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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0AAF2 it is the complementary color #4F550D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0AAF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0AAF2 shade: #B5AAED, #C6BCFF, #D7CEFF, #E8E0FF and #F9F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0AAF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0AAF2 shade: #B0AAF2, #9F98DF, #8E86CC, #7D74B9 and #6C62A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0AAF2 shade: #B1ABF1, #C4ABF1, #D7ABF1, #EAABF1 and #F1ABE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0AAF2 shade: #B1ABF1 and #ABABF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0AAF2 shade matches the following richer shades: #B1ABF1 and #AAA3F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0AAF2 shade: #B1ABF1, #B7B3EA, #BEBAE2, #C4C2DA and #CBCAD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0AAF2 shade: #ABCBF1, #ABB8F1, #B1ABF1, #C3ABF1 and #D6ABF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0AAF2 shade: #6E63E6, #8F87EC, #B1ABF1, #D2CEF7 and #F3F2FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0AAF2 shade: #B0AAF2, #F1ABDD and #C1F1AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0AAF2 shade: #B0AAF2, #F1B1AB and #ABF1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0AAF2 shade: #B0AAF2, #F1ABDD, #ECF1AB and #ABF1BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0AAF2 shade: #B0AAF2, #F1ABC8, #ECF1AB and #ABF1D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 30 / 0 / 5

HEX #B0AAF2

RGB 176 170 242

HSL 245, 0.73%, 0.81%

LAB 72.49, 17.6, -35.15

 

Complementary color

CMYK 7 / 0 / 85 / 67

HEX #4F550D

RGB 79 85 13

HSL 65, 0.73%, 0.19%

LAB 34.37, -12.17, 37.7

 

CMYK 24 / 28 / 0 / 7

HEX #B5AAED

RGB 181 170 237

HSL 249.85, 0.65%, 0.8%

LAB 72.69, 17.88, -32.1

 

CMYK 22 / 26 / 0 / 0

HEX #C6BCFF

RGB 198 188 255

HSL 248.96, 1%, 0.87%

LAB 79.15, 17.16, -31.72

 

CMYK 16 / 19 / 0 / 0

HEX #D7CEFF

RGB 215 206 255

HSL 251.02, 1%, 0.9%

LAB 84.9, 12.6, -22.82

 

CMYK 9 / 12 / 0 / 0

HEX #E8E0FF

RGB 232 224 255

HSL 255.48, 1%, 0.94%

LAB 90.64, 8.44, -14.05

 

CMYK 2 / 5 / 0 / 0

HEX #F9F2FF

RGB 249 242 255

HSL 272.31, 1%, 0.97%

LAB 96.35, 4.64, -5.41

 

CMYK 27 / 30 / 0 / 5

HEX #B0AAF2

RGB 176 170 242

HSL 245, 0.73%, 0.81%

LAB 72.49, 17.6, -35.15

 

CMYK 29 / 32 / 0 / 13

HEX #9F98DF

RGB 159 152 223

HSL 245.92, 0.53%, 0.74%

LAB 65.87, 18.17, -35.12

 

CMYK 30 / 34 / 0 / 20

HEX #8E86CC

RGB 142 134 204

HSL 246.86, 0.41%, 0.66%

LAB 59.12, 18.81, -35.13

 

CMYK 32 / 37 / 0 / 27

HEX #7D74B9

RGB 125 116 185

HSL 247.83, 0.33%, 0.59%

LAB 52.23, 19.53, -35.19

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 27 / 29 / 0 / 5

HEX #B1ABF1

RGB 177 171 241

HSL 245.14, 0.71%, 0.81%

LAB 72.78, 17.09, -34.16

 

CMYK 19 / 29 / 0 / 5

HEX #C4ABF1

RGB 196 171 241

HSL 261.43, 0.71%, 0.81%

LAB 74.33, 22.74, -31.63

 

CMYK 11 / 29 / 0 / 5

HEX #D7ABF1

RGB 215 171 241

HSL 277.71, 0.71%, 0.81%

LAB 76.02, 28.58, -28.88

 

CMYK 3 / 29 / 0 / 5

HEX #EAABF1

RGB 234 171 241

HSL 294, 0.71%, 0.81%

LAB 77.86, 34.54, -25.91

 

CMYK 0 / 29 / 5 / 5

HEX #F1ABE6

RGB 241 171 230

HSL 309.43, 0.71%, 0.81%

LAB 78.19, 34.79, -19.39

 

CMYK 27 / 29 / 0 / 5

HEX #B1ABF1

RGB 177 171 241

HSL 245.14, 0.71%, 0.81%

LAB 72.78, 17.09, -34.16

 

CMYK 29 / 29 / 0 / 5

HEX #ABABF1

RGB 171 171 241

HSL 240, 0.71%, 0.81%

LAB 72.32, 15.36, -34.9

 

CMYK 27 / 29 / 0 / 5

HEX #B1ABF1

RGB 177 171 241

HSL 245.14, 0.71%, 0.81%

LAB 72.78, 17.09, -34.16

 

CMYK 32 / 35 / 0 / 2

HEX #AAA3F9

RGB 170 163 249

HSL 244.88, 0.88%, 0.81%

LAB 70.58, 21.56, -41.96

 

CMYK 27 / 29 / 0 / 5

HEX #B1ABF1

RGB 177 171 241

HSL 245.14, 0.71%, 0.81%

LAB 72.78, 17.09, -34.16

 

CMYK 22 / 24 / 0 / 8

HEX #B7B3EA

RGB 183 179 234

HSL 244.36, 0.57%, 0.81%

LAB 74.98, 12.81, -26.92

 

