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Color name
HEX #AE4028

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4028 it is the complementary color #51BFD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4028 shade: #B34023, #C45236, #D56449, #E6765C and #F7886F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4028 shade: #AE4028, #9D2E15, #8C1C02, #7B0A00 and #6A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4028 shade: #AE3F27 and #AE2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4028 shade: #AE3F27, #AE6427, #AE8827, #AEAC27 and #8BAE27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4028 shade matches the following richer shades: #AE3F27, #BF3416 and #D12904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4028 shade: #AE3F27, #9D4A38, #8B564A, #7A615B and #696C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4028 shade: #AE2759, #AE2735, #AE3E27, #AE6227 and #AE8627

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4028 shade: #6B2718, #8C331F, #AE3F27, #CF4C2F and #D76951

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4028 shade: #AE4028, #7DAE27 and #2747AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4028 shade: #AE4028, #27AE3E and #3E27AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4028 shade: #AE4028, #7DAE27, #2798AE and #5927AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4028 shade: #AE4028, #54AE27, #2798AE and #8127AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 77 / 32

HEX #AE4028

RGB 174 64 40

HSL 10.75, 0.63%, 0.42%

LAB 42.49, 43.65, 37.59

 

Complementary color

CMYK 62 / 11 / 0 / 16

HEX #51BFD7

RGB 81 191 215

HSL 190.75, 0.63%, 0.58%

LAB 72.17, -24.11, -21.38

 

CMYK 0 / 64 / 80 / 30

HEX #B34023

RGB 179 64 35

HSL 12.08, 0.67%, 0.42%

LAB 43.32, 45.27, 41.34

 

CMYK 0 / 58 / 72 / 23

HEX #C45236

RGB 196 82 54

HSL 11.83, 0.57%, 0.49%

LAB 49.54, 43.93, 38.72

 

CMYK 0 / 53 / 66 / 16

HEX #D56449

RGB 213 100 73

HSL 11.57, 0.63%, 0.56%

LAB 55.83, 42.53, 36.28

 

CMYK 0 / 49 / 60 / 10

HEX #E6765C

RGB 230 118 92

HSL 11.3, 0.73%, 0.63%

LAB 62.13, 41.17, 34.1

 

CMYK 0 / 45 / 55 / 3

HEX #F7886F

RGB 247 136 111

HSL 11.03, 0.89%, 0.7%

LAB 68.41, 39.88, 32.15

 

CMYK 0 / 63 / 77 / 32

HEX #AE4028

RGB 174 64 40

HSL 10.75, 0.63%, 0.42%

LAB 42.49, 43.65, 37.59

 

CMYK 0 / 71 / 87 / 38

HEX #9D2E15

RGB 157 46 21

HSL 11.03, 0.76%, 0.35%

LAB 36.32, 44.78, 40.33

 

CMYK 0 / 80 / 99 / 45

HEX #8C1C02

RGB 140 28 2

HSL 11.3, 0.97%, 0.28%

LAB 30.42, 45.32, 42.41

 

CMYK 0 / 92 / 100 / 52

HEX #7B0A00

RGB 123 10 0

HSL 4.88, 1%, 0.24%

LAB 25.04, 44.73, 37.19

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 64 / 78 / 32

HEX #AE3F27

RGB 174 63 39

HSL 10.67, 0.63%, 0.42%

LAB 42.31, 44.07, 37.94

 

CMYK 0 / 78 / 78 / 32

HEX #AE2727

RGB 174 39 39

HSL 0, 0.63%, 0.42%

LAB 38.89, 53.41, 34.32

 

CMYK 0 / 64 / 78 / 32

HEX #AE3F27

RGB 174 63 39

HSL 10.67, 0.63%, 0.42%

LAB 42.31, 44.07, 37.94

 

CMYK 0 / 43 / 78 / 32

HEX #AE6427

RGB 174 100 39

HSL 27.11, 0.63%, 0.42%

LAB 49.81, 25.09, 45.54

 

CMYK 0 / 22 / 78 / 32

HEX #AE8827

RGB 174 136 39

HSL 43.11, 0.63%, 0.42%

LAB 58.75, 4.98, 54.14

 

CMYK 0 / 1 / 78 / 32

HEX #AEAC27

RGB 174 172 39

HSL 59.11, 0.63%, 0.42%

LAB 68.5, -14.31, 63.11

 

CMYK 20 / 0 / 78 / 32

HEX #8BAE27

RGB 139 174 39

HSL 75.56, 0.63%, 0.42%

LAB 66.45, -30.19, 60.27

 

CMYK 0 / 64 / 78 / 32

HEX #AE3F27

RGB 174 63 39

HSL 10.67, 0.63%, 0.42%

LAB 42.31, 44.07, 37.94

 

CMYK 0 / 73 / 88 / 25

HEX #BF3416

RGB 191 52 22

HSL 10.65, 0.79%, 0.42%

LAB 43.64, 53.87, 48.54

 

CMYK 0 / 80 / 98 / 18

HEX #D12904

RGB 209 41 4

HSL 10.83, 0.96%, 0.42%

LAB 45.84, 62.58, 57.53

 

CMYK 0 / 64 / 78 / 32

HEX #AE3F27

RGB 174 63 39

HSL 10.67, 0.63%, 0.42%

LAB 42.31, 44.07, 37.94

 

