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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B09152 it is the complementary color #4F6EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B09152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B09152 shade: #B5914D, #C6A360, #D7B573, #E8C786 and #F9D999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B09152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B09152 shade: #B09152, #9F7F3F, #8E6D2C, #7D5B19 and #6C4906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B09152 shade: #B09153, #B07853, #B05F53 and #B05353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B09152 shade: #B09153, #B0AA53, #9CB053, #83B053 and #6BB053

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B09152 shade matches the following richer shades: #B09153, #C4983F, #D89F2B and #ECA617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B09152 shade: #B09153, #9C8A68, #87847C, #737D90 and #5F76A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B09152 shade: #B06053, #B07853, #B09153, #B0AA53 and #9DB053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B09152 shade: #796337, #957B44, #B09153, #BDA370 and #CAB58C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B09152 shade: #B09152, #60B053 and #6C53B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B09152 shade: #B09152, #53B091 and #9153B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B09152 shade: #B09152, #60B053, #5372B0 and #A353B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B09152 shade: #B09152, #53B063, #5372B0 and #B053A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 53 / 31

HEX #B09152

RGB 176 145 82

HSL 40.21, 0.37%, 0.51%

LAB 61.73, 3.68, 37.51

 

Complementary color

CMYK 54 / 36 / 0 / 32

HEX #4F6EAD

RGB 79 110 173

HSL 220.21, 0.37%, 0.49%

LAB 46.75, 7.55, -37.08

 

CMYK 0 / 20 / 57 / 29

HEX #B5914D

RGB 181 145 77

HSL 39.23, 0.41%, 0.51%

LAB 62.18, 5.42, 40.74

 

CMYK 0 / 18 / 52 / 22

HEX #C6A360

RGB 198 163 96

HSL 39.41, 0.47%, 0.58%

LAB 68.78, 4.5, 39.39

 

CMYK 0 / 16 / 47 / 16

HEX #D7B573

RGB 215 181 115

HSL 39.6, 0.56%, 0.65%

LAB 75.28, 3.71, 38.08

 

CMYK 0 / 14 / 42 / 9

HEX #E8C786

RGB 232 199 134

HSL 39.8, 0.68%, 0.72%

LAB 81.69, 3.04, 36.82

 

CMYK 0 / 13 / 39 / 2

HEX #F9D999

RGB 249 217 153

HSL 40, 0.89%, 0.79%

LAB 88, 2.46, 35.62

 

CMYK 0 / 18 / 53 / 31

HEX #B09152

RGB 176 145 82

HSL 40.21, 0.37%, 0.51%

LAB 61.73, 3.68, 37.51

 

CMYK 0 / 20 / 60 / 38

HEX #9F7F3F

RGB 159 127 63

HSL 40, 0.43%, 0.44%

LAB 54.98, 4.66, 38.88

 

CMYK 0 / 23 / 69 / 44

HEX #8E6D2C

RGB 142 109 44

HSL 39.8, 0.53%, 0.36%

LAB 48.1, 5.87, 40.16

 

CMYK 0 / 27 / 80 / 51

HEX #7D5B19

RGB 125 91 25

HSL 39.6, 0.67%, 0.29%

LAB 41.08, 7.39, 41.06

 

CMYK 0 / 32 / 94 / 58

HEX #6C4906

RGB 108 73 6

HSL 39.41, 0.89%, 0.22%

LAB 33.91, 9.33, 40.86

 

CMYK 0 / 18 / 53 / 31

HEX #B09153

RGB 176 145 83

HSL 40, 0.37%, 0.51%

LAB 61.75, 3.77, 37.01

 

CMYK 0 / 32 / 53 / 31

HEX #B07853

RGB 176 120 83

HSL 23.87, 0.37%, 0.51%

LAB 55.37, 17.71, 29.06

 

