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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8960 it is the complementary color #52769F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8960. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8960 shade: #B2895B, #C39B6E, #D4AD81, #E5BF94 and #F6D1A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8960. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8960 shade: #AD8960, #9C774D, #8B653A, #7A5327 and #694114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8960 shade: #AD8960, #AD7460 and #AD6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8960 shade: #AD8960, #AD9E60, #A7AD60, #93AD60 and #7EAD60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8960 shade matches the following richer shades: #AD8960, #C08A4D, #D48C3A, #E78D26 and #FB8E13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8960 shade: #AD8960, #9A8874, #868787, #73859A and #5F84AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8960 shade: #AD6062, #AD7360, #AD8860, #AD9C60 and #A9AD60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8960 shade: #7B5F3F, #97744D, #AD8960, #BB9D7C and #C9B297

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8960 shade: #AD8960, #76AD60 and #6960AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8960 shade: #AD8960, #60AD88 and #8860AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8960 shade: #AD8960, #76AD60, #6085AD and #9760AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8960 shade: #AD8960, #60AD62, #6085AD and #AD60AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

Complementary color

CMYK 48 / 26 / 0 / 38

HEX #52769F

RGB 82 118 159

HSL 211.95, 0.32%, 0.47%

LAB 48.58, -1.04, -26.02

 

CMYK 0 / 23 / 49 / 30

HEX #B2895B

RGB 178 137 91

HSL 31.72, 0.36%, 0.53%

LAB 59.99, 9.82, 30.59

 

CMYK 0 / 21 / 44 / 24

HEX #C39B6E

RGB 195 155 110

HSL 31.76, 0.41%, 0.6%

LAB 66.65, 8.97, 29.23

 

CMYK 0 / 18 / 39 / 17

HEX #D4AD81

RGB 212 173 129

HSL 31.81, 0.49%, 0.67%

LAB 73.2, 8.24, 27.96

 

CMYK 0 / 17 / 35 / 10

HEX #E5BF94

RGB 229 191 148

HSL 31.85, 0.61%, 0.74%

LAB 79.65, 7.62, 26.78

 

CMYK 0 / 15 / 32 / 4

HEX #F6D1A7

RGB 246 209 167

HSL 31.9, 0.81%, 0.81%

LAB 86, 7.06, 25.67

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 0 / 24 / 51 / 39

HEX #9C774D

RGB 156 119 77

HSL 31.9, 0.34%, 0.46%

LAB 52.73, 9.11, 28.58

 

CMYK 0 / 27 / 58 / 45

HEX #8B653A

RGB 139 101 58

HSL 31.85, 0.41%, 0.39%

LAB 45.77, 10.19, 30.1

 

CMYK 0 / 32 / 68 / 52

HEX #7A5327

RGB 122 83 39

HSL 31.81, 0.52%, 0.32%

LAB 38.67, 11.53, 31.69

 

CMYK 0 / 38 / 81 / 59

HEX #694114

RGB 105 65 20

HSL 31.76, 0.68%, 0.25%

LAB 31.43, 13.25, 33.12

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 0 / 33 / 45 / 32

HEX #AD7460

RGB 173 116 96

HSL 15.58, 0.32%, 0.53%

LAB 54.26, 20.02, 20.18

 

CMYK 0 / 45 / 45 / 32

HEX #AD6060

RGB 173 96 96

HSL 0, 0.32%, 0.53%

LAB 49.61, 31.14, 13.84

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 0 / 9 / 45 / 32

HEX #AD9E60

RGB 173 158 96

HSL 48.31, 0.32%, 0.53%

LAB 65.11, -3.32, 34.3

 

CMYK 3 / 0 / 45 / 32

HEX #A7AD60

RGB 167 173 96

HSL 64.68, 0.32%, 0.53%

LAB 68.71, -13.75, 38.69

 

CMYK 15 / 0 / 45 / 32

HEX #93AD60

RGB 147 173 96

HSL 80.26, 0.32%, 0.53%

LAB 67.23, -21.8, 36.52

 

CMYK 27 / 0 / 45 / 32

HEX #7EAD60

RGB 126 173 96

HSL 96.62, 0.32%, 0.53%

LAB 65.88, -29.78, 34.54

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 0 / 28 / 60 / 25

HEX #C08A4D

RGB 192 138 77

HSL 31.83, 0.48%, 0.53%

LAB 61.58, 14.02, 40.33

 

CMYK 0 / 34 / 73 / 17

HEX #D48C3A

RGB 212 140 58

HSL 31.95, 0.64%, 0.53%

LAB 64.21, 20.32, 53.09

 

