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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3AED4 it is the complementary color #4C512B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3AED4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3AED4 shade: #B8AECF, #C9C0E2, #DAD2F5, #EBE4FF and #FCF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3AED4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3AED4 shade: #B3AED4, #A29CC1, #918AAE, #80789B and #6F6688

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3AED4 shade: #B3AED4, #BEAED4, #C8AED4, #D2AED4 and #D4AECC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3AED4 shade: #B3AED4 and #AEAED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3AED4 shade matches the following richer shades: #B3AED4, #ACA4DE, #A59BE8, #9D91F2 and #9687FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3AED4 shade: #B3AED4, #BBB8CA, #C2C2C0, #C9CCB7 and #D1D6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3AED4 shade: #AEBED4, #AEB4D4, #B3AED4, #BDAED4 and #C7AED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3AED4 shade: #8178B8, #9A93C6, #B3AED4, #CDC9E3 and #E6E4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3AED4 shade: #B3AED4, #D4AEC8 and #B9D4AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3AED4 shade: #B3AED4, #D4B3AE and #AED4B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3AED4 shade: #B3AED4, #D4AEC8, #D0D4AE and #AED4BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3AED4 shade: #B3AED4, #D4AEBD, #D0D4AE and #AED4C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

Complementary color

CMYK 6 / 0 / 47 / 68

HEX #4C512B

RGB 76 81 43

HSL 67.89, 0.31%, 0.24%

LAB 33.13, -8.77, 21.62

 

CMYK 11 / 16 / 0 / 19

HEX #B8AECF

RGB 184 174 207

HSL 258.18, 0.26%, 0.75%

LAB 72.87, 9.97, -15.42

 

CMYK 11 / 15 / 0 / 11

HEX #C9C0E2

RGB 201 192 226

HSL 255.88, 0.37%, 0.82%

LAB 79.39, 9.65, -15.78

 

CMYK 11 / 14 / 0 / 4

HEX #DAD2F5

RGB 218 210 245

HSL 253.71, 0.64%, 0.89%

LAB 85.8, 9.36, -16.14

 

CMYK 8 / 11 / 0 / 0

HEX #EBE4FF

RGB 235 228 255

HSL 255.56, 1%, 0.95%

LAB 91.85, 7.32, -12.21

 

CMYK 1 / 4 / 0 / 0

HEX #FCF6FF

RGB 252 246 255

HSL 280, 1%, 0.98%

LAB 97.56, 3.58, -3.61

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 16 / 19 / 0 / 24

HEX #A29CC1

RGB 162 156 193

HSL 249.73, 0.23%, 0.68%

LAB 65.99, 9.75, -18.26

 

CMYK 17 / 21 / 0 / 32

HEX #918AAE

RGB 145 138 174

HSL 251.67, 0.18%, 0.61%

LAB 59.21, 10.12, -17.98

 

CMYK 17 / 23 / 0 / 39

HEX #80789B

RGB 128 120 155

HSL 253.71, 0.15%, 0.54%

LAB 52.27, 10.53, -17.72

 

CMYK 18 / 25 / 0 / 47

HEX #6F6688

RGB 111 102 136

HSL 255.88, 0.14%, 0.47%

LAB 45.16, 11, -17.49

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 10 / 18 / 0 / 17

HEX #BEAED4

RGB 190 174 212

HSL 265.26, 0.31%, 0.76%

LAB 73.53, 12.98, -17.11

 

CMYK 6 / 18 / 0 / 17

HEX #C8AED4

RGB 200 174 212

HSL 281.05, 0.31%, 0.76%

LAB 74.38, 16.28, -15.74

 

CMYK 1 / 18 / 0 / 17

HEX #D2AED4

RGB 210 174 212

HSL 296.84, 0.31%, 0.76%

LAB 75.28, 19.63, -14.3

 

CMYK 0 / 18 / 4 / 17

HEX #D4AECC

RGB 212 174 204

HSL 312.63, 0.31%, 0.76%

LAB 75.22, 18.84, -10.01

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 18 / 18 / 0 / 17

HEX #AEAED4

RGB 174 174 212

HSL 240, 0.31%, 0.76%

LAB 72.24, 7.81, -19.18

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 23 / 26 / 0 / 13

HEX #ACA4DE

RGB 172 164 222

HSL 248.28, 0.47%, 0.76%

LAB 69.89, 15.02, -28.27

 

CMYK 29 / 33 / 0 / 9

HEX #A59BE8

RGB 165 155 232

HSL 247.79, 0.63%, 0.76%

LAB 67.48, 20.43, -37.54

 

CMYK 35 / 40 / 0 / 5

HEX #9D91F2

RGB 157 145 242

HSL 247.42, 0.79%, 0.76%

LAB 64.83, 26.48, -47.24

 

