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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABAEE1 it is the complementary color #54511E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABAEE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABAEE1 shade: #B0AEDC, #C1C0EF, #D2D2FF, #E3E4FF and #F4F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABAEE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABAEE1 shade: #ABAEE1, #9A9CCE, #898ABB, #7878A8 and #676695

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABAEE1 shade: #ACAFE1, #B7ACE1, #C6ACE1, #D4ACE1 and #E1ACE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABAEE1 shade: #ACAFE1 and #ACACE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABAEE1 shade matches the following richer shades: #ACAFE1, #A3A7EA, #9A9FF3 and #9197FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABAEE1 shade: #ACAFE1, #B5B7D8, #BEBFCF, #C7C7C6 and #D0CFBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABAEE1 shade: #ACCCE1, #ACBEE1, #ACB0E1, #B7ACE1 and #C5ACE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABAEE1 shade: #6F74CB, #8E92D6, #ACAFE1, #CACCEC and #E9E9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABAEE1 shade: #ABAEE1, #E1ACDA and #C5E1AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABAEE1 shade: #ABAEE1, #E1ACB0 and #B0E1AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABAEE1 shade: #ABAEE1, #E1ACDA, #E1DDAC and #ACE1B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABAEE1 shade: #ABAEE1, #E1ACCA, #E1DDAC and #ACE1C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 23 / 0 / 12

HEX #ABAEE1

RGB 171 174 225

HSL 236.67, 0.47%, 0.78%

LAB 72.47, 9.85, -25.95

 

Complementary color

CMYK 0 / 4 / 64 / 67

HEX #54511E

RGB 84 81 30

HSL 56.67, 0.47%, 0.22%

LAB 33.7, -6.31, 29.72

 

CMYK 20 / 21 / 0 / 14

HEX #B0AEDC

RGB 176 174 220

HSL 242.61, 0.4%, 0.77%

LAB 72.67, 10.23, -22.88

 

CMYK 19 / 20 / 0 / 6

HEX #C1C0EF

RGB 193 192 239

HSL 241.28, 0.59%, 0.85%

LAB 79.2, 9.89, -23.12

 

CMYK 18 / 18 / 0 / 0

HEX #D2D2FF

RGB 210 210 255

HSL 240, 1%, 0.91%

LAB 85.51, 8.93, -21.93

 

CMYK 11 / 11 / 0 / 0

HEX #E3E4FF

RGB 227 228 255

HSL 237.86, 1%, 0.95%

LAB 91.25, 4.77, -13.17

 

CMYK 4 / 4 / 0 / 0

HEX #F4F6FF

RGB 244 246 255

HSL 229.09, 1%, 0.98%

LAB 96.97, 0.97, -4.55

 

CMYK 24 / 23 / 0 / 12

HEX #ABAEE1

RGB 171 174 225

HSL 236.67, 0.47%, 0.78%

LAB 72.47, 9.85, -25.95

 

CMYK 25 / 24 / 0 / 19

HEX #9A9CCE

RGB 154 156 206

HSL 237.69, 0.35%, 0.71%

LAB 65.83, 10.24, -25.79

 

CMYK 27 / 26 / 0 / 27

HEX #898ABB

RGB 137 138 187

HSL 238.8, 0.27%, 0.64%

LAB 59.05, 10.67, -25.66

 

CMYK 29 / 29 / 0 / 34

HEX #7878A8

RGB 120 120 168

HSL 240, 0.22%, 0.56%

LAB 52.12, 11.16, -25.57

 

CMYK 31 / 32 / 0 / 42

HEX #676695

RGB 103 102 149

HSL 241.28, 0.19%, 0.49%

LAB 45.02, 11.73, -25.53

 

CMYK 24 / 22 / 0 / 12

HEX #ACAFE1

RGB 172 175 225

HSL 236.6, 0.47%, 0.78%

LAB 72.8, 9.6, -25.44

 

