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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEB4D4 it is the complementary color #514B2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEB4D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEB4D4 shade: #B3B4CF, #C4C6E2, #D5D8F5, #E6EAFF and #F7FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEB4D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEB4D4 shade: #AEB4D4, #9DA2C1, #8C90AE, #7B7E9B and #6A6C88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEB4D4 shade: #AEB4D4, #B3AED4, #BDAED4, #C7AED4 and #D1AED4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEB4D4 shade: #AEB4D4 and #AEAED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEB4D4 shade matches the following richer shades: #AEB4D4, #A4AEDE, #9BA7E8, #91A0F2 and #8799FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEB4D4 shade: #AEB4D4, #B8BBCA, #C2C2C0, #CCC9B7 and #D6CFAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEB4D4 shade: #AEC9D4, #AEBFD4, #AEB5D4, #B2AED4 and #BCAED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEB4D4 shade: #7882B8, #939BC6, #AEB4D4, #C9CDE3 and #E4E6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEB4D4 shade: #AEB4D4, #D4AED3 and #C4D4AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEB4D4 shade: #AEB4D4, #D4AEB5 and #B5D4AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEB4D4 shade: #AEB4D4, #D4AED3, #D4CEAE and #AED4B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEB4D4 shade: #AEB4D4, #D4AEC8, #D4CEAE and #AED4BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

Complementary color

CMYK 0 / 7 / 47 / 68

HEX #514B2B

RGB 81 75 43

HSL 50.53, 0.31%, 0.24%

LAB 31.71, -2.79, 19.94

 

CMYK 14 / 13 / 0 / 19

HEX #B3B4CF

RGB 179 180 207

HSL 237.86, 0.23%, 0.76%

LAB 74.02, 5.05, -13.73

 

CMYK 13 / 12 / 0 / 11

HEX #C4C6E2

RGB 196 198 226

HSL 236, 0.34%, 0.83%

LAB 80.52, 4.82, -14.11

 

CMYK 13 / 12 / 0 / 4

HEX #D5D8F5

RGB 213 216 245

HSL 234.38, 0.62%, 0.9%

LAB 86.92, 4.6, -14.5

 

CMYK 10 / 8 / 0 / 0

HEX #E6EAFF

RGB 230 234 255

HSL 230.4, 1%, 0.95%

LAB 92.97, 2.61, -10.59

 

CMYK 3 / 1 / 0 / 0

HEX #F7FCFF

RGB 247 252 255

HSL 202.5, 1%, 0.98%

LAB 98.68, -1.1, -2.02

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 19 / 16 / 0 / 24

HEX #9DA2C1

RGB 157 162 193

HSL 231.67, 0.23%, 0.69%

LAB 67.17, 4.77, -16.5

 

CMYK 20 / 17 / 0 / 32

HEX #8C90AE

RGB 140 144 174

HSL 232.94, 0.17%, 0.62%

LAB 60.41, 5.04, -16.2

 

CMYK 21 / 19 / 0 / 39

HEX #7B7E9B

RGB 123 126 155

HSL 234.38, 0.14%, 0.55%

LAB 53.49, 5.33, -15.91

 

CMYK 22 / 21 / 0 / 47

HEX #6A6C88

RGB 106 108 136

HSL 236, 0.12%, 0.47%

LAB 46.4, 5.66, -15.64

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 11 / 18 / 0 / 17

HEX #BDAED4

RGB 189 174 212

HSL 263.68, 0.31%, 0.76%

LAB 73.44, 12.65, -17.25

 

CMYK 6 / 18 / 0 / 17

HEX #C7AED4

RGB 199 174 212

HSL 279.47, 0.31%, 0.76%

LAB 74.3, 15.95, -15.88

 

CMYK 1 / 18 / 0 / 17

HEX #D1AED4

RGB 209 174 212

HSL 295.26, 0.31%, 0.76%

LAB 75.19, 19.3, -14.44

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 18 / 18 / 0 / 17

HEX #AEAED4

RGB 174 174 212

HSL 240, 0.31%, 0.76%

LAB 72.24, 7.81, -19.18

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 26 / 22 / 0 / 13

HEX #A4AEDE

RGB 164 174 222

HSL 229.66, 0.47%, 0.76%

LAB 71.85, 7.03, -25.31

 

CMYK 33 / 28 / 0 / 9

HEX #9BA7E8

RGB 155 167 232

HSL 230.65, 0.63%, 0.76%

LAB 69.78, 10.82, -34.03

 

CMYK 40 / 34 / 0 / 5

HEX #91A0F2

RGB 145 160 242

HSL 230.72, 0.79%, 0.76%

LAB 67.7, 14.76, -42.78

 

