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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6C39 it is the complementary color #5393C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6C39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6C39 shade: #B16C34, #C27E47, #D3905A, #E4A26D and #F5B480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6C39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6C39 shade: #AC6C39, #9B5A26, #8A4813, #793600 and #682400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6C39 shade: #AC6C39, #AC4D39 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6C39 shade: #AC6C39, #AC8B39, #ACAA39, #8FAC39 and #70AC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6C39 shade matches the following richer shades: #AC6C39, #BE6A26, #D16814 and #E36501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6C39 shade: #AC6C39, #996E4B, #86705E, #747271 and #617483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6C39 shade: #AC3944, #AC4C39, #AC6B39, #AC8939 and #ACA839

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6C39 shade: #6E4524, #8D582F, #AC6C39, #C3804B and #CD966A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6C39 shade: #AC6C39, #63AC39 and #3D39AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6C39 shade: #AC6C39, #39AC6B and #6B39AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6C39 shade: #AC6C39, #63AC39, #397AAC and #8239AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6C39 shade: #AC6C39, #41AC39, #397AAC and #A439AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

Complementary color

CMYK 58 / 26 / 0 / 22

HEX #5393C6

RGB 83 147 198

HSL 206.61, 0.5%, 0.55%

LAB 58.77, -5.42, -32.57

 

CMYK 0 / 39 / 71 / 31

HEX #B16C34

RGB 177 108 52

HSL 26.88, 0.55%, 0.45%

LAB 52.2, 22.57, 41.9

 

CMYK 0 / 35 / 63 / 24

HEX #C27E47

RGB 194 126 71

HSL 26.83, 0.5%, 0.52%

LAB 58.83, 21.05, 40.26

 

CMYK 0 / 32 / 57 / 17

HEX #D3905A

RGB 211 144 90

HSL 26.78, 0.58%, 0.59%

LAB 65.38, 19.74, 38.66

 

CMYK 0 / 29 / 52 / 11

HEX #E4A26D

RGB 228 162 109

HSL 26.72, 0.69%, 0.66%

LAB 71.85, 18.6, 37.14

 

CMYK 0 / 27 / 48 / 4

HEX #F5B480

RGB 245 180 128

HSL 26.67, 0.85%, 0.73%

LAB 78.24, 17.6, 35.72

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 0 / 42 / 75 / 39

HEX #9B5A26

RGB 155 90 38

HSL 26.67, 0.61%, 0.38%

LAB 44.83, 22.38, 40.14

 

CMYK 0 / 48 / 86 / 46

HEX #8A4813

RGB 138 72 19

HSL 26.72, 0.76%, 0.31%

LAB 37.99, 24.32, 41.38

 

CMYK 0 / 55 / 100 / 53

HEX #793600

RGB 121 54 0

HSL 26.78, 1%, 0.24%

LAB 31.12, 26.5, 42.09

 

CMYK 0 / 65 / 100 / 59

HEX #682400

RGB 104 36 0

HSL 20.77, 1%, 0.2%

LAB 24.34, 28.91, 35.13

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 0 / 55 / 67 / 33

HEX #AC4D39

RGB 172 77 57

HSL 10.43, 0.5%, 0.45%

LAB 44.76, 37.48, 30.52

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 0 / 19 / 67 / 33

HEX #AC8B39

RGB 172 139 57

HSL 42.78, 0.5%, 0.45%

LAB 59.46, 3.35, 47.18

 

CMYK 0 / 1 / 67 / 33

HEX #ACAA39

RGB 172 170 57

HSL 58.96, 0.5%, 0.45%

LAB 67.88, -13.28, 56

 

CMYK 17 / 0 / 67 / 33

HEX #8FAC39

RGB 143 172 57

HSL 75.13, 0.5%, 0.45%

LAB 66.24, -26.55, 53.61

 

CMYK 35 / 0 / 67 / 33

HEX #70AC39

RGB 112 172 57

HSL 91.3, 0.5%, 0.45%

LAB 64.36, -38.58, 51.05

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 0 / 44 / 80 / 25

HEX #BE6A26

RGB 190 106 38

HSL 26.84, 0.67%, 0.45%

LAB 53.38, 28.57, 50.2

 

CMYK 0 / 50 / 90 / 18

HEX #D16814

RGB 209 104 20

HSL 26.67, 0.83%, 0.45%

LAB 55.59, 36.96, 59.57

 