CMYK 19 / 24 / 0 / 12

HEX #B7ACE1

RGB 183 172 225

HSL 252.45, 0.47%, 0.78%

LAB 72.9, 14.64, -25.22

 

CMYK 12 / 24 / 0 / 12

HEX #C6ACE1

RGB 198 172 225

HSL 269.43, 0.47%, 0.78%

LAB 74.16, 19.37, -23.19

 

CMYK 6 / 24 / 0 / 12

HEX #D4ACE1

RGB 212 172 225

HSL 285.28, 0.47%, 0.78%

LAB 75.41, 23.88, -21.16

 

CMYK 0 / 24 / 0 / 12

HEX #E1ACE0

RGB 225 172 224

HSL 301.13, 0.47%, 0.78%

LAB 76.62, 27.94, -18.68

 

CMYK 24 / 22 / 0 / 12

HEX #ACAFE1

RGB 172 175 225

HSL 236.6, 0.47%, 0.78%

LAB 72.8, 9.6, -25.44

 

CMYK 24 / 24 / 0 / 12

HEX #ACACE1

RGB 172 172 225

HSL 240, 0.47%, 0.78%

LAB 72.04, 11.26, -26.62

 

CMYK 24 / 22 / 0 / 12

HEX #ACAFE1

RGB 172 175 225

HSL 236.6, 0.47%, 0.78%

LAB 72.8, 9.6, -25.44

 

CMYK 30 / 29 / 0 / 8

HEX #A3A7EA

RGB 163 167 234

HSL 236.62, 0.63%, 0.78%

LAB 70.43, 13.58, -34.06

 

CMYK 37 / 35 / 0 / 5

HEX #9A9FF3

RGB 154 159 243

HSL 236.63, 0.79%, 0.78%

LAB 68.12, 17.95, -42.62

 

CMYK 42 / 40 / 0 / 1

HEX #9197FC

RGB 145 151 252

HSL 236.64, 0.95%, 0.78%

LAB 65.89, 22.7, -51.1

 

CMYK 24 / 22 / 0 / 12

HEX #ACAFE1

RGB 172 175 225

HSL 236.6, 0.47%, 0.78%

LAB 72.8, 9.6, -25.44

 

CMYK 16 / 15 / 0 / 15

HEX #B5B7D8

RGB 181 183 216

HSL 236.57, 0.31%, 0.78%

LAB 75.23, 5.99, -16.79

 

CMYK 8 / 8 / 0 / 19

HEX #BEBFCF

RGB 190 191 207

HSL 236.47, 0.15%, 0.78%

LAB 77.71, 2.74, -8.14

 

CMYK 0 / 0 / 1 / 22

HEX #C7C7C6

RGB 199 199 198

HSL 60, 0.01%, 0.78%

LAB 80.22, -0.18, 0.49

 

CMYK 0 / 0 / 10 / 18

HEX #D0CFBC

RGB 208 207 188

HSL 57, 0.18%, 0.78%

LAB 82.74, -2.95, 9.56

 

CMYK 24 / 9 / 0 / 12

HEX #ACCCE1

RGB 172 204 225

HSL 203.77, 0.47%, 0.78%

LAB 80.4, -6.06, -13.93

 

CMYK 24 / 16 / 0 / 12

HEX #ACBEE1

RGB 172 190 225

HSL 219.62, 0.47%, 0.78%

LAB 76.7, 1.4, -19.51

 

CMYK 24 / 22 / 0 / 12

HEX #ACB0E1

RGB 172 176 225

HSL 235.47, 0.47%, 0.78%

LAB 73.06, 9.05, -25.05

 

CMYK 19 / 24 / 0 / 12

HEX #B7ACE1

RGB 183 172 225

HSL 252.45, 0.47%, 0.78%

LAB 72.9, 14.64, -25.22

 

CMYK 12 / 24 / 0 / 12

HEX #C5ACE1

RGB 197 172 225

HSL 268.3, 0.47%, 0.78%

LAB 74.07, 19.05, -23.33

 

