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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B026F2 it is the complementary color #4FD90D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B026F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B026F2 shade: #B526ED, #C638FF, #D74AFF, #E85CFF and #F96EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B026F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B026F2 shade: #B026F2, #9F14DF, #8E02CC, #7D00B9 and #6C00A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B026F2 shade: #B026F2, #E726F2, #F226C6, #F2268F and #F22658

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B026F2 shade: #B026F2, #7926F2, #4226F2 and #2626F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B026F2 shade matches the following richer shades: #B026F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B026F2 shade: #B026F2, #A938DF, #A34BCD, #9C5DBA and #9670A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B026F2 shade: #4126F2, #7726F2, #AE26F2, #E426F2 and #F226C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B026F2 shade: #820ABB, #9D0DE2, #B026F2, #BE4DF4 and #CC74F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B026F2 shade: #B026F2, #F22641 and #26F25C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B026F2 shade: #B026F2, #F2AE26 and #26F2AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B026F2 shade: #B026F2, #F22641, #6AF226 and #26F2D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B026F2 shade: #B026F2, #F24826, #6AF226 and #26D0F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

Complementary color

CMYK 64 / 0 / 94 / 15

HEX #4FD90D

RGB 79 217 13

HSL 100.59, 0.89%, 0.45%

LAB 76.87, -67.18, 73.64

 

CMYK 24 / 84 / 0 / 7

HEX #B526ED

RGB 181 38 237

HSL 283.12, 0.85%, 0.54%

LAB 48.67, 79.77, -70.19

 

CMYK 22 / 78 / 0 / 0

HEX #C638FF

RGB 198 56 255

HSL 282.81, 1%, 0.61%

LAB 54.08, 81.01, -71.35

 

CMYK 16 / 71 / 0 / 0

HEX #D74AFF

RGB 215 74 255

HSL 286.74, 1%, 0.65%

LAB 58.57, 78.19, -63.99

 

CMYK 9 / 64 / 0 / 0

HEX #E85CFF

RGB 232 92 255

HSL 291.53, 1%, 0.68%

LAB 63.37, 74.95, -56.18

 

CMYK 2 / 57 / 0 / 0

HEX #F96EFF

RGB 249 110 255

HSL 297.52, 1%, 0.72%

LAB 68.4, 71.47, -48.07

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 29 / 91 / 0 / 13

HEX #9F14DF

RGB 159 20 223

HSL 281.08, 0.84%, 0.48%

LAB 43.06, 77.59, -71.51

 

CMYK 30 / 99 / 0 / 20

HEX #8E02CC

RGB 142 2 204

HSL 281.58, 0.98%, 0.4%

LAB 38.12, 74.09, -68.75

 

CMYK 32 / 100 / 0 / 27

HEX #7D00B9

RGB 125 0 185

HSL 280.54, 1%, 0.36%

LAB 33.7, 68.69, -64.94

 

CMYK 35 / 100 / 0 / 35

HEX #6C00A6

RGB 108 0 166

HSL 279.04, 1%, 0.33%

LAB 29.26, 62.96, -60.94

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 5 / 84 / 0 / 5

HEX #E726F2

RGB 231 38 242

HSL 296.76, 0.89%, 0.55%

LAB 56.87, 88.67, -59.36

 

CMYK 0 / 84 / 18 / 5

HEX #F226C6

RGB 242 38 198

HSL 312.94, 0.89%, 0.55%

LAB 56.43, 84.61, -35

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 84 / 64 / 5

HEX #F22658

RGB 242 38 88

HSL 345.29, 0.89%, 0.55%

LAB 52.91, 74.73, 25.05

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 50 / 84 / 0 / 5

HEX #7926F2

RGB 121 38 242

HSL 264.41, 0.89%, 0.55%

LAB 41, 72.99, -85.88

 

CMYK 73 / 84 / 0 / 5

HEX #4226F2

RGB 66 38 242

HSL 248.24, 0.89%, 0.55%

LAB 35.9, 68.49, -94.48

 

CMYK 84 / 84 / 0 / 5

HEX #2626F2

RGB 38 38 242

HSL 240, 0.89%, 0.55%

LAB 34.41, 67.25, -96.99

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 24 / 75 / 0 / 13

HEX #A938DF

RGB 169 56 223

HSL 280.6, 0.72%, 0.55%

LAB 47.74, 69.78, -63.84

 