CMYK 16 / 18 / 0 / 11

HEX #BEBAE2

RGB 190 186 226

HSL 246, 0.41%, 0.81%

LAB 77.01, 9.38, -19.45

 

CMYK 10 / 11 / 0 / 15

HEX #C4C2DA

RGB 196 194 218

HSL 245, 0.24%, 0.81%

LAB 79.26, 5.32, -11.71

 

CMYK 3 / 4 / 0 / 18

HEX #CBCAD2

RGB 203 202 210

HSL 247.5, 0.08%, 0.81%

LAB 81.62, 1.83, -3.86

 

CMYK 29 / 16 / 0 / 5

HEX #ABCBF1

RGB 171 203 241

HSL 212.57, 0.71%, 0.81%

LAB 80.58, -2.12, -22.22

 

CMYK 29 / 24 / 0 / 5

HEX #ABB8F1

RGB 171 184 241

HSL 228.86, 0.71%, 0.81%

LAB 75.63, 8.16, -29.79

 

CMYK 27 / 29 / 0 / 5

HEX #B1ABF1

RGB 177 171 241

HSL 245.14, 0.71%, 0.81%

LAB 72.78, 17.09, -34.16

 

CMYK 19 / 29 / 0 / 5

HEX #C3ABF1

RGB 195 171 241

HSL 260.57, 0.71%, 0.81%

LAB 74.24, 22.44, -31.77

 

CMYK 11 / 29 / 0 / 5

HEX #D6ABF1

RGB 214 171 241

HSL 276.86, 0.71%, 0.81%

LAB 75.93, 28.27, -29.03

 

CMYK 52 / 57 / 0 / 10

HEX #6E63E6

RGB 110 99 230

HSL 245.04, 0.72%, 0.65%

LAB 49.44, 39.05, -65.36

 

CMYK 39 / 43 / 0 / 7

HEX #8F87EC

RGB 143 135 236

HSL 244.75, 0.73%, 0.73%

LAB 60.98, 27.03, -50.08

 

CMYK 27 / 29 / 0 / 5

HEX #B1ABF1

RGB 177 171 241

HSL 245.14, 0.71%, 0.81%

LAB 72.78, 17.09, -34.16

 

CMYK 15 / 17 / 0 / 3

HEX #D2CEF7

RGB 210 206 247

HSL 245.85, 0.72%, 0.89%

LAB 84.26, 9.36, -19.59

 

CMYK 4 / 4 / 0 / 1

HEX #F3F2FD

RGB 243 242 253

HSL 245.45, 0.73%, 0.97%

LAB 95.85, 2.32, -5.17

 

CMYK 27 / 30 / 0 / 5

HEX #B0AAF2

RGB 176 170 242

HSL 245, 0.73%, 0.81%

LAB 72.49, 17.6, -35.15

 

CMYK 0 / 29 / 8 / 5

HEX #F1ABDD

RGB 241 171 221

HSL 317.14, 0.71%, 0.81%

LAB 77.9, 33.24, -14.95

 

CMYK 20 / 0 / 29 / 5

HEX #C1F1AB

RGB 193 241 171

HSL 101.14, 0.71%, 0.81%

LAB 90.41, -27.84, 28.93

 

CMYK 27 / 30 / 0 / 5

HEX #B0AAF2

RGB 176 170 242

HSL 245, 0.73%, 0.81%

LAB 72.49, 17.6, -35.15

 

CMYK 0 / 27 / 29 / 5

HEX #F1B1AB

RGB 241 177 171

HSL 5.14, 0.71%, 0.81%

LAB 77.93, 22.51, 12.25

 

CMYK 29 / 0 / 27 / 5

HEX #ABF1B1

RGB 171 241 177

HSL 125.14, 0.71%, 0.81%

LAB 89.27, -34.13, 24.12

 

CMYK 27 / 30 / 0 / 5

HEX #B0AAF2

RGB 176 170 242

HSL 245, 0.73%, 0.81%

LAB 72.49, 17.6, -35.15

 

CMYK 0 / 29 / 8 / 5

HEX #F1ABDD

RGB 241 171 221

HSL 317.14, 0.71%, 0.81%

LAB 77.9, 33.24, -14.95

 

CMYK 2 / 0 / 29 / 5

HEX #ECF1AB

RGB 236 241 171

HSL 64.29, 0.71%, 0.81%

LAB 93.31, -12.45, 33.34

 

CMYK 29 / 0 / 21 / 5

HEX #ABF1BF

RGB 171 241 191

HSL 137.14, 0.71%, 0.81%

LAB 89.55, -31.69, 17.29

 

CMYK 27 / 30 / 0 / 5

HEX #B0AAF2

RGB 176 170 242

HSL 245, 0.73%, 0.81%

LAB 72.49, 17.6, -35.15

 

CMYK 0 / 29 / 17 / 5

HEX #F1ABC8

RGB 241 171 200

HSL 335.14, 0.71%, 0.81%

LAB 77.28, 29.84, -4.45

 

CMYK 2 / 0 / 29 / 5

HEX #ECF1AB

RGB 236 241 171

HSL 64.29, 0.71%, 0.81%

LAB 93.31, -12.45, 33.34

 

CMYK 29 / 0 / 12 / 5

HEX #ABF1D4

RGB 171 241 212

HSL 155.14, 0.71%, 0.81%

LAB 90.01, -27.7, 7.05

 

Description

Color code: HEX #B0AAF2 | qconv.com Color code: HEX #B0AAF2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 170 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 170 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 30 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 30% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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