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Color name
HEX #ABA32A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABA32A it is the complementary color #545CD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABA32A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABA32A shade: #B0A325, #C1B538, #D2C74B, #E3D95E and #F4EB71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABA32A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABA32A shade: #ABA32A, #9A9117, #897F04, #786D00 and #675B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABA32A shade: #ACA429, #AC8129, #AC5D29, #AC3A29 and #AC2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABA32A shade: #ACA429, #91AC29, #6EAC29, #4AAC29 and #29AC2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABA32A shade matches the following richer shades: #ACA429, #BDB318 and #CFC207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABA32A shade: #ACA429, #9B953B, #89854C, #78765D and #67676F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABA32A shade: #AC5E29, #AC8029, #ACA329, #92AC29 and #6FAC29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABA32A shade: #6A6519, #8B8421, #ACA429, #CDC332 and #D5CD53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABA32A shade: #ABA32A, #29AC3B and #6F29AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABA32A shade: #ABA32A, #29ACA3 and #A329AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABA32A shade: #ABA32A, #29AC3B, #2932AC and #AC299B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABA32A shade: #ABA32A, #29AC62, #2932AC and #AC2973

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 75 / 33

HEX #ABA32A

RGB 171 163 42

HSL 56.28, 0.61%, 0.42%

LAB 65.76, -10.83, 59.53

 

Complementary color

CMYK 61 / 57 / 0 / 16

HEX #545CD5

RGB 84 92 213

HSL 236.28, 0.61%, 0.58%

LAB 44.72, 33.13, -63.44

 

CMYK 0 / 7 / 79 / 31

HEX #B0A325

RGB 176 163 37

HSL 54.39, 0.65%, 0.42%

LAB 66.18, -8.82, 61.72

 

CMYK 0 / 6 / 71 / 24

HEX #C1B538

RGB 193 181 56

HSL 54.74, 0.55%, 0.49%

LAB 72.67, -9.94, 61.77

 

CMYK 0 / 5 / 64 / 18

HEX #D2C74B

RGB 210 199 75

HSL 55.11, 0.6%, 0.56%

LAB 79.07, -10.88, 61.23

 

CMYK 0 / 4 / 59 / 11

HEX #E3D95E

RGB 227 217 94

HSL 55.49, 0.7%, 0.63%

LAB 85.39, -11.66, 60.37

 

CMYK 0 / 4 / 54 / 4

HEX #F4EB71

RGB 244 235 113

HSL 55.88, 0.86%, 0.7%

LAB 91.61, -12.33, 59.36

 

CMYK 0 / 5 / 75 / 33

HEX #ABA32A

RGB 171 163 42

HSL 56.28, 0.61%, 0.42%

LAB 65.76, -10.83, 59.53

 

CMYK 0 / 6 / 85 / 40

HEX #9A9117

RGB 154 145 23

HSL 55.88, 0.74%, 0.35%

LAB 59.14, -9.6, 58.84

 

CMYK 0 / 7 / 97 / 46

HEX #897F04

RGB 137 127 4

HSL 55.49, 0.94%, 0.28%

LAB 52.4, -8.1, 56.68

 

CMYK 0 / 9 / 100 / 53

HEX #786D00

RGB 120 109 0

HSL 54.5, 1%, 0.24%

LAB 45.54, -6.23, 51.75

 

CMYK 0 / 12 / 100 / 60

HEX #675B00

RGB 103 91 0

HSL 53.01, 1%, 0.2%

LAB 38.49, -4.19, 45.91

 

CMYK 0 / 5 / 76 / 33

HEX #ACA429

RGB 172 164 41

HSL 56.34, 0.62%, 0.42%

LAB 66.12, -10.96, 60.23

 

CMYK 0 / 25 / 76 / 33

HEX #AC8129

RGB 172 129 41

HSL 40.31, 0.62%, 0.42%

LAB 56.71, 8.06, 51.35

 

