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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE59D3 it is the complementary color #51A62C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE59D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE59D3 shade: #B359CE, #C46BE1, #D57DF4, #E68FFF and #F7A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE59D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE59D3 shade: #AE59D3, #9D47C0, #8C35AD, #7B239A and #6A1187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE59D3 shade: #AE59D3, #CF59D3, #D359B6, #D35995 and #D35975

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE59D3 shade: #AE59D3, #8D59D3, #6C59D3 and #5959D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE59D3 shade matches the following richer shades: #AE59D3, #B448E4 and #BB37F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE59D3 shade: #AE59D3, #A76AC2, #A07BB1, #9A8CA0 and #939D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE59D3 shade: #6C59D3, #8C59D3, #AC59D3, #CD59D3 and #D359B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE59D3 shade: #862DAC, #9E39CA, #AE59D3, #BE7ADB and #CE9BE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE59D3 shade: #AE59D3, #D35967 and #59D37C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE59D3 shade: #AE59D3, #D3AC59 and #59D3AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE59D3 shade: #AE59D3, #D35967, #80D359 and #59D3C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE59D3 shade: #AE59D3, #D37059, #80D359 and #59BCD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

Complementary color

CMYK 51 / 0 / 73 / 35

HEX #51A62C

RGB 81 166 44

HSL 101.8, 0.58%, 0.41%

LAB 60.96, -47.37, 52.2

 

CMYK 13 / 57 / 0 / 19

HEX #B359CE

RGB 179 89 206

HSL 286.15, 0.54%, 0.58%

LAB 53.15, 54.43, -45.4

 

CMYK 13 / 52 / 0 / 12

HEX #C46BE1

RGB 196 107 225

HSL 285.25, 0.66%, 0.65%

LAB 59.61, 53.78, -45.79

 

CMYK 13 / 49 / 0 / 4

HEX #D57DF4

RGB 213 125 244

HSL 284.37, 0.84%, 0.72%

LAB 66.02, 53.06, -46.09

 

CMYK 10 / 44 / 0 / 0

HEX #E68FFF

RGB 230 143 255

HSL 286.61, 1%, 0.78%

LAB 72.02, 50.73, -42.55

 

CMYK 3 / 37 / 0 / 0

HEX #F7A1FF

RGB 247 161 255

HSL 294.89, 1%, 0.82%

LAB 77.57, 46.39, -33.79

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 18 / 63 / 0 / 25

HEX #9D47C0

RGB 157 71 192

HSL 282.64, 0.49%, 0.52%

LAB 46.29, 54.73, -48.44

 

CMYK 19 / 69 / 0 / 32

HEX #8C35AD

RGB 140 53 173

HSL 283.5, 0.53%, 0.44%

LAB 39.81, 54.98, -47.78

 

CMYK 20 / 77 / 0 / 40

HEX #7B239A

RGB 123 35 154

HSL 284.37, 0.63%, 0.37%

LAB 33.45, 54.65, -46.74

 

CMYK 21 / 87 / 0 / 47

HEX #6A1187

RGB 106 17 135

HSL 285.25, 0.78%, 0.3%

LAB 27.34, 53.25, -45.03

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 2 / 58 / 0 / 17

HEX #CF59D3

RGB 207 89 211

HSL 298.03, 0.58%, 0.59%

LAB 57.19, 62.53, -41.62

 

CMYK 0 / 58 / 14 / 17

HEX #D359B6

RGB 211 89 182

HSL 314.26, 0.58%, 0.59%

LAB 56.46, 58.85, -26.13

 

CMYK 0 / 58 / 29 / 17

HEX #D35995

RGB 211 89 149

HSL 330.49, 0.58%, 0.59%

LAB 55.24, 54.23, -8.76

 

CMYK 0 / 58 / 45 / 17

HEX #D35975

RGB 211 89 117

HSL 346.23, 0.58%, 0.59%

LAB 54.32, 50.6, 8.79

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 33 / 58 / 0 / 17

HEX #8D59D3

RGB 141 89 211

HSL 265.57, 0.58%, 0.59%

LAB 48.9, 46.15, -55.31

 

CMYK 49 / 58 / 0 / 17

HEX #6C59D3

RGB 108 89 211

HSL 249.34, 0.58%, 0.59%

LAB 45.68, 38.84, -60.65

 

CMYK 58 / 58 / 0 / 17

HEX #5959D3

RGB 89 89 211

HSL 240, 0.58%, 0.59%

LAB 44.19, 35.19, -63.14

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 21 / 68 / 0 / 11

HEX #B448E4

RGB 180 72 228

HSL 281.54, 0.74%, 0.59%

LAB 51.77, 66.76, -60.1

 