CMYK 0 / 56 / 100 / 11

HEX #E36501

RGB 227 101 1

HSL 26.55, 0.99%, 0.45%

LAB 57.69, 45.24, 66.24

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 0 / 28 / 51 / 40

HEX #996E4B

RGB 153 110 75

HSL 26.92, 0.34%, 0.45%

LAB 50.02, 12.76, 26.18

 

CMYK 0 / 16 / 30 / 47

HEX #86705E

RGB 134 112 94

HSL 27, 0.18%, 0.45%

LAB 48.84, 5.75, 13.23

 

CMYK 0 / 2 / 3 / 55

HEX #747271

RGB 116 114 113

HSL 20, 0.01%, 0.45%

LAB 48.18, 0.57, 0.82

 

CMYK 26 / 11 / 0 / 49

HEX #617483

RGB 97 116 131

HSL 206.47, 0.15%, 0.45%

LAB 47.84, -3.36, -10.55

 

CMYK 0 / 67 / 60 / 33

HEX #AC3944

RGB 172 57 68

HSL 354.26, 0.5%, 0.45%

LAB 41.4, 47.59, 19.7

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 0 / 38 / 67 / 33

HEX #AC6B39

RGB 172 107 57

HSL 26.09, 0.5%, 0.45%

LAB 51.36, 21.27, 38.22

 

CMYK 0 / 20 / 67 / 33

HEX #AC8939

RGB 172 137 57

HSL 41.74, 0.5%, 0.45%

LAB 58.93, 4.46, 46.61

 

CMYK 0 / 2 / 67 / 33

HEX #ACA839

RGB 172 168 57

HSL 57.91, 0.5%, 0.45%

LAB 67.33, -12.24, 55.43

 

CMYK 0 / 37 / 67 / 57

HEX #6E4524

RGB 110 69 36

HSL 26.76, 0.51%, 0.29%

LAB 33.35, 14.15, 26.85

 

CMYK 0 / 38 / 67 / 45

HEX #8D582F

RGB 141 88 47

HSL 26.17, 0.5%, 0.37%

LAB 42.53, 17.83, 32.39

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 0 / 34 / 62 / 24

HEX #C3804B

RGB 195 128 75

HSL 26.5, 0.5%, 0.53%

LAB 59.48, 20.66, 38.97

 

CMYK 0 / 27 / 48 / 20

HEX #CD966A

RGB 205 150 106

HSL 26.67, 0.5%, 0.61%

LAB 66.39, 15.4, 31.26

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 42 / 0 / 67 / 33

HEX #63AC39

RGB 99 172 57

HSL 98.09, 0.5%, 0.45%

LAB 63.72, -43.08, 50.17

 

CMYK 65 / 67 / 0 / 33

HEX #3D39AC

RGB 61 57 172

HSL 242.09, 0.5%, 0.45%

LAB 31.57, 37.38, -60.97

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 67 / 0 / 38 / 33

HEX #39AC6B

RGB 57 172 107

HSL 146.09, 0.5%, 0.45%

LAB 62.87, -47.14, 24.28

 

CMYK 38 / 67 / 0 / 33

HEX #6B39AC

RGB 107 57 172

HSL 266.09, 0.5%, 0.45%

LAB 36.04, 45.71, -53.49

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 42 / 0 / 67 / 33

HEX #63AC39

RGB 99 172 57

HSL 98.09, 0.5%, 0.45%

LAB 63.72, -43.08, 50.17

 

CMYK 67 / 29 / 0 / 33

HEX #397AAC

RGB 57 122 172

HSL 206.09, 0.5%, 0.45%

LAB 49.21, -4.48, -32.7

 

CMYK 24 / 67 / 0 / 33

HEX #8239AC

RGB 130 57 172

HSL 278.09, 0.5%, 0.45%

LAB 38.99, 50.74, -48.59

 

CMYK 0 / 37 / 67 / 33

HEX #AC6C39

RGB 172 108 57

HSL 26.61, 0.5%, 0.45%

LAB 51.6, 20.71, 38.5

 

CMYK 62 / 0 / 67 / 33

HEX #41AC39

RGB 65 172 57

HSL 115.83, 0.5%, 0.45%

LAB 62.44, -52.75, 48.42

 

CMYK 67 / 29 / 0 / 33

HEX #397AAC

RGB 57 122 172

HSL 206.09, 0.5%, 0.45%

LAB 49.21, -4.48, -32.7

 

CMYK 5 / 67 / 0 / 33

HEX #A439AC

RGB 164 57 172

HSL 295.83, 0.5%, 0.45%

LAB 43.94, 58.62, -40.39

 

Description

Color code: HEX #AC6C39 | qconv.com Color code: HEX #AC6C39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 108 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 108 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 67% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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