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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE7ADB it is the complementary color #418524. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE7ADB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE7ADB shade: #C37AD6, #D48CE9, #E59EFC, #F6B0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE7ADB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE7ADB shade: #BE7ADB, #AD68C8, #9C56B5, #8B44A2 and #7A328F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE7ADB shade: #BE7ADA, #D87ADA, #DA7AC3, #DA7AA9 and #DA7A90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE7ADB shade: #BE7ADA, #A47ADA, #8A7ADA and #7A7ADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE7ADB shade matches the following richer shades: #BE7ADA, #C36DE8 and #C95FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE7ADB shade: #BE7ADA, #B888CD, #B396BF, #ADA3B1 and #A8B1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE7ADB shade: #8A7ADA, #A47ADA, #BE7ADA, #D77ADA and #DA7AC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE7ADB shade: #9E3AC9, #AE5AD1, #BE7ADA, #CE9BE3 and #DDBBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE7ADB shade: #BE7ADB, #DA7A84 and #7ADA97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE7ADB shade: #BE7ADB, #DABE7A and #7ADABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE7ADB shade: #BE7ADB, #DA7A84, #97DA7A and #7ADAD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE7ADB shade: #BE7ADB, #DA8E7A, #97DA7A and #7AC7DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 44 / 0 / 14

HEX #BE7ADB

RGB 190 122 219

HSL 282.06, 0.57%, 0.67%

LAB 61.64, 43.09, -39.28

 

Complementary color

CMYK 51 / 0 / 73 / 48

HEX #418524

RGB 65 133 36

HSL 102.06, 0.57%, 0.33%

LAB 49.53, -39.63, 43.45

 

CMYK 9 / 43 / 0 / 16

HEX #C37AD6

RGB 195 122 214

HSL 287.61, 0.53%, 0.66%

LAB 61.98, 43.52, -35.91

 

CMYK 9 / 40 / 0 / 9

HEX #D48CE9

RGB 212 140 233

HSL 286.45, 0.68%, 0.73%

LAB 68.49, 42.76, -36.18

 

CMYK 9 / 37 / 0 / 1

HEX #E59EFC

RGB 229 158 252

HSL 285.32, 0.94%, 0.8%

LAB 74.91, 42.02, -36.43

 

CMYK 4 / 31 / 0 / 0

HEX #F6B0FF

RGB 246 176 255

HSL 293.16, 1%, 0.85%

LAB 80.66, 38.26, -29.04

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 13 / 44 / 0 / 14

HEX #BE7ADB

RGB 190 122 219

HSL 282.06, 0.57%, 0.67%

LAB 61.64, 43.09, -39.28

 

CMYK 14 / 48 / 0 / 22

HEX #AD68C8

RGB 173 104 200

HSL 283.13, 0.47%, 0.6%

LAB 55.03, 43.88, -39.06

 

CMYK 14 / 52 / 0 / 29

HEX #9C56B5

RGB 156 86 181

HSL 284.21, 0.39%, 0.52%

LAB 48.34, 44.66, -38.79

 

CMYK 14 / 58 / 0 / 36

HEX #8B44A2

RGB 139 68 162

HSL 285.32, 0.41%, 0.45%

LAB 41.58, 45.36, -38.41

 

CMYK 15 / 65 / 0 / 44

HEX #7A328F

RGB 122 50 143

HSL 286.45, 0.48%, 0.38%

LAB 34.81, 45.85, -37.84

 

CMYK 13 / 44 / 0 / 15

HEX #BE7ADA

RGB 190 122 218

HSL 282.5, 0.56%, 0.67%

LAB 61.59, 42.88, -38.8

 

CMYK 1 / 44 / 0 / 15

HEX #D87ADA

RGB 216 122 218

HSL 298.75, 0.56%, 0.67%

LAB 64.63, 50.45, -33.83

 

CMYK 0 / 44 / 11 / 15

HEX #DA7AC3

RGB 218 122 195

HSL 314.38, 0.56%, 0.67%

LAB 63.97, 47.08, -21.93

 

CMYK 0 / 44 / 22 / 15

HEX #DA7AA9

RGB 218 122 169

HSL 330.63, 0.56%, 0.67%

LAB 63.09, 43.06, -8.52

 

CMYK 0 / 44 / 34 / 15

HEX #DA7A90

RGB 218 122 144

HSL 346.25, 0.56%, 0.67%

LAB 62.37, 39.7, 4.72

 

CMYK 13 / 44 / 0 / 15

HEX #BE7ADA

RGB 190 122 218

HSL 282.5, 0.56%, 0.67%

LAB 61.59, 42.88, -38.8

 

CMYK 25 / 44 / 0 / 15

HEX #A47ADA

RGB 164 122 218

HSL 266.25, 0.56%, 0.67%

LAB 58.86, 35.46, -43.28

 

CMYK 37 / 44 / 0 / 15

HEX #8A7ADA

RGB 138 122 218

HSL 250, 0.56%, 0.67%

LAB 56.47, 28.42, -47.21

 

CMYK 44 / 44 / 0 / 15

HEX #7A7ADA

RGB 122 122 218

HSL 240, 0.56%, 0.67%

LAB 55.19, 24.39, -49.32

 

CMYK 13 / 44 / 0 / 15

HEX #BE7ADA

RGB 190 122 218

HSL 282.5, 0.56%, 0.67%

LAB 61.59, 42.88, -38.8

 

CMYK 16 / 53 / 0 / 9

HEX #C36DE8

RGB 195 109 232

HSL 281.95, 0.73%, 0.67%

LAB 60.22, 53.94, -48.74

 

CMYK 18 / 61 / 0 / 4

HEX #C95FF6

RGB 201 95 246

HSL 282.12, 0.89%, 0.67%

LAB 59.21, 64.98, -58.09

 

