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Color name
HEX #AD546C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD546C it is the complementary color #52AB93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD546C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD546C shade: #B25467, #C3667A, #D4788D, #E58AA0 and #F69CB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD546C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD546C shade: #AD546C, #9C4259, #8B3046, #7A1E33 and #690C20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD546C shade: #AC526A and #AC5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD546C shade: #AC526A, #AC5283, #AC529B, #A552AC and #8D52AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD546C shade matches the following richer shades: #AC526A, #C03E61, #D52957, #EA144E and #FE0044

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD546C shade: #AC526A, #976774, #827C7D, #6E9087 and #59A590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD546C shade: #AC529B, #AC5283, #AC526C, #AC5254 and #AC6952

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD546C shade: #743848, #904559, #AC526A, #B96E82 and #C68A9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD546C shade: #AD546C, #ACA452 and #528FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD546C shade: #AD546C, #6CAC52 and #526CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD546C shade: #AD546C, #ACA452, #52AC92 and #525AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD546C shade: #AD546C, #98AC52, #52AC92 and #6652AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 38 / 32

HEX #AD546C

RGB 173 84 108

HSL 343.82, 0.35%, 0.5%

LAB 47.38, 38.91, 3.47

 

Complementary color

CMYK 52 / 0 / 14 / 33

HEX #52AB93

RGB 82 171 147

HSL 163.82, 0.35%, 0.5%

LAB 64.18, -32.65, 4.24

 

CMYK 0 / 53 / 42 / 30

HEX #B25467

RGB 178 84 103

HSL 347.87, 0.38%, 0.51%

LAB 47.99, 40.13, 7.47

 

CMYK 0 / 48 / 37 / 24

HEX #C3667A

RGB 195 102 122

HSL 347.1, 0.44%, 0.58%

LAB 54.56, 39.17, 5.86

 

CMYK 0 / 43 / 33 / 17

HEX #D4788D

RGB 212 120 141

HSL 346.3, 0.52%, 0.65%

LAB 61.09, 38.22, 4.49

 

CMYK 0 / 40 / 30 / 10

HEX #E58AA0

RGB 229 138 160

HSL 345.49, 0.64%, 0.72%

LAB 67.56, 37.32, 3.31

 

CMYK 0 / 37 / 27 / 4

HEX #F69CB3

RGB 246 156 179

HSL 344.67, 0.83%, 0.79%

LAB 73.95, 36.46, 2.25

 

CMYK 0 / 51 / 38 / 32

HEX #AD546C

RGB 173 84 108

HSL 343.82, 0.35%, 0.5%

LAB 47.38, 38.91, 3.47

 

CMYK 0 / 58 / 43 / 39

HEX #9C4259

RGB 156 66 89

HSL 344.67, 0.41%, 0.44%

LAB 40.71, 39.79, 5.24

 

CMYK 0 / 65 / 50 / 45

HEX #8B3046

RGB 139 48 70

HSL 345.49, 0.49%, 0.37%

LAB 34.08, 40.51, 7.49

 

CMYK 0 / 75 / 58 / 52

HEX #7A1E33

RGB 122 30 51

HSL 346.3, 0.61%, 0.3%

LAB 27.59, 40.76, 10.5

 

CMYK 0 / 89 / 70 / 59

HEX #690C20

RGB 105 12 32

HSL 347.1, 0.79%, 0.23%

LAB 21.47, 39.96, 14.72

 

CMYK 0 / 52 / 38 / 33

HEX #AC526A

RGB 172 82 106

HSL 344, 0.35%, 0.5%

LAB 46.77, 39.34, 3.79

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 52 / 38 / 33

HEX #AC526A

RGB 172 82 106

HSL 344, 0.35%, 0.5%

LAB 46.77, 39.34, 3.79

 

CMYK 0 / 52 / 24 / 33

HEX #AC5283

RGB 172 82 131

HSL 327.33, 0.35%, 0.5%

LAB 47.55, 42.66, -10.18

 

CMYK 0 / 52 / 10 / 33

HEX #AC529B

RGB 172 82 155

HSL 311.33, 0.35%, 0.5%

LAB 48.48, 46.44, -23.12

 

CMYK 4 / 52 / 0 / 33

HEX #A552AC

RGB 165 82 172

HSL 295.33, 0.35%, 0.5%

LAB 48.28, 47.44, -33.54

 

CMYK 18 / 52 / 0 / 33

HEX #8D52AC

RGB 141 82 172

HSL 279.33, 0.35%, 0.5%

LAB 45.19, 40.67, -38.61

 

CMYK 0 / 52 / 38 / 33

HEX #AC526A

RGB 172 82 106

HSL 344, 0.35%, 0.5%

LAB 46.77, 39.34, 3.79

 

CMYK 0 / 68 / 49 / 25

HEX #C03E61

RGB 192 62 97

HSL 343.85, 0.51%, 0.5%

LAB 46.33, 54.31, 9.1

 

CMYK 0 / 81 / 59 / 16

HEX #D52957

RGB 213 41 87

HSL 343.95, 0.68%, 0.5%

LAB 47.52, 66.46, 17.49

 

CMYK 0 / 91 / 67 / 8

HEX #EA144E

RGB 234 20 78

HSL 343.74, 0.84%, 0.5%

LAB 50.15, 75.15, 27.21

 

CMYK 0 / 100 / 73 / 0

HEX #FE0044

RGB 254 0 68

HSL 343.94, 1%, 0.5%

LAB 53.48, 81.1, 38.15

 

