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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFA831 it is the complementary color #5057CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFA831. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFA831 shade: #B4A82C, #C5BA3F, #D6CC52, #E7DE65 and #F8F078

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFA831. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFA831 shade: #AFA831, #9E961E, #8D840B, #7C7200 and #6B6000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFA831 shade: #AFA831, #AF8631, #AF6431, #AF4231 and #AF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFA831 shade: #AFA831, #94AF31, #72AF31, #50AF31 and #31AF34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFA831 shade matches the following richer shades: #AFA831, #C1B81F and #D3C80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFA831 shade: #AFA831, #9C9743, #8A8755, #787767 and #666779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFA831 shade: #AF6331, #AF8531, #AFA631, #95AF31 and #74AF31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFA831 shade: #6E6A1F, #8E8928, #AFA831, #C9C140 and #D2CC60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFA831 shade: #AFA831, #31AF42 and #7431AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFA831 shade: #AFA831, #31AFA6 and #A631AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFA831 shade: #AFA831, #31AF42, #3139AF and #AF319E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFA831 shade: #AFA831, #31AF67, #3139AF and #AF3178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

Complementary color

CMYK 61 / 58 / 0 / 19

HEX #5057CE

RGB 80 87 206

HSL 236.67, 0.56%, 0.56%

LAB 42.73, 33.22, -62.67

 

CMYK 0 / 7 / 76 / 29

HEX #B4A82C

RGB 180 168 44

HSL 54.71, 0.61%, 0.44%

LAB 67.94, -9.4, 61.16

 

CMYK 0 / 6 / 68 / 23

HEX #C5BA3F

RGB 197 186 63

HSL 55.07, 0.54%, 0.51%

LAB 74.41, -10.44, 60.92

 

CMYK 0 / 5 / 62 / 16

HEX #D6CC52

RGB 214 204 82

HSL 55.45, 0.62%, 0.58%

LAB 80.79, -11.3, 60.22

 

CMYK 0 / 4 / 56 / 9

HEX #E7DE65

RGB 231 222 101

HSL 55.85, 0.73%, 0.65%

LAB 87.08, -12.03, 59.28

 

CMYK 0 / 3 / 52 / 3

HEX #F8F078

RGB 248 240 120

HSL 56.25, 0.9%, 0.72%

LAB 93.29, -12.64, 58.22

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 0 / 5 / 81 / 38

HEX #9E961E

RGB 158 150 30

HSL 56.25, 0.68%, 0.37%

LAB 60.94, -10.24, 58.59

 

CMYK 0 / 6 / 92 / 45

HEX #8D840B

RGB 141 132 11

HSL 55.85, 0.86%, 0.3%

LAB 54.23, -8.84, 56.99

 

CMYK 0 / 8 / 100 / 51

HEX #7C7200

RGB 124 114 0

HSL 55.16, 1%, 0.24%

LAB 47.39, -7.12, 53.26

 

CMYK 0 / 10 / 100 / 58

HEX #6B6000

RGB 107 96 0

HSL 53.83, 1%, 0.21%

LAB 40.4, -5.12, 47.46

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 0 / 23 / 72 / 31

HEX #AF8631

RGB 175 134 49

HSL 40.48, 0.56%, 0.44%

LAB 58.4, 7.01, 49.76

 

CMYK 0 / 43 / 72 / 31

HEX #AF6431

RGB 175 100 49

HSL 24.29, 0.56%, 0.44%

LAB 50.04, 25.99, 40.99

 

CMYK 0 / 62 / 72 / 31

HEX #AF4231

RGB 175 66 49

HSL 8.1, 0.56%, 0.44%

LAB 43.11, 43.5, 33.3

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 15 / 0 / 72 / 31

HEX #94AF31

RGB 148 175 49

HSL 72.86, 0.56%, 0.44%

LAB 67.41, -26.45, 58

 

CMYK 35 / 0 / 72 / 31

HEX #72AF31

RGB 114 175 49

HSL 89.05, 0.56%, 0.44%

LAB 65.33, -39.76, 55.23

 

CMYK 54 / 0 / 72 / 31

HEX #50AF31

RGB 80 175 49

HSL 105.24, 0.56%, 0.44%

LAB 63.83, -50.74, 53.22

 

CMYK 72 / 0 / 70 / 31

HEX #31AF34

RGB 49 175 52

HSL 121.43, 0.56%, 0.44%

LAB 62.98, -57.52, 50.92

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 0 / 5 / 84 / 24

HEX #C1B81F

RGB 193 184 31

HSL 56.67, 0.72%, 0.44%

LAB 73.36, -12.43, 70.15

 

