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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B03E48 it is the complementary color #4FC1B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B03E48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B03E48 shade: #B53E43, #C65056, #D76269, #E8747C and #F9868F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B03E48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B03E48 shade: #B03E48, #9F2C35, #8E1A22, #7D080F and #6C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B03E48 shade: #B13E48 and #B13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B03E48 shade: #B13E48, #B13E67, #B13E86, #B13EA5 and #9E3EB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B03E48 shade matches the following richer shades: #B13E48, #C42A38, #D81728 and #EB0418

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B03E48 shade: #B13E48, #9D5158, #8A6568, #777878 and #638B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B03E48 shade: #B13E87, #B13E68, #B13E49, #B1513E and #B1703E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B03E48 shade: #74282F, #92333B, #B13E48, #C3555F and #CE747B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B03E48 shade: #B03E48, #A5B13E and #3E77B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B03E48 shade: #B03E48, #49B13E and #3E49B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B03E48 shade: #B03E48, #A5B13E, #3EB1A5 and #493EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B03E48 shade: #B03E48, #83B13E, #3EB1A5 and #6C3EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 59 / 31

HEX #B03E48

RGB 176 62 72

HSL 354.74, 0.48%, 0.47%

LAB 42.98, 47.08, 19.44

 

Complementary color

CMYK 59 / 0 / 5 / 24

HEX #4FC1B7

RGB 79 193 183

HSL 174.74, 0.48%, 0.53%

LAB 71.7, -34.45, -4.63

 

CMYK 0 / 66 / 63 / 29

HEX #B53E43

RGB 181 62 67

HSL 357.48, 0.49%, 0.48%

LAB 43.76, 48.43, 23.68

 

CMYK 0 / 60 / 57 / 22

HEX #C65056

RGB 198 80 86

HSL 356.95, 0.51%, 0.55%

LAB 50, 47.58, 20.95

 

CMYK 0 / 54 / 51 / 16

HEX #D76269

RGB 215 98 105

HSL 356.41, 0.59%, 0.61%

LAB 56.29, 46.59, 18.67

 

CMYK 0 / 50 / 47 / 9

HEX #E8747C

RGB 232 116 124

HSL 355.86, 0.72%, 0.68%

LAB 62.59, 45.55, 16.75

 

CMYK 0 / 46 / 43 / 2

HEX #F9868F

RGB 249 134 143

HSL 355.3, 0.91%, 0.75%

LAB 68.88, 44.53, 15.08

 

CMYK 0 / 65 / 59 / 31

HEX #B03E48

RGB 176 62 72

HSL 354.74, 0.48%, 0.47%

LAB 42.98, 47.08, 19.44

 

CMYK 0 / 72 / 67 / 38

HEX #9F2C35

RGB 159 44 53

HSL 355.3, 0.57%, 0.4%

LAB 36.8, 47.58, 22.64

 

CMYK 0 / 82 / 76 / 44

HEX #8E1A22

RGB 142 26 34

HSL 355.86, 0.69%, 0.33%

LAB 30.89, 47.41, 26.66

 

CMYK 0 / 94 / 88 / 51

HEX #7D080F

RGB 125 8 15

HSL 356.41, 0.88%, 0.26%

LAB 25.47, 46, 31.34

 

CMYK 0 / 100 / 100 / 58

HEX #6C0000

RGB 108 0 0

HSL 0, 1%, 0.21%

LAB 20.78, 42.56, 31.69

 

CMYK 0 / 65 / 59 / 31

HEX #B13E48

RGB 177 62 72

HSL 354.78, 0.48%, 0.47%

LAB 43.15, 47.42, 19.7

 

CMYK 0 / 65 / 65 / 31

HEX #B13E3E

RGB 177 62 62

HSL 0, 0.48%, 0.47%

LAB 42.97, 46.74, 25.57

 

CMYK 0 / 65 / 59 / 31

HEX #B13E48

RGB 177 62 72

HSL 354.78, 0.48%, 0.47%

LAB 43.15, 47.42, 19.7

 

CMYK 0 / 65 / 42 / 31

HEX #B13E67

RGB 177 62 103

HSL 338.61, 0.48%, 0.47%

LAB 43.9, 50.19, 1.59

 

CMYK 0 / 65 / 24 / 31

HEX #B13E86

RGB 177 62 134

HSL 322.43, 0.48%, 0.47%

LAB 44.96, 53.96, -15.85

 

CMYK 0 / 65 / 7 / 31

HEX #B13EA5

RGB 177 62 165

HSL 306.26, 0.48%, 0.47%

LAB 46.32, 58.6, -32.34

 

CMYK 11 / 65 / 0 / 31

HEX #9E3EB1

RGB 158 62 177

HSL 290.09, 0.48%, 0.47%

LAB 44.07, 56.03, -43.19

 

CMYK 0 / 65 / 59 / 31

HEX #B13E48

RGB 177 62 72

HSL 354.78, 0.48%, 0.47%

LAB 43.15, 47.42, 19.7

 

CMYK 0 / 79 / 71 / 23

HEX #C42A38

RGB 196 42 56

HSL 354.55, 0.65%, 0.47%

LAB 43.77, 59.76, 30.95

 

CMYK 0 / 89 / 81 / 15

HEX #D81728

RGB 216 23 40

HSL 354.72, 0.81%, 0.47%

LAB 46.13, 68.84, 43.87

 

CMYK 0 / 98 / 90 / 8

HEX #EB0418

RGB 235 4 24

HSL 354.81, 0.97%, 0.47%

LAB 49.27, 75.22, 55.8

 

CMYK 0 / 65 / 59 / 31

HEX #B13E48

RGB 177 62 72

HSL 354.78, 0.48%, 0.47%

LAB 43.15, 47.42, 19.7

 

