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Color name
HEX #AD5C37

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD5C37 it is the complementary color #52A3C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD5C37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD5C37 shade: #B25C32, #C36E45, #D48058, #E5926B and #F6A47E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD5C37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD5C37 shade: #AD5C37, #9C4A24, #8B3811, #7A2600 and #691400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD5C37 shade: #AE5C37, #AE3C37 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD5C37 shade: #AE5C37, #AE7C37, #AE9C37, #9FAE37 and #7FAE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD5C37 shade matches the following richer shades: #AE5C37, #C05524 and #D34E11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD5C37 shade: #AE5C37, #9B6349, #896A5C, #76716E and #647881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD5C37 shade: #AE3752, #AE3B37, #AE5A37, #AE7A37 and #AE9A37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD5C37 shade: #6F3B23, #8F4B2D, #AE5C37, #C57049 and #CF8868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD5C37 shade: #AD5C37, #72AE37 and #3743AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD5C37 shade: #AD5C37, #37AE5A and #5A37AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD5C37 shade: #AD5C37, #72AE37, #378AAE and #7237AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD5C37 shade: #AD5C37, #4EAE37, #378AAE and #9637AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 68 / 32

HEX #AD5C37

RGB 173 92 55

HSL 18.81, 0.52%, 0.45%

LAB 48.03, 29.86, 35.51

 

Complementary color

CMYK 59 / 19 / 0 / 22

HEX #52A3C8

RGB 82 163 200

HSL 198.81, 0.52%, 0.55%

LAB 63.47, -13.87, -26.42

 

CMYK 0 / 48 / 72 / 30

HEX #B25C32

RGB 178 92 50

HSL 19.69, 0.56%, 0.45%

LAB 48.7, 31.64, 39.14

 

CMYK 0 / 44 / 65 / 24

HEX #C36E45

RGB 195 110 69

HSL 19.52, 0.51%, 0.52%

LAB 55.26, 30.05, 37.16

 

CMYK 0 / 40 / 58 / 17

HEX #D48058

RGB 212 128 88

HSL 19.35, 0.59%, 0.59%

LAB 61.77, 28.63, 35.31

 

CMYK 0 / 36 / 53 / 10

HEX #E5926B

RGB 229 146 107

HSL 19.18, 0.7%, 0.66%

LAB 68.22, 27.37, 33.62

 

CMYK 0 / 33 / 49 / 4

HEX #F6A47E

RGB 246 164 126

HSL 19, 0.87%, 0.73%

LAB 74.6, 26.24, 32.08

 

CMYK 0 / 47 / 68 / 32

HEX #AD5C37

RGB 173 92 55

HSL 18.81, 0.52%, 0.45%

LAB 48.03, 29.86, 35.51

 

CMYK 0 / 53 / 77 / 39

HEX #9C4A24

RGB 156 74 36

HSL 19, 0.63%, 0.38%

LAB 41.36, 31.54, 37.6

 

CMYK 0 / 60 / 88 / 45

HEX #8B3811

RGB 139 56 17

HSL 19.18, 0.78%, 0.31%

LAB 34.72, 33.35, 39.47

 

CMYK 0 / 69 / 100 / 52

HEX #7A2600

RGB 122 38 0

HSL 18.69, 1%, 0.24%

LAB 28.18, 35.08, 39.91

 

CMYK 0 / 81 / 100 / 59

HEX #691400

RGB 105 20 0

HSL 11.43, 1%, 0.21%

LAB 21.96, 36.31, 32.76

 

CMYK 0 / 47 / 68 / 32

HEX #AE5C37

RGB 174 92 55

HSL 18.66, 0.52%, 0.45%

LAB 48.17, 30.27, 35.72

 

CMYK 0 / 66 / 68 / 32

HEX #AE3C37

RGB 174 60 55

HSL 2.52, 0.52%, 0.45%

LAB 42.01, 46.16, 28.46

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 47 / 68 / 32

HEX #AE5C37

RGB 174 92 55

HSL 18.66, 0.52%, 0.45%

LAB 48.17, 30.27, 35.72

 

CMYK 0 / 29 / 68 / 32

HEX #AE7C37

RGB 174 124 55

HSL 34.79, 0.52%, 0.45%

LAB 55.78, 12.48, 44.2

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 9 / 0 / 68 / 32

HEX #9FAE37

RGB 159 174 55

HSL 67.56, 0.52%, 0.45%

LAB 67.96, -21, 56.54

 

CMYK 27 / 0 / 68 / 32

HEX #7FAE37

RGB 127 174 55

HSL 83.7, 0.52%, 0.45%

LAB 65.8, -34.02, 53.63

 

CMYK 0 / 47 / 68 / 32

HEX #AE5C37

RGB 174 92 55

HSL 18.66, 0.52%, 0.45%

LAB 48.17, 30.27, 35.72

 

CMYK 0 / 56 / 81 / 25

HEX #C05524

RGB 192 85 36

HSL 18.85, 0.68%, 0.45%

LAB 49.29, 40.23, 47.34

 

CMYK 0 / 63 / 92 / 17

HEX #D34E11

RGB 211 78 17

HSL 18.87, 0.85%, 0.45%

LAB 51.08, 50.11, 57.35

 

CMYK 0 / 47 / 68 / 32

HEX #AE5C37

RGB 174 92 55

HSL 18.66, 0.52%, 0.45%

LAB 48.17, 30.27, 35.72

 

CMYK 0 / 36 / 53 / 39

HEX #9B6349

RGB 155 99 73

HSL 19.02, 0.36%, 0.45%

LAB 47.46, 19.75, 24.1

 

