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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD895 it is the complementary color #50276A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD895. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD895 shade: #B4D890, #C5EAA3, #D6FCB6, #E7FFC9 and #F8FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD895. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD895 shade: #AFD895, #9EC682, #8DB46F, #7CA25C and #6B9049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD895 shade: #B0D896, #C1D896, #D3D896, #D8CB96 and #D8B996

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD895 shade: #B0D896, #9ED896, #96D8A0, #96D8B2 and #96D8C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD895 shade matches the following richer shades: #B0D896, #ADE38B, #ABEF7F and #A8FB74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD895 shade: #B0D896, #B2CCA2, #B5C1AD, #B8B5B9 and #BAAAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD895 shade: #D4D896, #C2D896, #B1D896, #9FD896 and #96D89F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD895 shade: #82C25A, #99CD78, #B0D896, #C6E3B4 and #DDEED2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD895 shade: #AFD895, #96D8CB and #D896CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD895 shade: #AFD895, #96B1D8 and #D896B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD895 shade: #AFD895, #96D8CB, #BE96D8 and #D896A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD895 shade: #AFD895, #96D1D8, #BE96D8 and #D89D96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 31 / 15

HEX #AFD895

RGB 175 216 149

HSL 96.72, 0.46%, 0.72%

LAB 82.05, -25.41, 28.77

 

Complementary color

CMYK 25 / 63 / 0 / 58

HEX #50276A

RGB 80 39 106

HSL 276.72, 0.46%, 0.28%

LAB 24.31, 32.12, -31.67

 

CMYK 17 / 0 / 33 / 15

HEX #B4D890

RGB 180 216 144

HSL 90, 0.48%, 0.71%

LAB 82.29, -24.34, 31.71

 

CMYK 16 / 0 / 30 / 8

HEX #C5EAA3

RGB 197 234 163

HSL 91.27, 0.63%, 0.78%

LAB 88.62, -24.28, 30.64

 

CMYK 15 / 0 / 28 / 1

HEX #D6FCB6

RGB 214 252 182

HSL 92.57, 0.92%, 0.85%

LAB 94.86, -24.22, 29.61

 

CMYK 9 / 0 / 21 / 0

HEX #E7FFC9

RGB 231 255 201

HSL 86.67, 1%, 0.89%

LAB 97.12, -16.95, 23.26

 

CMYK 3 / 0 / 14 / 0

HEX #F8FFDC

RGB 248 255 220

HSL 72, 1%, 0.93%

LAB 98.69, -8.15, 15.95

 

CMYK 19 / 0 / 31 / 15

HEX #AFD895

RGB 175 216 149

HSL 96.72, 0.46%, 0.72%

LAB 82.05, -25.41, 28.77

 

CMYK 20 / 0 / 34 / 22

HEX #9EC682

RGB 158 198 130

HSL 95.29, 0.37%, 0.64%

LAB 75.62, -25.52, 29.86

 

CMYK 22 / 0 / 38 / 29

HEX #8DB46F

RGB 141 180 111

HSL 93.91, 0.32%, 0.57%

LAB 69.08, -25.62, 31.02

 

CMYK 23 / 0 / 43 / 36

HEX #7CA25C

RGB 124 162 92

HSL 92.57, 0.28%, 0.5%

LAB 62.42, -25.71, 32.22

 

CMYK 26 / 0 / 49 / 44

HEX #6B9049

RGB 107 144 73

HSL 91.27, 0.33%, 0.43%

LAB 55.64, -25.76, 33.46

 

CMYK 19 / 0 / 31 / 15

HEX #B0D896

RGB 176 216 150

HSL 96.36, 0.46%, 0.72%

LAB 82.13, -24.91, 28.37

 

CMYK 11 / 0 / 31 / 15

HEX #C1D896

RGB 193 216 150

HSL 80.91, 0.46%, 0.72%

LAB 83.26, -18.76, 30.07

 

