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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE5574 it is the complementary color #51AA8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE5574. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE5574 shade: #B3556F, #C46782, #D57995, #E68BA8 and #F79DBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE5574. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE5574 shade: #AE5574, #9D4361, #8C314E, #7B1F3B and #6A0D28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE5574 shade: #AD5674, #AD565D and #AD5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE5574 shade: #AD5674, #AD568C, #AD56A3, #A056AD and #8856AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE5574 shade matches the following richer shades: #AD5674, #C1426E, #D62D68, #EA1962 and #FE055C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE5574 shade: #AD5674, #996A7A, #857E81, #719287 and #5CA78D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE5574 shade: #AD56A3, #AD568C, #AD5674, #AD565D and #AD6656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE5574 shade: #77394F, #934761, #AD5674, #BB728B and #C88EA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE5574 shade: #AE5574, #ADA056 and #5697AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE5574 shade: #AE5574, #74AD56 and #5674AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE5574 shade: #AE5574, #ADA056, #56AD8F and #5663AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE5574 shade: #AE5574, #A0AD56, #56AD8F and #6356AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 33 / 32

HEX #AE5574

RGB 174 85 116

HSL 339.1, 0.35%, 0.51%

LAB 47.95, 39.74, -0.51

 

Complementary color

CMYK 52 / 0 / 18 / 33

HEX #51AA8B

RGB 81 170 139

HSL 159.1, 0.35%, 0.49%

LAB 63.64, -34.31, 7.91

 

CMYK 0 / 53 / 38 / 30

HEX #B3556F

RGB 179 85 111

HSL 343.4, 0.38%, 0.52%

LAB 48.55, 40.89, 3.46

 

CMYK 0 / 47 / 34 / 23

HEX #C46782

RGB 196 103 130

HSL 342.58, 0.44%, 0.59%

LAB 55.12, 39.98, 1.98

 

CMYK 0 / 43 / 30 / 16

HEX #D57995

RGB 213 121 149

HSL 341.74, 0.52%, 0.65%

LAB 61.65, 39.08, 0.72

 

CMYK 0 / 40 / 27 / 10

HEX #E68BA8

RGB 230 139 168

HSL 340.88, 0.65%, 0.72%

LAB 68.11, 38.21, -0.37

 

CMYK 0 / 36 / 24 / 3

HEX #F79DBB

RGB 247 157 187

HSL 340, 0.85%, 0.79%

LAB 74.49, 37.39, -1.35

 

CMYK 0 / 51 / 33 / 32

HEX #AE5574

RGB 174 85 116

HSL 339.1, 0.35%, 0.51%

LAB 47.95, 39.74, -0.51

 

CMYK 0 / 57 / 38 / 38

HEX #9D4361

RGB 157 67 97

HSL 340, 0.4%, 0.44%

LAB 41.29, 40.57, 1.1

 

CMYK 0 / 65 / 44 / 45

HEX #8C314E

RGB 140 49 78

HSL 340.88, 0.48%, 0.37%

LAB 34.64, 41.21, 3.16

 

CMYK 0 / 75 / 52 / 52

HEX #7B1F3B

RGB 123 31 59

HSL 341.74, 0.6%, 0.3%

LAB 28.13, 41.39, 5.92

 

CMYK 0 / 88 / 62 / 58

HEX #6A0D28

RGB 106 13 40

HSL 342.58, 0.78%, 0.23%

LAB 21.96, 40.53, 9.82

 

CMYK 0 / 50 / 33 / 32

HEX #AD5674

RGB 173 86 116

HSL 339.31, 0.35%, 0.51%

LAB 48.01, 38.87, -0.45

 

CMYK 0 / 50 / 46 / 32

HEX #AD565D

RGB 173 86 93

HSL 355.17, 0.35%, 0.51%

LAB 47.4, 36.18, 12.58

 

CMYK 0 / 50 / 50 / 32

HEX #AD5656

RGB 173 86 86

HSL 0, 0.35%, 0.51%

LAB 47.25, 35.48, 16.58

 

CMYK 0 / 50 / 33 / 32

HEX #AD5674

RGB 173 86 116

HSL 339.31, 0.35%, 0.51%

LAB 48.01, 38.87, -0.45

 

CMYK 0 / 50 / 19 / 32

HEX #AD568C

RGB 173 86 140

HSL 322.76, 0.35%, 0.51%

LAB 48.8, 42.3, -13.68

 

CMYK 0 / 50 / 6 / 32

HEX #AD56A3

RGB 173 86 163

HSL 306.9, 0.35%, 0.51%

LAB 49.72, 46.11, -25.91

 

CMYK 8 / 50 / 0 / 32

HEX #A056AD

RGB 160 86 173

HSL 291.03, 0.35%, 0.51%

LAB 48.44, 44.15, -33.91

 

CMYK 21 / 50 / 0 / 32

HEX #8856AD

RGB 136 86 173

HSL 274.48, 0.35%, 0.51%

LAB 45.51, 37.27, -38.73

 

CMYK 0 / 50 / 33 / 32

HEX #AD5674

RGB 173 86 116

HSL 339.31, 0.35%, 0.51%

LAB 48.01, 38.87, -0.45

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 79 / 51 / 16

HEX #D62D68

RGB 214 45 104

HSL 339.05, 0.67%, 0.51%

LAB 48.48, 66.88, 8.41

 

CMYK 0 / 89 / 58 / 8

HEX #EA1962

RGB 234 25 98

HSL 339.04, 0.83%, 0.51%

LAB 50.77, 75.58, 15.85

 

CMYK 0 / 98 / 64 / 0

HEX #FE055C

RGB 254 5 92

HSL 339.04, 0.99%, 0.51%

LAB 53.98, 81.8, 24.48

 

