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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABB65E it is the complementary color #5449A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABB65E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABB65E shade: #B0B659, #C1C86C, #D2DA7F, #E3EC92 and #F4FEA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABB65E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABB65E shade: #ABB65E, #9AA44B, #899238, #788025 and #676E12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABB65E shade: #ABB65D, #B6A95D, #B6915D, #B6795D and #B6615D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABB65E shade: #ABB65D, #93B65D, #7BB65D, #63B65D and #5DB66F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABB65E shade matches the following richer shades: #ABB65D, #B9C94A, #C7DC37 and #D5EF24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABB65E shade: #ABB65D, #9CA370, #8E9083, #807D96 and #726AA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABB65E shade: #B6915D, #B6A85D, #ABB65D, #94B65D and #7CB65D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABB65E shade: #7B853B, #96A148, #ABB65D, #B9C379 and #C8CF96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABB65E shade: #ABB65E, #5DB679 and #9D5DB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABB65E shade: #ABB65E, #5DABB6 and #B65DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABB65E shade: #ABB65E, #5DB679, #675DB6 and #B65D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABB65E shade: #ABB65E, #5DB694, #675DB6 and #B65D7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 48 / 29

HEX #ABB65E

RGB 171 182 94

HSL 67.5, 0.38%, 0.54%

LAB 71.5, -16.94, 43.17

 

Complementary color

CMYK 48 / 55 / 0 / 37

HEX #5449A1

RGB 84 73 161

HSL 247.5, 0.38%, 0.46%

LAB 36.41, 28.17, -46.43

 

CMYK 3 / 0 / 51 / 29

HEX #B0B659

RGB 176 182 89

HSL 63.87, 0.39%, 0.53%

LAB 71.83, -15.36, 46.09

 

CMYK 4 / 0 / 46 / 22

HEX #C1C86C

RGB 193 200 108

HSL 64.57, 0.46%, 0.6%

LAB 78.3, -15.76, 44.94

 

CMYK 4 / 0 / 42 / 15

HEX #D2DA7F

RGB 210 218 127

HSL 65.27, 0.55%, 0.68%

LAB 84.68, -16.09, 43.77

 

CMYK 4 / 0 / 38 / 7

HEX #E3EC92

RGB 227 236 146

HSL 66, 0.7%, 0.75%

LAB 90.96, -16.35, 42.62

 

CMYK 4 / 0 / 35 / 0

HEX #F4FEA5

RGB 244 254 165

HSL 66.74, 0.98%, 0.82%

LAB 97.16, -16.58, 41.5

 

CMYK 6 / 0 / 48 / 29

HEX #ABB65E

RGB 171 182 94

HSL 67.5, 0.38%, 0.54%

LAB 71.5, -16.94, 43.17

 

CMYK 6 / 0 / 54 / 36

HEX #9AA44B

RGB 154 164 75

HSL 66.74, 0.37%, 0.47%

LAB 64.91, -16.55, 44.31

 

CMYK 6 / 0 / 62 / 43

HEX #899238

RGB 137 146 56

HSL 66, 0.45%, 0.4%

LAB 58.19, -16.04, 45.32

 

CMYK 6 / 0 / 71 / 50

HEX #788025

RGB 120 128 37

HSL 65.27, 0.55%, 0.32%

LAB 51.34, -15.35, 45.98

 

CMYK 6 / 0 / 84 / 57

HEX #676E12

RGB 103 110 18

HSL 64.57, 0.72%, 0.25%

LAB 44.35, -14.41, 45.76

 

CMYK 6 / 0 / 49 / 29

HEX #ABB65D

RGB 171 182 93

HSL 67.42, 0.38%, 0.54%

LAB 71.49, -17.04, 43.65

 

CMYK 0 / 7 / 49 / 29

HEX #B6A95D

RGB 182 169 93

HSL 51.24, 0.38%, 0.54%

LAB 68.83, -5.73, 40.64

 

CMYK 0 / 20 / 49 / 29

HEX #B6915D

RGB 182 145 93

HSL 35.06, 0.38%, 0.54%

LAB 62.5, 7.28, 32.78

 