CMYK 0 / 46 / 53 / 31

HEX #B05F53

RGB 176 95 83

HSL 7.74, 0.37%, 0.51%

LAB 49.54, 31.56, 21.51

 

CMYK 0 / 53 / 53 / 31

HEX #B05353

RGB 176 83 83

HSL 0, 0.37%, 0.51%

LAB 47.03, 37.9, 18.16

 

CMYK 0 / 18 / 53 / 31

HEX #B09153

RGB 176 145 83

HSL 40, 0.37%, 0.51%

LAB 61.75, 3.77, 37.01

 

CMYK 0 / 3 / 53 / 31

HEX #B0AA53

RGB 176 170 83

HSL 56.13, 0.37%, 0.51%

LAB 68.46, -9.69, 45.04

 

CMYK 11 / 0 / 53 / 31

HEX #9CB053

RGB 156 176 83

HSL 72.9, 0.37%, 0.51%

LAB 68.56, -21.08, 44.76

 

CMYK 26 / 0 / 53 / 31

HEX #83B053

RGB 131 176 83

HSL 89.03, 0.37%, 0.51%

LAB 66.9, -30.91, 42.38

 

CMYK 39 / 0 / 53 / 31

HEX #6BB053

RGB 107 176 83

HSL 104.52, 0.37%, 0.51%

LAB 65.59, -39.44, 40.51

 

CMYK 0 / 18 / 53 / 31

HEX #B09153

RGB 176 145 83

HSL 40, 0.37%, 0.51%

LAB 61.75, 3.77, 37.01

 

CMYK 0 / 22 / 68 / 23

HEX #C4983F

RGB 196 152 63

HSL 40.15, 0.53%, 0.51%

LAB 65.4, 7.16, 51.53

 

CMYK 0 / 26 / 80 / 15

HEX #D89F2B

RGB 216 159 43

HSL 40.23, 0.69%, 0.51%

LAB 69.16, 11.18, 63.93

 

CMYK 0 / 30 / 90 / 7

HEX #ECA617

RGB 236 166 23

HSL 40.28, 0.85%, 0.51%

LAB 73, 15.6, 73.41

 

CMYK 0 / 18 / 53 / 31

HEX #B09153

RGB 176 145 83

HSL 40, 0.37%, 0.51%

LAB 61.75, 3.77, 37.01

 

CMYK 0 / 12 / 33 / 39

HEX #9C8A68

RGB 156 138 104

HSL 39.23, 0.21%, 0.51%

LAB 58.27, 1.5, 20.72

 

CMYK 0 / 2 / 8 / 47

HEX #87847C

RGB 135 132 124

HSL 43.64, 0.04%, 0.51%

LAB 55.18, -0.39, 4.71

 

CMYK 20 / 13 / 0 / 44

HEX #737D90

RGB 115 125 144

HSL 219.31, 0.12%, 0.51%

LAB 52.2, 0.6, -11.51

 

CMYK 42 / 28 / 0 / 36

HEX #5F76A4

RGB 95 118 164

HSL 220, 0.27%, 0.51%

LAB 49.58, 3.91, -27.33

 

CMYK 0 / 45 / 53 / 31

HEX #B06053

RGB 176 96 83

HSL 8.39, 0.37%, 0.51%

LAB 49.76, 31.02, 21.8

 

CMYK 0 / 32 / 53 / 31

HEX #B07853

RGB 176 120 83

HSL 23.87, 0.37%, 0.51%

LAB 55.37, 17.71, 29.06

 

CMYK 0 / 18 / 53 / 31

HEX #B09153

RGB 176 145 83

HSL 40, 0.37%, 0.51%

LAB 61.75, 3.77, 37.01

 

CMYK 0 / 3 / 53 / 31

HEX #B0AA53

RGB 176 170 83

HSL 56.13, 0.37%, 0.51%

LAB 68.46, -9.69, 45.04

 