CMYK 46 / 39 / 0 / 1

HEX #8799FC

RGB 135 153 252

HSL 230.77, 0.95%, 0.76%

LAB 65.72, 19.16, -51.41

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 9 / 7 / 0 / 21

HEX #B8BBCA

RGB 184 187 202

HSL 230, 0.15%, 0.76%

LAB 76.07, 1.88, -7.91

 

CMYK 0 / 0 / 1 / 24

HEX #C2C2C0

RGB 194 194 192

HSL 60, 0.02%, 0.76%

LAB 78.38, -0.36, 0.99

 

CMYK 0 / 1 / 10 / 20

HEX #CCC9B7

RGB 204 201 183

HSL 51.43, 0.17%, 0.76%

LAB 80.76, -2.08, 9.36

 

CMYK 0 / 3 / 19 / 16

HEX #D6CFAD

RGB 214 207 173

HSL 49.76, 0.33%, 0.76%

LAB 82.88, -3.12, 17.79

 

CMYK 18 / 5 / 0 / 17

HEX #AEC9D4

RGB 174 201 212

HSL 197.37, 0.31%, 0.76%

LAB 79.34, -6.73, -8.52

 

CMYK 18 / 10 / 0 / 17

HEX #AEBFD4

RGB 174 191 212

HSL 213.16, 0.31%, 0.76%

LAB 76.69, -1.43, -12.48

 

CMYK 18 / 15 / 0 / 17

HEX #AEB5D4

RGB 174 181 212

HSL 228.95, 0.31%, 0.76%

LAB 74.06, 3.98, -16.43

 

CMYK 16 / 18 / 0 / 17

HEX #B2AED4

RGB 178 174 212

HSL 246.32, 0.31%, 0.76%

LAB 72.56, 9.09, -18.68

 

CMYK 11 / 18 / 0 / 17

HEX #BCAED4

RGB 188 174 212

HSL 262.11, 0.31%, 0.76%

LAB 73.36, 12.33, -17.38

 

CMYK 35 / 29 / 0 / 28

HEX #7882B8

RGB 120 130 184

HSL 230.63, 0.31%, 0.6%

LAB 55.5, 9.49, -29.55

 

CMYK 26 / 22 / 0 / 22

HEX #939BC6

RGB 147 155 198

HSL 230.59, 0.31%, 0.68%

LAB 64.74, 6.73, -23.05

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 11 / 10 / 0 / 11

HEX #C9CDE3

RGB 201 205 227

HSL 230.77, 0.32%, 0.84%

LAB 82.71, 2.91, -11.33

 

CMYK 5 / 5 / 0 / 5

HEX #E4E6F1

RGB 228 230 241

HSL 230.77, 0.32%, 0.92%

LAB 91.43, 1.36, -5.57

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 0 / 18 / 0 / 17

HEX #D4AED3

RGB 212 174 211

HSL 301.58, 0.31%, 0.76%

LAB 75.43, 20.12, -13.5

 

CMYK 8 / 0 / 18 / 17

HEX #C4D4AE

RGB 196 212 174

HSL 85.26, 0.31%, 0.76%

LAB 82.85, -12.09, 17.01

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 15 / 0 / 18 / 17

HEX #B5D4AE

RGB 181 212 174

HSL 108.95, 0.31%, 0.76%

LAB 81.82, -17.37, 15.42

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 0 / 18 / 0 / 17

HEX #D4AED3

RGB 212 174 211

HSL 301.58, 0.31%, 0.76%

LAB 75.43, 20.12, -13.5

 

CMYK 0 / 3 / 18 / 17

HEX #D4CEAE

RGB 212 206 174

HSL 50.53, 0.31%, 0.76%

LAB 82.48, -3.19, 16.68

 

CMYK 18 / 0 / 17 / 17

HEX #AED4B0

RGB 174 212 176

HSL 123.16, 0.31%, 0.76%

LAB 81.41, -19.41, 13.72

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 0 / 18 / 6 / 17

HEX #D4AEC8

RGB 212 174 200

HSL 318.95, 0.31%, 0.76%

LAB 75.1, 18.12, -8

 

CMYK 0 / 3 / 18 / 17

HEX #D4CEAE

RGB 212 206 174

HSL 50.53, 0.31%, 0.76%

LAB 82.48, -3.19, 16.68

 

CMYK 18 / 0 / 12 / 17

HEX #AED4BB

RGB 174 212 187

HSL 140.53, 0.31%, 0.76%

LAB 81.66, -17.41, 8.24

 

Description

Color code: HEX #AEB4D4 | qconv.com Color code: HEX #AEB4D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 180 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 180 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 15 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 15% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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