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Color name
HEX #AD3697

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3697 it is the complementary color #52C968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3697 shade: #B23692, #C348A5, #D45AB8, #E56CCB and #F67EDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3697 shade: #AD3697, #9C2484, #8B1271, #7A005E and #69004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3697 shade: #AE3798, #AE3778, #AE3757, #AE3737 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3697 shade: #AE3798, #A437AE, #8437AE, #6337AE and #4337AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3697 shade matches the following richer shades: #AE3798, #C024A4 and #D311AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3697 shade: #AE3798, #9B498C, #895C80, #766E75 and #648169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3697 shade: #8437AE, #A437AE, #AE3798, #AE3778 and #AE3758

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3697 shade: #6F2361, #8F2D7C, #AE3798, #C549AE and #CF68BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3697 shade: #AD3697, #AE6437 and #37AE94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3697 shade: #AD3697, #98AE37 and #3798AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3697 shade: #AD3697, #AE6437, #37AE4C and #3780AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3697 shade: #AD3697, #AE8837, #37AE4C and #375CAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 13 / 32

HEX #AD3697

RGB 173 54 151

HSL 311.09, 0.52%, 0.45%

LAB 43.88, 58.52, -27.85

 

Complementary color

CMYK 59 / 0 / 48 / 21

HEX #52C968

RGB 82 201 104

HSL 131.09, 0.52%, 0.55%

LAB 72.61, -53.79, 38.55

 

CMYK 0 / 70 / 18 / 30

HEX #B23692

RGB 178 54 146

HSL 315.48, 0.53%, 0.45%

LAB 44.49, 59.07, -23.83

 

CMYK 0 / 63 / 15 / 24

HEX #C348A5

RGB 195 72 165

HSL 314.63, 0.51%, 0.52%

LAB 50.63, 59.22, -25.42

 

CMYK 0 / 58 / 13 / 17

HEX #D45AB8

RGB 212 90 184

HSL 313.77, 0.59%, 0.59%

LAB 56.85, 58.99, -26.66

 

CMYK 0 / 53 / 11 / 10

HEX #E56CCB

RGB 229 108 203

HSL 312.89, 0.7%, 0.66%

LAB 63.09, 58.52, -27.66

 

CMYK 0 / 49 / 10 / 4

HEX #F67EDE

RGB 246 126 222

HSL 312, 0.87%, 0.73%

LAB 69.32, 57.93, -28.5

 

CMYK 0 / 69 / 13 / 32

HEX #AD3697

RGB 173 54 151

HSL 311.09, 0.52%, 0.45%

LAB 43.88, 58.52, -27.85

 

CMYK 0 / 77 / 15 / 39

HEX #9C2484

RGB 156 36 132

HSL 312, 0.63%, 0.38%

LAB 37.83, 57.75, -25.92

 

CMYK 0 / 87 / 19 / 45

HEX #8B1271

RGB 139 18 113

HSL 312.89, 0.77%, 0.31%

LAB 32.06, 55.9, -23.25

 

CMYK 0 / 100 / 23 / 52

HEX #7A005E

RGB 122 0 94

HSL 313.77, 1%, 0.24%

LAB 26.58, 52.87, -19.78

 

CMYK 0 / 100 / 29 / 59

HEX #69004B

RGB 105 0 75

HSL 317.14, 1%, 0.21%

LAB 21.99, 46.81, -14.48

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 0 / 68 / 31 / 32

HEX #AE3778

RGB 174 55 120

HSL 327.23, 0.52%, 0.45%

LAB 42.89, 54.12, -10.46

 

CMYK 0 / 68 / 50 / 32

HEX #AE3757

RGB 174 55 87

HSL 343.87, 0.52%, 0.45%

LAB 41.87, 50.6, 8.56

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 6 / 68 / 0 / 32

HEX #A437AE

RGB 164 55 174

HSL 294.96, 0.52%, 0.45%

LAB 43.77, 59.77, -41.84

 

CMYK 24 / 68 / 0 / 32

HEX #8437AE

RGB 132 55 174

HSL 278.82, 0.52%, 0.45%

LAB 39.06, 52.55, -49.65

 

CMYK 43 / 68 / 0 / 32

HEX #6337AE

RGB 99 55 174

HSL 262.18, 0.52%, 0.45%

LAB 34.88, 45.68, -56.61

 

CMYK 61 / 68 / 0 / 32

HEX #4337AE

RGB 67 55 174

HSL 246.05, 0.52%, 0.45%

LAB 31.77, 40.12, -61.83

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 0 / 81 / 15 / 25

HEX #C024A4

RGB 192 36 164

HSL 310.77, 0.68%, 0.45%

LAB 45.84, 70.34, -32.34

 

CMYK 0 / 92 / 17 / 17

HEX #D311AF

RGB 211 17 175

HSL 311.13, 0.85%, 0.45%

LAB 48.69, 78.86, -34.13

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 0 / 53 / 10 / 39

HEX #9B498C

RGB 155 73 140

HSL 310.98, 0.36%, 0.45%

LAB 43.69, 43.2, -21.72

 

