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Color name
HEX #AF8269

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8269 it is the complementary color #507D96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8269. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8269 shade: #B48264, #C59477, #D6A68A, #E7B89D and #F8CAB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8269. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8269 shade: #AF8269, #9E7056, #8D5E43, #7C4C30 and #6B3A1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8269 shade: #AE8269, #AE6F69 and #AE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8269 shade: #AE8269, #AE9469, #AEA769, #A3AE69 and #90AE69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8269 shade matches the following richer shades: #AE8269, #C17D57, #D37744, #E67232 and #F86D1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8269 shade: #AE8269, #9C877C, #898D8E, #7692A1 and #6497B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8269 shade: #AE6976, #AE6F69, #AE8169, #AE9469 and #AEA669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8269 shade: #805A45, #9B6D53, #AE8269, #BD9884 and #CBAF9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8269 shade: #AF8269, #88AE69 and #696DAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8269 shade: #AF8269, #69AE81 and #8169AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8269 shade: #AF8269, #88AE69, #6996AE and #8F69AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8269 shade: #AF8269, #74AE69, #6996AE and #A469AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 40 / 31

HEX #AF8269

RGB 175 130 105

HSL 21.43, 0.3%, 0.55%

LAB 58.13, 14, 20.3

 

Complementary color

CMYK 47 / 17 / 0 / 41

HEX #507D96

RGB 80 125 150

HSL 201.43, 0.3%, 0.45%

LAB 50.19, -8.36, -18.29

 

CMYK 0 / 28 / 44 / 29

HEX #B48264

RGB 180 130 100

HSL 22.5, 0.35%, 0.55%

LAB 58.59, 15.5, 23.83

 

CMYK 0 / 25 / 40 / 23

HEX #C59477

RGB 197 148 119

HSL 22.31, 0.4%, 0.62%

LAB 65.26, 14.62, 22.5

 

CMYK 0 / 22 / 36 / 16

HEX #D6A68A

RGB 214 166 138

HSL 22.11, 0.48%, 0.69%

LAB 71.83, 13.87, 21.29

 

CMYK 0 / 20 / 32 / 9

HEX #E7B89D

RGB 231 184 157

HSL 21.89, 0.61%, 0.76%

LAB 78.29, 13.2, 20.16

 

CMYK 0 / 19 / 29 / 3

HEX #F8CAB0

RGB 248 202 176

HSL 21.67, 0.84%, 0.83%

LAB 84.65, 12.61, 19.12

 

CMYK 0 / 26 / 40 / 31

HEX #AF8269

RGB 175 130 105

HSL 21.43, 0.3%, 0.55%

LAB 58.13, 14, 20.3

 

CMYK 0 / 29 / 46 / 38

HEX #9E7056

RGB 158 112 86

HSL 21.67, 0.3%, 0.48%

LAB 51.3, 14.91, 21.67

 

CMYK 0 / 33 / 52 / 45

HEX #8D5E43

RGB 141 94 67

HSL 21.89, 0.36%, 0.41%

LAB 44.34, 16, 23.22

 

CMYK 0 / 39 / 61 / 51

HEX #7C4C30

RGB 124 76 48

HSL 22.11, 0.44%, 0.34%

LAB 37.24, 17.32, 24.97

 

CMYK 0 / 46 / 73 / 58

HEX #6B3A1D

RGB 107 58 29

HSL 22.31, 0.57%, 0.27%

LAB 30.01, 18.94, 26.95

 

CMYK 0 / 25 / 40 / 32

HEX #AE8269

RGB 174 130 105

HSL 21.74, 0.3%, 0.55%

LAB 58.02, 13.59, 20.13

 

CMYK 0 / 36 / 40 / 32

HEX #AE6F69

RGB 174 111 105

HSL 5.22, 0.3%, 0.55%

LAB 53.37, 24.27, 13.76

 

