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Color name
HEX #AE508F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE508F it is the complementary color #51AF70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE508F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE508F shade: #B3508A, #C4629D, #D574B0, #E686C3 and #F798D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE508F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE508F shade: #AE508F, #9D3E7C, #8C2C69, #7B1A56 and #6A0843

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE508F shade: #AE508F, #AE5076, #AE505C and #AE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE508F shade: #AE508F, #AE50A8, #9A50AE, #8150AE and #6850AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE508F shade matches the following richer shades: #AE508F, #C33B96, #D7279D and #EC12A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE508F shade: #AE508F, #9A6488, #857981, #708E7A and #5CA273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE508F shade: #9A50AE, #AE50A9, #AE5090, #AE5077 and #AE505E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE508F shade: #763661, #924378, #AE508F, #BB6CA1 and #C888B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE508F shade: #AE508F, #AE8150 and #50AEA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE508F shade: #AE508F, #90AE50 and #5090AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE508F shade: #AE508F, #AE8150, #50AE6E and #507DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE508F shade: #AE508F, #AE9D50, #50AE6E and #5061AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

Complementary color

CMYK 54 / 0 / 36 / 31

HEX #51AF70

RGB 81 175 112

HSL 139.79, 0.37%, 0.5%

LAB 64.63, -42.18, 24.07

 

CMYK 0 / 55 / 23 / 30

HEX #B3508A

RGB 179 80 138

HSL 324.85, 0.39%, 0.51%

LAB 48.46, 46.94, -12.92

 

CMYK 0 / 50 / 20 / 23

HEX #C4629D

RGB 196 98 157

HSL 323.88, 0.45%, 0.58%

LAB 54.97, 46.27, -14.07

 

CMYK 0 / 46 / 17 / 16

HEX #D574B0

RGB 213 116 176

HSL 322.89, 0.54%, 0.65%

LAB 61.46, 45.52, -15.02

 

CMYK 0 / 42 / 15 / 10

HEX #E686C3

RGB 230 134 195

HSL 321.88, 0.66%, 0.71%

LAB 67.88, 44.76, -15.84

 

CMYK 0 / 38 / 13 / 3

HEX #F798D6

RGB 247 152 214

HSL 320.84, 0.86%, 0.78%

LAB 74.24, 44, -16.57

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 61 / 21 / 38

HEX #9D3E7C

RGB 157 62 124

HSL 320.84, 0.43%, 0.43%

LAB 41.32, 46.62, -15.57

 

CMYK 0 / 69 / 25 / 45

HEX #8C2C69

RGB 140 44 105

HSL 321.88, 0.52%, 0.36%

LAB 34.8, 46.77, -13.92

 

CMYK 0 / 79 / 30 / 52

HEX #7B1A56

RGB 123 26 86

HSL 322.89, 0.65%, 0.29%

LAB 28.44, 46.2, -11.62

 

CMYK 0 / 92 / 37 / 58

HEX #6A0843

RGB 106 8 67

HSL 323.88, 0.86%, 0.22%

LAB 22.45, 44.27, -8.26

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 54 / 32 / 32

HEX #AE5076

RGB 174 80 118

HSL 335.74, 0.37%, 0.5%

LAB 47.03, 42.55, -3.07

 

CMYK 0 / 54 / 47 / 32

HEX #AE505C

RGB 174 80 92

HSL 352.34, 0.37%, 0.5%

LAB 46.32, 39.55, 11.71

 

CMYK 0 / 54 / 54 / 32

HEX #AE5050

RGB 174 80 80

HSL 0, 0.37%, 0.5%

LAB 46.06, 38.42, 18.62

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 54 / 3 / 32

HEX #AE50A8

RGB 174 80 168

HSL 303.83, 0.37%, 0.5%

LAB 48.96, 50.26, -30.02

 

CMYK 11 / 54 / 0 / 32

HEX #9A50AE

RGB 154 80 174

HSL 287.23, 0.37%, 0.5%

LAB 46.53, 45.78, -37.56

 

CMYK 26 / 54 / 0 / 32

HEX #8150AE

RGB 129 80 174

HSL 271.28, 0.37%, 0.5%

LAB 43.45, 38.96, -42.64

 

CMYK 40 / 54 / 0 / 32

HEX #6850AE

RGB 104 80 174

HSL 255.32, 0.37%, 0.5%

LAB 40.79, 32.52, -47.04

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 70 / 23 / 24

HEX #C33B96

RGB 195 59 150

HSL 319.85, 0.54%, 0.5%

LAB 48.17, 62.2, -20.31

 

