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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B23E71 it is the complementary color #4DC18E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B23E71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B23E71 shade: #B73E6C, #C8507F, #D96292, #EA74A5 and #FB86B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B23E71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B23E71 shade: #B23E71, #A12C5E, #901A4B, #7F0838 and #6E0025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B23E71 shade: #B13E70, #B13E51 and #B13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B23E71 shade: #B13E70, #B13E8F, #B13EAE, #943EB1 and #753EB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B23E71 shade matches the following richer shades: #B13E70, #C42A6E, #D8176C and #EB0469

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B23E71 shade: #B13E70, #9D5173, #8A6575, #777877 and #638B7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B23E71 shade: #B13EAF, #B13E90, #B13E72, #B13E53 and #B1473E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B23E71 shade: #74284A, #92335D, #B13E70, #C35585 and #CE749B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B23E71 shade: #B23E71, #B1943E and #3EA0B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B23E71 shade: #B23E71, #72B13E and #3E72B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B23E71 shade: #B23E71, #B1943E, #3EB17D and #3E5BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B23E71 shade: #B23E71, #ABB13E, #3EB17D and #443EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 37 / 30

HEX #B23E71

RGB 178 62 113

HSL 333.62, 0.48%, 0.47%

LAB 44.38, 51.61, -3.86

 

Complementary color

CMYK 60 / 0 / 26 / 24

HEX #4DC18E

RGB 77 193 142

HSL 153.62, 0.48%, 0.53%

LAB 70.64, -44.73, 16.12

 

CMYK 0 / 66 / 41 / 28

HEX #B73E6C

RGB 183 62 108

HSL 337.19, 0.49%, 0.48%

LAB 45.07, 52.59, 0.33

 

CMYK 0 / 60 / 37 / 22

HEX #C8507F

RGB 200 80 127

HSL 336.5, 0.52%, 0.55%

LAB 51.32, 52.2, -1.72

 

CMYK 0 / 55 / 33 / 15

HEX #D96292

RGB 217 98 146

HSL 335.8, 0.61%, 0.62%

LAB 57.62, 51.57, -3.38

 

CMYK 0 / 50 / 29 / 8

HEX #EA74A5

RGB 234 116 165

HSL 335.08, 0.74%, 0.69%

LAB 63.92, 50.83, -4.77

 

CMYK 0 / 47 / 27 / 2

HEX #FB86B8

RGB 251 134 184

HSL 334.36, 0.94%, 0.75%

LAB 70.19, 50.04, -5.97

 

CMYK 0 / 65 / 37 / 30

HEX #B23E71

RGB 178 62 113

HSL 333.62, 0.48%, 0.47%

LAB 44.38, 51.61, -3.86

 

CMYK 0 / 73 / 42 / 37

HEX #A12C5E

RGB 161 44 94

HSL 334.36, 0.57%, 0.4%

LAB 38.18, 51.58, -1.48

 

CMYK 0 / 82 / 48 / 44

HEX #901A4B

RGB 144 26 75

HSL 335.08, 0.69%, 0.33%

LAB 32.2, 50.77, 1.68

 

CMYK 0 / 94 / 56 / 50

HEX #7F0838

RGB 127 8 56

HSL 335.8, 0.88%, 0.26%

LAB 26.65, 48.62, 5.98

 

CMYK 0 / 100 / 66 / 57

HEX #6E0025

RGB 110 0 37

HSL 339.82, 1%, 0.22%

LAB 21.76, 44.46, 11.81

 

CMYK 0 / 65 / 37 / 31

HEX #B13E70

RGB 177 62 112

HSL 333.91, 0.48%, 0.47%

LAB 44.18, 51.18, -3.56

 

CMYK 0 / 65 / 54 / 31

HEX #B13E51

RGB 177 62 81

HSL 350.09, 0.48%, 0.47%

LAB 43.34, 48.12, 14.41

 

CMYK 0 / 65 / 65 / 31

HEX #B13E3E

RGB 177 62 62

HSL 0, 0.48%, 0.47%

LAB 42.97, 46.74, 25.57

 

CMYK 0 / 65 / 37 / 31

HEX #B13E70

RGB 177 62 112

HSL 333.91, 0.48%, 0.47%

LAB 44.18, 51.18, -3.56

 

CMYK 0 / 65 / 19 / 31

HEX #B13E8F

RGB 177 62 143

HSL 317.74, 0.48%, 0.47%

LAB 45.33, 55.22, -20.74

 

CMYK 0 / 65 / 2 / 31

HEX #B13EAE

RGB 177 62 174

HSL 301.57, 0.48%, 0.47%

LAB 46.77, 60.1, -36.96

 

CMYK 16 / 65 / 0 / 31

HEX #943EB1

RGB 148 62 177

HSL 284.87, 0.48%, 0.47%

LAB 42.64, 53.66, -45.57

 

CMYK 34 / 65 / 0 / 31

HEX #753EB1

RGB 117 62 177

HSL 268.7, 0.48%, 0.47%

LAB 38.55, 46.54, -52.34

 