CMYK 0 / 46 / 76 / 33

HEX #AC5D29

RGB 172 93 41

HSL 23.82, 0.62%, 0.42%

LAB 47.96, 28.17, 42.65

 

CMYK 0 / 66 / 76 / 33

HEX #AC3A29

RGB 172 58 41

HSL 7.79, 0.62%, 0.42%

LAB 41.15, 45.65, 35.5

 

CMYK 0 / 76 / 76 / 33

HEX #AC2929

RGB 172 41 41

HSL 0, 0.62%, 0.42%

LAB 38.75, 52.22, 32.89

 

CMYK 0 / 5 / 76 / 33

HEX #ACA429

RGB 172 164 41

HSL 56.34, 0.62%, 0.42%

LAB 66.12, -10.96, 60.23

 

CMYK 16 / 0 / 76 / 33

HEX #91AC29

RGB 145 172 41

HSL 72.37, 0.62%, 0.42%

LAB 66.28, -26.66, 59.62

 

CMYK 36 / 0 / 76 / 33

HEX #6EAC29

RGB 110 172 41

HSL 88.4, 0.62%, 0.42%

LAB 64.14, -40.41, 56.84

 

CMYK 57 / 0 / 76 / 33

HEX #4AAC29

RGB 74 172 41

HSL 104.89, 0.62%, 0.42%

LAB 62.61, -51.83, 54.82

 

CMYK 76 / 0 / 75 / 33

HEX #29AC2B

RGB 41 172 43

HSL 120.92, 0.62%, 0.42%

LAB 61.78, -58.61, 53.02

 

CMYK 0 / 5 / 76 / 33

HEX #ACA429

RGB 172 164 41

HSL 56.34, 0.62%, 0.42%

LAB 66.12, -10.96, 60.23

 

CMYK 0 / 5 / 87 / 26

HEX #BDB318

RGB 189 179 24

HSL 56.36, 0.77%, 0.42%

LAB 71.64, -11.78, 70.14

 

CMYK 0 / 6 / 97 / 19

HEX #CFC207

RGB 207 194 7

HSL 56.1, 0.93%, 0.42%

LAB 77.2, -11.85, 77.5

 

CMYK 0 / 5 / 76 / 33

HEX #ACA429

RGB 172 164 41

HSL 56.34, 0.62%, 0.42%

LAB 66.12, -10.96, 60.23

 

CMYK 0 / 4 / 62 / 39

HEX #9B953B

RGB 155 149 59

HSL 56.25, 0.45%, 0.42%

LAB 60.59, -9.52, 47

 

CMYK 0 / 3 / 45 / 46

HEX #89854C

RGB 137 133 76

HSL 56.07, 0.29%, 0.42%

LAB 54.67, -7.19, 31.17

 

CMYK 0 / 2 / 23 / 53

HEX #78765D

RGB 120 118 93

HSL 55.56, 0.13%, 0.42%

LAB 49.18, -3.72, 14.08

 

CMYK 7 / 7 / 0 / 56

HEX #67676F

RGB 103 103 111

HSL 240, 0.04%, 0.42%

LAB 43.85, 1.71, -4.49

 

CMYK 0 / 45 / 76 / 33

HEX #AC5E29

RGB 172 94 41

HSL 24.27, 0.62%, 0.42%

LAB 48.18, 27.62, 42.87

 

CMYK 0 / 26 / 76 / 33

HEX #AC8029

RGB 172 128 41

HSL 39.85, 0.62%, 0.42%

LAB 56.46, 8.62, 51.1

 

CMYK 0 / 5 / 76 / 33

HEX #ACA329

RGB 172 163 41

HSL 55.88, 0.62%, 0.42%

LAB 65.85, -10.43, 59.98

 

CMYK 15 / 0 / 76 / 33

HEX #92AC29

RGB 146 172 41

HSL 71.91, 0.62%, 0.42%

LAB 66.35, -26.24, 59.71

 

