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Color name
RGB 242 38 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 38 89 it is the complementary color RGB 13 217 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 38 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 38 89 shade: RGB 247 38 84, RGB 255 56 103, RGB 255 74 122, RGB 255 92 141 and RGB 255 110 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 38 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 38 89 shade: RGB 242 38 89, RGB 225 20 70, RGB 208 2 51, RGB 191 0 32 and RGB 174 0 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 38 89 shade: RGB 242 38 89 and RGB 242 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 38 89 shade: RGB 242 38 89, RGB 242 38 144, RGB 242 38 199, RGB 230 38 242 and RGB 175 38 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 38 89 shade matches the following richer shades: RGB 242 38 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 38 89 shade: RGB 242 38 89, RGB 223 56 98, RGB 205 75 107, RGB 186 93 117 and RGB 168 112 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 38 89 shade: RGB 242 38 198, RGB 242 38 143, RGB 242 38 89, RGB 242 41 38 and RGB 242 95 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 38 89 shade: RGB 187 10 54, RGB 226 13 66, RGB 242 38 89, RGB 244 77 118 and RGB 246 116 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 38 89 shade: RGB 242 38 89, RGB 242 232 38 and RGB 38 170 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 38 89 shade: RGB 242 38 89, RGB 89 242 38 and RGB 38 89 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 38 89 shade: RGB 242 38 89, RGB 242 232 38, RGB 38 242 191 and RGB 38 48 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 38 89 shade: RGB 242 38 89, RGB 191 242 38, RGB 38 242 191 and RGB 89 38 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

Complementary color

CMYK 94 / 0 / 24 / 15

HEX #0DD9A6

RGB 13 217 166

HSL 165, 0.89%, 0.45%

LAB 77.56, -55.93, 12.86

 

CMYK 0 / 85 / 66 / 3

HEX #F72654

RGB 247 38 84

HSL 346.79, 0.93%, 0.56%

LAB 53.81, 75.79, 28.79

 

CMYK 0 / 78 / 60 / 0

HEX #FF3867

RGB 255 56 103

HSL 345.83, 1%, 0.61%

LAB 57.14, 74.73, 22.14

 

CMYK 0 / 71 / 52 / 0

HEX #FF4A7A

RGB 255 74 122

HSL 344.09, 1%, 0.65%

LAB 59.49, 70.56, 14.16

 

CMYK 0 / 64 / 45 / 0

HEX #FF5C8D

RGB 255 92 141

HSL 341.96, 1%, 0.68%

LAB 62.37, 65.49, 7.15

 

CMYK 0 / 57 / 37 / 0

HEX #FF6EA0

RGB 255 110 160

HSL 339.31, 1%, 0.72%

LAB 65.71, 59.76, 1.06

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 91 / 69 / 12

HEX #E11446

RGB 225 20 70

HSL 345.37, 0.84%, 0.48%

LAB 48.2, 72.59, 29.22

 

CMYK 0 / 99 / 75 / 18

HEX #D00233

RGB 208 2 51

HSL 345.73, 0.98%, 0.41%

LAB 43.79, 69.47, 34.6

 

CMYK 0 / 100 / 83 / 25

HEX #BF0020

RGB 191 0 32

HSL 349.95, 1%, 0.37%

LAB 39.88, 64.94, 40.44

 

CMYK 0 / 100 / 93 / 32

HEX #AE000D

RGB 174 0 13

HSL 355.52, 1%, 0.34%

LAB 36.04, 60.3, 45.22

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 84 / 84 / 5

HEX #F22626

RGB 242 38 38

HSL 0, 0.89%, 0.55%

LAB 52.29, 72.89, 52.46

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 84 / 40 / 5

HEX #F22690

RGB 242 38 144

HSL 328.82, 0.89%, 0.55%

LAB 54.32, 78.78, -6.63

 

CMYK 0 / 84 / 18 / 5

HEX #F226C7

RGB 242 38 199

HSL 312.65, 0.89%, 0.55%

LAB 56.47, 84.73, -35.51

 

CMYK 5 / 84 / 0 / 5

HEX #E626F2

RGB 230 38 242

HSL 296.47, 0.89%, 0.55%

LAB 56.7, 88.5, -59.63

 

CMYK 28 / 84 / 0 / 5

HEX #AF26F2

RGB 175 38 242

HSL 280.29, 0.89%, 0.55%

LAB 48.15, 79.82, -73.88

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 75 / 56 / 13

HEX #DF3862

RGB 223 56 98

HSL 344.91, 0.72%, 0.55%

LAB 51.15, 65.67, 16.03

 