CMYK 0 / 39 / 84 / 9

HEX #E78D26

RGB 231 141 38

HSL 32.02, 0.8%, 0.53%

LAB 66.66, 27.05, 64.11

 

CMYK 0 / 43 / 92 / 2

HEX #FB8E13

RGB 251 142 19

HSL 31.81, 0.97%, 0.53%

LAB 69.4, 34.38, 72.4

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 0 / 12 / 25 / 40

HEX #9A8874

RGB 154 136 116

HSL 31.58, 0.16%, 0.53%

LAB 57.79, 3.51, 13.23

 

CMYK 1 / 0 / 0 / 47

HEX #868787

RGB 134 135 135

HSL 180, 0%, 0.53%

LAB 56.23, -0.37, -0.14

 

CMYK 25 / 14 / 0 / 40

HEX #73859A

RGB 115 133 154

HSL 212.31, 0.16%, 0.53%

LAB 54.82, -1.59, -13.38

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 0 / 45 / 43 / 32

HEX #AD6062

RGB 173 96 98

HSL 358.44, 0.32%, 0.53%

LAB 49.66, 31.36, 12.71

 

CMYK 0 / 34 / 45 / 32

HEX #AD7360

RGB 173 115 96

HSL 14.81, 0.32%, 0.53%

LAB 54.02, 20.58, 19.85

 

CMYK 0 / 21 / 45 / 32

HEX #AD8860

RGB 173 136 96

HSL 31.17, 0.32%, 0.53%

LAB 59.29, 8.78, 26.83

 

CMYK 0 / 10 / 45 / 32

HEX #AD9C60

RGB 173 156 96

HSL 46.75, 0.32%, 0.53%

LAB 64.57, -2.24, 33.62

 

CMYK 2 / 0 / 45 / 32

HEX #A9AD60

RGB 169 173 96

HSL 63.12, 0.32%, 0.53%

LAB 68.87, -12.93, 38.92

 

CMYK 0 / 23 / 49 / 52

HEX #7B5F3F

RGB 123 95 63

HSL 32, 0.32%, 0.36%

LAB 42.39, 6.97, 22.62

 

CMYK 0 / 23 / 49 / 41

HEX #97744D

RGB 151 116 77

HSL 31.62, 0.32%, 0.45%

LAB 51.39, 8.64, 26.76

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 0 / 16 / 34 / 27

HEX #BB9D7C

RGB 187 157 124

HSL 31.43, 0.32%, 0.61%

LAB 66.62, 6.26, 21.41

 

CMYK 0 / 11 / 25 / 21

HEX #C9B297

RGB 201 178 151

HSL 32.4, 0.32%, 0.69%

LAB 73.86, 4.06, 16.84

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 32 / 0 / 45 / 32

HEX #76AD60

RGB 118 173 96

HSL 102.86, 0.32%, 0.53%

LAB 65.42, -32.64, 33.87

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 45 / 0 / 21 / 32

HEX #60AD88

RGB 96 173 136

HSL 151.17, 0.32%, 0.53%

LAB 65.08, -32.54, 11.7

 

CMYK 21 / 45 / 0 / 32

HEX #8860AD

RGB 136 96 173

HSL 271.17, 0.32%, 0.53%

LAB 47.77, 31.54, -35.16

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 32 / 0 / 45 / 32

HEX #76AD60

RGB 118 173 96

HSL 102.86, 0.32%, 0.53%

LAB 65.42, -32.64, 33.87

 

CMYK 45 / 23 / 0 / 32

HEX #6085AD

RGB 96 133 173

HSL 211.17, 0.32%, 0.53%

LAB 54.32, -2.02, -25.2

 

CMYK 13 / 45 / 0 / 32

HEX #9760AD

RGB 151 96 173

HSL 282.86, 0.32%, 0.53%

LAB 49.45, 36.05, -32.41

 

CMYK 0 / 21 / 45 / 32

HEX #AD8960

RGB 173 137 96

HSL 31.95, 0.32%, 0.53%

LAB 59.54, 8.22, 27.17

 

CMYK 45 / 0 / 43 / 32

HEX #60AD62

RGB 96 173 98

HSL 121.56, 0.32%, 0.53%

LAB 64.37, -39.55, 31.26

 

CMYK 45 / 23 / 0 / 32

HEX #6085AD

RGB 96 133 173

HSL 211.17, 0.32%, 0.53%

LAB 54.32, -2.02, -25.2

 

CMYK 0 / 45 / 1 / 32

HEX #AD60AC

RGB 173 96 172

HSL 300.78, 0.32%, 0.53%

LAB 52.09, 42.56, -27.5

 

Description

Color code: HEX #AD8960 | qconv.com Color code: HEX #AD8960 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 137 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 137 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 45 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 45% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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