CMYK 13 / 44 / 0 / 15

HEX #BE7ADA

RGB 190 122 218

HSL 282.5, 0.56%, 0.67%

LAB 61.59, 42.88, -38.8

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 6 / 21 / 0 / 25

HEX #B396BF

RGB 179 150 191

HSL 282.44, 0.24%, 0.67%

LAB 65.87, 18.34, -17.18

 

CMYK 2 / 8 / 0 / 31

HEX #ADA3B1

RGB 173 163 177

HSL 282.86, 0.08%, 0.67%

LAB 68.21, 6.24, -5.93

 

CMYK 5 / 0 / 7 / 31

HEX #A8B1A4

RGB 168 177 164

HSL 101.54, 0.08%, 0.67%

LAB 71.18, -5.59, 5.56

 

CMYK 37 / 44 / 0 / 15

HEX #8A7ADA

RGB 138 122 218

HSL 250, 0.56%, 0.67%

LAB 56.47, 28.42, -47.21

 

CMYK 25 / 44 / 0 / 15

HEX #A47ADA

RGB 164 122 218

HSL 266.25, 0.56%, 0.67%

LAB 58.86, 35.46, -43.28

 

CMYK 13 / 44 / 0 / 15

HEX #BE7ADA

RGB 190 122 218

HSL 282.5, 0.56%, 0.67%

LAB 61.59, 42.88, -38.8

 

CMYK 1 / 44 / 0 / 15

HEX #D77ADA

RGB 215 122 218

HSL 298.13, 0.56%, 0.67%

LAB 64.51, 50.16, -34.03

 

CMYK 0 / 44 / 10 / 15

HEX #DA7AC4

RGB 218 122 196

HSL 313.75, 0.56%, 0.67%

LAB 64.01, 47.24, -22.43

 

CMYK 21 / 71 / 0 / 21

HEX #9E3AC9

RGB 158 58 201

HSL 281.96, 0.57%, 0.51%

LAB 44.96, 62.47, -55.79

 

CMYK 17 / 57 / 0 / 18

HEX #AE5AD1

RGB 174 90 209

HSL 282.35, 0.56%, 0.59%

LAB 52.86, 53.28, -47.62

 

CMYK 13 / 44 / 0 / 15

HEX #BE7ADA

RGB 190 122 218

HSL 282.5, 0.56%, 0.67%

LAB 61.59, 42.88, -38.8

 

CMYK 9 / 32 / 0 / 11

HEX #CE9BE3

RGB 206 155 227

HSL 282.5, 0.56%, 0.75%

LAB 70.95, 31.63, -29.13

 

CMYK 6 / 21 / 0 / 7

HEX #DDBBEC

RGB 221 187 236

HSL 281.63, 0.56%, 0.83%

LAB 80.16, 20.83, -19.82

 

CMYK 13 / 44 / 0 / 14

HEX #BE7ADB

RGB 190 122 219

HSL 282.06, 0.57%, 0.67%

LAB 61.64, 43.09, -39.28

 

CMYK 0 / 44 / 39 / 15

HEX #DA7A84

RGB 218 122 132

HSL 353.75, 0.56%, 0.67%

LAB 62.08, 38.28, 11.16

 

CMYK 44 / 0 / 31 / 15

HEX #7ADA97

RGB 122 218 151

HSL 138.13, 0.56%, 0.67%

LAB 79.91, -42.85, 24.36

 

CMYK 13 / 44 / 0 / 14

HEX #BE7ADB

RGB 190 122 219

HSL 282.06, 0.57%, 0.67%

LAB 61.64, 43.09, -39.28

 

CMYK 0 / 13 / 44 / 15

HEX #DABE7A

RGB 218 190 122

HSL 42.5, 0.56%, 0.67%

LAB 77.96, 0.89, 37.93

 

CMYK 44 / 0 / 13 / 15

HEX #7ADABE

RGB 122 218 190

HSL 162.5, 0.56%, 0.67%

LAB 80.74, -34.95, 4.97

 

CMYK 13 / 44 / 0 / 14

HEX #BE7ADB

RGB 190 122 219

HSL 282.06, 0.57%, 0.67%

LAB 61.64, 43.09, -39.28

 

CMYK 0 / 44 / 39 / 15

HEX #DA7A84

RGB 218 122 132

HSL 353.75, 0.56%, 0.67%

LAB 62.08, 38.28, 11.16

 

CMYK 31 / 0 / 44 / 15

HEX #97DA7A

RGB 151 218 122

HSL 101.88, 0.56%, 0.67%

LAB 80.81, -38.43, 40.56

 

CMYK 44 / 0 / 4 / 15

HEX #7ADAD1

RGB 122 218 209

HSL 174.38, 0.56%, 0.67%

LAB 81.23, -30.53, -4.43

 

CMYK 13 / 44 / 0 / 14

HEX #BE7ADB

RGB 190 122 219

HSL 282.06, 0.57%, 0.67%

LAB 61.64, 43.09, -39.28

 

CMYK 0 / 35 / 44 / 15

HEX #DA8E7A

RGB 218 142 122

HSL 12.5, 0.56%, 0.67%

LAB 66.26, 26.58, 22.58

 

CMYK 31 / 0 / 44 / 15

HEX #97DA7A

RGB 151 218 122

HSL 101.88, 0.56%, 0.67%

LAB 80.81, -38.43, 40.56

 

CMYK 44 / 9 / 0 / 15

HEX #7AC7DA

RGB 122 199 218

HSL 191.88, 0.56%, 0.67%

LAB 76.1, -18.86, -16.91

 

Description

Color code: HEX #BE7ADB | qconv.com Color code: HEX #BE7ADB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 122 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 122 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 44 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 44% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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