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Color name
HEX #AF525D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF525D it is the complementary color #50ADA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF525D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF525D shade: #B45258, #C5646B, #D6767E, #E78891 and #F89AA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF525D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF525D shade: #AF525D, #9E404A, #8D2E37, #7C1C24 and #6B0A11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF525D shade: #AE505B and #AE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF525D shade: #AE505B, #AE5074, #AE508E, #AE50A7 and #9C50AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF525D shade matches the following richer shades: #AE505B, #C33B4B, #D7273B and #EC122C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF525D shade: #AE505B, #9A646B, #85797A, #708E8A and #5CA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF525D shade: #AE508F, #AE5076, #AE505C, #AE5C50 and #AE7650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF525D shade: #76363D, #92434C, #AE505B, #BB6C75 and #C88890

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF525D shade: #AF525D, #A8AE50 and #5082AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF525D shade: #AF525D, #5CAE50 and #505CAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF525D shade: #AF525D, #A8AE50, #50AEA2 and #5650AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF525D shade: #AF525D, #8CAE50, #50AEA2 and #7250AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 47 / 31

HEX #AF525D

RGB 175 82 93

HSL 352.9, 0.37%, 0.5%

LAB 46.89, 39, 11.92

 

Complementary color

CMYK 54 / 0 / 6 / 32

HEX #50ADA2

RGB 80 173 162

HSL 172.9, 0.37%, 0.5%

LAB 65.12, -30.28, -2.75

 

CMYK 0 / 54 / 51 / 29

HEX #B45258

RGB 180 82 88

HSL 356.33, 0.4%, 0.51%

LAB 47.55, 40.35, 15.96

 

CMYK 0 / 49 / 46 / 23

HEX #C5646B

RGB 197 100 107

HSL 355.67, 0.46%, 0.58%

LAB 54.08, 39.27, 14.04

 

CMYK 0 / 45 / 41 / 16

HEX #D6767E

RGB 214 118 126

HSL 355, 0.54%, 0.65%

LAB 60.57, 38.23, 12.41

 

CMYK 0 / 41 / 37 / 9

HEX #E78891

RGB 231 136 145

HSL 354.32, 0.66%, 0.72%

LAB 67.01, 37.23, 10.99

 

CMYK 0 / 38 / 34 / 3

HEX #F89AA4

RGB 248 154 164

HSL 353.62, 0.87%, 0.79%

LAB 73.38, 36.3, 9.74

 

CMYK 0 / 53 / 47 / 31

HEX #AF525D

RGB 175 82 93

HSL 352.9, 0.37%, 0.5%

LAB 46.89, 39, 11.92

 

CMYK 0 / 59 / 53 / 38

HEX #9E404A

RGB 158 64 74

HSL 353.62, 0.42%, 0.44%

LAB 40.3, 39.99, 14.07

 

CMYK 0 / 67 / 61 / 45

HEX #8D2E37

RGB 141 46 55

HSL 354.32, 0.51%, 0.37%

LAB 33.76, 40.82, 16.79

 

CMYK 0 / 77 / 71 / 51

HEX #7C1C24

RGB 124 28 36

HSL 355, 0.63%, 0.3%

LAB 27.42, 41.15, 20.35

 

CMYK 0 / 91 / 84 / 58

HEX #6B0A11

RGB 107 10 17

HSL 355.67, 0.83%, 0.23%

LAB 21.52, 40.35, 24.9

 

CMYK 0 / 54 / 48 / 32

HEX #AE505B

RGB 174 80 91

HSL 352.98, 0.37%, 0.5%

LAB 46.3, 39.45, 12.28

 

CMYK 0 / 54 / 54 / 32

HEX #AE5050

RGB 174 80 80

HSL 0, 0.37%, 0.5%

LAB 46.06, 38.42, 18.62

 

CMYK 0 / 54 / 48 / 32

HEX #AE505B

RGB 174 80 91

HSL 352.98, 0.37%, 0.5%

LAB 46.3, 39.45, 12.28

 

CMYK 0 / 54 / 33 / 32

HEX #AE5074

RGB 174 80 116

HSL 337.02, 0.37%, 0.5%

LAB 46.97, 42.29, -1.95

 

CMYK 0 / 54 / 18 / 32

HEX #AE508E

RGB 174 80 142

HSL 320.43, 0.37%, 0.5%

LAB 47.87, 45.96, -16.28

 

CMYK 0 / 54 / 4 / 32

HEX #AE50A7

RGB 174 80 167

HSL 304.47, 0.37%, 0.5%

LAB 48.92, 50.08, -29.51

 

CMYK 10 / 54 / 0 / 32

HEX #9C50AE

RGB 156 80 174

HSL 288.51, 0.37%, 0.5%

LAB 46.79, 46.33, -37.13

 

CMYK 0 / 54 / 48 / 32

HEX #AE505B

RGB 174 80 91

HSL 352.98, 0.37%, 0.5%

LAB 46.3, 39.45, 12.28

 

CMYK 0 / 70 / 62 / 24

HEX #C33B4B

RGB 195 59 75

HSL 352.94, 0.54%, 0.5%

LAB 45.96, 54.74, 22.15

 

CMYK 0 / 82 / 73 / 16

HEX #D7273B

RGB 215 39 59

HSL 353.18, 0.69%, 0.5%

LAB 47.25, 66.03, 34.2

 

CMYK 0 / 92 / 81 / 7

HEX #EC122C

RGB 236 18 44

HSL 352.84, 0.86%, 0.5%

LAB 50.03, 74.65, 46.9

 

CMYK 0 / 54 / 48 / 32

HEX #AE505B

RGB 174 80 91

HSL 352.98, 0.37%, 0.5%

LAB 46.3, 39.45, 12.28

 