CMYK 0 / 33 / 7 / 46

HEX #895C80

RGB 137 92 128

HSL 312, 0.2%, 0.45%

LAB 44.99, 24.48, -12.7

 

CMYK 0 / 7 / 1 / 54

HEX #766E75

RGB 118 110 117

HSL 307.5, 0.04%, 0.45%

LAB 47.35, 4.49, -2.77

 

CMYK 22 / 0 / 19 / 49

HEX #648169

RGB 100 129 105

HSL 130.34, 0.13%, 0.45%

LAB 51.19, -15.51, 9.67

 

CMYK 24 / 68 / 0 / 32

HEX #8437AE

RGB 132 55 174

HSL 278.82, 0.52%, 0.45%

LAB 39.06, 52.55, -49.65

 

CMYK 6 / 68 / 0 / 32

HEX #A437AE

RGB 164 55 174

HSL 294.96, 0.52%, 0.45%

LAB 43.77, 59.77, -41.84

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 0 / 68 / 31 / 32

HEX #AE3778

RGB 174 55 120

HSL 327.23, 0.52%, 0.45%

LAB 42.89, 54.12, -10.46

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 68 / 13 / 56

HEX #6F2361

RGB 111 35 97

HSL 311.05, 0.52%, 0.29%

LAB 27.97, 41.01, -19.74

 

CMYK 0 / 69 / 13 / 44

HEX #8F2D7C

RGB 143 45 124

HSL 311.63, 0.52%, 0.37%

LAB 36.31, 50.04, -23.5

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 0 / 63 / 12 / 23

HEX #C549AE

RGB 197 73 174

HSL 311.13, 0.52%, 0.53%

LAB 51.49, 60.7, -29.35

 

CMYK 0 / 50 / 9 / 19

HEX #CF68BC

RGB 207 104 188

HSL 311.07, 0.52%, 0.61%

LAB 58.79, 51.59, -26.03

 

CMYK 0 / 69 / 13 / 32

HEX #AD3697

RGB 173 54 151

HSL 311.09, 0.52%, 0.45%

LAB 43.88, 58.52, -27.85

 

CMYK 0 / 43 / 68 / 32

HEX #AE6437

RGB 174 100 55

HSL 22.69, 0.52%, 0.45%

LAB 49.96, 25.9, 37.76

 

CMYK 68 / 0 / 15 / 32

HEX #37AE94

RGB 55 174 148

HSL 166.89, 0.52%, 0.45%

LAB 64.34, -39.04, 3.81

 

CMYK 0 / 69 / 13 / 32

HEX #AD3697

RGB 173 54 151

HSL 311.09, 0.52%, 0.45%

LAB 43.88, 58.52, -27.85

 

CMYK 13 / 0 / 68 / 32

HEX #98AE37

RGB 152 174 55

HSL 71.09, 0.52%, 0.45%

LAB 67.44, -23.94, 55.85

 

CMYK 68 / 13 / 0 / 32

HEX #3798AE

RGB 55 152 174

HSL 191.09, 0.52%, 0.45%

LAB 58.34, -20.87, -19.74

 

CMYK 0 / 69 / 13 / 32

HEX #AD3697

RGB 173 54 151

HSL 311.09, 0.52%, 0.45%

LAB 43.88, 58.52, -27.85

 

CMYK 0 / 43 / 68 / 32

HEX #AE6437

RGB 174 100 55

HSL 22.69, 0.52%, 0.45%

LAB 49.96, 25.9, 37.76

 

CMYK 68 / 0 / 56 / 32

HEX #37AE4C

RGB 55 174 76

HSL 130.59, 0.52%, 0.45%

LAB 63.02, -53.37, 40.38

 

CMYK 68 / 26 / 0 / 32

HEX #3780AE

RGB 55 128 174

HSL 203.19, 0.52%, 0.45%

LAB 51.04, -7.63, -31

 

CMYK 0 / 69 / 13 / 32

HEX #AD3697

RGB 173 54 151

HSL 311.09, 0.52%, 0.45%

LAB 43.88, 58.52, -27.85

 

CMYK 0 / 22 / 68 / 32

HEX #AE8837

RGB 174 136 55

HSL 40.84, 0.52%, 0.45%

LAB 58.87, 5.78, 47.52

 

CMYK 68 / 0 / 56 / 32

HEX #37AE4C

RGB 55 174 76

HSL 130.59, 0.52%, 0.45%

LAB 63.02, -53.37, 40.38

 

CMYK 68 / 47 / 0 / 32

HEX #375CAE

RGB 55 92 174

HSL 221.34, 0.52%, 0.45%

LAB 40.45, 14.59, -47.78

 

Description

Color code: HEX #AD3697 | qconv.com Color code: HEX #AD3697 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 54 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 54 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 13 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 13% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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