CMYK 45 / 43 / 0 / 20

HEX #6F74CB

RGB 111 116 203

HSL 236.74, 0.47%, 0.62%

LAB 52.04, 20.89, -45.88

 

CMYK 34 / 32 / 0 / 16

HEX #8E92D6

RGB 142 146 214

HSL 236.67, 0.47%, 0.7%

LAB 62.65, 14.45, -35.24

 

CMYK 24 / 22 / 0 / 12

HEX #ACAFE1

RGB 172 175 225

HSL 236.6, 0.47%, 0.78%

LAB 72.8, 9.6, -25.44

 

CMYK 14 / 14 / 0 / 7

HEX #CACCEC

RGB 202 204 236

HSL 236.47, 0.47%, 0.86%

LAB 82.81, 5.61, -15.99

 

CMYK 6 / 6 / 0 / 3

HEX #E9E9F7

RGB 233 233 247

HSL 240, 0.47%, 0.94%

LAB 92.71, 2.57, -6.77

 

CMYK 24 / 23 / 0 / 12

HEX #ABAEE1

RGB 171 174 225

HSL 236.67, 0.47%, 0.78%

LAB 72.47, 9.85, -25.95

 

CMYK 0 / 24 / 3 / 12

HEX #E1ACDA

RGB 225 172 218

HSL 307.92, 0.47%, 0.78%

LAB 76.42, 26.85, -15.71

 

CMYK 12 / 0 / 24 / 12

HEX #C5E1AC

RGB 197 225 172

HSL 91.7, 0.47%, 0.78%

LAB 86.35, -18.56, 22.93

 

CMYK 24 / 23 / 0 / 12

HEX #ABAEE1

RGB 171 174 225

HSL 236.67, 0.47%, 0.78%

LAB 72.47, 9.85, -25.95

 

CMYK 0 / 24 / 22 / 12

HEX #E1ACB0

RGB 225 172 176

HSL 355.47, 0.47%, 0.78%

LAB 75.23, 19.96, 5.47

 

CMYK 22 / 0 / 24 / 12

HEX #B0E1AC

RGB 176 225 172

HSL 115.47, 0.47%, 0.78%

LAB 85.03, -25.8, 20.89

 

CMYK 24 / 23 / 0 / 12

HEX #ABAEE1

RGB 171 174 225

HSL 236.67, 0.47%, 0.78%

LAB 72.47, 9.85, -25.95

 

CMYK 0 / 24 / 3 / 12

HEX #E1ACDA

RGB 225 172 218

HSL 307.92, 0.47%, 0.78%

LAB 76.42, 26.85, -15.71

 

CMYK 0 / 2 / 24 / 12

HEX #E1DDAC

RGB 225 221 172

HSL 55.47, 0.47%, 0.78%

LAB 87.34, -6.37, 24.61

 

CMYK 24 / 0 / 20 / 12

HEX #ACE1B3

RGB 172 225 179

HSL 127.92, 0.47%, 0.78%

LAB 84.93, -25.92, 17.07

 

CMYK 24 / 23 / 0 / 12

HEX #ABAEE1

RGB 171 174 225

HSL 236.67, 0.47%, 0.78%

LAB 72.47, 9.85, -25.95

 

CMYK 0 / 24 / 10 / 12

HEX #E1ACCA

RGB 225 172 202

HSL 326.04, 0.47%, 0.78%

LAB 75.93, 24.06, -7.72

 

CMYK 0 / 2 / 24 / 12

HEX #E1DDAC

RGB 225 221 172

HSL 55.47, 0.47%, 0.78%

LAB 87.34, -6.37, 24.61

 

CMYK 24 / 0 / 13 / 12

HEX #ACE1C3

RGB 172 225 195

HSL 146.04, 0.47%, 0.78%

LAB 85.28, -22.98, 9.17

 

Description

Color code: HEX #ABAEE1 | qconv.com Color code: HEX #ABAEE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 174 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 174 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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