CMYK 40 / 46 / 0 / 1

HEX #9687FC

RGB 150 135 252

HSL 247.69, 0.95%, 0.76%

LAB 62.37, 33.14, -56.66

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 7 / 9 / 0 / 21

HEX #BBB8CA

RGB 187 184 202

HSL 250, 0.15%, 0.76%

LAB 75.52, 4.5, -8.7

 

CMYK 0 / 0 / 1 / 24

HEX #C2C2C0

RGB 194 194 192

HSL 60, 0.02%, 0.76%

LAB 78.38, -0.36, 0.99

 

CMYK 1 / 0 / 10 / 20

HEX #C9CCB7

RGB 201 204 183

HSL 68.57, 0.17%, 0.76%

LAB 81.3, -4.72, 10.11

 

CMYK 2 / 0 / 19 / 16

HEX #D1D6AD

RGB 209 214 173

HSL 67.32, 0.33%, 0.76%

LAB 84.31, -8.56, 19.72

 

CMYK 18 / 10 / 0 / 17

HEX #AEBED4

RGB 174 190 212

HSL 214.74, 0.31%, 0.76%

LAB 76.42, -0.89, -12.88

 

CMYK 18 / 15 / 0 / 17

HEX #AEB4D4

RGB 174 180 212

HSL 230.53, 0.31%, 0.76%

LAB 73.8, 4.52, -16.82

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 11 / 18 / 0 / 17

HEX #BDAED4

RGB 189 174 212

HSL 263.68, 0.31%, 0.76%

LAB 73.44, 12.65, -17.25

 

CMYK 6 / 18 / 0 / 17

HEX #C7AED4

RGB 199 174 212

HSL 279.47, 0.31%, 0.76%

LAB 74.3, 15.95, -15.88

 

CMYK 30 / 35 / 0 / 28

HEX #8178B8

RGB 129 120 184

HSL 248.44, 0.31%, 0.6%

LAB 53.56, 18.05, -32.52

 

CMYK 22 / 26 / 0 / 22

HEX #9A93C6

RGB 154 147 198

HSL 248.24, 0.31%, 0.68%

LAB 63.19, 13.44, -25.38

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 10 / 11 / 0 / 11

HEX #CDC9E3

RGB 205 201 227

HSL 249.23, 0.32%, 0.84%

LAB 82, 6.33, -12.37

 

CMYK 5 / 5 / 0 / 5

HEX #E6E4F1

RGB 230 228 241

HSL 249.23, 0.32%, 0.92%

LAB 91.08, 3.04, -6.07

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 0 / 18 / 6 / 17

HEX #D4AEC8

RGB 212 174 200

HSL 318.95, 0.31%, 0.76%

LAB 75.1, 18.12, -8

 

CMYK 13 / 0 / 18 / 17

HEX #B9D4AE

RGB 185 212 174

HSL 102.63, 0.31%, 0.76%

LAB 82.09, -15.98, 15.83

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 0 / 16 / 18 / 17

HEX #D4B3AE

RGB 212 179 174

HSL 7.89, 0.31%, 0.76%

LAB 75.63, 11.09, 6.97

 

CMYK 18 / 0 / 16 / 17

HEX #AED4B3

RGB 174 212 179

HSL 127.89, 0.31%, 0.76%

LAB 81.48, -18.88, 12.23

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 0 / 18 / 6 / 17

HEX #D4AEC8

RGB 212 174 200

HSL 318.95, 0.31%, 0.76%

LAB 75.1, 18.12, -8

 

CMYK 2 / 0 / 18 / 17

HEX #D0D4AE

RGB 208 212 174

HSL 66.32, 0.31%, 0.76%

LAB 83.73, -7.75, 18.38

 

CMYK 18 / 0 / 12 / 17

HEX #AED4BA

RGB 174 212 186

HSL 138.95, 0.31%, 0.76%

LAB 81.64, -17.59, 8.73

 

CMYK 16 / 18 / 0 / 17

HEX #B3AED4

RGB 179 174 212

HSL 247.89, 0.31%, 0.76%

LAB 72.63, 9.41, -18.55

 

CMYK 0 / 18 / 11 / 17

HEX #D4AEBD

RGB 212 174 189

HSL 336.32, 0.31%, 0.76%

LAB 74.79, 16.22, -2.44

 

CMYK 2 / 0 / 18 / 17

HEX #D0D4AE

RGB 208 212 174

HSL 66.32, 0.31%, 0.76%

LAB 83.73, -7.75, 18.38

 

CMYK 18 / 0 / 7 / 17

HEX #AED4C6

RGB 174 212 198

HSL 157.89, 0.31%, 0.76%

LAB 81.93, -15.29, 2.77

 

Description

Color code: HEX #B3AED4 | qconv.com Color code: HEX #B3AED4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 174 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 174 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 18 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 18% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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