CMYK 35 / 0 / 76 / 33

HEX #6FAC29

RGB 111 172 41

HSL 87.94, 0.62%, 0.42%

LAB 64.2, -40.04, 56.9

 

CMYK 0 / 5 / 76 / 58

HEX #6A6519

RGB 106 101 25

HSL 56.3, 0.62%, 0.26%

LAB 41.91, -7.64, 41.14

 

CMYK 0 / 5 / 76 / 45

HEX #8B8421

RGB 139 132 33

HSL 56.04, 0.62%, 0.34%

LAB 54.13, -9.06, 50.79

 

CMYK 0 / 5 / 76 / 33

HEX #ACA429

RGB 172 164 41

HSL 56.34, 0.62%, 0.42%

LAB 66.12, -10.96, 60.23

 

CMYK 0 / 5 / 76 / 20

HEX #CDC332

RGB 205 195 50

HSL 56.13, 0.61%, 0.5%

LAB 77.42, -12.22, 68.74

 

CMYK 0 / 4 / 61 / 16

HEX #D5CD53

RGB 213 205 83

HSL 56.31, 0.61%, 0.58%

LAB 80.98, -12.16, 59.97

 

CMYK 0 / 5 / 75 / 33

HEX #ABA32A

RGB 171 163 42

HSL 56.28, 0.61%, 0.42%

LAB 65.76, -10.83, 59.53

 

CMYK 76 / 0 / 66 / 33

HEX #29AC3B

RGB 41 172 59

HSL 128.24, 0.62%, 0.42%

LAB 61.91, -57.12, 46.82

 

CMYK 35 / 76 / 0 / 33

HEX #6F29AC

RGB 111 41 172

HSL 272.06, 0.62%, 0.42%

LAB 33.87, 54.03, -57

 

CMYK 0 / 5 / 75 / 33

HEX #ABA32A

RGB 171 163 42

HSL 56.28, 0.61%, 0.42%

LAB 65.76, -10.83, 59.53

 

CMYK 76 / 0 / 5 / 33

HEX #29ACA3

RGB 41 172 163

HSL 175.88, 0.62%, 0.42%

LAB 63.85, -35.91, -5.29

 

CMYK 5 / 76 / 0 / 33

HEX #A329AC

RGB 163 41 172

HSL 295.88, 0.62%, 0.42%

LAB 41.77, 64.12, -43.86

 

CMYK 0 / 5 / 75 / 33

HEX #ABA32A

RGB 171 163 42

HSL 56.28, 0.61%, 0.42%

LAB 65.76, -10.83, 59.53

 

CMYK 76 / 0 / 66 / 33

HEX #29AC3B

RGB 41 172 59

HSL 128.24, 0.62%, 0.42%

LAB 61.91, -57.12, 46.82

 

CMYK 76 / 71 / 0 / 33

HEX #2932AC

RGB 41 50 172

HSL 235.88, 0.62%, 0.42%

LAB 28.72, 39.28, -65.69

 

CMYK 0 / 76 / 10 / 33

HEX #AC299B

RGB 172 41 155

HSL 307.79, 0.62%, 0.42%

LAB 42.34, 63.33, -32.68

 

CMYK 0 / 5 / 75 / 33

HEX #ABA32A

RGB 171 163 42

HSL 56.28, 0.61%, 0.42%

LAB 65.76, -10.83, 59.53

 

CMYK 76 / 0 / 43 / 33

HEX #29AC62

RGB 41 172 98

HSL 146.11, 0.62%, 0.42%

LAB 62.39, -51.43, 28.37

 

CMYK 76 / 71 / 0 / 33

HEX #2932AC

RGB 41 50 172

HSL 235.88, 0.62%, 0.42%

LAB 28.72, 39.28, -65.69

 

CMYK 0 / 76 / 33 / 33

HEX #AC2973

RGB 172 41 115

HSL 326.11, 0.62%, 0.42%

LAB 40.56, 57.98, -10.92

 

Description

Color code: HEX #ABA32A | qconv.com Color code: HEX #ABA32A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 163 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 163 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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