CMYK 0 / 48 / 44 / 38

HEX #9D5158

RGB 157 81 88

HSL 354.47, 0.32%, 0.47%

LAB 43.88, 32.21, 10.36

 

CMYK 0 / 27 / 25 / 46

HEX #8A6568

RGB 138 101 104

HSL 355.14, 0.15%, 0.47%

LAB 46.59, 15.38, 4.17

 

CMYK 1 / 0 / 0 / 53

HEX #777878

RGB 119 120 120

HSL 180, 0%, 0.47%

LAB 50.35, -0.37, -0.14

 

CMYK 29 / 0 / 2 / 45

HEX #638B88

RGB 99 139 136

HSL 175.5, 0.17%, 0.47%

LAB 54.96, -14.44, -2.86

 

CMYK 0 / 65 / 24 / 31

HEX #B13E87

RGB 177 62 135

HSL 321.91, 0.48%, 0.47%

LAB 45, 54.09, -16.39

 

CMYK 0 / 65 / 41 / 31

HEX #B13E68

RGB 177 62 104

HSL 338.09, 0.48%, 0.47%

LAB 43.93, 50.3, 1.01

 

CMYK 0 / 65 / 59 / 31

HEX #B13E49

RGB 177 62 73

HSL 354.26, 0.48%, 0.47%

LAB 43.17, 47.49, 19.12

 

CMYK 0 / 54 / 65 / 31

HEX #B1513E

RGB 177 81 62

HSL 9.91, 0.48%, 0.47%

LAB 46.42, 37.69, 29.82

 

CMYK 0 / 37 / 65 / 31

HEX #B1703E

RGB 177 112 62

HSL 26.09, 0.48%, 0.47%

LAB 53.26, 20.96, 37.94

 

CMYK 0 / 66 / 59 / 55

HEX #74282F

RGB 116 40 47

HSL 354.47, 0.49%, 0.31%

LAB 27.94, 33.97, 13.46

 

CMYK 0 / 65 / 60 / 43

HEX #92333B

RGB 146 51 59

HSL 354.95, 0.48%, 0.39%

LAB 35.59, 40.62, 16.82

 

CMYK 0 / 65 / 59 / 31

HEX #B13E48

RGB 177 62 72

HSL 354.78, 0.48%, 0.47%

LAB 43.15, 47.42, 19.7

 

CMYK 0 / 56 / 51 / 24

HEX #C3555F

RGB 195 85 95

HSL 354.55, 0.48%, 0.55%

LAB 50.6, 44.91, 16.31

 

CMYK 0 / 44 / 40 / 19

HEX #CE747B

RGB 206 116 123

HSL 355.33, 0.48%, 0.63%

LAB 59.01, 35.98, 11.8

 

CMYK 0 / 65 / 59 / 31

HEX #B03E48

RGB 176 62 72

HSL 354.74, 0.48%, 0.47%

LAB 42.98, 47.08, 19.44

 

CMYK 7 / 0 / 65 / 31

HEX #A5B13E

RGB 165 177 62

HSL 66.26, 0.48%, 0.47%

LAB 69.32, -19.53, 55.26

 

CMYK 65 / 33 / 0 / 31

HEX #3E77B1

RGB 62 119 177

HSL 210.26, 0.48%, 0.47%

LAB 48.75, -0.06, -36.32

 

CMYK 0 / 65 / 59 / 31

HEX #B03E48

RGB 176 62 72

HSL 354.74, 0.48%, 0.47%

LAB 42.98, 47.08, 19.44

 

CMYK 59 / 0 / 65 / 31

HEX #49B13E

RGB 73 177 62

HSL 114.26, 0.48%, 0.47%

LAB 64.33, -52.16, 48.42

 

CMYK 65 / 59 / 0 / 31

HEX #3E49B1

RGB 62 73 177

HSL 234.26, 0.48%, 0.47%

LAB 35.91, 29.17, -56.86

 

CMYK 0 / 65 / 59 / 31

HEX #B03E48

RGB 176 62 72

HSL 354.74, 0.48%, 0.47%

LAB 42.98, 47.08, 19.44

 

CMYK 7 / 0 / 65 / 31

HEX #A5B13E

RGB 165 177 62

HSL 66.26, 0.48%, 0.47%

LAB 69.32, -19.53, 55.26

 

CMYK 65 / 0 / 7 / 31

HEX #3EB1A5

RGB 62 177 165

HSL 173.74, 0.48%, 0.47%

LAB 65.89, -34.77, -3.34

 

CMYK 59 / 65 / 0 / 31

HEX #493EB1

RGB 73 62 177

HSL 245.74, 0.48%, 0.47%

LAB 34.06, 37.86, -59.85

 

CMYK 0 / 65 / 59 / 31

HEX #B03E48

RGB 176 62 72

HSL 354.74, 0.48%, 0.47%

LAB 42.98, 47.08, 19.44

 

CMYK 26 / 0 / 65 / 31

HEX #83B13E

RGB 131 177 62

HSL 84, 0.48%, 0.47%

LAB 66.99, -33.34, 52.08

 

CMYK 65 / 0 / 7 / 31

HEX #3EB1A5

RGB 62 177 165

HSL 173.74, 0.48%, 0.47%

LAB 65.89, -34.77, -3.34

 

CMYK 39 / 65 / 0 / 31

HEX #6C3EB1

RGB 108 62 177

HSL 264, 0.48%, 0.47%

LAB 37.5, 44.59, -54.11

 

Description

Color code: HEX #B03E48 | qconv.com Color code: HEX #B03E48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 62 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 62 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 59 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 59% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Vale.com
Link: http://www.vale.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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