.34%, 0.5%

LAB 60.73, 2.81, 35.13

 

CMYK 0 / 19 / 58 / 40

HEX #9A7D41

RGB 154 125 65

HSL 40.45, 0.41%, 0.43%

LAB 53.94, 3.72, 36.5

 

CMYK 0 / 22 / 66 / 46

HEX #896B2E

RGB 137 107 46

HSL 40.22, 0.5%, 0.36%

LAB 47.02, 4.85, 37.84

 

CMYK 0 / 26 / 78 / 53

HEX #78591B

RGB 120 89 27

HSL 40, 0.63%, 0.29%

LAB 39.94, 6.28, 38.9

 

CMYK 0 / 31 / 92 / 60

HEX #674708

RGB 103 71 8

HSL 39.79, 0.86%, 0.22%

LAB 32.72, 8.13, 38.95

 

CMYK 0 / 16 / 51 / 33

HEX #AA8E54

RGB 170 142 84

HSL 40.47, 0.34%, 0.5%

LAB 60.37, 2.93, 34.65

 

CMYK 0 / 30 / 51 / 33

HEX #AA7754

RGB 170 119 84

HSL 24.42, 0.34%, 0.5%

LAB 54.43, 15.83, 27.16

 

CMYK 0 / 44 / 51 / 33

HEX #AA6054

RGB 170 96 84

HSL 8.37, 0.34%, 0.5%

LAB 48.95, 28.72, 19.98

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 16 / 51 / 33

HEX #AA8E54

RGB 170 142 84

HSL 40.47, 0.34%, 0.5%

LAB 60.37, 2.93, 34.65

 

CMYK 0 / 2 / 51 / 33

HEX #AAA654

RGB 170 166 84

HSL 57.21, 0.34%, 0.5%

LAB 66.87, -10.03, 42.54

 

CMYK 11 / 0 / 51 / 33

HEX #97AA54

RGB 151 170 84

HSL 73.26, 0.34%, 0.5%

LAB 66.5, -20, 41.73

 

CMYK 25 / 0 / 51 / 33

HEX #80AA54

RGB 128 170 84

HSL 89.3, 0.34%, 0.5%

LAB 64.95, -29.07, 39.5

 

CMYK 38 / 0 / 51 / 33

HEX #69AA54

RGB 105 170 84

HSL 105.35, 0.34%, 0.5%

LAB 63.67, -37.32, 37.65

 

CMYK 0 / 16 / 51 / 33

HEX #AA8E54

RGB 170 142 84

HSL 40.47, 0.34%, 0.5%

LAB 60.37, 2.93, 34.65

 

CMYK 0 / 21 / 67 / 25

HEX #BF963F

RGB 191 150 63

HSL 40.78, 0.5%, 0.5%

LAB 64.36, 6.06, 50.27

 

CMYK 0 / 26 / 80 / 17

HEX #D49D2A

RGB 212 157 42

HSL 40.59, 0.67%, 0.5%

LAB 68.23, 10.48, 63.27

 

CMYK 0 / 29 / 91 / 9

HEX #E8A416

RGB 232 164 22

HSL 40.57, 0.83%, 0.5%

LAB 72.07, 14.93, 72.71

 

CMYK 0 / 32 / 100 / 1

HEX #FDAC01

RGB 253 172 1

HSL 40.71, 0.99%, 0.5%

LAB 76.31, 19.45, 79.64

 

CMYK 0 / 16 / 51 / 33

HEX #AA8E54

RGB 170 142 84

HSL 40.47, 0.34%, 0.5%

LAB 60.37, 2.93, 34.65

 

CMYK 0 / 10 / 31 / 41

HEX #968768

RGB 150 135 104

HSL 40.43, 0.18%, 0.5%

LAB 56.89, 0.7, 18.76

 

CMYK 0 / 1 / 3 / 49

HEX #81807D

RGB 129 128 125

HSL 45, 0.02%, 0.5%

LAB 53.59, -0.21, 1.75

 

CMYK 26 / 18 / 0 / 43

HEX #6C7892

RGB 108 120 146

HSL 221.05, 0.15%, 0.5%

LAB 50.33, 1.7, -15.56

 

CMYK 47 / 32 / 0 / 35

HEX #5871A6

RGB 88 113 166

HSL 220.77, 0.31%, 0.5%

LAB 47.8, 5.67, -31.3

 

CMYK 0 / 44 / 51 / 33

HEX #AA5F54

RGB 170 95 84

HSL 7.67, 0.34%, 0.5%

LAB 48.72, 29.26, 19.68

 

