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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0447E it is the complementary color #4FBB81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0447E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0447E shade: #B54479, #C6568C, #D7689F, #E87AB2 and #F98CC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0447E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0447E shade: #B0447E, #9F326B, #8E2058, #7D0E45 and #6C0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0447E shade: #B0447E, #B04461 and #B04444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0447E shade: #B0447E, #B0449B, #A844B0, #8A44B0 and #6D44B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0447E shade matches the following richer shades: #B0447E, #C4307F, #D71C81 and #EB0982

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0447E shade: #B0447E, #9C587C, #886C7B, #747F79 and #619378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0447E shade: #A744B0, #B0449C, #B0447F, #B04463 and #B04446

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0447E shade: #742D53, #923869, #B0447E, #C05D92 and #CB7BA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0447E shade: #B0447E, #B08A44 and #44AAB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0447E shade: #B0447E, #7FB044 and #447FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0447E shade: #B0447E, #B08A44, #44B075 and #446AB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0447E shade: #B0447E, #B0AA44, #44B075 and #4449B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

Complementary color

CMYK 58 / 0 / 31 / 27

HEX #4FBB81

RGB 79 187 129

HSL 147.78, 0.44%, 0.52%

LAB 68.6, -44.47, 20.3

 

CMYK 0 / 62 / 33 / 29

HEX #B54479

RGB 181 68 121

HSL 331.86, 0.45%, 0.49%

LAB 46.09, 50.88, -6.16

 

CMYK 0 / 57 / 29 / 22

HEX #C6568C

RGB 198 86 140

HSL 331.07, 0.5%, 0.56%

LAB 52.46, 50.38, -7.81

 

CMYK 0 / 52 / 26 / 16

HEX #D7689F

RGB 215 104 159

HSL 330.27, 0.58%, 0.63%

LAB 58.84, 49.71, -9.16

 

CMYK 0 / 47 / 23 / 9

HEX #E87AB2

RGB 232 122 178

HSL 329.45, 0.71%, 0.69%

LAB 65.19, 48.97, -10.3

 

CMYK 0 / 44 / 21 / 2

HEX #F98CC5

RGB 249 140 197

HSL 328.62, 0.9%, 0.76%

LAB 71.51, 48.19, -11.28

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 69 / 33 / 38

HEX #9F326B

RGB 159 50 107

HSL 328.62, 0.52%, 0.41%

LAB 39.09, 50.15, -8.36

 

CMYK 0 / 77 / 38 / 44

HEX #8E2058

RGB 142 32 88

HSL 329.45, 0.63%, 0.34%

LAB 32.89, 49.7, -5.85

 

CMYK 0 / 89 / 45 / 51

HEX #7D0E45

RGB 125 14 69

HSL 330.27, 0.8%, 0.27%

LAB 27.03, 48.1, -2.36

 

CMYK 0 / 100 / 54 / 58

HEX #6C0032

RGB 108 0 50

HSL 332.22, 1%, 0.21%

LAB 21.65, 44.89, 2.42

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 61 / 45 / 31

HEX #B04461

RGB 176 68 97

HSL 343.89, 0.44%, 0.48%

LAB 44.56, 46.57, 6.21

 

CMYK 0 / 61 / 61 / 31

HEX #B04444

RGB 176 68 68

HSL 0, 0.44%, 0.48%

LAB 43.92, 44.08, 23.11

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 61 / 12 / 31

HEX #B0449B

RGB 176 68 155

HSL 311.67, 0.44%, 0.48%

LAB 46.62, 54.2, -25.95

 

CMYK 5 / 61 / 0 / 31

HEX #A844B0

RGB 168 68 176

HSL 295.56, 0.44%, 0.48%

LAB 46.44, 55.67, -38.76

 

CMYK 22 / 61 / 0 / 31

HEX #8A44B0

RGB 138 68 176

HSL 278.89, 0.44%, 0.48%

LAB 42.26, 48.15, -45.64

 

CMYK 38 / 61 / 0 / 31

HEX #6D44B0

RGB 109 68 176

HSL 262.78, 0.44%, 0.48%

LAB 38.76, 41.25, -51.46

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 76 / 35 / 23

HEX #C4307F

RGB 196 48 127

HSL 327.97, 0.61%, 0.48%

LAB 46.15, 63.41, -9.47

 

CMYK 0 / 87 / 40 / 16

HEX #D71C81

RGB 215 28 129

HSL 327.59, 0.77%, 0.48%

LAB 48.09, 73.05, -7.42

 

