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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E763 it is the complementary color #4F189C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E763. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0E763 shade: #B5E75E, #C6F971, #D7FF84, #E8FF97 and #F9FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E763. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0E763 shade: #B0E763, #9FD550, #8EC33D, #7DB12A and #6C9F17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0E763 shade: #B0E664, #D3E664, #E6D664, #E6B364 and #E69064

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0E763 shade: #B0E664, #8DE664, #6AE664, #64E682 and #64E6A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0E763 shade matches the following richer shades: #B0E664 and #B3F556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0E763 shade: #B0E664, #AED873, #ABCA81, #A9BB8F and #A6AD9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0E763 shade: #E6D764, #D3E664, #B0E664, #8DE664 and #6BE664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0E763 shade: #8BD721, #9EE140, #B0E664, #C2EC88 and #D4F2AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0E763 shade: #B0E763, #64E6B4 and #E664E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0E763 shade: #B0E763, #64B0E6 and #E664B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0E763 shade: #B0E763, #64E6B4, #9A64E6 and #E66496

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0E763 shade: #B0E763, #64E6DC, #9A64E6 and #E6646F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 57 / 9

HEX #B0E763

RGB 176 231 99

HSL 85, 0.73%, 0.65%

LAB 85.65, -37.94, 57.5

 

Complementary color

CMYK 49 / 85 / 0 / 39

HEX #4F189C

RGB 79 24 156

HSL 265, 0.73%, 0.35%

LAB 25.91, 51.82, -60.52

 

CMYK 22 / 0 / 59 / 9

HEX #B5E75E

RGB 181 231 94

HSL 81.9, 0.74%, 0.64%

LAB 85.9, -36.53, 60.03

 

CMYK 20 / 0 / 55 / 2

HEX #C6F971

RGB 198 249 113

HSL 82.5, 0.92%, 0.71%

LAB 92.11, -36.72, 59.09

 

CMYK 16 / 0 / 48 / 0

HEX #D7FF84

RGB 215 255 132

HSL 79.51, 1%, 0.76%

LAB 95.01, -31.39, 54.17

 

CMYK 9 / 0 / 41 / 0

HEX #E8FF97

RGB 232 255 151

HSL 73.27, 1%, 0.8%

LAB 96.37, -23.1, 47.13

 

CMYK 2 / 0 / 33 / 0

HEX #F9FFAA

RGB 249 255 170

HSL 64.24, 1%, 0.83%

LAB 97.86, -14.62, 40.02

 

CMYK 24 / 0 / 57 / 9

HEX #B0E763

RGB 176 231 99

HSL 85, 0.73%, 0.65%

LAB 85.65, -37.94, 57.5

 

CMYK 25 / 0 / 62 / 16

HEX #9FD550

RGB 159 213 80

HSL 84.36, 0.61%, 0.57%

LAB 79.35, -37.74, 58.36

 

CMYK 27 / 0 / 69 / 24

HEX #8EC33D

RGB 142 195 61

HSL 83.73, 0.53%, 0.5%

LAB 72.97, -37.43, 58.96

 

CMYK 29 / 0 / 76 / 31

HEX #7DB12A

RGB 125 177 42

HSL 83.11, 0.62%, 0.43%

LAB 66.5, -36.96, 59.04

 

CMYK 32 / 0 / 86 / 38

HEX #6C9F17

RGB 108 159 23

HSL 82.5, 0.75%, 0.36%

LAB 59.93, -36.29, 58.18

 

CMYK 23 / 0 / 57 / 10

HEX #B0E664

RGB 176 230 100

HSL 84.92, 0.72%, 0.65%

LAB 85.37, -37.4, 56.75

 

CMYK 8 / 0 / 57 / 10

HEX #D3E664

RGB 211 230 100

HSL 68.77, 0.72%, 0.65%

LAB 87.66, -24.03, 59.96

 