CMYK 0 / 34 / 49 / 29

HEX #B6795D

RGB 182 121 93

HSL 18.88, 0.38%, 0.54%

LAB 56.5, 20.62, 25.05

 

CMYK 0 / 47 / 49 / 29

HEX #B6615D

RGB 182 97 93

HSL 2.7, 0.38%, 0.54%

LAB 51.02, 33.78, 17.75

 

CMYK 6 / 0 / 49 / 29

HEX #ABB65D

RGB 171 182 93

HSL 67.42, 0.38%, 0.54%

LAB 71.49, -17.04, 43.65

 

CMYK 19 / 0 / 49 / 29

HEX #93B65D

RGB 147 182 93

HSL 83.6, 0.38%, 0.54%

LAB 69.79, -26.58, 41.19

 

CMYK 32 / 0 / 49 / 29

HEX #7BB65D

RGB 123 182 93

HSL 99.78, 0.38%, 0.54%

LAB 68.36, -35.44, 39.11

 

CMYK 46 / 0 / 49 / 29

HEX #63B65D

RGB 99 182 93

HSL 115.96, 0.38%, 0.54%

LAB 67.2, -43.26, 37.43

 

CMYK 49 / 0 / 39 / 29

HEX #5DB66F

RGB 93 182 111

HSL 132.13, 0.38%, 0.54%

LAB 67.23, -42.21, 28.13

 

CMYK 6 / 0 / 49 / 29

HEX #ABB65D

RGB 171 182 93

HSL 67.42, 0.38%, 0.54%

LAB 71.49, -17.04, 43.65

 

CMYK 8 / 0 / 63 / 21

HEX #B9C94A

RGB 185 201 74

HSL 67.56, 0.54%, 0.54%

LAB 77.63, -22.34, 59.51

 

CMYK 10 / 0 / 75 / 14

HEX #C7DC37

RGB 199 220 55

HSL 67.64, 0.7%, 0.54%

LAB 83.76, -26.81, 72.85

 

CMYK 11 / 0 / 85 / 6

HEX #D5EF24

RGB 213 239 36

HSL 67.68, 0.86%, 0.54%

LAB 89.86, -30.69, 83.41

 

CMYK 6 / 0 / 49 / 29

HEX #ABB65D

RGB 171 182 93

HSL 67.42, 0.38%, 0.54%

LAB 71.49, -17.04, 43.65

 

CMYK 4 / 0 / 31 / 36

HEX #9CA370

RGB 156 163 112

HSL 68.24, 0.22%, 0.54%

LAB 65.3, -11.03, 25.72

 

CMYK 1 / 0 / 9 / 44

HEX #8E9083

RGB 142 144 131

HSL 69.23, 0.06%, 0.54%

LAB 59.28, -3.18, 6.65

 

CMYK 15 / 17 / 0 / 41

HEX #807D96

RGB 128 125 150

HSL 247.2, 0.11%, 0.54%

LAB 53.45, 6.44, -13.03

 

CMYK 33 / 37 / 0 / 34

HEX #726AA9

RGB 114 106 169

HSL 247.62, 0.27%, 0.54%

LAB 47.94, 18.04, -32.7

 

CMYK 0 / 20 / 49 / 29

HEX #B6915D

RGB 182 145 93

HSL 35.06, 0.38%, 0.54%

LAB 62.5, 7.28, 32.78

 

CMYK 0 / 8 / 49 / 29

HEX #B6A85D

RGB 182 168 93

HSL 50.56, 0.38%, 0.54%

LAB 68.56, -5.19, 40.31

 

CMYK 6 / 0 / 49 / 29

HEX #ABB65D

RGB 171 182 93

HSL 67.42, 0.38%, 0.54%

LAB 71.49, -17.04, 43.65

 

CMYK 19 / 0 / 49 / 29

HEX #94B65D

RGB 148 182 93

HSL 82.92, 0.38%, 0.54%

LAB 69.85, -26.2, 41.28

 