CMYK 0 / 96 / 45 / 8

HEX #EB0982

RGB 235 9 130

HSL 327.88, 0.93%, 0.48%

LAB 51.23, 79.8, -2.94

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 44 / 21 / 39

HEX #9C587C

RGB 156 88 124

HSL 328.24, 0.28%, 0.48%

LAB 46.32, 32.89, -8.05

 

CMYK 0 / 21 / 10 / 47

HEX #886C7B

RGB 136 108 123

HSL 327.86, 0.11%, 0.48%

LAB 48.75, 13.74, -4.08

 

CMYK 9 / 0 / 5 / 50

HEX #747F79

RGB 116 127 121

HSL 147.27, 0.05%, 0.48%

LAB 52.14, -5.3, 1.86

 

CMYK 34 / 0 / 18 / 42

HEX #619378

RGB 97 147 120

HSL 147.6, 0.2%, 0.48%

LAB 56.85, -22.91, 9.02

 

CMYK 5 / 61 / 0 / 31

HEX #A744B0

RGB 167 68 176

HSL 295, 0.44%, 0.48%

LAB 46.29, 55.41, -39

 

CMYK 0 / 61 / 11 / 31

HEX #B0449C

RGB 176 68 156

HSL 311.11, 0.44%, 0.48%

LAB 46.66, 54.36, -26.47

 

CMYK 0 / 61 / 28 / 31

HEX #B0447F

RGB 176 68 127

HSL 327.22, 0.44%, 0.48%

LAB 45.49, 50.11, -10.8

 

CMYK 0 / 61 / 44 / 31

HEX #B04463

RGB 176 68 99

HSL 342.78, 0.44%, 0.48%

LAB 44.61, 46.78, 5.05

 

CMYK 0 / 61 / 60 / 31

HEX #B04446

RGB 176 68 70

HSL 358.89, 0.44%, 0.48%

LAB 43.95, 44.22, 21.94

 

CMYK 0 / 61 / 28 / 55

HEX #742D53

RGB 116 45 83

HSL 327.89, 0.44%, 0.32%

LAB 29.95, 35.63, -7.49

 

CMYK 0 / 62 / 28 / 43

HEX #923869

RGB 146 56 105

HSL 327.33, 0.45%, 0.4%

LAB 37.77, 43.26, -9.32

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 52 / 24 / 25

HEX #C05D92

RGB 192 93 146

HSL 327.88, 0.44%, 0.56%

LAB 53.07, 45.87, -10.54

 

CMYK 0 / 39 / 18 / 20

HEX #CB7BA6

RGB 203 123 166

HSL 327.75, 0.43%, 0.64%

LAB 61.32, 36.97, -9.64

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 61 / 3 / 0 / 31

HEX #44AAB0

RGB 68 170 176

HSL 183.33, 0.44%, 0.48%

LAB 64.25, -27.29, -11.89

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 28 / 0 / 61 / 31

HEX #7FB044

RGB 127 176 68

HSL 87.22, 0.44%, 0.48%

LAB 66.5, -33.9, 48.88

 

CMYK 61 / 28 / 0 / 31

HEX #447FB0

RGB 68 127 176

HSL 207.22, 0.44%, 0.48%

LAB 51.32, -4.04, -31.7

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 22 / 61 / 31

HEX #B08A44

RGB 176 138 68

HSL 38.89, 0.44%, 0.48%

LAB 59.73, 6.42, 42.3

 

CMYK 61 / 0 / 34 / 31

HEX #44B075

RGB 68 176 117

HSL 147.22, 0.44%, 0.48%

LAB 64.61, -44.63, 21.29

 

CMYK 61 / 40 / 0 / 31

HEX #446AB0

RGB 68 106 176

HSL 218.89, 0.44%, 0.48%

LAB 45.18, 8.72, -41.36

 

CMYK 0 / 61 / 28 / 31

HEX #B0447E

RGB 176 68 126

HSL 327.78, 0.44%, 0.48%

LAB 45.46, 49.97, -10.25

 

CMYK 0 / 3 / 61 / 31

HEX #B0AA44

RGB 176 170 68

HSL 56.67, 0.44%, 0.48%

LAB 68.31, -10.85, 51.87

 

CMYK 61 / 0 / 34 / 31

HEX #44B075

RGB 68 176 117

HSL 147.22, 0.44%, 0.48%

LAB 64.61, -44.63, 21.29

 

CMYK 61 / 59 / 0 / 31

HEX #4449B0

RGB 68 73 176

HSL 237.22, 0.44%, 0.48%

LAB 36.23, 29.83, -55.73

 

Description

Color code: HEX #B0447E | qconv.com Color code: HEX #B0447E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 68 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 68 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 28 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 28% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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