CMYK 0 / 7 / 57 / 10

HEX #E6D664

RGB 230 214 100

HSL 52.62, 0.72%, 0.65%

LAB 84.91, -8.5, 57.24

 

CMYK 0 / 22 / 57 / 10

HEX #E6B364

RGB 230 179 100

HSL 36.46, 0.72%, 0.65%

LAB 76.06, 9.64, 46.93

 

CMYK 0 / 37 / 57 / 10

HEX #E69064

RGB 230 144 100

HSL 20.31, 0.72%, 0.65%

LAB 67.79, 28.26, 36.85

 

CMYK 23 / 0 / 57 / 10

HEX #B0E664

RGB 176 230 100

HSL 84.92, 0.72%, 0.65%

LAB 85.37, -37.4, 56.75

 

CMYK 39 / 0 / 57 / 10

HEX #8DE664

RGB 141 230 100

HSL 101.08, 0.72%, 0.65%

LAB 83.54, -49.46, 54.15

 

CMYK 54 / 0 / 57 / 10

HEX #6AE664

RGB 106 230 100

HSL 117.23, 0.72%, 0.65%

LAB 82.15, -59.5, 52.18

 

CMYK 57 / 0 / 43 / 10

HEX #64E682

RGB 100 230 130

HSL 133.85, 0.72%, 0.65%

LAB 82.33, -56.86, 38.11

 

CMYK 57 / 0 / 28 / 10

HEX #64E6A5

RGB 100 230 165

HSL 150, 0.72%, 0.65%

LAB 82.92, -50.63, 21.1

 

CMYK 23 / 0 / 57 / 10

HEX #B0E664

RGB 176 230 100

HSL 84.92, 0.72%, 0.65%

LAB 85.37, -37.4, 56.75

 

CMYK 27 / 0 / 65 / 4

HEX #B3F556

RGB 179 245 86

HSL 84.91, 0.89%, 0.65%

LAB 89.65, -44.07, 67.35

 

CMYK 23 / 0 / 57 / 10

HEX #B0E664

RGB 176 230 100

HSL 84.92, 0.72%, 0.65%

LAB 85.37, -37.4, 56.75

 

CMYK 19 / 0 / 47 / 15

HEX #AED873

RGB 174 216 115

HSL 84.95, 0.56%, 0.65%

LAB 81.48, -30.18, 45.12

 

CMYK 15 / 0 / 36 / 21

HEX #ABCA81

RGB 171 202 129

HSL 85.48, 0.41%, 0.65%

LAB 77.57, -22.85, 33.1

 

CMYK 10 / 0 / 24 / 27

HEX #A9BB8F

RGB 169 187 143

HSL 84.55, 0.24%, 0.65%

LAB 73.52, -14.02, 20.28

 

CMYK 4 / 0 / 9 / 32

HEX #A6AD9E

RGB 166 173 158

HSL 88, 0.08%, 0.65%

LAB 69.8, -5.26, 6.85

 

CMYK 0 / 7 / 57 / 10

HEX #E6D764

RGB 230 215 100

HSL 53.08, 0.72%, 0.65%

LAB 85.17, -9, 57.54

 

CMYK 8 / 0 / 57 / 10

HEX #D3E664

RGB 211 230 100

HSL 68.77, 0.72%, 0.65%

LAB 87.66, -24.03, 59.96

 

CMYK 23 / 0 / 57 / 10

HEX #B0E664

RGB 176 230 100

HSL 84.92, 0.72%, 0.65%

LAB 85.37, -37.4, 56.75

 

CMYK 39 / 0 / 57 / 10

HEX #8DE664

RGB 141 230 100

HSL 101.08, 0.72%, 0.65%

LAB 83.54, -49.46, 54.15

 

CMYK 53 / 0 / 57 / 10

HEX #6BE664

RGB 107 230 100

HSL 116.77, 0.72%, 0.65%

LAB 82.18, -59.25, 52.23

 