CMYK 0 / 5 / 94 / 17

HEX #D3C80D

RGB 211 200 13

HSL 56.67, 0.88%, 0.44%

LAB 79.15, -13.09, 78.49

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 0 / 3 / 57 / 39

HEX #9C9743

RGB 156 151 67

HSL 56.63, 0.4%, 0.44%

LAB 61.31, -9.55, 44.08

 

CMYK 0 / 2 / 38 / 46

HEX #8A8755

RGB 138 135 85

HSL 56.6, 0.24%, 0.44%

LAB 55.47, -6.82, 27.3

 

CMYK 0 / 1 / 14 / 53

HEX #787767

RGB 120 119 103

HSL 56.47, 0.08%, 0.44%

LAB 49.7, -2.62, 8.95

 

CMYK 16 / 15 / 0 / 53

HEX #666779

RGB 102 103 121

HSL 236.84, 0.09%, 0.44%

LAB 44.1, 3.63, -10.16

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 0 / 24 / 72 / 31

HEX #AF8531

RGB 175 133 49

HSL 40, 0.56%, 0.44%

LAB 58.14, 7.56, 49.5

 

CMYK 0 / 5 / 72 / 31

HEX #AFA631

RGB 175 166 49

HSL 55.71, 0.56%, 0.44%

LAB 66.98, -10.32, 58.3

 

CMYK 15 / 0 / 72 / 31

HEX #95AF31

RGB 149 175 49

HSL 72.38, 0.56%, 0.44%

LAB 67.48, -26.03, 58.09

 

CMYK 34 / 0 / 72 / 31

HEX #74AF31

RGB 116 175 49

HSL 88.1, 0.56%, 0.44%

LAB 65.43, -39.03, 55.37

 

CMYK 0 / 4 / 72 / 57

HEX #6E6A1F

RGB 110 106 31

HSL 56.96, 0.56%, 0.28%

LAB 43.83, -8.24, 40.67

 

CMYK 0 / 4 / 72 / 44

HEX #8E8928

RGB 142 137 40

HSL 57.06, 0.56%, 0.36%

LAB 55.88, -10.06, 49.91

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 0 / 4 / 68 / 21

HEX #C9C140

RGB 201 193 64

HSL 56.5, 0.56%, 0.52%

LAB 76.64, -12.26, 62.88

 

CMYK 0 / 3 / 54 / 18

HEX #D2CC60

RGB 210 204 96

HSL 56.84, 0.56%, 0.6%

LAB 80.59, -11.95, 53.69

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 72 / 0 / 62 / 31

HEX #31AF42

RGB 49 175 66

HSL 128.1, 0.56%, 0.44%

LAB 63.1, -56.06, 45.11

 

CMYK 34 / 72 / 0 / 31

HEX #7431AF

RGB 116 49 175

HSL 271.9, 0.56%, 0.44%

LAB 35.99, 52.19, -55.31

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 72 / 0 / 5 / 31

HEX #31AFA6

RGB 49 175 166

HSL 175.71, 0.56%, 0.44%

LAB 65.01, -35.47, -5.23

 

CMYK 5 / 72 / 0 / 31

HEX #A631AF

RGB 166 49 175

HSL 295.71, 0.56%, 0.44%

LAB 43.36, 62.62, -43.07

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 72 / 0 / 62 / 31

HEX #31AF42

RGB 49 175 66

HSL 128.1, 0.56%, 0.44%

LAB 63.1, -56.06, 45.11

 

CMYK 72 / 67 / 0 / 31

HEX #3139AF

RGB 49 57 175

HSL 236.19, 0.56%, 0.44%

LAB 31.05, 36.85, -63.64

 

CMYK 0 / 72 / 10 / 31

HEX #AF319E

RGB 175 49 158

HSL 308.1, 0.56%, 0.44%

LAB 43.91, 61.89, -31.97

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 72 / 0 / 41 / 31

HEX #31AF67

RGB 49 175 103

HSL 145.71, 0.56%, 0.44%

LAB 63.58, -50.45, 27.32

 

CMYK 72 / 67 / 0 / 31

HEX #3139AF

RGB 49 57 175

HSL 236.19, 0.56%, 0.44%

LAB 31.05, 36.85, -63.64

 

CMYK 0 / 72 / 31 / 31

HEX #AF3178

RGB 175 49 120

HSL 326.19, 0.56%, 0.44%

LAB 42.26, 56.67, -11.41

 

Description

Color code: HEX #AFA831 | qconv.com Color code: HEX #AFA831 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 168 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 168 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 72 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 72% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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