CMYK 2 / 0 / 31 / 15

HEX #D3D896

RGB 211 216 150

HSL 64.55, 0.46%, 0.72%

LAB 84.57, -12.02, 32.05

 

CMYK 0 / 6 / 31 / 15

HEX #D8CB96

RGB 216 203 150

HSL 48.18, 0.46%, 0.72%

LAB 81.57, -3.46, 28.12

 

CMYK 0 / 14 / 31 / 15

HEX #D8B996

RGB 216 185 150

HSL 31.82, 0.46%, 0.72%

LAB 76.98, 5.98, 21.89

 

CMYK 19 / 0 / 31 / 15

HEX #B0D896

RGB 176 216 150

HSL 96.36, 0.46%, 0.72%

LAB 82.13, -24.91, 28.37

 

CMYK 27 / 0 / 31 / 15

HEX #9ED896

RGB 158 216 150

HSL 112.73, 0.46%, 0.72%

LAB 81.06, -31.11, 26.74

 

CMYK 31 / 0 / 26 / 15

HEX #96D8A0

RGB 150 216 160

HSL 129.09, 0.46%, 0.72%

LAB 80.81, -32.04, 21.12

 

CMYK 31 / 0 / 18 / 15

HEX #96D8B2

RGB 150 216 178

HSL 145.45, 0.46%, 0.72%

LAB 81.19, -28.72, 12.15

 

CMYK 31 / 0 / 9 / 15

HEX #96D8C4

RGB 150 216 196

HSL 161.82, 0.46%, 0.72%

LAB 81.61, -25.07, 3.2

 

CMYK 19 / 0 / 31 / 15

HEX #B0D896

RGB 176 216 150

HSL 96.36, 0.46%, 0.72%

LAB 82.13, -24.91, 28.37

 

CMYK 24 / 0 / 39 / 11

HEX #ADE38B

RGB 173 227 139

HSL 96.82, 0.61%, 0.72%

LAB 84.84, -32.73, 37.5

 

CMYK 28 / 0 / 47 / 6

HEX #ABEF7F

RGB 171 239 127

HSL 96.43, 0.78%, 0.72%

LAB 87.93, -40.38, 47.27

 

CMYK 33 / 0 / 54 / 2

HEX #A8FB74

RGB 168 251 116

HSL 96.89, 0.94%, 0.72%

LAB 91.04, -47.8, 56.09

 

CMYK 19 / 0 / 31 / 15

HEX #B0D896

RGB 176 216 150

HSL 96.36, 0.46%, 0.72%

LAB 82.13, -24.91, 28.37

 

CMYK 13 / 0 / 21 / 20

HEX #B2CCA2

RGB 178 204 162

HSL 97.14, 0.29%, 0.72%

LAB 79.19, -16.39, 18.07

 

CMYK 6 / 0 / 10 / 24

HEX #B5C1AD

RGB 181 193 173

HSL 96, 0.14%, 0.72%

LAB 76.67, -7.81, 8.65

 

CMYK 1 / 2 / 0 / 27

HEX #B8B5B9

RGB 184 181 185

HSL 285, 0.03%, 0.72%

LAB 74.02, 1.8, -1.66

 

CMYK 5 / 13 / 0 / 23

HEX #BAAAC4

RGB 186 170 196

HSL 276.92, 0.18%, 0.72%

LAB 71.67, 10.6, -11.16

 

CMYK 2 / 0 / 31 / 15

HEX #D4D896

RGB 212 216 150

HSL 63.64, 0.46%, 0.72%

LAB 84.64, -11.64, 32.16

 

CMYK 10 / 0 / 31 / 15

HEX #C2D896

RGB 194 216 150

HSL 80, 0.46%, 0.72%

LAB 83.33, -18.39, 30.18

 

CMYK 18 / 0 / 31 / 15

HEX #B1D896

RGB 177 216 150

HSL 95.45, 0.46%, 0.72%

LAB 82.2, -24.56, 28.46

 