CMYK 11 / 0 / 53 / 31

HEX #9DB053

RGB 157 176 83

HSL 72.26, 0.37%, 0.51%

LAB 68.64, -20.68, 44.87

 

CMYK 0 / 18 / 55 / 53

HEX #796337

RGB 121 99 55

HSL 40, 0.38%, 0.35%

LAB 43.16, 2.86, 28.12

 

CMYK 0 / 17 / 54 / 42

HEX #957B44

RGB 149 123 68

HSL 40.74, 0.37%, 0.43%

LAB 52.92, 2.89, 33.57

 

CMYK 0 / 18 / 53 / 31

HEX #B09153

RGB 176 145 83

HSL 40, 0.37%, 0.51%

LAB 61.75, 3.77, 37.01

 

CMYK 0 / 14 / 41 / 26

HEX #BDA370

RGB 189 163 112

HSL 39.74, 0.37%, 0.59%

LAB 68.16, 2.37, 30

 

CMYK 0 / 10 / 31 / 21

HEX #CAB58C

RGB 202 181 140

HSL 39.68, 0.37%, 0.67%

LAB 74.51, 1.35, 23.67

 

CMYK 0 / 18 / 53 / 31

HEX #B09152

RGB 176 145 82

HSL 40.21, 0.37%, 0.51%

LAB 61.73, 3.68, 37.51

 

CMYK 45 / 0 / 53 / 31

HEX #60B053

RGB 96 176 83

HSL 111.61, 0.37%, 0.51%

LAB 65.09, -42.95, 39.78

 

CMYK 39 / 53 / 0 / 31

HEX #6C53B0

RGB 108 83 176

HSL 256.13, 0.37%, 0.51%

LAB 42.01, 32.28, -46.24

 

CMYK 0 / 18 / 53 / 31

HEX #B09152

RGB 176 145 82

HSL 40.21, 0.37%, 0.51%

LAB 61.73, 3.68, 37.51

 

CMYK 53 / 0 / 18 / 31

HEX #53B091

RGB 83 176 145

HSL 160, 0.37%, 0.51%

LAB 65.7, -35.22, 7.53

 

CMYK 18 / 53 / 0 / 31

HEX #9153B0

RGB 145 83 176

HSL 280, 0.37%, 0.51%

LAB 46.1, 42.13, -39.49

 

CMYK 0 / 18 / 53 / 31

HEX #B09152

RGB 176 145 82

HSL 40.21, 0.37%, 0.51%

LAB 61.73, 3.68, 37.51

 

CMYK 45 / 0 / 53 / 31

HEX #60B053

RGB 96 176 83

HSL 111.61, 0.37%, 0.51%

LAB 65.09, -42.95, 39.78

 

CMYK 53 / 35 / 0 / 31

HEX #5372B0

RGB 83 114 176

HSL 220, 0.37%, 0.51%

LAB 48.27, 6.99, -36.42

 

CMYK 7 / 53 / 0 / 31

HEX #A353B0

RGB 163 83 176

HSL 291.61, 0.37%, 0.51%

LAB 48.4, 47.15, -35.71

 

CMYK 0 / 18 / 53 / 31

HEX #B09152

RGB 176 145 82

HSL 40.21, 0.37%, 0.51%

LAB 61.73, 3.68, 37.51

 

CMYK 53 / 0 / 44 / 31

HEX #53B063

RGB 83 176 99

HSL 130.32, 0.37%, 0.51%

LAB 64.8, -44.34, 31.18

 

CMYK 53 / 35 / 0 / 31

HEX #5372B0

RGB 83 114 176

HSL 220, 0.37%, 0.51%

LAB 48.27, 6.99, -36.42

 

CMYK 0 / 53 / 9 / 31

HEX #B053A0

RGB 176 83 160

HSL 310.32, 0.37%, 0.51%

LAB 49.44, 48, -24.54

 

Description

Color code: HEX #B09152 | qconv.com Color code: HEX #B09152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 145 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 145 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 53% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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