CMYK 32 / 0 / 49 / 29

HEX #7CB65D

RGB 124 182 93

HSL 99.1, 0.38%, 0.54%

LAB 68.41, -35.09, 39.19

 

CMYK 8 / 0 / 56 / 48

HEX #7B853B

RGB 123 133 59

HSL 68.11, 0.39%, 0.38%

LAB 53.28, -15.01, 38.07

 

CMYK 7 / 0 / 55 / 37

HEX #96A148

RGB 150 161 72

HSL 67.42, 0.38%, 0.46%

LAB 63.71, -16.95, 44.29

 

CMYK 6 / 0 / 49 / 29

HEX #ABB65D

RGB 171 182 93

HSL 67.42, 0.38%, 0.54%

LAB 71.49, -17.04, 43.65

 

CMYK 5 / 0 / 38 / 24

HEX #B9C379

RGB 185 195 121

HSL 68.11, 0.38%, 0.62%

LAB 76.51, -15, 36.04

 

CMYK 3 / 0 / 28 / 19

HEX #C8CF96

RGB 200 207 150

HSL 67.37, 0.37%, 0.7%

LAB 81.35, -11.63, 27.6

 

CMYK 6 / 0 / 48 / 29

HEX #ABB65E

RGB 171 182 94

HSL 67.5, 0.38%, 0.54%

LAB 71.5, -16.94, 43.17

 

CMYK 49 / 0 / 34 / 29

HEX #5DB679

RGB 93 182 121

HSL 138.88, 0.38%, 0.54%

LAB 67.4, -40.44, 23.04

 

CMYK 14 / 49 / 0 / 29

HEX #9D5DB6

RGB 157 93 182

HSL 283.15, 0.38%, 0.54%

LAB 49.95, 41.41, -36.82

 

CMYK 6 / 0 / 48 / 29

HEX #ABB65E

RGB 171 182 94

HSL 67.5, 0.38%, 0.54%

LAB 71.5, -16.94, 43.17

 

CMYK 49 / 6 / 0 / 29

HEX #5DABB6

RGB 93 171 182

HSL 187.42, 0.38%, 0.54%

LAB 65.62, -21.01, -13.1

 

CMYK 0 / 49 / 6 / 29

HEX #B65DAB

RGB 182 93 171

HSL 307.42, 0.38%, 0.54%

LAB 52.64, 46.68, -25.99

 

CMYK 6 / 0 / 48 / 29

HEX #ABB65E

RGB 171 182 94

HSL 67.5, 0.38%, 0.54%

LAB 71.5, -16.94, 43.17

 

CMYK 49 / 0 / 34 / 29

HEX #5DB679

RGB 93 182 121

HSL 138.88, 0.38%, 0.54%

LAB 67.4, -40.44, 23.04

 

CMYK 43 / 49 / 0 / 29

HEX #675DB6

RGB 103 93 182

HSL 246.74, 0.38%, 0.54%

LAB 44.36, 26.7, -46.03

 

CMYK 0 / 49 / 15 / 29

HEX #B65D9A

RGB 182 93 154

HSL 318.88, 0.38%, 0.54%

LAB 51.96, 43.83, -17.07

 

CMYK 6 / 0 / 48 / 29

HEX #ABB65E

RGB 171 182 94

HSL 67.5, 0.38%, 0.54%

LAB 71.5, -16.94, 43.17

 

CMYK 49 / 0 / 19 / 29

HEX #5DB694

RGB 93 182 148

HSL 157.08, 0.38%, 0.54%

LAB 67.96, -34.91, 9.16

 

CMYK 43 / 49 / 0 / 29

HEX #675DB6

RGB 103 93 182

HSL 246.74, 0.38%, 0.54%

LAB 44.36, 26.7, -46.03

 

CMYK 0 / 49 / 30 / 29

HEX #B65D7F

RGB 182 93 127

HSL 337.08, 0.38%, 0.54%

LAB 51.04, 39.85, -2.44

 

Description

Color code: HEX #ABB65E | qconv.com Color code: HEX #ABB65E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 182 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 182 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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