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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B04825 it is the complementary color #4FB7DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B04825. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B04825 shade: #B54820, #C65A33, #D76C46, #E87E59 and #F9906C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B04825. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B04825 shade: #B04825, #9F3612, #8E2400, #7D1200 and #6C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B04825 shade: #B04825 and #B02525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B04825 shade: #B04825, #B06E25, #B09325, #A8B025 and #82B025

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B04825 shade matches the following richer shades: #B04825, #C23F14 and #D33702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B04825 shade: #B04825, #9F5136, #8E5948, #7C6259 and #6B6A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B04825 shade: #B0254C, #B02527, #B04825, #B06D25 and #B09225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B04825 shade: #6C2C17, #8E3A1E, #B04825, #D2562D and #D9714F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B04825 shade: #B04825, #72B025 and #253AB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B04825 shade: #B04825, #25B048 and #4825B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B04825 shade: #B04825, #72B025, #258DB0 and #6425B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B04825 shade: #B04825, #48B025, #258DB0 and #8D25B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

Complementary color

CMYK 64 / 16 / 0 / 15

HEX #4FB7DA

RGB 79 183 218

HSL 195.11, 0.65%, 0.58%

LAB 69.89, -19.45, -26.51

 

CMYK 0 / 60 / 82 / 29

HEX #B54820

RGB 181 72 32

HSL 16.11, 0.7%, 0.42%

LAB 45.03, 42.23, 44.57

 

CMYK 0 / 55 / 74 / 22

HEX #C65A33

RGB 198 90 51

HSL 15.92, 0.59%, 0.49%

LAB 51.33, 40.64, 42.36

 

CMYK 0 / 50 / 67 / 16

HEX #D76C46

RGB 215 108 70

HSL 15.72, 0.64%, 0.56%

LAB 57.67, 39.1, 40.15

 

CMYK 0 / 46 / 62 / 9

HEX #E87E59

RGB 232 126 89

HSL 15.52, 0.76%, 0.63%

LAB 64, 37.65, 38.1

 

CMYK 0 / 42 / 57 / 2

HEX #F9906C

RGB 249 144 108

HSL 15.32, 0.92%, 0.7%

LAB 70.29, 36.32, 36.23

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 0 / 66 / 89 / 38

HEX #9F3612

RGB 159 54 18

HSL 15.32, 0.8%, 0.35%

LAB 37.94, 42.01, 43.17

 

CMYK 0 / 75 / 100 / 44

HEX #8E2400

RGB 142 36 0

HSL 15.21, 1%, 0.28%

LAB 31.84, 43.15, 44.41

 

CMYK 0 / 86 / 100 / 51

HEX #7D1200

RGB 125 18 0

HSL 8.64, 1%, 0.25%

LAB 26.14, 43.49, 38.37

 

CMYK 0 / 100 / 100 / 58

HEX #6C0000

RGB 108 0 0

HSL 0, 1%, 0.21%

LAB 20.78, 42.56, 31.69

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 0 / 79 / 79 / 31

HEX #B02525

RGB 176 37 37

HSL 0, 0.65%, 0.42%

LAB 39.05, 54.56, 35.76

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 0 / 38 / 79 / 31

HEX #B06E25

RGB 176 110 37

HSL 31.51, 0.65%, 0.42%

LAB 52.42, 20.32, 49.04

 

CMYK 0 / 16 / 79 / 31

HEX #B09325

RGB 176 147 37

HSL 47.48, 0.65%, 0.42%

LAB 61.85, -0.24, 57.81

 

CMYK 5 / 0 / 79 / 31

HEX #A8B025

RGB 168 176 37

HSL 63.45, 0.65%, 0.42%

LAB 69.12, -19.03, 64.09

 

CMYK 26 / 0 / 79 / 31

HEX #82B025

RGB 130 176 37

HSL 79.86, 0.65%, 0.42%

LAB 66.47, -34.82, 60.7

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 0 / 68 / 90 / 24

HEX #C23F14

RGB 194 63 20

HSL 14.83, 0.81%, 0.42%

LAB 45.74, 50.59, 51.17

 

CMYK 0 / 74 / 99 / 17

HEX #D33702

RGB 211 55 2

HSL 15.22, 0.98%, 0.42%

LAB 47.73, 58.93, 59.22

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 0 / 49 / 66 / 38

HEX #9F5136

RGB 159 81 54

HSL 15.43, 0.49%, 0.42%

LAB 43.54, 30, 30.3

 

