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Color name
HEX #AC8F39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8F39 it is the complementary color #5370C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC8F39 shade: #B18F34, #C2A147, #D3B35A, #E4C56D and #F5D780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC8F39 shade: #AC8F39, #9B7D26, #8A6B13, #795900 and #684700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC8F39 shade: #AC8F39, #AC7039, #AC5139 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC8F39 shade: #AC8F39, #AAAC39, #8BAC39, #6CAC39 and #4DAC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC8F39 shade matches the following richer shades: #AC8F39, #BE9826, #D1A114 and #E3AA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC8F39 shade: #AC8F39, #99854B, #867C5E, #747371 and #616A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC8F39 shade: #AC5039, #AC6E39, #AC8D39, #ACAC39 and #8DAC39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC8F39 shade: #6E5B24, #8D752F, #AC8F39, #C3A54B and #CDB46A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC8F39 shade: #AC8F39, #41AC39 and #5F39AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC8F39 shade: #AC8F39, #39AC8D and #8D39AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC8F39 shade: #AC8F39, #41AC39, #3957AC and #A439AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC8F39 shade: #AC8F39, #39AC54, #3957AC and #AC3991

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

Complementary color

CMYK 58 / 43 / 0 / 22

HEX #5370C6

RGB 83 112 198

HSL 224.87, 0.5%, 0.55%

LAB 48.89, 15.47, -48.15

 

CMYK 0 / 19 / 71 / 31

HEX #B18F34

RGB 177 143 52

HSL 43.68, 0.55%, 0.45%

LAB 60.99, 3.08, 51.18

 

CMYK 0 / 17 / 63 / 24

HEX #C2A147

RGB 194 161 71

HSL 43.9, 0.5%, 0.52%

LAB 67.59, 1.91, 50.19

 

CMYK 0 / 15 / 57 / 17

HEX #D3B35A

RGB 211 179 90

HSL 44.13, 0.58%, 0.59%

LAB 74.08, 0.93, 49.01

 

CMYK 0 / 14 / 52 / 11

HEX #E4C56D

RGB 228 197 109

HSL 44.37, 0.69%, 0.66%

LAB 80.48, 0.1, 47.77

 

CMYK 0 / 12 / 48 / 4

HEX #F5D780

RGB 245 215 128

HSL 44.62, 0.85%, 0.73%

LAB 86.79, -0.61, 46.53

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 0 / 19 / 75 / 39

HEX #9B7D26

RGB 155 125 38

HSL 44.62, 0.61%, 0.38%

LAB 53.79, 2.42, 49.09

 

CMYK 0 / 22 / 86 / 46

HEX #8A6B13

RGB 138 107 19

HSL 44.37, 0.76%, 0.31%

LAB 46.93, 4, 49.03

 

CMYK 0 / 26 / 100 / 53

HEX #795900

RGB 121 89 0

HSL 44.13, 1%, 0.24%

LAB 39.93, 5.91, 47.86

 

CMYK 0 / 32 / 100 / 59

HEX #684700

RGB 104 71 0

HSL 40.96, 1%, 0.2%

LAB 32.81, 8.39, 42.02

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 0 / 35 / 67 / 33

HEX #AC7039

RGB 172 112 57

HSL 28.7, 0.5%, 0.45%

LAB 52.57, 18.47, 39.59

 

CMYK 0 / 53 / 67 / 33

HEX #AC5139

RGB 172 81 57

HSL 12.52, 0.5%, 0.45%

LAB 45.57, 35.42, 31.48

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 1 / 0 / 67 / 33

HEX #AAAC39

RGB 170 172 57

HSL 61.04, 0.5%, 0.45%

LAB 68.28, -15.17, 56.34

 

CMYK 19 / 0 / 67 / 33

HEX #8BAC39

RGB 139 172 57

HSL 77.22, 0.5%, 0.45%

LAB 65.97, -28.18, 53.24

 

CMYK 37 / 0 / 67 / 33

HEX #6CAC39

RGB 108 172 57

HSL 93.39, 0.5%, 0.45%

LAB 64.15, -40, 50.76

 

CMYK 55 / 0 / 67 / 33

HEX #4DAC39

RGB 77 172 57

HSL 109.57, 0.5%, 0.45%

LAB 62.83, -49.73, 48.95

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 0 / 20 / 80 / 25

HEX #BE9826

RGB 190 152 38

HSL 45, 0.67%, 0.45%

LAB 64.6, 3.35, 60.48

 

CMYK 0 / 23 / 90 / 18

HEX #D1A114

RGB 209 161 20

HSL 44.76, 0.83%, 0.45%

LAB 68.82, 6.47, 69.53

 

