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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0BCC0 it is the complementary color #4F433F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0BCC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0BCC0 shade: #B5BCBB, #C6CECE, #D7E0E1, #E8F2F4 and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0BCC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0BCC0 shade: #B0BCC0, #9FAAAD, #8E989A, #7D8687 and #6C7474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0BCC0 shade: #AFBBBF, #AFB7BF, #AFB3BF, #B0AFBF and #B4AFBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0BCC0 shade: #AFBBBF, #AFB7BF, #AFB3BF and #AFAFBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0BCC0 shade matches the following richer shades: #AFBBBF, #A4C1CB, #98C7D6, #8DCCE2 and #81D2ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0BCC0 shade: #AFBBBF, #BBB5B3, #C6AFA8, #D2AA9C and #DDA491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0BCC0 shade: #AFBFBB, #AFBFBF, #AFBBBF, #AFB7BF and #AFB3BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0BCC0 shade: #81949A, #98A8AD, #AFBBBF, #C6CFD1 and #DDE2E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0BCC0 shade: #B0BCC0, #B6AFBF and #BFBDAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0BCC0 shade: #B0BCC0, #BFAFBB and #BBBFAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0BCC0 shade: #B0BCC0, #B6AFBF, #BFB3AF and #B8BFAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0BCC0 shade: #B0BCC0, #BBAFBF, #BFB3AF and #B3BFAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 2 / 0 / 25

HEX #B0BCC0

RGB 176 188 192

HSL 195, 0.11%, 0.72%

LAB 75.45, -3.34, -3.45

 

Complementary color

CMYK 0 / 15 / 20 / 69

HEX #4F433F

RGB 79 67 63

HSL 15, 0.11%, 0.28%

LAB 29.5, 4.37, 4.32

 

CMYK 4 / 0 / 1 / 26

HEX #B5BCBB

RGB 181 188 187

HSL 171.43, 0.05%, 0.72%

LAB 75.69, -2.61, -0.35

 

CMYK 4 / 0 / 0 / 19

HEX #C6CECE

RGB 198 206 206

HSL 180, 0.08%, 0.79%

LAB 82.17, -2.72, -0.96

 

CMYK 4 / 0 / 0 / 12

HEX #D7E0E1

RGB 215 224 225

HSL 186, 0.14%, 0.86%

LAB 88.54, -2.82, -1.55

 

CMYK 5 / 1 / 0 / 4

HEX #E8F2F4

RGB 232 242 244

HSL 190, 0.35%, 0.93%

LAB 94.82, -2.93, -2.12

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 8 / 2 / 0 / 25

HEX #B0BCC0

RGB 176 188 192

HSL 195, 0.11%, 0.72%

LAB 75.45, -3.34, -3.45

 

CMYK 8 / 2 / 0 / 32

HEX #9FAAAD

RGB 159 170 173

HSL 192.86, 0.08%, 0.65%

LAB 68.85, -3.25, -2.88

 

CMYK 8 / 1 / 0 / 40

HEX #8E989A

RGB 142 152 154

HSL 190, 0.06%, 0.58%

LAB 62.12, -3.17, -2.29

 

CMYK 7 / 1 / 0 / 47

HEX #7D8687

RGB 125 134 135

HSL 186, 0.04%, 0.51%

LAB 55.24, -3.08, -1.68

 

CMYK 7 / 0 / 0 / 55

HEX #6C7474

RGB 108 116 116

HSL 180, 0.04%, 0.44%

LAB 48.18, -3, -1.04

 

CMYK 8 / 2 / 0 / 25

HEX #AFBBBF

RGB 175 187 191

HSL 195, 0.11%, 0.72%

LAB 75.09, -3.34, -3.45

 

CMYK 8 / 4 / 0 / 25

HEX #AFB7BF

RGB 175 183 191

HSL 210, 0.11%, 0.72%

LAB 74.02, -1.2, -5.02

 