CMYK 20 / 63 / 0 / 20

HEX #A34BCD

RGB 163 75 205

HSL 280.62, 0.57%, 0.55%

LAB 48.54, 57, -52.3

 

CMYK 16 / 50 / 0 / 27

HEX #9C5DBA

RGB 156 93 186

HSL 280.65, 0.4%, 0.55%

LAB 50.03, 41.99, -39.02

 

CMYK 11 / 33 / 0 / 34

HEX #9670A8

RGB 150 112 168

HSL 280.71, 0.24%, 0.55%

LAB 52.84, 25.51, -24.24

 

CMYK 73 / 84 / 0 / 5

HEX #4126F2

RGB 65 38 242

HSL 247.94, 0.89%, 0.55%

LAB 35.83, 68.43, -94.6

 

CMYK 51 / 84 / 0 / 5

HEX #7726F2

RGB 119 38 242

HSL 263.82, 0.89%, 0.55%

LAB 40.77, 72.78, -86.27

 

CMYK 28 / 84 / 0 / 5

HEX #AE26F2

RGB 174 38 242

HSL 280, 0.89%, 0.55%

LAB 48, 79.68, -74.13

 

CMYK 6 / 84 / 0 / 5

HEX #E426F2

RGB 228 38 242

HSL 295.88, 0.89%, 0.55%

LAB 56.38, 88.17, -60.17

 

CMYK 0 / 84 / 17 / 5

HEX #F226C9

RGB 242 38 201

HSL 312.06, 0.89%, 0.55%

LAB 56.57, 84.98, -36.51

 

CMYK 30 / 95 / 0 / 27

HEX #820ABB

RGB 130 10 187

HSL 280.68, 0.9%, 0.39%

LAB 35.1, 68.36, -63.79

 

CMYK 31 / 94 / 0 / 11

HEX #9D0DE2

RGB 157 13 226

HSL 280.56, 0.89%, 0.47%

LAB 42.68, 78.86, -73.86

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 22 / 68 / 0 / 4

HEX #BE4DF4

RGB 190 77 244

HSL 280.6, 0.88%, 0.63%

LAB 54.85, 69.98, -64.04

 

CMYK 17 / 53 / 0 / 4

HEX #CC74F6

RGB 204 116 246

HSL 280.62, 0.88%, 0.71%

LAB 63.33, 55.64, -51.51

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 0 / 84 / 73 / 5

HEX #F22641

RGB 242 38 65

HSL 352.06, 0.89%, 0.55%

LAB 52.56, 73.68, 38.2

 

CMYK 84 / 0 / 62 / 5

HEX #26F25C

RGB 38 242 92

HSL 135.88, 0.89%, 0.55%

LAB 84.32, -75.82, 57.8

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 0 / 28 / 84 / 5

HEX #F2AE26

RGB 242 174 38

HSL 40, 0.89%, 0.55%

LAB 75.63, 14.25, 72.17

 

CMYK 84 / 0 / 28 / 5

HEX #26F2AE

RGB 38 242 174

HSL 160, 0.89%, 0.55%

LAB 85.49, -62.17, 19.81

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 0 / 84 / 73 / 5

HEX #F22641

RGB 242 38 65

HSL 352.06, 0.89%, 0.55%

LAB 52.56, 73.68, 38.2

 

CMYK 56 / 0 / 84 / 5

HEX #6AF226

RGB 106 242 38

HSL 100, 0.89%, 0.55%

LAB 85.36, -68.39, 77.02

 

CMYK 84 / 0 / 11 / 5

HEX #26F2D7

RGB 38 242 215

HSL 172.06, 0.89%, 0.55%

LAB 86.42, -52.28, -0.22

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 0 / 70 / 84 / 5

HEX #F24826

RGB 242 72 38

HSL 10, 0.89%, 0.55%

LAB 55.74, 63.24, 55.43

 

CMYK 56 / 0 / 84 / 5

HEX #6AF226

RGB 106 242 38

HSL 100, 0.89%, 0.55%

LAB 85.36, -68.39, 77.02

 

CMYK 84 / 14 / 0 / 5

HEX #26D0F2

RGB 38 208 242

HSL 190, 0.89%, 0.55%

LAB 77.24, -29.15, -28.28

 

Description

Color code: HEX #B026F2 | qconv.com Color code: HEX #B026F2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 38 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 38 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 84 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 84% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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