CMYK 0 / 53 / 64 / 38

HEX #9D4A38

RGB 157 74 56

HSL 10.69, 0.47%, 0.42%

LAB 41.77, 33.08, 26.92

 

CMYK 0 / 38 / 47 / 45

HEX #8B564A

RGB 139 86 74

HSL 11.08, 0.31%, 0.42%

LAB 42.21, 20.54, 16.2

 

CMYK 0 / 20 / 25 / 52

HEX #7A615B

RGB 122 97 91

HSL 11.61, 0.15%, 0.42%

LAB 43.42, 9.11, 7.25

 

CMYK 3 / 0 / 0 / 58

HEX #696C6C

RGB 105 108 108

HSL 180, 0.01%, 0.42%

LAB 45.37, -1.15, -0.41

 

CMYK 0 / 78 / 49 / 32

HEX #AE2759

RGB 174 39 89

HSL 337.78, 0.63%, 0.42%

LAB 39.87, 56.51, 4.45

 

CMYK 0 / 78 / 70 / 32

HEX #AE2735

RGB 174 39 53

HSL 353.78, 0.63%, 0.42%

LAB 39.08, 54.02, 26.12

 

CMYK 0 / 64 / 78 / 32

HEX #AE3E27

RGB 174 62 39

HSL 10.22, 0.63%, 0.42%

LAB 42.14, 44.52, 37.76

 

CMYK 0 / 44 / 78 / 32

HEX #AE6227

RGB 174 98 39

HSL 26.22, 0.63%, 0.42%

LAB 49.35, 26.19, 45.09

 

CMYK 0 / 23 / 78 / 32

HEX #AE8627

RGB 174 134 39

HSL 42.22, 0.63%, 0.42%

LAB 58.22, 6.09, 53.65

 

CMYK 0 / 64 / 78 / 58

HEX #6B2718

RGB 107 39 24

HSL 10.84, 0.63%, 0.26%

LAB 25.69, 29.41, 25.1

 

CMYK 0 / 64 / 78 / 45

HEX #8C331F

RGB 140 51 31

HSL 11.01, 0.64%, 0.34%

LAB 34.07, 36.72, 31.83

 

CMYK 0 / 64 / 78 / 32

HEX #AE3F27

RGB 174 63 39

HSL 10.67, 0.63%, 0.42%

LAB 42.31, 44.07, 37.94

 

CMYK 0 / 63 / 77 / 19

HEX #CF4C2F

RGB 207 76 47

HSL 10.88, 0.63%, 0.5%

LAB 50.26, 50.33, 43.75

 

CMYK 0 / 51 / 62 / 16

HEX #D76951

RGB 215 105 81

HSL 10.75, 0.63%, 0.58%

LAB 57.22, 41.29, 33.61

 

CMYK 0 / 63 / 77 / 32

HEX #AE4028

RGB 174 64 40

HSL 10.75, 0.63%, 0.42%

LAB 42.49, 43.65, 37.59

 

CMYK 28 / 0 / 78 / 32

HEX #7DAE27

RGB 125 174 39

HSL 81.78, 0.63%, 0.42%

LAB 65.58, -35.77, 59.14

 

CMYK 78 / 59 / 0 / 32

HEX #2747AE

RGB 39 71 174

HSL 225.78, 0.63%, 0.42%

LAB 33.97, 26.26, -58.29

 

CMYK 0 / 63 / 77 / 32

HEX #AE4028

RGB 174 64 40

HSL 10.75, 0.63%, 0.42%

LAB 42.49, 43.65, 37.59

 

CMYK 78 / 0 / 64 / 32

HEX #27AE3E

RGB 39 174 62

HSL 130.22, 0.63%, 0.42%

LAB 62.55, -57.74, 46.22

 

CMYK 64 / 78 / 0 / 32

HEX #3E27AE

RGB 62 39 174

HSL 250.22, 0.63%, 0.42%

LAB 28.2, 48.28, -67.71

 

CMYK 0 / 63 / 77 / 32

HEX #AE4028

RGB 174 64 40

HSL 10.75, 0.63%, 0.42%

LAB 42.49, 43.65, 37.59

 

CMYK 28 / 0 / 78 / 32

HEX #7DAE27

RGB 125 174 39

HSL 81.78, 0.63%, 0.42%

LAB 65.58, -35.77, 59.14

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 49 / 78 / 0 / 32

HEX #5927AE

RGB 89 39 174

HSL 262.22, 0.63%, 0.42%

LAB 30.95, 51.79, -63.08

 

CMYK 0 / 63 / 77 / 32

HEX #AE4028

RGB 174 64 40

HSL 10.75, 0.63%, 0.42%

LAB 42.49, 43.65, 37.59

 

CMYK 52 / 0 / 78 / 32

HEX #54AE27

RGB 84 174 39

HSL 100, 0.63%, 0.42%

LAB 63.59, -49.91, 56.56

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 26 / 78 / 0 / 32

HEX #8127AE

RGB 129 39 174

HSL 280, 0.63%, 0.42%

LAB 36.32, 58.5, -54.1

 

Description

Color code: HEX #AE4028 | qconv.com Color code: HEX #AE4028 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 64 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 64 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 77 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 77% 32% C M Y K

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Provide designers and agencies with accurate color values.

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