CMYK 8 / 6 / 0 / 25

HEX #AFB3BF

RGB 175 179 191

HSL 225, 0.11%, 0.72%

LAB 72.97, 0.96, -6.58

 

CMYK 8 / 8 / 0 / 25

HEX #B0AFBF

RGB 176 175 191

HSL 243.75, 0.11%, 0.72%

LAB 72, 3.47, -8.02

 

CMYK 6 / 8 / 0 / 25

HEX #B4AFBF

RGB 180 175 191

HSL 258.75, 0.11%, 0.72%

LAB 72.31, 4.83, -7.51

 

CMYK 8 / 2 / 0 / 25

HEX #AFBBBF

RGB 175 187 191

HSL 195, 0.11%, 0.72%

LAB 75.09, -3.34, -3.45

 

CMYK 8 / 4 / 0 / 25

HEX #AFB7BF

RGB 175 183 191

HSL 210, 0.11%, 0.72%

LAB 74.02, -1.2, -5.02

 

CMYK 8 / 6 / 0 / 25

HEX #AFB3BF

RGB 175 179 191

HSL 225, 0.11%, 0.72%

LAB 72.97, 0.96, -6.58

 

CMYK 8 / 8 / 0 / 25

HEX #AFAFBF

RGB 175 175 191

HSL 240, 0.11%, 0.72%

LAB 71.92, 3.13, -8.14

 

CMYK 8 / 2 / 0 / 25

HEX #AFBBBF

RGB 175 187 191

HSL 195, 0.11%, 0.72%

LAB 75.09, -3.34, -3.45

 

CMYK 19 / 5 / 0 / 20

HEX #A4C1CB

RGB 164 193 203

HSL 195.38, 0.27%, 0.72%

LAB 76.28, -7.6, -8.29

 

CMYK 29 / 7 / 0 / 16

HEX #98C7D6

RGB 152 199 214

HSL 194.52, 0.43%, 0.72%

LAB 77.51, -11.88, -12.48

 

CMYK 38 / 10 / 0 / 11

HEX #8DCCE2

RGB 141 204 226

HSL 195.53, 0.59%, 0.72%

LAB 78.66, -14.59, -17.26

 

CMYK 46 / 11 / 0 / 7

HEX #81D2ED

RGB 129 210 237

HSL 195, 0.75%, 0.72%

LAB 80.11, -17.8, -21.01

 

CMYK 8 / 2 / 0 / 25

HEX #AFBBBF

RGB 175 187 191

HSL 195, 0.11%, 0.72%

LAB 75.09, -3.34, -3.45

 

CMYK 0 / 3 / 4 / 27

HEX #BBB5B3

RGB 187 181 179

HSL 15, 0.06%, 0.72%

LAB 74.1, 1.76, 1.76

 

CMYK 0 / 12 / 15 / 22

HEX #C6AFA8

RGB 198 175 168

HSL 14, 0.21%, 0.72%

LAB 73.22, 7.12, 6.61

 

CMYK 0 / 19 / 26 / 18

HEX #D2AA9C

RGB 210 170 156

HSL 15.56, 0.38%, 0.72%

LAB 72.79, 12.53, 12.73

 

CMYK 0 / 26 / 34 / 13

HEX #DDA491

RGB 221 164 145

HSL 15, 0.53%, 0.72%

LAB 72.21, 18.54, 18.1

 

CMYK 8 / 0 / 2 / 25

HEX #AFBFBB

RGB 175 191 187

HSL 165, 0.11%, 0.72%

LAB 76.05, -6.25, 0.13

 

CMYK 8 / 0 / 0 / 25

HEX #AFBFBF

RGB 175 191 191

HSL 180, 0.11%, 0.72%

LAB 76.15, -5.46, -1.89

 

CMYK 8 / 2 / 0 / 25

HEX #AFBBBF

RGB 175 187 191

HSL 195, 0.11%, 0.72%

LAB 75.09, -3.34, -3.45

 

CMYK 8 / 4 / 0 / 25

HEX #AFB7BF

RGB 175 183 191

HSL 210, 0.11%, 0.72%

LAB 74.02, -1.2, -5.02

 

