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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC24B4 it is the complementary color #53DB4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC24B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC24B4 shade: #B124AF, #C236C2, #D348D5, #E45AE8 and #F56CFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC24B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC24B4 shade: #AC24B4, #9B12A1, #8A008E, #79007B and #680068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC24B4 shade: #AA23B2, #B22394, #B2236D, #B22346 and #B22323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC24B4 shade: #AA23B2, #8423B2, #5D23B2, #3623B2 and #2323B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC24B4 shade matches the following richer shades: #AA23B2, #BA12C4 and #C900D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC24B4 shade: #AA23B2, #9B34A1, #8C4690, #7C577E and #6D686D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC24B4 shade: #5C23B2, #8323B2, #A923B2, #B22396 and #B2236F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC24B4 shade: #69156D, #891C90, #AA23B2, #CB2AD5 and #D34CDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC24B4 shade: #AC24B4, #B23623 and #23B26F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC24B4 shade: #AC24B4, #B2A923 and #23B2A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC24B4 shade: #AC24B4, #B23623, #2CB223 and #239FB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC24B4 shade: #AC24B4, #B26123, #2CB223 and #2374B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 80 / 0 / 29

HEX #AC24B4

RGB 172 36 180

HSL 296.67, 0.67%, 0.42%

LAB 43.25, 68.68, -46.14

 

Complementary color

CMYK 62 / 0 / 66 / 14

HEX #53DB4B

RGB 83 219 75

HSL 116.67, 0.67%, 0.58%

LAB 77.88, -63.59, 57.89

 

CMYK 0 / 80 / 1 / 31

HEX #B124AF

RGB 177 36 175

HSL 300.85, 0.66%, 0.42%

LAB 43.81, 68.86, -42.25

 

CMYK 0 / 72 / 0 / 24

HEX #C236C2

RGB 194 54 194

HSL 300, 0.56%, 0.49%

LAB 49.5, 70.18, -44.16

 

CMYK 1 / 66 / 0 / 16

HEX #D348D5

RGB 211 72 213

HSL 299.15, 0.63%, 0.56%

LAB 55.37, 70.76, -45.59

 

CMYK 2 / 61 / 0 / 9

HEX #E45AE8

RGB 228 90 232

HSL 298.31, 0.76%, 0.63%

LAB 61.34, 70.87, -46.69

 

CMYK 2 / 57 / 0 / 2

HEX #F56CFB

RGB 245 108 251

HSL 297.48, 0.95%, 0.7%

LAB 67.35, 70.66, -47.56

 

CMYK 4 / 80 / 0 / 29

HEX #AC24B4

RGB 172 36 180

HSL 296.67, 0.67%, 0.42%

LAB 43.25, 68.68, -46.14

 

CMYK 4 / 89 / 0 / 37

HEX #9B12A1

RGB 155 18 161

HSL 297.48, 0.8%, 0.35%

LAB 37.8, 66.34, -43.7

 

CMYK 3 / 100 / 0 / 44

HEX #8A008E

RGB 138 0 142

HSL 298.31, 1%, 0.28%

LAB 32.6, 62.87, -40.6

 

CMYK 2 / 100 / 0 / 52

HEX #79007B

RGB 121 0 123

HSL 299.02, 1%, 0.24%

LAB 28.1, 56.92, -36.11

 

CMYK 0 / 100 / 0 / 59

HEX #680068

RGB 104 0 104

HSL 300, 1%, 0.2%

LAB 23.48, 50.83, -31.47

 

CMYK 4 / 80 / 0 / 30

HEX #AA23B2

RGB 170 35 178

HSL 296.64, 0.67%, 0.42%

LAB 42.71, 68.23, -45.85

 

CMYK 0 / 80 / 17 / 30

HEX #B22394

RGB 178 35 148

HSL 312.59, 0.67%, 0.42%

LAB 42.47, 65.35, -28.18

 

