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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2268F it is the complementary color #0DD970. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2268F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2268F shade: #F7268A, #FF389D, #FF4AB0, #FF5CC3 and #FF6ED6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2268F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2268F shade: #F2268F, #E1147C, #D00269, #BF0056 and #AE0043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2268F shade: #F2268F, #F22658 and #F22626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2268F shade: #F2268F, #F226C6, #E726F2, #B026F2 and #7926F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2268F shade matches the following richer shades: #F2268F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2268F shade: #F2268F, #DF388E, #CD4B8E, #BA5D8D and #A8708D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2268F shade: #E826F2, #F226C6, #F2268F, #F22659 and #F22926

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2268F shade: #BB0A65, #E20D7A, #F2268F, #F44DA3 and #F674B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2268F shade: #F2268F, #F2B126 and #26E1F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2268F shade: #F2268F, #8FF226 and #268FF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2268F shade: #F2268F, #F2B126, #26F288 and #2666F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2268F shade: #F2268F, #F2EE26, #26F288 and #2629F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

Complementary color

CMYK 94 / 0 / 48 / 15

HEX #0DD970

RGB 13 217 112

HSL 149.12, 0.89%, 0.45%

LAB 76.61, -66.86, 39.39

 

CMYK 0 / 85 / 44 / 3

HEX #F7268A

RGB 247 38 138

HSL 331.29, 0.93%, 0.56%

LAB 55.07, 79.4, -1.84

 

CMYK 0 / 78 / 38 / 0

HEX #FF389D

RGB 255 56 157

HSL 329.55, 1%, 0.61%

LAB 58.53, 78.96, -7.78

 

CMYK 0 / 71 / 31 / 0

HEX #FF4AB0

RGB 255 74 176

HSL 326.19, 1%, 0.65%

LAB 61.04, 75.63, -15.05

 

CMYK 0 / 64 / 24 / 0

HEX #FF5CC3

RGB 255 92 195

HSL 322.09, 1%, 0.68%

LAB 64.04, 71.44, -21.35

 

CMYK 0 / 57 / 16 / 0

HEX #FF6ED6

RGB 255 110 214

HSL 316.97, 1%, 0.72%

LAB 67.48, 66.6, -26.78

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 91 / 45 / 12

HEX #E1147C

RGB 225 20 124

HSL 329.56, 0.84%, 0.48%

LAB 49.45, 76.06, -2.14

 

CMYK 0 / 99 / 50 / 18

HEX #D00269

RGB 208 2 105

HSL 330, 0.98%, 0.41%

LAB 44.9, 72.47, 2.52

 

CMYK 0 / 100 / 55 / 25

HEX #BF0056

RGB 191 0 86

HSL 332.98, 1%, 0.37%

LAB 40.81, 67.44, 8.17

 

CMYK 0 / 100 / 61 / 32

HEX #AE0043

RGB 174 0 67

HSL 336.9, 1%, 0.34%

LAB 36.75, 62.23, 14.2

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 84 / 64 / 5

HEX #F22658

RGB 242 38 88

HSL 345.29, 0.89%, 0.55%

LAB 52.91, 74.73, 25.05

 

CMYK 0 / 84 / 84 / 5

HEX #F22626

RGB 242 38 38

HSL 0, 0.89%, 0.55%

LAB 52.29, 72.89, 52.46

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 84 / 18 / 5

HEX #F226C6

RGB 242 38 198

HSL 312.94, 0.89%, 0.55%

LAB 56.43, 84.61, -35

 

CMYK 5 / 84 / 0 / 5

HEX #E726F2

RGB 231 38 242

HSL 296.76, 0.89%, 0.55%

LAB 56.87, 88.67, -59.36

 

CMYK 27 / 84 / 0 / 5

HEX #B026F2

RGB 176 38 242

HSL 280.59, 0.89%, 0.55%

LAB 48.29, 79.97, -73.64

 

CMYK 50 / 84 / 0 / 5

HEX #7926F2

RGB 121 38 242

HSL 264.41, 0.89%, 0.55%

LAB 41, 72.99, -85.88

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 75 / 36 / 13

HEX #DF388E

RGB 223 56 142

HSL 329.1, 0.72%, 0.55%

LAB 52.36, 69.51, -8.72

 