CMYK 0 / 63 / 48 / 20

HEX #CD4B6B

RGB 205 75 107

HSL 345.23, 0.57%, 0.55%

LAB 50.77, 53.93, 9.6

 

CMYK 0 / 50 / 37 / 27

HEX #BA5D75

RGB 186 93 117

HSL 344.52, 0.4%, 0.55%

LAB 51.33, 40, 4

 

CMYK 0 / 33 / 25 / 34

HEX #A8707E

RGB 168 112 126

HSL 345, 0.24%, 0.55%

LAB 53.41, 24.2, 1.39

 

CMYK 0 / 84 / 18 / 5

HEX #F226C6

RGB 242 38 198

HSL 312.94, 0.89%, 0.55%

LAB 56.43, 84.61, -35

 

CMYK 0 / 84 / 41 / 5

HEX #F2268F

RGB 242 38 143

HSL 329.12, 0.89%, 0.55%

LAB 54.29, 78.68, -6.08

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 83 / 84 / 5

HEX #F22926

RGB 242 41 38

HSL 0.88, 0.89%, 0.55%

LAB 52.51, 72.26, 52.65

 

CMYK 0 / 61 / 84 / 5

HEX #F25F26

RGB 242 95 38

HSL 16.76, 0.89%, 0.55%

LAB 59.16, 54.01, 58.35

 

CMYK 0 / 95 / 71 / 27

HEX #BB0A36

RGB 187 10 54

HSL 345.08, 0.9%, 0.39%

LAB 39.66, 63.63, 26.81

 

CMYK 0 / 94 / 71 / 11

HEX #E20D42

RGB 226 13 66

HSL 345.07, 0.89%, 0.47%

LAB 48.07, 73.44, 31.53

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 68 / 52 / 4

HEX #F44D76

RGB 244 77 118

HSL 345.27, 0.88%, 0.63%

LAB 57.89, 66.02, 14

 

CMYK 0 / 53 / 40 / 4

HEX #F67494

RGB 246 116 148

HSL 345.23, 0.88%, 0.71%

LAB 65.14, 52.81, 6.91

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 4 / 84 / 5

HEX #F2E826

RGB 242 232 38

HSL 57.06, 0.89%, 0.55%

LAB 90.2, -15.38, 84.18

 

CMYK 84 / 30 / 0 / 5

HEX #26AAF2

RGB 38 170 242

HSL 201.18, 0.89%, 0.55%

LAB 66.19, -9.36, -45.45

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 63 / 0 / 84 / 5

HEX #59F226

RGB 89 242 38

HSL 105, 0.89%, 0.55%

LAB 84.88, -72.31, 76.42

 

CMYK 84 / 63 / 0 / 5

HEX #2659F2

RGB 38 89 242

HSL 225, 0.89%, 0.55%

LAB 44.19, 39.93, -80.84

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 0 / 4 / 84 / 5

HEX #F2E826

RGB 242 232 38

HSL 57.06, 0.89%, 0.55%

LAB 90.2, -15.38, 84.18

 

CMYK 84 / 0 / 21 / 5

HEX #26F2BF

RGB 38 242 191

HSL 165, 0.89%, 0.55%

LAB 85.85, -58.28, 11.5

 

CMYK 84 / 80 / 0 / 5

HEX #2630F2

RGB 38 48 242

HSL 237.06, 0.89%, 0.55%

LAB 35.86, 62.97, -94.58

 

CMYK 0 / 84 / 63 / 5

HEX #F22659

RGB 242 38 89

HSL 345, 0.89%, 0.55%

LAB 52.93, 74.78, 24.48

 

CMYK 21 / 0 / 84 / 5

HEX #BFF226

RGB 191 242 38

HSL 75, 0.89%, 0.55%

LAB 89.26, -40.66, 81.93

 

CMYK 84 / 0 / 21 / 5

HEX #26F2BF

RGB 38 242 191

HSL 165, 0.89%, 0.55%

LAB 85.85, -58.28, 11.5

 

CMYK 63 / 84 / 0 / 5

HEX #5926F2

RGB 89 38 242

HSL 255, 0.89%, 0.55%

LAB 37.7, 70.04, -91.44

 

Description

Color code: RGB 242 38 89 | qconv.com Color code: RGB 242 38 89 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 38 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 38 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 63 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 63% 5% C M Y K

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