CMYK 0 / 23 / 33 / 46

HEX #896A5C

RGB 137 106 92

HSL 18.67, 0.2%, 0.45%

LAB 47.49, 10.24, 12.6

 

CMYK 0 / 4 / 7 / 54

HEX #76716E

RGB 118 113 110

HSL 22.5, 0.04%, 0.45%

LAB 47.99, 1.35, 2.34

 

CMYK 22 / 7 / 0 / 49

HEX #647881

RGB 100 120 129

HSL 198.62, 0.13%, 0.45%

LAB 49.16, -5.18, -7.36

 

CMYK 0 / 68 / 53 / 32

HEX #AE3752

RGB 174 55 82

HSL 346.39, 0.52%, 0.45%

LAB 41.75, 50.16, 11.52

 

CMYK 0 / 66 / 68 / 32

HEX #AE3B37

RGB 174 59 55

HSL 2.02, 0.52%, 0.45%

LAB 41.85, 46.6, 28.26

 

CMYK 0 / 48 / 68 / 32

HEX #AE5A37

RGB 174 90 55

HSL 17.65, 0.52%, 0.45%

LAB 47.74, 31.35, 35.22

 

CMYK 0 / 30 / 68 / 32

HEX #AE7A37

RGB 174 122 55

HSL 33.78, 0.52%, 0.45%

LAB 55.27, 13.6, 43.66

 

CMYK 0 / 11 / 68 / 32

HEX #AE9A37

RGB 174 154 55

HSL 49.92, 0.52%, 0.45%

LAB 63.66, -4.07, 52.54

 

CMYK 0 / 47 / 68 / 56

HEX #6F3B23

RGB 111 59 35

HSL 18.95, 0.52%, 0.29%

LAB 30.95, 20.56, 24.67

 

CMYK 0 / 48 / 69 / 44

HEX #8F4B2D

RGB 143 75 45

HSL 18.37, 0.52%, 0.37%

LAB 39.68, 26.02, 30.29

 

CMYK 0 / 47 / 68 / 32

HEX #AE5C37

RGB 174 92 55

HSL 18.66, 0.52%, 0.45%

LAB 48.17, 30.27, 35.72

 

CMYK 0 / 43 / 63 / 23

HEX #C57049

RGB 197 112 73

HSL 18.87, 0.52%, 0.53%

LAB 56.03, 30.06, 35.97

 

CMYK 0 / 34 / 50 / 19

HEX #CF8868

RGB 207 136 104

HSL 18.64, 0.52%, 0.61%

LAB 63.24, 23.65, 28.3

 

CMYK 0 / 47 / 68 / 32

HEX #AD5C37

RGB 173 92 55

HSL 18.81, 0.52%, 0.45%

LAB 48.03, 29.86, 35.51

 

CMYK 34 / 0 / 68 / 32

HEX #72AE37

RGB 114 174 55

HSL 90.25, 0.52%, 0.45%

LAB 65.06, -38.89, 52.64

 

CMYK 68 / 61 / 0 / 32

HEX #3743AE

RGB 55 67 174

HSL 233.95, 0.52%, 0.45%

LAB 33.74, 30.91, -58.64

 

CMYK 0 / 47 / 68 / 32

HEX #AD5C37

RGB 173 92 55

HSL 18.81, 0.52%, 0.45%

LAB 48.03, 29.86, 35.51

 

CMYK 68 / 0 / 48 / 32

HEX #37AE5A

RGB 55 174 90

HSL 137.65, 0.52%, 0.45%

LAB 63.2, -51.3, 33.63

 

CMYK 48 / 68 / 0 / 32

HEX #5A37AE

RGB 90 55 174

HSL 257.65, 0.52%, 0.45%

LAB 33.9, 43.98, -58.25

 

CMYK 0 / 47 / 68 / 32

HEX #AD5C37

RGB 173 92 55

HSL 18.81, 0.52%, 0.45%

LAB 48.03, 29.86, 35.51

 

CMYK 34 / 0 / 68 / 32

HEX #72AE37

RGB 114 174 55

HSL 90.25, 0.52%, 0.45%

LAB 65.06, -38.89, 52.64

 

CMYK 68 / 21 / 0 / 32

HEX #378AAE

RGB 55 138 174

HSL 198.15, 0.52%, 0.45%

LAB 54.07, -13.31, -26.3

 

CMYK 34 / 68 / 0 / 32

HEX #7237AE

RGB 114 55 174

HSL 269.75, 0.52%, 0.45%

LAB 36.68, 48.7, -53.61

 

CMYK 0 / 47 / 68 / 32

HEX #AD5C37

RGB 173 92 55

HSL 18.81, 0.52%, 0.45%

LAB 48.03, 29.86, 35.51

 

CMYK 55 / 0 / 68 / 32

HEX #4EAE37

RGB 78 174 55

HSL 108.4, 0.52%, 0.45%

LAB 63.48, -50.4, 50.49

 

CMYK 68 / 21 / 0 / 32

HEX #378AAE

RGB 55 138 174

HSL 198.15, 0.52%, 0.45%

LAB 54.07, -13.31, -26.3

 

CMYK 14 / 68 / 0 / 32

HEX #9637AE

RGB 150 55 174

HSL 287.9, 0.52%, 0.45%

LAB 41.65, 56.57, -45.36

 

Description

Color code: HEX #AD5C37 | qconv.com Color code: HEX #AD5C37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 92 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 92 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 68% 32% C M Y K

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Provide designers and agencies with accurate color values.

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