CMYK 35 / 0 / 85 / 16

HEX #8BD721

RGB 139 215 33

HSL 85.05, 0.73%, 0.49%

LAB 78.58, -48.52, 72.7

 

CMYK 30 / 0 / 72 / 12

HEX #9EE140

RGB 158 225 64

HSL 84.97, 0.73%, 0.57%

LAB 82.64, -44.49, 67.92

 

CMYK 23 / 0 / 57 / 10

HEX #B0E664

RGB 176 230 100

HSL 84.92, 0.72%, 0.65%

LAB 85.37, -37.4, 56.75

 

CMYK 18 / 0 / 42 / 7

HEX #C2EC88

RGB 194 236 136

HSL 85.2, 0.72%, 0.73%

LAB 88.56, -29.82, 44.01

 

CMYK 12 / 0 / 29 / 5

HEX #D4F2AB

RGB 212 242 171

HSL 85.35, 0.73%, 0.81%

LAB 91.88, -21.68, 31.13

 

CMYK 24 / 0 / 57 / 9

HEX #B0E763

RGB 176 231 99

HSL 85, 0.73%, 0.65%

LAB 85.65, -37.94, 57.5

 

CMYK 57 / 0 / 22 / 10

HEX #64E6B4

RGB 100 230 180

HSL 156.92, 0.72%, 0.65%

LAB 83.23, -47.51, 13.7

 

CMYK 0 / 57 / 1 / 10

HEX #E664E4

RGB 230 100 228

HSL 300.92, 0.72%, 0.65%

LAB 62.96, 66.47, -41.88

 

CMYK 24 / 0 / 57 / 9

HEX #B0E763

RGB 176 231 99

HSL 85, 0.73%, 0.65%

LAB 85.65, -37.94, 57.5

 

CMYK 57 / 23 / 0 / 10

HEX #64B0E6

RGB 100 176 230

HSL 204.92, 0.72%, 0.65%

LAB 69.09, -8.18, -34.23

 

CMYK 0 / 57 / 23 / 10

HEX #E664B0

RGB 230 100 176

HSL 324.92, 0.72%, 0.65%

LAB 60.85, 58.55, -15.72

 

CMYK 24 / 0 / 57 / 9

HEX #B0E763

RGB 176 231 99

HSL 85, 0.73%, 0.65%

LAB 85.65, -37.94, 57.5

 

CMYK 57 / 0 / 22 / 10

HEX #64E6B4

RGB 100 230 180

HSL 156.92, 0.72%, 0.65%

LAB 83.23, -47.51, 13.7

 

CMYK 33 / 57 / 0 / 10

HEX #9A64E6

RGB 154 100 230

HSL 264.92, 0.72%, 0.65%

LAB 53.7, 47.99, -58.28

 

CMYK 0 / 57 / 35 / 10

HEX #E66496

RGB 230 100 150

HSL 336.92, 0.72%, 0.65%

LAB 60.01, 55.28, -1.96

 

CMYK 24 / 0 / 57 / 9

HEX #B0E763

RGB 176 231 99

HSL 85, 0.73%, 0.65%

LAB 85.65, -37.94, 57.5

 

CMYK 57 / 0 / 4 / 10

HEX #64E6DC

RGB 100 230 220

HSL 175.38, 0.72%, 0.65%

LAB 84.21, -38.04, -5.95

 

CMYK 33 / 57 / 0 / 10

HEX #9A64E6

RGB 154 100 230

HSL 264.92, 0.72%, 0.65%

LAB 53.7, 47.99, -58.28

 

CMYK 0 / 57 / 52 / 10

HEX #E6646F

RGB 230 100 111

HSL 354.92, 0.72%, 0.65%

LAB 59.05, 51.38, 19.32

 

Description

Color code: HEX #B0E763 | qconv.com Color code: HEX #B0E763 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 231 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 231 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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