CMYK 8 / 6 / 0 / 25

HEX #AFB3BF

RGB 175 179 191

HSL 225, 0.11%, 0.72%

LAB 72.97, 0.96, -6.58

 

CMYK 16 / 4 / 0 / 40

HEX #81949A

RGB 129 148 154

HSL 194.4, 0.11%, 0.55%

LAB 60.05, -5.43, -5.45

 

CMYK 12 / 3 / 0 / 32

HEX #98A8AD

RGB 152 168 173

HSL 194.29, 0.11%, 0.64%

LAB 67.8, -4.55, -4.49

 

CMYK 8 / 2 / 0 / 25

HEX #AFBBBF

RGB 175 187 191

HSL 195, 0.11%, 0.72%

LAB 75.09, -3.34, -3.45

 

CMYK 5 / 1 / 0 / 18

HEX #C6CFD1

RGB 198 207 209

HSL 190.91, 0.11%, 0.8%

LAB 82.5, -2.67, -2.06

 

CMYK 3 / 1 / 0 / 11

HEX #DDE2E4

RGB 221 226 228

HSL 197.14, 0.11%, 0.88%

LAB 89.56, -1.31, -1.57

 

CMYK 8 / 2 / 0 / 25

HEX #B0BCC0

RGB 176 188 192

HSL 195, 0.11%, 0.72%

LAB 75.45, -3.34, -3.45

 

CMYK 5 / 8 / 0 / 25

HEX #B6AFBF

RGB 182 175 191

HSL 266.25, 0.11%, 0.72%

LAB 72.47, 5.52, -7.25

 

CMYK 0 / 1 / 8 / 25

HEX #BFBDAF

RGB 191 189 175

HSL 52.5, 0.11%, 0.72%

LAB 76.42, -1.78, 7.31

 

CMYK 8 / 2 / 0 / 25

HEX #B0BCC0

RGB 176 188 192

HSL 195, 0.11%, 0.72%

LAB 75.45, -3.34, -3.45

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 2 / 0 / 8 / 25

HEX #BBBFAF

RGB 187 191 175

HSL 75, 0.11%, 0.72%

LAB 76.63, -4.27, 7.58

 

CMYK 8 / 2 / 0 / 25

HEX #B0BCC0

RGB 176 188 192

HSL 195, 0.11%, 0.72%

LAB 75.45, -3.34, -3.45

 

CMYK 5 / 8 / 0 / 25

HEX #B6AFBF

RGB 182 175 191

HSL 266.25, 0.11%, 0.72%

LAB 72.47, 5.52, -7.25

 

CMYK 0 / 6 / 8 / 25

HEX #BFB3AF

RGB 191 179 175

HSL 15, 0.11%, 0.72%

LAB 73.81, 3.57, 3.56

 

CMYK 4 / 0 / 8 / 25

HEX #B8BFAF

RGB 184 191 175

HSL 86.25, 0.11%, 0.72%

LAB 76.4, -5.34, 7.23

 

CMYK 8 / 2 / 0 / 25

HEX #B0BCC0

RGB 176 188 192

HSL 195, 0.11%, 0.72%

LAB 75.45, -3.34, -3.45

 

CMYK 2 / 8 / 0 / 25

HEX #BBAFBF

RGB 187 175 191

HSL 285, 0.11%, 0.72%

LAB 72.88, 7.24, -6.6

 

CMYK 0 / 6 / 8 / 25

HEX #BFB3AF

RGB 191 179 175

HSL 15, 0.11%, 0.72%

LAB 73.81, 3.57, 3.56

 

CMYK 6 / 0 / 8 / 25

HEX #B3BFAF

RGB 179 191 175

HSL 105, 0.11%, 0.72%

LAB 76.03, -7.11, 6.64

 

Description

Color code: HEX #B0BCC0 | qconv.com Color code: HEX #B0BCC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 188 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 188 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 2 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 2% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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