CMYK 0 / 63 / 31 / 20

HEX #CD4B8E

RGB 205 75 142

HSL 329.08, 0.57%, 0.55%

LAB 51.8, 57.68, -9.88

 

CMYK 0 / 50 / 24 / 27

HEX #BA5D8D

RGB 186 93 141

HSL 329.03, 0.4%, 0.55%

LAB 52.05, 43.17, -9.2

 

CMYK 0 / 33 / 16 / 34

HEX #A8708D

RGB 168 112 141

HSL 328.93, 0.24%, 0.55%

LAB 53.85, 26.58, -6.75

 

CMYK 4 / 84 / 0 / 5

HEX #E826F2

RGB 232 38 242

HSL 297.06, 0.89%, 0.55%

LAB 57.03, 88.84, -59.09

 

CMYK 0 / 84 / 18 / 5

HEX #F226C6

RGB 242 38 198

HSL 312.94, 0.89%, 0.55%

LAB 56.43, 84.61, -35

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 83 / 84 / 5

HEX #F22926

RGB 242 41 38

HSL 0.88, 0.89%, 0.55%

LAB 52.51, 72.26, 52.65

 

CMYK 0 / 95 / 46 / 27

HEX #BB0A65

RGB 187 10 101

HSL 329.15, 0.9%, 0.39%

LAB 40.77, 66.66, -1.52

 

CMYK 0 / 94 / 46 / 11

HEX #E20D7A

RGB 226 13 122

HSL 329.3, 0.89%, 0.47%

LAB 49.33, 76.87, -1.08

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 68 / 33 / 4

HEX #F44DA3

RGB 244 77 163

HSL 329.1, 0.88%, 0.63%

LAB 59.15, 70.28, -10.56

 

CMYK 0 / 53 / 26 / 4

HEX #F674B7

RGB 246 116 183

HSL 329.08, 0.88%, 0.71%

LAB 66.14, 56.98, -11.51

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 27 / 84 / 5

HEX #F2B126

RGB 242 177 38

HSL 40.88, 0.89%, 0.55%

LAB 76.35, 12.67, 72.77

 

CMYK 84 / 7 / 0 / 5

HEX #26E1F2

RGB 38 225 242

HSL 185, 0.89%, 0.55%

LAB 82.2, -37.23, -20.72

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 41 / 0 / 84 / 5

HEX #8FF226

RGB 143 242 38

HSL 89.12, 0.89%, 0.55%

LAB 86.74, -57.75, 78.77

 

CMYK 84 / 41 / 0 / 5

HEX #268FF2

RGB 38 143 242

HSL 209.12, 0.89%, 0.55%

LAB 58.48, 6.22, -57.68

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 27 / 84 / 5

HEX #F2B126

RGB 242 177 38

HSL 40.88, 0.89%, 0.55%

LAB 76.35, 12.67, 72.77

 

CMYK 84 / 0 / 44 / 5

HEX #26F288

RGB 38 242 136

HSL 148.82, 0.89%, 0.55%

LAB 84.84, -69.59, 38.15

 

CMYK 84 / 58 / 0 / 5

HEX #2666F2

RGB 38 102 242

HSL 221.18, 0.89%, 0.55%

LAB 47.4, 31.75, -75.58

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 2 / 84 / 5

HEX #F2EE26

RGB 242 238 38

HSL 58.82, 0.89%, 0.55%

LAB 91.76, -18.29, 85.46

 

CMYK 84 / 0 / 44 / 5

HEX #26F288

RGB 38 242 136

HSL 148.82, 0.89%, 0.55%

LAB 84.84, -69.59, 38.15

 

CMYK 84 / 83 / 0 / 5

HEX #2629F2

RGB 38 41 242

HSL 239.12, 0.89%, 0.55%

LAB 34.82, 66.04, -96.32

 

Description

Color code: HEX #F2268F | qconv.com Color code: HEX #F2268F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 38 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 38 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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