CMYK 0 / 40 / 40 / 32

HEX #AE6969

RGB 174 105 105

HSL 0, 0.3%, 0.55%

LAB 51.97, 27.61, 11.82

 

CMYK 0 / 25 / 40 / 32

HEX #AE8269

RGB 174 130 105

HSL 21.74, 0.3%, 0.55%

LAB 58.02, 13.59, 20.13

 

CMYK 0 / 15 / 40 / 32

HEX #AE9469

RGB 174 148 105

HSL 37.39, 0.3%, 0.55%

LAB 62.67, 3.55, 26.34

 

CMYK 0 / 4 / 40 / 32

HEX #AEA769

RGB 174 167 105

HSL 53.91, 0.3%, 0.55%

LAB 67.77, -6.74, 32.96

 

CMYK 6 / 0 / 40 / 32

HEX #A3AE69

RGB 163 174 105

HSL 69.57, 0.3%, 0.55%

LAB 68.81, -14.88, 34.11

 

CMYK 17 / 0 / 40 / 32

HEX #90AE69

RGB 144 174 105

HSL 86.09, 0.3%, 0.55%

LAB 67.44, -22.34, 32.08

 

CMYK 0 / 25 / 40 / 32

HEX #AE8269

RGB 174 130 105

HSL 21.74, 0.3%, 0.55%

LAB 58.02, 13.59, 20.13

 

CMYK 0 / 35 / 55 / 24

HEX #C17D57

RGB 193 125 87

HSL 21.51, 0.46%, 0.55%

LAB 58.69, 22.41, 31.49

 

CMYK 0 / 44 / 68 / 17

HEX #D37744

RGB 211 119 68

HSL 21.4, 0.62%, 0.55%

LAB 59.4, 31.69, 43.03

 

CMYK 0 / 50 / 78 / 10

HEX #E67232

RGB 230 114 50

HSL 21.33, 0.78%, 0.55%

LAB 60.86, 40.97, 54.09

 

CMYK 0 / 56 / 88 / 3

HEX #F86D1F

RGB 248 109 31

HSL 21.57, 0.94%, 0.55%

LAB 62.5, 49.67, 64.03

 

CMYK 0 / 25 / 40 / 32

HEX #AE8269

RGB 174 130 105

HSL 21.74, 0.3%, 0.55%

LAB 58.02, 13.59, 20.13

 

CMYK 0 / 13 / 21 / 39

HEX #9C877C

RGB 156 135 124

HSL 20.63, 0.14%, 0.55%

LAB 57.9, 6.11, 8.84

 

CMYK 4 / 1 / 0 / 44

HEX #898D8E

RGB 137 141 142

HSL 192, 0.02%, 0.55%

LAB 58.34, -1.26, -1.05

 

CMYK 27 / 9 / 0 / 37

HEX #7692A1

RGB 118 146 161

HSL 200.93, 0.19%, 0.55%

LAB 58.96, -6.26, -11.14

 

CMYK 44 / 16 / 0 / 29

HEX #6497B4

RGB 100 151 180

HSL 201.75, 0.35%, 0.55%

LAB 60.01, -9.17, -20.43

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 36 / 40 / 32

HEX #AE6F69

RGB 174 111 105

HSL 5.22, 0.3%, 0.55%

LAB 53.37, 24.27, 13.76

 

CMYK 0 / 26 / 40 / 32

HEX #AE8169

RGB 174 129 105

HSL 20.87, 0.3%, 0.55%

LAB 57.77, 14.15, 19.79

 

CMYK 0 / 15 / 40 / 32

HEX #AE9469

RGB 174 148 105

HSL 37.39, 0.3%, 0.55%

LAB 62.67, 3.55, 26.34

 

CMYK 0 / 5 / 40 / 32

HEX #AEA669

RGB 174 166 105

HSL 53.04, 0.3%, 0.55%

LAB 67.49, -6.21, 32.61

 