CMYK 0 / 82 / 27 / 16

HEX #D7279D

RGB 215 39 157

HSL 319.77, 0.69%, 0.5%

LAB 49.9, 73.78, -21.54

 

CMYK 0 / 92 / 31 / 7

HEX #EC12A4

RGB 236 18 164

HSL 319.82, 0.86%, 0.5%

LAB 52.89, 82.41, -20.76

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 35 / 12 / 40

HEX #9A6488

RGB 154 100 136

HSL 320, 0.21%, 0.5%

LAB 49.21, 27.45, -10.93

 

CMYK 0 / 9 / 3 / 48

HEX #857981

RGB 133 121 129

HSL 320, 0.05%, 0.5%

LAB 52.11, 6.12, -2.7

 

CMYK 21 / 0 / 14 / 44

HEX #708E7A

RGB 112 142 122

HSL 140, 0.12%, 0.5%

LAB 56.28, -14.83, 7.2

 

CMYK 43 / 0 / 29 / 36

HEX #5CA273

RGB 92 162 115

HSL 139.71, 0.28%, 0.5%

LAB 61.09, -32.79, 17.72

 

CMYK 11 / 54 / 0 / 32

HEX #9A50AE

RGB 154 80 174

HSL 287.23, 0.37%, 0.5%

LAB 46.53, 45.78, -37.56

 

CMYK 0 / 54 / 3 / 32

HEX #AE50A9

RGB 174 80 169

HSL 303.19, 0.37%, 0.5%

LAB 49.01, 50.44, -30.54

 

CMYK 0 / 54 / 17 / 32

HEX #AE5090

RGB 174 80 144

HSL 319.15, 0.37%, 0.5%

LAB 47.94, 46.27, -17.36

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 54 / 46 / 32

HEX #AE505E

RGB 174 80 94

HSL 351.06, 0.37%, 0.5%

LAB 46.37, 39.75, 10.56

 

CMYK 0 / 54 / 18 / 54

HEX #763661

RGB 118 54 97

HSL 319.69, 0.37%, 0.34%

LAB 32.6, 33.81, -12.5

 

CMYK 0 / 54 / 18 / 43

HEX #924378

RGB 146 67 120

HSL 319.75, 0.37%, 0.42%

LAB 40.38, 40.08, -14.7

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 42 / 14 / 27

HEX #BB6CA1

RGB 187 108 161

HSL 319.75, 0.37%, 0.58%

LAB 55.95, 38.75, -15.04

 

CMYK 0 / 32 / 11 / 22

HEX #C888B3

RGB 200 136 179

HSL 319.69, 0.37%, 0.66%

LAB 64.28, 31.04, -12.63

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 26 / 54 / 32

HEX #AE8150

RGB 174 129 80

HSL 31.28, 0.37%, 0.5%

LAB 57.35, 11.54, 33.14

 

CMYK 54 / 0 / 5 / 32

HEX #50AEA6

RGB 80 174 166

HSL 174.89, 0.37%, 0.5%

LAB 65.54, -29.71, -4.36

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 17 / 0 / 54 / 32

HEX #90AE50

RGB 144 174 80

HSL 79.15, 0.37%, 0.5%

LAB 67.11, -25.21, 44.29

 

CMYK 54 / 17 / 0 / 32

HEX #5090AE

RGB 80 144 174

HSL 199.15, 0.37%, 0.5%

LAB 56.79, -11.85, -22.04

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 26 / 54 / 32

HEX #AE8150

RGB 174 129 80

HSL 31.28, 0.37%, 0.5%

LAB 57.35, 11.54, 33.14

 

CMYK 54 / 0 / 37 / 32

HEX #50AE6E

RGB 80 174 110

HSL 139.15, 0.37%, 0.5%

LAB 64.24, -42.37, 24.62

 

CMYK 54 / 28 / 0 / 32

HEX #507DAE

RGB 80 125 174

HSL 211.28, 0.37%, 0.5%

LAB 51.19, -0.97, -30.71

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 10 / 54 / 32

HEX #AE9D50

RGB 174 157 80

HSL 49.15, 0.37%, 0.5%

LAB 64.72, -3.89, 42.07

 

CMYK 54 / 0 / 37 / 32

HEX #50AE6E

RGB 80 174 110

HSL 139.15, 0.37%, 0.5%

LAB 64.24, -42.37, 24.62

 

CMYK 54 / 44 / 0 / 32

HEX #5061AE

RGB 80 97 174

HSL 229.15, 0.37%, 0.5%

LAB 43.23, 16.24, -43.25

 

Description

Color code: HEX #AE508F | qconv.com Color code: HEX #AE508F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 80 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 80 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 18 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 18% 32% C M Y K

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Provide designers and agencies with accurate color values.

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