CMYK 0 / 50 / 33 / 32

HEX #AD5674

RGB 173 86 116

HSL 339.31, 0.35%, 0.51%

LAB 48.01, 38.87, -0.45

 

CMYK 0 / 31 / 20 / 40

HEX #996A7A

RGB 153 106 122

HSL 339.57, 0.19%, 0.51%

LAB 50.08, 21.25, -1.31

 

CMYK 0 / 5 / 3 / 48

HEX #857E81

RGB 133 126 129

HSL 334.29, 0.03%, 0.51%

LAB 53.49, 3.23, -0.68

 

CMYK 23 / 0 / 8 / 43

HEX #719287

RGB 113 146 135

HSL 160, 0.13%, 0.51%

LAB 57.86, -13.91, 2.05

 

CMYK 45 / 0 / 16 / 35

HEX #5CA78D

RGB 92 167 141

HSL 159.2, 0.3%, 0.51%

LAB 63.21, -29.65, 6.23

 

CMYK 0 / 50 / 6 / 32

HEX #AD56A3

RGB 173 86 163

HSL 306.9, 0.35%, 0.51%

LAB 49.72, 46.11, -25.91

 

CMYK 0 / 50 / 19 / 32

HEX #AD568C

RGB 173 86 140

HSL 322.76, 0.35%, 0.51%

LAB 48.8, 42.3, -13.68

 

CMYK 0 / 50 / 33 / 32

HEX #AD5674

RGB 173 86 116

HSL 339.31, 0.35%, 0.51%

LAB 48.01, 38.87, -0.45

 

CMYK 0 / 50 / 46 / 32

HEX #AD565D

RGB 173 86 93

HSL 355.17, 0.35%, 0.51%

LAB 47.4, 36.18, 12.58

 

CMYK 0 / 41 / 50 / 32

HEX #AD6656

RGB 173 102 86

HSL 11.03, 0.35%, 0.51%

LAB 50.76, 26.81, 21.29

 

CMYK 0 / 52 / 34 / 53

HEX #77394F

RGB 119 57 79

HSL 338.71, 0.35%, 0.35%

LAB 32.73, 29.74, -0.7

 

CMYK 0 / 52 / 34 / 42

HEX #934761

RGB 147 71 97

HSL 339.47, 0.35%, 0.43%

LAB 40.53, 34.95, -0.19

 

CMYK 0 / 50 / 33 / 32

HEX #AD5674

RGB 173 86 116

HSL 339.31, 0.35%, 0.51%

LAB 48.01, 38.87, -0.45

 

CMYK 0 / 39 / 26 / 27

HEX #BB728B

RGB 187 114 139

HSL 339.45, 0.35%, 0.59%

LAB 56.55, 32.09, -1.35

 

CMYK 0 / 29 / 19 / 22

HEX #C88EA2

RGB 200 142 162

HSL 339.31, 0.35%, 0.67%

LAB 65.15, 24.96, -1.74

 

CMYK 0 / 51 / 33 / 32

HEX #AE5574

RGB 174 85 116

HSL 339.1, 0.35%, 0.51%

LAB 47.95, 39.74, -0.51

 

CMYK 0 / 8 / 50 / 32

HEX #ADA056

RGB 173 160 86

HSL 51.03, 0.35%, 0.51%

LAB 65.51, -5.39, 39.97

 

CMYK 50 / 13 / 0 / 32

HEX #5697AD

RGB 86 151 173

HSL 195.17, 0.35%, 0.51%

LAB 59.09, -14.62, -17.93

 

CMYK 0 / 51 / 33 / 32

HEX #AE5574

RGB 174 85 116

HSL 339.1, 0.35%, 0.51%

LAB 47.95, 39.74, -0.51

 

CMYK 33 / 0 / 50 / 32

HEX #74AD56

RGB 116 173 86

HSL 99.31, 0.35%, 0.51%

LAB 65.18, -34.64, 38.63

 

CMYK 50 / 33 / 0 / 32

HEX #5674AD

RGB 86 116 173

HSL 219.31, 0.35%, 0.51%

LAB 48.87, 5.53, -33.73

 

CMYK 0 / 51 / 33 / 32

HEX #AE5574

RGB 174 85 116

HSL 339.1, 0.35%, 0.51%

LAB 47.95, 39.74, -0.51

 

CMYK 0 / 8 / 50 / 32

HEX #ADA056

RGB 173 160 86

HSL 51.03, 0.35%, 0.51%

LAB 65.51, -5.39, 39.97

 

CMYK 50 / 0 / 17 / 32

HEX #56AD8F

RGB 86 173 143

HSL 159.31, 0.35%, 0.51%

LAB 64.84, -33.58, 7.43

 

CMYK 50 / 43 / 0 / 32

HEX #5663AD

RGB 86 99 173

HSL 231.03, 0.35%, 0.51%

LAB 44.12, 16.04, -41.23

 

CMYK 0 / 51 / 33 / 32

HEX #AE5574

RGB 174 85 116

HSL 339.1, 0.35%, 0.51%

LAB 47.95, 39.74, -0.51

 

CMYK 8 / 0 / 50 / 32

HEX #A0AD56

RGB 160 173 86

HSL 68.97, 0.35%, 0.51%

LAB 68.04, -17.64, 42.76

 

CMYK 50 / 0 / 17 / 32

HEX #56AD8F

RGB 86 173 143

HSL 159.31, 0.35%, 0.51%

LAB 64.84, -33.58, 7.43

 

CMYK 43 / 50 / 0 / 32

HEX #6356AD

RGB 99 86 173

HSL 248.97, 0.35%, 0.51%

LAB 41.73, 27.34, -44.97

 

Description

Color code: HEX #AE5574 | qconv.com Color code: HEX #AE5574 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 85 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 85 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 33 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 33% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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