CMYK 0 / 37 / 49 / 44

HEX #8E5948

RGB 142 89 72

HSL 14.57, 0.33%, 0.42%

LAB 43.31, 19.86, 18.93

 

CMYK 0 / 21 / 28 / 51

HEX #7C6259

RGB 124 98 89

HSL 15.43, 0.16%, 0.42%

LAB 43.86, 9.04, 9.11

 

CMYK 0 / 1 / 1 / 58

HEX #6B6A6A

RGB 107 106 106

HSL 0, 0%, 0.42%

LAB 44.91, 0.39, 0.13

 

CMYK 0 / 79 / 57 / 31

HEX #B0254C

RGB 176 37 76

HSL 343.17, 0.65%, 0.42%

LAB 39.71, 56.64, 12.53

 

CMYK 0 / 79 / 78 / 31

HEX #B02527

RGB 176 37 39

HSL 359.14, 0.65%, 0.42%

LAB 39.07, 54.63, 34.63

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 0 / 38 / 79 / 31

HEX #B06D25

RGB 176 109 37

HSL 31.08, 0.65%, 0.42%

LAB 52.18, 20.88, 48.81

 

CMYK 0 / 17 / 79 / 31

HEX #B09225

RGB 176 146 37

HSL 47.05, 0.65%, 0.42%

LAB 61.59, 0.3, 57.57

 

CMYK 0 / 59 / 79 / 58

HEX #6C2C17

RGB 108 44 23

HSL 14.82, 0.65%, 0.26%

LAB 26.88, 27.12, 27.03

 

CMYK 0 / 59 / 79 / 44

HEX #8E3A1E

RGB 142 58 30

HSL 15, 0.65%, 0.34%

LAB 35.73, 33.98, 34.23

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 0 / 59 / 79 / 18

HEX #D2562D

RGB 210 86 45

HSL 14.91, 0.65%, 0.5%

LAB 52.45, 46.82, 47.13

 

CMYK 0 / 48 / 64 / 15

HEX #D9714F

RGB 217 113 79

HSL 14.78, 0.64%, 0.58%

LAB 59.09, 37.87, 37.06

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 35 / 0 / 79 / 31

HEX #72B025

RGB 114 176 37

HSL 86.76, 0.65%, 0.42%

LAB 65.56, -40.9, 59.53

 

CMYK 79 / 67 / 0 / 31

HEX #253AB0

RGB 37 58 176

HSL 230.94, 0.65%, 0.42%

LAB 30.77, 35.33, -64.73

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 79 / 0 / 59 / 31

HEX #25B048

RGB 37 176 72

HSL 135.11, 0.65%, 0.42%

LAB 63.27, -57.46, 42.49

 

CMYK 59 / 79 / 0 / 31

HEX #4825B0

RGB 72 37 176

HSL 255.11, 0.65%, 0.42%

LAB 28.99, 50.98, -67.56

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 35 / 0 / 79 / 31

HEX #72B025

RGB 114 176 37

HSL 86.76, 0.65%, 0.42%

LAB 65.56, -40.9, 59.53

 

CMYK 79 / 20 / 0 / 31

HEX #258DB0

RGB 37 141 176

HSL 195.11, 0.65%, 0.42%

LAB 54.63, -16.67, -26.61

 

CMYK 43 / 79 / 0 / 31

HEX #6425B0

RGB 100 37 176

HSL 267.19, 0.65%, 0.42%

LAB 32.18, 54.81, -62.2

 

CMYK 0 / 59 / 79 / 31

HEX #B04825

RGB 176 72 37

HSL 15.11, 0.65%, 0.42%

LAB 44.23, 40.51, 41.06

 

CMYK 59 / 0 / 79 / 31

HEX #48B025

RGB 72 176 37

HSL 104.89, 0.65%, 0.42%

LAB 63.8, -54.05, 57.25

 

CMYK 79 / 20 / 0 / 31

HEX #258DB0

RGB 37 141 176

HSL 195.11, 0.65%, 0.42%

LAB 54.63, -16.67, -26.61

 

CMYK 20 / 79 / 0 / 31

HEX #8D25B0

RGB 141 37 176

HSL 284.89, 0.65%, 0.42%

LAB 38.06, 61.8, -52.39

 

Description

Color code: HEX #B04825 | qconv.com Color code: HEX #B04825 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 72 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 72 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 79 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 79% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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