CMYK 26 / 0 / 31 / 15

HEX #9FD896

RGB 159 216 150

HSL 111.82, 0.46%, 0.72%

LAB 81.12, -30.77, 26.83

 

CMYK 31 / 0 / 26 / 15

HEX #96D89F

RGB 150 216 159

HSL 128.18, 0.46%, 0.72%

LAB 80.79, -32.22, 21.61

 

CMYK 33 / 0 / 54 / 24

HEX #82C25A

RGB 130 194 90

HSL 96.92, 0.46%, 0.56%

LAB 72.27, -38.76, 45.4

 

CMYK 25 / 0 / 41 / 20

HEX #99CD78

RGB 153 205 120

HSL 96.71, 0.46%, 0.64%

LAB 77.16, -32.04, 36.94

 

CMYK 19 / 0 / 31 / 15

HEX #B0D896

RGB 176 216 150

HSL 96.36, 0.46%, 0.72%

LAB 82.13, -24.91, 28.37

 

CMYK 13 / 0 / 21 / 11

HEX #C6E3B4

RGB 198 227 180

HSL 97.02, 0.46%, 0.8%

LAB 87.11, -17.95, 19.84

 

CMYK 7 / 0 / 12 / 7

HEX #DDEED2

RGB 221 238 210

HSL 96.43, 0.45%, 0.88%

LAB 92.21, -10.57, 11.65

 

CMYK 19 / 0 / 31 / 15

HEX #AFD895

RGB 175 216 149

HSL 96.72, 0.46%, 0.72%

LAB 82.05, -25.41, 28.77

 

CMYK 31 / 0 / 6 / 15

HEX #96D8CB

RGB 150 216 203

HSL 168.18, 0.46%, 0.72%

LAB 81.79, -23.57, -0.27

 

CMYK 0 / 31 / 6 / 15

HEX #D896CB

RGB 216 150 203

HSL 311.82, 0.46%, 0.72%

LAB 69.98, 33.03, -17.28

 

CMYK 19 / 0 / 31 / 15

HEX #AFD895

RGB 175 216 149

HSL 96.72, 0.46%, 0.72%

LAB 82.05, -25.41, 28.77

 

CMYK 31 / 18 / 0 / 15

HEX #96B1D8

RGB 150 177 216

HSL 215.45, 0.46%, 0.72%

LAB 71.48, -0.21, -22.69

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 19 / 0 / 31 / 15

HEX #AFD895

RGB 175 216 149

HSL 96.72, 0.46%, 0.72%

LAB 82.05, -25.41, 28.77

 

CMYK 31 / 0 / 6 / 15

HEX #96D8CB

RGB 150 216 203

HSL 168.18, 0.46%, 0.72%

LAB 81.79, -23.57, -0.27

 

CMYK 12 / 31 / 0 / 15

HEX #BE96D8

RGB 190 150 216

HSL 276.36, 0.46%, 0.72%

LAB 67.81, 27.1, -28.03

 

CMYK 0 / 31 / 25 / 15

HEX #D896A3

RGB 216 150 163

HSL 348.18, 0.46%, 0.72%

LAB 68.79, 26.61, 3.22

 

CMYK 19 / 0 / 31 / 15

HEX #AFD895

RGB 175 216 149

HSL 96.72, 0.46%, 0.72%

LAB 82.05, -25.41, 28.77

 

CMYK 31 / 3 / 0 / 15

HEX #96D1D8

RGB 150 209 216

HSL 186.36, 0.46%, 0.72%

LAB 80.2, -17.13, -9.54

 

CMYK 12 / 31 / 0 / 15

HEX #BE96D8

RGB 190 150 216

HSL 276.36, 0.46%, 0.72%

LAB 67.81, 27.1, -28.03

 

CMYK 0 / 27 / 31 / 15

HEX #D89D96

RGB 216 157 150

HSL 6.36, 0.46%, 0.72%

LAB 70.12, 21.03, 12.35

 

Description

Color code: HEX #AFD895 | qconv.com Color code: HEX #AFD895 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 216 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 216 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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