CMYK 0 / 52 / 38 / 33

HEX #AC526A

RGB 172 82 106

HSL 344, 0.35%, 0.5%

LAB 46.77, 39.34, 3.79

 

CMYK 0 / 32 / 23 / 41

HEX #976774

RGB 151 103 116

HSL 343.75, 0.19%, 0.5%

LAB 48.93, 21.25, 0.56

 

CMYK 0 / 5 / 4 / 49

HEX #827C7D

RGB 130 124 125

HSL 350, 0.02%, 0.5%

LAB 52.56, 2.47, 0.26

 

CMYK 24 / 0 / 6 / 44

HEX #6E9087

RGB 110 144 135

HSL 164.12, 0.13%, 0.5%

LAB 57.09, -13.83, 0.9

 

CMYK 46 / 0 / 13 / 35

HEX #59A590

RGB 89 165 144

HSL 163.42, 0.3%, 0.5%

LAB 62.55, -28.77, 3.59

 

CMYK 0 / 52 / 10 / 33

HEX #AC529B

RGB 172 82 155

HSL 311.33, 0.35%, 0.5%

LAB 48.48, 46.44, -23.12

 

CMYK 0 / 52 / 24 / 33

HEX #AC5283

RGB 172 82 131

HSL 327.33, 0.35%, 0.5%

LAB 47.55, 42.66, -10.18

 

CMYK 0 / 52 / 37 / 33

HEX #AC526C

RGB 172 82 108

HSL 342.67, 0.35%, 0.5%

LAB 46.83, 39.58, 2.66

 

CMYK 0 / 52 / 51 / 33

HEX #AC5254

RGB 172 82 84

HSL 358.67, 0.35%, 0.5%

LAB 46.24, 37, 16.39

 

CMYK 0 / 39 / 52 / 33

HEX #AC6952

RGB 172 105 82

HSL 15.33, 0.35%, 0.5%

LAB 51.25, 24.35, 24.23

 

CMYK 0 / 52 / 38 / 55

HEX #743848

RGB 116 56 72

HSL 344, 0.35%, 0.34%

LAB 31.83, 28.19, 2.46

 

CMYK 0 / 52 / 38 / 44

HEX #904559

RGB 144 69 89

HSL 344, 0.35%, 0.42%

LAB 39.42, 33.88, 3.14

 

CMYK 0 / 52 / 38 / 33

HEX #AC526A

RGB 172 82 106

HSL 344, 0.35%, 0.5%

LAB 46.77, 39.34, 3.79

 

CMYK 0 / 41 / 30 / 27

HEX #B96E82

RGB 185 110 130

HSL 344, 0.35%, 0.58%

LAB 55.15, 32.27, 1.84

 

CMYK 0 / 30 / 22 / 22

HEX #C68A9A

RGB 198 138 154

HSL 344, 0.34%, 0.66%

LAB 63.77, 25.2, 0.74

 

CMYK 0 / 51 / 38 / 32

HEX #AD546C

RGB 173 84 108

HSL 343.82, 0.35%, 0.5%

LAB 47.38, 38.91, 3.47

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 52 / 17 / 0 / 33

HEX #528FAC

RGB 82 143 172

HSL 199.33, 0.35%, 0.5%

LAB 56.5, -11.45, -21.33

 

CMYK 0 / 51 / 38 / 32

HEX #AD546C

RGB 173 84 108

HSL 343.82, 0.35%, 0.5%

LAB 47.38, 38.91, 3.47

 

CMYK 37 / 0 / 52 / 33

HEX #6CAC52

RGB 108 172 82

HSL 102.67, 0.35%, 0.5%

LAB 64.41, -37.45, 39.58

 

CMYK 52 / 37 / 0 / 33

HEX #526CAC

RGB 82 108 172

HSL 222.67, 0.35%, 0.5%

LAB 46.31, 9.16, -37.19

 

CMYK 0 / 51 / 38 / 32

HEX #AD546C

RGB 173 84 108

HSL 343.82, 0.35%, 0.5%

LAB 47.38, 38.91, 3.47

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 52 / 0 / 15 / 33

HEX #52AC92

RGB 82 172 146

HSL 162.67, 0.35%, 0.5%

LAB 64.46, -33.36, 5.2

 

CMYK 52 / 48 / 0 / 33

HEX #525AAC

RGB 82 90 172

HSL 234.67, 0.35%, 0.5%

LAB 41.35, 20.47, -45.06

 

CMYK 0 / 51 / 38 / 32

HEX #AD546C

RGB 173 84 108

HSL 343.82, 0.35%, 0.5%

LAB 47.38, 38.91, 3.47

 

CMYK 12 / 0 / 52 / 33

HEX #98AC52

RGB 152 172 82

HSL 73.33, 0.35%, 0.5%

LAB 67.12, -20.8, 43.47

 

CMYK 52 / 0 / 15 / 33

HEX #52AC92

RGB 82 172 146

HSL 162.67, 0.35%, 0.5%

LAB 64.46, -33.36, 5.2

 

CMYK 41 / 52 / 0 / 33

HEX #6652AC

RGB 102 82 172

HSL 253.33, 0.35%, 0.5%

LAB 40.96, 30.24, -45.6

 

Description

Color code: HEX #AD546C | qconv.com Color code: HEX #AD546C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 84 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 84 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 38 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 38% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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