CMYK 0 / 25 / 100 / 11

HEX #E3AA01

RGB 227 170 1

HSL 44.87, 0.99%, 0.45%

LAB 72.95, 9.34, 75.99

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 0 / 13 / 51 / 40

HEX #99854B

RGB 153 133 75

HSL 44.62, 0.34%, 0.45%

LAB 56.14, -0.32, 33.85

 

CMYK 0 / 7 / 30 / 47

HEX #867C5E

RGB 134 124 94

HSL 45, 0.18%, 0.45%

LAB 52.17, -1.16, 17.79

 

CMYK 0 / 1 / 3 / 55

HEX #747371

RGB 116 115 113

HSL 40, 0.01%, 0.45%

LAB 48.47, -0.01, 1.23

 

CMYK 26 / 19 / 0 / 49

HEX #616A83

RGB 97 106 131

HSL 224.12, 0.15%, 0.45%

LAB 44.93, 2.58, -14.96

 

CMYK 0 / 53 / 67 / 33

HEX #AC5039

RGB 172 80 57

HSL 12, 0.5%, 0.45%

LAB 45.36, 35.94, 31.24

 

CMYK 0 / 36 / 67 / 33

HEX #AC6E39

RGB 172 110 57

HSL 27.65, 0.5%, 0.45%

LAB 52.08, 19.59, 39.04

 

CMYK 0 / 18 / 67 / 33

HEX #AC8D39

RGB 172 141 57

HSL 43.83, 0.5%, 0.45%

LAB 59.99, 2.25, 47.75

 

CMYK 0 / 0 / 67 / 33

HEX #ACAC39

RGB 172 172 57

HSL 60, 0.5%, 0.45%

LAB 68.44, -14.31, 56.56

 

CMYK 18 / 0 / 67 / 33

HEX #8DAC39

RGB 141 172 57

HSL 76.17, 0.5%, 0.45%

LAB 66.11, -27.37, 53.42

 

CMYK 0 / 17 / 67 / 57

HEX #6E5B24

RGB 110 91 36

HSL 44.59, 0.51%, 0.29%

LAB 39.45, 0.81, 33.73

 

CMYK 0 / 17 / 67 / 45

HEX #8D752F

RGB 141 117 47

HSL 44.68, 0.5%, 0.37%

LAB 50.2, 1.01, 40.95

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 0 / 12 / 48 / 20

HEX #CDB46A

RGB 205 180 106

HSL 44.85, 0.5%, 0.61%

LAB 73.97, -0.73, 40.84

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 62 / 0 / 67 / 33

HEX #41AC39

RGB 65 172 57

HSL 115.83, 0.5%, 0.45%

LAB 62.44, -52.75, 48.42

 

CMYK 45 / 67 / 0 / 33

HEX #5F39AC

RGB 95 57 172

HSL 259.83, 0.5%, 0.45%

LAB 34.68, 43.27, -55.77

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 67 / 0 / 18 / 33

HEX #39AC8D

RGB 57 172 141

HSL 163.83, 0.5%, 0.45%

LAB 63.59, -39.6, 6.63

 

CMYK 18 / 67 / 0 / 33

HEX #8D39AC

RGB 141 57 172

HSL 283.83, 0.5%, 0.45%

LAB 40.52, 53.25, -46.05

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 62 / 0 / 67 / 33

HEX #41AC39

RGB 65 172 57

HSL 115.83, 0.5%, 0.45%

LAB 62.44, -52.75, 48.42

 

CMYK 67 / 49 / 0 / 33

HEX #3957AC

RGB 57 87 172

HSL 224.35, 0.5%, 0.45%

LAB 39.01, 17.44, -48.9

 

CMYK 5 / 67 / 0 / 33

HEX #A439AC

RGB 164 57 172

HSL 295.83, 0.5%, 0.45%

LAB 43.94, 58.62, -40.39

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 67 / 0 / 51 / 33

HEX #39AC54

RGB 57 172 84

HSL 134.09, 0.5%, 0.45%

LAB 62.52, -51.1, 35.84

 

CMYK 67 / 49 / 0 / 33

HEX #3957AC

RGB 57 87 172

HSL 224.35, 0.5%, 0.45%

LAB 39.01, 17.44, -48.9

 

CMYK 0 / 67 / 16 / 33

HEX #AC3991

RGB 172 57 145

HSL 314.09, 0.5%, 0.45%

LAB 43.86, 56.19, -24.27

 

Description

Color code: HEX #AC8F39 | qconv.com Color code: HEX #AC8F39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 143 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 143 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 67% 33% C M Y K

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Provide designers and agencies with accurate color values.

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