CMYK 0 / 80 / 39 / 30

HEX #B2236D

RGB 178 35 109

HSL 328.95, 0.67%, 0.42%

LAB 40.85, 60.65, -6.62

 

CMYK 0 / 80 / 61 / 30

HEX #B22346

RGB 178 35 70

HSL 345.31, 0.67%, 0.42%

LAB 39.76, 57.36, 16.48

 

CMYK 0 / 80 / 80 / 30

HEX #B22323

RGB 178 35 35

HSL 0, 0.67%, 0.42%

LAB 39.22, 55.68, 37.2

 

CMYK 4 / 80 / 0 / 30

HEX #AA23B2

RGB 170 35 178

HSL 296.64, 0.67%, 0.42%

LAB 42.71, 68.23, -45.85

 

CMYK 26 / 80 / 0 / 30

HEX #8423B2

RGB 132 35 178

HSL 280.7, 0.67%, 0.42%

LAB 36.6, 61.23, -56.01

 

CMYK 48 / 80 / 0 / 30

HEX #5D23B2

RGB 93 35 178

HSL 264.34, 0.67%, 0.42%

LAB 31.22, 55.09, -65.02

 

CMYK 70 / 80 / 0 / 30

HEX #3623B2

RGB 54 35 178

HSL 247.97, 0.67%, 0.42%

LAB 27.3, 50.65, -71.61

 

CMYK 80 / 80 / 0 / 30

HEX #2323B2

RGB 35 35 178

HSL 240, 0.67%, 0.42%

LAB 26.08, 49.27, -73.67

 

CMYK 4 / 80 / 0 / 30

HEX #AA23B2

RGB 170 35 178

HSL 296.64, 0.67%, 0.42%

LAB 42.71, 68.23, -45.85

 

CMYK 5 / 91 / 0 / 23

HEX #BA12C4

RGB 186 18 196

HSL 296.63, 0.83%, 0.42%

LAB 45.44, 77.23, -51.88

 

CMYK 6 / 100 / 0 / 16

HEX #C900D5

RGB 201 0 213

HSL 296.62, 1%, 0.42%

LAB 48.54, 83.91, -56.59

 

CMYK 4 / 80 / 0 / 30

HEX #AA23B2

RGB 170 35 178

HSL 296.64, 0.67%, 0.42%

LAB 42.71, 68.23, -45.85

 

CMYK 4 / 68 / 0 / 37

HEX #9B34A1

RGB 155 52 161

HSL 296.7, 0.51%, 0.42%

LAB 41.21, 56.52, -38.25

 

CMYK 3 / 51 / 0 / 44

HEX #8C4690

RGB 140 70 144

HSL 296.76, 0.35%, 0.42%

LAB 41.17, 40.93, -28.23

 

CMYK 2 / 31 / 0 / 51

HEX #7C577E

RGB 124 87 126

HSL 296.92, 0.18%, 0.42%

LAB 42.17, 22.37, -15.92

 

CMYK 0 / 5 / 0 / 57

HEX #6D686D

RGB 109 104 109

HSL 300, 0.02%, 0.42%

LAB 44.6, 2.97, -2.11

 

CMYK 48 / 80 / 0 / 30

HEX #5C23B2

RGB 92 35 178

HSL 263.92, 0.67%, 0.42%

LAB 31.09, 54.95, -65.22

 

CMYK 26 / 80 / 0 / 30

HEX #8323B2

RGB 131 35 178

HSL 280.28, 0.67%, 0.42%

LAB 36.45, 61.06, -56.26

 

CMYK 5 / 80 / 0 / 30

HEX #A923B2

RGB 169 35 178

HSL 296.22, 0.67%, 0.42%

LAB 42.54, 68.03, -46.13

 

CMYK 0 / 80 / 16 / 30

HEX #B22396

RGB 178 35 150

HSL 311.75, 0.67%, 0.42%

LAB 42.57, 65.63, -29.24

 

CMYK 0 / 80 / 38 / 30

HEX #B2236F

RGB 178 35 111

HSL 328.11, 0.67%, 0.42%

LAB 40.92, 60.86, -7.77

 