CMYK 23 / 77 / 0 / 4

HEX #BB37F4

RGB 187 55 244

HSL 281.9, 0.9%, 0.59%

LAB 51.64, 77.39, -69.25

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 14 / 45 / 0 / 24

HEX #A76AC2

RGB 167 106 194

HSL 281.59, 0.42%, 0.59%

LAB 54.47, 39.79, -36.56

 

CMYK 10 / 31 / 0 / 31

HEX #A07BB1

RGB 160 123 177

HSL 281.11, 0.26%, 0.59%

LAB 56.89, 24.4, -23.11

 

CMYK 4 / 13 / 0 / 37

HEX #9A8CA0

RGB 154 140 160

HSL 282, 0.1%, 0.59%

LAB 60.04, 9.05, -8.67

 

CMYK 6 / 0 / 9 / 38

HEX #939D8F

RGB 147 157 143

HSL 102.86, 0.07%, 0.59%

LAB 63.59, -6.27, 6.09

 

CMYK 49 / 58 / 0 / 17

HEX #6C59D3

RGB 108 89 211

HSL 249.34, 0.58%, 0.59%

LAB 45.68, 38.84, -60.65

 

CMYK 34 / 58 / 0 / 17

HEX #8C59D3

RGB 140 89 211

HSL 265.08, 0.58%, 0.59%

LAB 48.79, 45.92, -55.49

 

CMYK 18 / 58 / 0 / 17

HEX #AC59D3

RGB 172 89 211

HSL 280.82, 0.58%, 0.59%

LAB 52.53, 53.69, -49.3

 

CMYK 3 / 58 / 0 / 17

HEX #CD59D3

RGB 205 89 211

HSL 297.05, 0.58%, 0.59%

LAB 56.91, 62.02, -42.08

 

CMYK 0 / 58 / 13 / 17

HEX #D359B8

RGB 211 89 184

HSL 313.28, 0.58%, 0.59%

LAB 56.54, 59.15, -27.15

 

CMYK 22 / 74 / 0 / 33

HEX #862DAC

RGB 134 45 172

HSL 282.05, 0.59%, 0.43%

LAB 37.71, 56.79, -50.63

 

CMYK 22 / 72 / 0 / 21

HEX #9E39CA

RGB 158 57 202

HSL 281.79, 0.58%, 0.51%

LAB 44.89, 63.07, -56.48

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 13 / 44 / 0 / 14

HEX #BE7ADB

RGB 190 122 219

HSL 282.06, 0.57%, 0.67%

LAB 61.64, 43.09, -39.28

 

CMYK 10 / 32 / 0 / 11

HEX #CE9BE4

RGB 206 155 228

HSL 281.92, 0.57%, 0.75%

LAB 70.99, 31.84, -29.62

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 0 / 58 / 51 / 17

HEX #D35967

RGB 211 89 103

HSL 353.11, 0.58%, 0.59%

LAB 54, 49.29, 16.62

 

CMYK 58 / 0 / 41 / 17

HEX #59D37C

RGB 89 211 124

HSL 137.21, 0.58%, 0.59%

LAB 76.17, -52.93, 33.09

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 0 / 18 / 58 / 17

HEX #D3AC59

RGB 211 172 89

HSL 40.82, 0.58%, 0.59%

LAB 72.28, 4.57, 47.4

 

CMYK 58 / 0 / 18 / 17

HEX #59D3AC

RGB 89 211 172

HSL 160.82, 0.58%, 0.59%

LAB 77.1, -43.37, 9.18

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 0 / 58 / 51 / 17

HEX #D35967

RGB 211 89 103

HSL 353.11, 0.58%, 0.59%

LAB 54, 49.29, 16.62

 

CMYK 39 / 0 / 58 / 17

HEX #80D359

RGB 128 211 89

HSL 100.82, 0.58%, 0.59%

LAB 77.22, -46.88, 51.62

 

CMYK 58 / 0 / 7 / 17

HEX #59D3C4

RGB 89 211 196

HSL 172.62, 0.58%, 0.59%

LAB 77.7, -37.54, -2.81

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 0 / 47 / 58 / 17

HEX #D37059

RGB 211 112 89

HSL 11.31, 0.58%, 0.59%

LAB 58.19, 36.76, 30.23

 

CMYK 39 / 0 / 58 / 17

HEX #80D359

RGB 128 211 89

HSL 100.82, 0.58%, 0.59%

LAB 77.22, -46.88, 51.62

 

CMYK 58 / 11 / 0 / 17

HEX #59BCD3

RGB 89 188 211

HSL 191.31, 0.58%, 0.59%

LAB 71.41, -22.34, -20.33

 

Description

Color code: HEX #AE59D3 | qconv.com Color code: HEX #AE59D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 89 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 89 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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