CMYK 0 / 31 / 51 / 33

HEX #AA7654

RGB 170 118 84

HSL 23.72, 0.34%, 0.5%

LAB 54.18, 16.39, 26.84

 

CMYK 0 / 17 / 51 / 33

HEX #AA8D54

RGB 170 141 84

HSL 39.77, 0.34%, 0.5%

LAB 60.1, 3.49, 34.32

 

CMYK 0 / 3 / 51 / 33

HEX #AAA554

RGB 170 165 84

HSL 56.51, 0.34%, 0.5%

LAB 66.59, -9.51, 42.21

 

CMYK 10 / 0 / 51 / 33

HEX #99AA54

RGB 153 170 84

HSL 71.86, 0.34%, 0.5%

LAB 66.64, -19.18, 41.95

 

CMYK 0 / 17 / 51 / 55

HEX #736038

RGB 115 96 56

HSL 40.68, 0.35%, 0.34%

LAB 41.68, 1.97, 25.59

 

CMYK 0 / 17 / 51 / 44

HEX #8F7746

RGB 143 119 70

HSL 40.27, 0.34%, 0.42%

LAB 51.24, 2.68, 30.28

 

CMYK 0 / 16 / 51 / 33

HEX #AA8E54

RGB 170 142 84

HSL 40.47, 0.34%, 0.5%

LAB 60.37, 2.93, 34.65

 

CMYK 0 / 13 / 40 / 28

HEX #B8A16F

RGB 184 161 111

HSL 41.1, 0.34%, 0.58%

LAB 67.15, 1.28, 29.14

 

CMYK 0 / 10 / 30 / 22

HEX #C6B38B

RGB 198 179 139

HSL 40.68, 0.34%, 0.66%

LAB 73.62, 0.71, 22.93

 

CMYK 0 / 16 / 51 / 33

HEX #AB8F54

RGB 171 143 84

HSL 40.69, 0.34%, 0.5%

LAB 60.73, 2.81, 35.13

 

CMYK 44 / 0 / 51 / 33

HEX #5FAA54

RGB 95 170 84

HSL 112.33, 0.34%, 0.5%

LAB 63.2, -40.56, 36.97

 

CMYK 37 / 51 / 0 / 33

HEX #6B54AA

RGB 107 84 170

HSL 256.05, 0.34%, 0.5%

LAB 41.8, 29.74, -43.05

 

CMYK 0 / 16 / 51 / 33

HEX #AB8F54

RGB 171 143 84

HSL 40.69, 0.34%, 0.5%

LAB 60.73, 2.81, 35.13

 

CMYK 51 / 0 / 17 / 33

HEX #54AA8D

RGB 84 170 141

HSL 159.77, 0.34%, 0.5%

LAB 63.8, -33.12, 7.04

 

CMYK 17 / 51 / 0 / 33

HEX #8D54AA

RGB 141 84 170

HSL 279.77, 0.34%, 0.5%

LAB 45.5, 39.12, -36.93

 

CMYK 0 / 16 / 51 / 33

HEX #AB8F54

RGB 171 143 84

HSL 40.69, 0.34%, 0.5%

LAB 60.73, 2.81, 35.13

 

CMYK 44 / 0 / 51 / 33

HEX #5FAA54

RGB 95 170 84

HSL 112.33, 0.34%, 0.5%

LAB 63.2, -40.56, 36.97

 

CMYK 51 / 34 / 0 / 33

HEX #5471AA

RGB 84 113 170

HSL 219.77, 0.34%, 0.5%

LAB 47.75, 5.92, -33.74

 

CMYK 6 / 51 / 0 / 33

HEX #9F54AA

RGB 159 84 170

HSL 292.33, 0.34%, 0.5%

LAB 47.77, 44.31, -33.21

 

CMYK 0 / 16 / 51 / 33

HEX #AB8F54

RGB 171 143 84

HSL 40.69, 0.34%, 0.5%

LAB 60.73, 2.81, 35.13

 

CMYK 51 / 0 / 42 / 33

HEX #54AA62

RGB 84 170 98

HSL 129.77, 0.34%, 0.5%

LAB 62.94, -41.7, 29.32

 

CMYK 51 / 34 / 0 / 33

HEX #5471AA

RGB 84 113 170

HSL 219.77, 0.34%, 0.5%

LAB 47.75, 5.92, -33.74

 

CMYK 0 / 51 / 8 / 33

HEX #AA549C

RGB 170 84 156

HSL 309.77, 0.34%, 0.5%

LAB 48.62, 44.99, -23.51

 

Description

Color code: HEX #AB8F54 | qconv.com Color code: HEX #AB8F54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 143 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 143 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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