CMYK 0 / 35 / 31 / 40

HEX #9A646B

RGB 154 100 107

HSL 352.22, 0.21%, 0.5%

LAB 48.32, 22.8, 5.09

 

CMYK 0 / 9 / 8 / 48

HEX #85797A

RGB 133 121 122

HSL 355, 0.05%, 0.5%

LAB 51.91, 4.78, 1.12

 

CMYK 21 / 0 / 3 / 44

HEX #708E8A

RGB 112 142 138

HSL 172, 0.12%, 0.5%

LAB 56.71, -11.41, -1.36

 

CMYK 43 / 0 / 5 / 36

HEX #5CA29A

RGB 92 162 154

HSL 173.14, 0.28%, 0.5%

LAB 62.04, -24.05, -2.75

 

CMYK 0 / 54 / 18 / 32

HEX #AE508F

RGB 174 80 143

HSL 319.79, 0.37%, 0.5%

LAB 47.9, 46.11, -16.82

 

CMYK 0 / 54 / 32 / 32

HEX #AE5076

RGB 174 80 118

HSL 335.74, 0.37%, 0.5%

LAB 47.03, 42.55, -3.07

 

CMYK 0 / 54 / 47 / 32

HEX #AE505C

RGB 174 80 92

HSL 352.34, 0.37%, 0.5%

LAB 46.32, 39.55, 11.71

 

CMYK 0 / 47 / 54 / 32

HEX #AE5C50

RGB 174 92 80

HSL 7.66, 0.37%, 0.5%

LAB 48.55, 32.12, 21.92

 

CMYK 0 / 32 / 54 / 32

HEX #AE7650

RGB 174 118 80

HSL 24.26, 0.37%, 0.5%

LAB 54.59, 17.72, 29.7

 

CMYK 0 / 54 / 48 / 54

HEX #76363D

RGB 118 54 61

HSL 353.44, 0.37%, 0.34%

LAB 31.41, 28.77, 9.06

 

CMYK 0 / 54 / 48 / 43

HEX #92434C

RGB 146 67 76

HSL 353.16, 0.37%, 0.42%

LAB 38.98, 34.21, 10.7

 

CMYK 0 / 54 / 48 / 32

HEX #AE505B

RGB 174 80 91

HSL 352.98, 0.37%, 0.5%

LAB 46.3, 39.45, 12.28

 

CMYK 0 / 42 / 37 / 27

HEX #BB6C75

RGB 187 108 117

HSL 353.16, 0.37%, 0.58%

LAB 54.63, 32.42, 8.75

 

CMYK 0 / 32 / 28 / 22

HEX #C88890

RGB 200 136 144

HSL 352.5, 0.37%, 0.66%

LAB 63.26, 25.59, 5.71

 

CMYK 0 / 53 / 47 / 31

HEX #AF525D

RGB 175 82 93

HSL 352.9, 0.37%, 0.5%

LAB 46.89, 39, 11.92

 

CMYK 3 / 0 / 54 / 32

HEX #A8AE50

RGB 168 174 80

HSL 63.83, 0.37%, 0.5%

LAB 68.88, -15.39, 46.8

 

CMYK 54 / 25 / 0 / 32

HEX #5082AE

RGB 80 130 174

HSL 208.09, 0.37%, 0.5%

LAB 52.65, -3.9, -28.43

 

CMYK 0 / 53 / 47 / 31

HEX #AF525D

RGB 175 82 93

HSL 352.9, 0.37%, 0.5%

LAB 46.89, 39, 11.92

 

CMYK 47 / 0 / 54 / 32

HEX #5CAE50

RGB 92 174 80

HSL 112.34, 0.37%, 0.5%

LAB 64.26, -43.7, 40.21

 

CMYK 54 / 47 / 0 / 32

HEX #505CAE

RGB 80 92 174

HSL 232.34, 0.37%, 0.5%

LAB 41.87, 19.41, -45.42

 

CMYK 0 / 53 / 47 / 31

HEX #AF525D

RGB 175 82 93

HSL 352.9, 0.37%, 0.5%

LAB 46.89, 39, 11.92

 

CMYK 3 / 0 / 54 / 32

HEX #A8AE50

RGB 168 174 80

HSL 63.83, 0.37%, 0.5%

LAB 68.88, -15.39, 46.8

 

CMYK 54 / 0 / 7 / 32

HEX #50AEA2

RGB 80 174 162

HSL 172.34, 0.37%, 0.5%

LAB 65.43, -30.76, -2.3

 

CMYK 51 / 54 / 0 / 32

HEX #5650AE

RGB 86 80 174

HSL 243.83, 0.37%, 0.5%

LAB 39.19, 28.32, -49.69

 

CMYK 0 / 53 / 47 / 31

HEX #AF525D

RGB 175 82 93

HSL 352.9, 0.37%, 0.5%

LAB 46.89, 39, 11.92

 

CMYK 20 / 0 / 54 / 32

HEX #8CAE50

RGB 140 174 80

HSL 81.7, 0.37%, 0.5%

LAB 66.84, -26.79, 43.91

 

CMYK 54 / 0 / 7 / 32

HEX #50AEA2

RGB 80 174 162

HSL 172.34, 0.37%, 0.5%

LAB 65.43, -30.76, -2.3

 

CMYK 34 / 54 / 0 / 32

HEX #7250AE

RGB 114 80 174

HSL 261.7, 0.37%, 0.5%

LAB 41.8, 35.03, -45.37

 

Description

Color code: HEX #AF525D | qconv.com Color code: HEX #AF525D | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 82 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 82 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 47 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 47% 31% C M Y K

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Provide designers and agencies with accurate color values.

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