CMYK 0 / 30 / 46 / 50

HEX #805A45

RGB 128 90 69

HSL 21.36, 0.3%, 0.39%

LAB 41.74, 12.86, 18.33

 

CMYK 0 / 30 / 46 / 39

HEX #9B6D53

RGB 155 109 83

HSL 21.67, 0.3%, 0.47%

LAB 50.13, 15.03, 21.79

 

CMYK 0 / 25 / 40 / 32

HEX #AE8269

RGB 174 130 105

HSL 21.74, 0.3%, 0.55%

LAB 58.02, 13.59, 20.13

 

CMYK 0 / 20 / 30 / 26

HEX #BD9884

RGB 189 152 132

HSL 21.05, 0.3%, 0.63%

LAB 65.7, 10.86, 15.75

 

CMYK 0 / 14 / 22 / 20

HEX #CBAF9F

RGB 203 175 159

HSL 21.82, 0.3%, 0.71%

LAB 73.45, 7.6, 11.93

 

CMYK 0 / 26 / 40 / 31

HEX #AF8269

RGB 175 130 105

HSL 21.43, 0.3%, 0.55%

LAB 58.13, 14, 20.3

 

CMYK 22 / 0 / 40 / 32

HEX #88AE69

RGB 136 174 105

HSL 93.04, 0.3%, 0.55%

LAB 66.92, -25.36, 31.31

 

CMYK 40 / 37 / 0 / 32

HEX #696DAE

RGB 105 109 174

HSL 236.52, 0.3%, 0.55%

LAB 48.26, 15.05, -35.18

 

CMYK 0 / 26 / 40 / 31

HEX #AF8269

RGB 175 130 105

HSL 21.43, 0.3%, 0.55%

LAB 58.13, 14, 20.3

 

CMYK 40 / 0 / 26 / 32

HEX #69AE81

RGB 105 174 129

HSL 140.87, 0.3%, 0.55%

LAB 65.64, -31.86, 16.39

 

CMYK 26 / 40 / 0 / 32

HEX #8169AE

RGB 129 105 174

HSL 260.87, 0.3%, 0.55%

LAB 49.28, 24.4, -33.42

 

CMYK 0 / 26 / 40 / 31

HEX #AF8269

RGB 175 130 105

HSL 21.43, 0.3%, 0.55%

LAB 58.13, 14, 20.3

 

CMYK 22 / 0 / 40 / 32

HEX #88AE69

RGB 136 174 105

HSL 93.04, 0.3%, 0.55%

LAB 66.92, -25.36, 31.31

 

CMYK 40 / 14 / 0 / 32

HEX #6996AE

RGB 105 150 174

HSL 200.87, 0.3%, 0.55%

LAB 59.77, -8.95, -17.38

 

CMYK 18 / 40 / 0 / 32

HEX #8F69AE

RGB 143 105 174

HSL 273.04, 0.3%, 0.55%

LAB 50.69, 28.68, -31.13

 

CMYK 0 / 26 / 40 / 31

HEX #AF8269

RGB 175 130 105

HSL 21.43, 0.3%, 0.55%

LAB 58.13, 14, 20.3

 

CMYK 33 / 0 / 40 / 32

HEX #74AE69

RGB 116 174 105

HSL 110.43, 0.3%, 0.55%

LAB 65.75, -32.5, 29.57

 

CMYK 40 / 14 / 0 / 32

HEX #6996AE

RGB 105 150 174

HSL 200.87, 0.3%, 0.55%

LAB 59.77, -8.95, -17.38

 

CMYK 6 / 40 / 0 / 32

HEX #A469AE

RGB 164 105 174

HSL 291.3, 0.3%, 0.55%

LAB 53.01, 35.26, -27.34

 

Description

Color code: HEX #AF8269 | qconv.com Color code: HEX #AF8269 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 130 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 130 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 40 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 40% 31% C M Y K

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Provide designers and agencies with accurate color values.

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