CMYK 4 / 81 / 0 / 57

HEX #69156D

RGB 105 21 109

HSL 297.27, 0.68%, 0.25%

LAB 25.69, 46.94, -31.17

 

CMYK 5 / 81 / 0 / 44

HEX #891C90

RGB 137 28 144

HSL 296.38, 0.67%, 0.34%

LAB 34.32, 57.83, -39.1

 

CMYK 4 / 80 / 0 / 30

HEX #AA23B2

RGB 170 35 178

HSL 296.64, 0.67%, 0.42%

LAB 42.71, 68.23, -45.85

 

CMYK 5 / 80 / 0 / 16

HEX #CB2AD5

RGB 203 42 213

HSL 296.49, 0.67%, 0.5%

LAB 50.87, 78.38, -52.83

 

CMYK 4 / 65 / 0 / 14

HEX #D34CDB

RGB 211 76 219

HSL 296.64, 0.67%, 0.58%

LAB 56.22, 70.25, -47.64

 

CMYK 4 / 80 / 0 / 29

HEX #AC24B4

RGB 172 36 180

HSL 296.67, 0.67%, 0.42%

LAB 43.25, 68.68, -46.14

 

CMYK 0 / 70 / 80 / 30

HEX #B23623

RGB 178 54 35

HSL 7.97, 0.67%, 0.42%

LAB 41.57, 49.16, 39.56

 

CMYK 80 / 0 / 38 / 30

HEX #23B26F

RGB 35 178 111

HSL 151.89, 0.67%, 0.42%

LAB 64.44, -51.91, 24.16

 

CMYK 4 / 80 / 0 / 29

HEX #AC24B4

RGB 172 36 180

HSL 296.67, 0.67%, 0.42%

LAB 43.25, 68.68, -46.14

 

CMYK 0 / 5 / 80 / 30

HEX #B2A923

RGB 178 169 35

HSL 56.22, 0.67%, 0.42%

LAB 67.99, -11.14, 63.99

 

CMYK 80 / 0 / 5 / 30

HEX #23B2A9

RGB 35 178 169

HSL 176.22, 0.67%, 0.42%

LAB 65.8, -37.54, -5.76

 

CMYK 4 / 80 / 0 / 29

HEX #AC24B4

RGB 172 36 180

HSL 296.67, 0.67%, 0.42%

LAB 43.25, 68.68, -46.14

 

CMYK 0 / 70 / 80 / 30

HEX #B23623

RGB 178 54 35

HSL 7.97, 0.67%, 0.42%

LAB 41.57, 49.16, 39.56

 

CMYK 75 / 0 / 80 / 30

HEX #2CB223

RGB 44 178 35

HSL 116.22, 0.67%, 0.42%

LAB 63.75, -60.6, 57.56

 

CMYK 80 / 11 / 0 / 30

HEX #239FB2

RGB 35 159 178

HSL 187.97, 0.67%, 0.42%

LAB 60.22, -25.65, -19.18

 

CMYK 4 / 80 / 0 / 29

HEX #AC24B4

RGB 172 36 180

HSL 296.67, 0.67%, 0.42%

LAB 43.25, 68.68, -46.14

 

CMYK 0 / 46 / 80 / 30

HEX #B26123

RGB 178 97 35

HSL 26.01, 0.67%, 0.42%

LAB 49.66, 28.28, 47.38

 

CMYK 75 / 0 / 80 / 30

HEX #2CB223

RGB 44 178 35

HSL 116.22, 0.67%, 0.42%

LAB 63.75, -60.6, 57.56

 

CMYK 80 / 35 / 0 / 30

HEX #2374B2

RGB 35 116 178

HSL 206.01, 0.67%, 0.42%

LAB 47.06, -1.75, -39.63

 

Description

Color code: HEX #AC24B4 | qconv.com Color code: HEX #AC24B4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 36 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 36 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 80 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 80% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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