CMYK 0 / 65 / 37 / 31

HEX #B13E70

RGB 177 62 112

HSL 333.91, 0.48%, 0.47%

LAB 44.18, 51.18, -3.56

 

CMYK 0 / 79 / 44 / 23

HEX #C42A6E

RGB 196 42 110

HSL 333.51, 0.65%, 0.47%

LAB 44.97, 63.48, -0.78

 

CMYK 0 / 89 / 50 / 15

HEX #D8176C

RGB 216 23 108

HSL 333.58, 0.81%, 0.47%

LAB 47.36, 72.3, 4.4

 

CMYK 0 / 98 / 55 / 8

HEX #EB0469

RGB 235 4 105

HSL 333.77, 0.97%, 0.47%

LAB 50.42, 78.33, 11.11

 

CMYK 0 / 65 / 37 / 31

HEX #B13E70

RGB 177 62 112

HSL 333.91, 0.48%, 0.47%

LAB 44.18, 51.18, -3.56

 

CMYK 0 / 48 / 27 / 38

HEX #9D5173

RGB 157 81 115

HSL 333.16, 0.32%, 0.47%

LAB 44.65, 35.7, -5.05

 

CMYK 0 / 27 / 15 / 46

HEX #8A6575

RGB 138 101 117

HSL 334.05, 0.15%, 0.47%

LAB 46.97, 17.55, -3.1

 

CMYK 1 / 0 / 1 / 53

HEX #777877

RGB 119 120 119

HSL 120, 0%, 0.47%

LAB 50.32, -0.58, 0.41

 

CMYK 29 / 0 / 12 / 45

HEX #638B7A

RGB 99 139 122

HSL 154.5, 0.17%, 0.47%

LAB 54.58, -17.66, 4.65

 

CMYK 0 / 65 / 1 / 31

HEX #B13EAF

RGB 177 62 175

HSL 301.04, 0.48%, 0.47%

LAB 46.83, 60.26, -37.46

 

CMYK 0 / 65 / 19 / 31

HEX #B13E90

RGB 177 62 144

HSL 317.22, 0.48%, 0.47%

LAB 45.37, 55.37, -21.27

 

CMYK 0 / 65 / 36 / 31

HEX #B13E72

RGB 177 62 114

HSL 332.87, 0.48%, 0.47%

LAB 44.24, 51.42, -4.7

 

CMYK 0 / 65 / 53 / 31

HEX #B13E53

RGB 177 62 83

HSL 349.04, 0.48%, 0.47%

LAB 43.38, 48.28, 13.23

 

CMYK 0 / 60 / 65 / 31

HEX #B1473E

RGB 177 71 62

HSL 4.7, 0.48%, 0.47%

LAB 44.52, 42.62, 27.49

 

CMYK 0 / 66 / 36 / 55

HEX #74284A

RGB 116 40 74

HSL 333.16, 0.49%, 0.31%

LAB 28.71, 36.84, -3.41

 

CMYK 0 / 65 / 36 / 43

HEX #92335D

RGB 146 51 93

HSL 333.47, 0.48%, 0.39%

LAB 36.5, 44, -3.62

 

CMYK 0 / 65 / 37 / 31

HEX #B13E70

RGB 177 62 112

HSL 333.91, 0.48%, 0.47%

LAB 44.18, 51.18, -3.56

 

CMYK 0 / 56 / 32 / 24

HEX #C35585

RGB 195 85 133

HSL 333.82, 0.48%, 0.55%

LAB 51.6, 49, -4.98

 

CMYK 0 / 44 / 25 / 19

HEX #CE749B

RGB 206 116 155

HSL 334, 0.48%, 0.63%

LAB 59.87, 40.07, -5.44

 

CMYK 0 / 65 / 37 / 30

HEX #B23E71

RGB 178 62 113

HSL 333.62, 0.48%, 0.47%

LAB 44.38, 51.61, -3.86

 

CMYK 0 / 16 / 65 / 31

HEX #B1943E

RGB 177 148 62

HSL 44.87, 0.48%, 0.47%

LAB 62.4, 0.94, 48.19

 

CMYK 65 / 10 / 0 / 31

HEX #3EA0B1

RGB 62 160 177

HSL 188.87, 0.48%, 0.47%

LAB 61.08, -22.97, -17.25

 

CMYK 0 / 65 / 37 / 30

HEX #B23E71

RGB 178 62 113

HSL 333.62, 0.48%, 0.47%

LAB 44.38, 51.61, -3.86

 

CMYK 36 / 0 / 65 / 31

HEX #72B13E

RGB 114 177 62

HSL 92.87, 0.48%, 0.47%

LAB 66.04, -39.64, 50.77

 

CMYK 65 / 36 / 0 / 31

HEX #3E72B1

RGB 62 114 177

HSL 212.87, 0.48%, 0.47%

LAB 47.28, 2.98, -38.64

 

CMYK 0 / 65 / 37 / 30

HEX #B23E71

RGB 178 62 113

HSL 333.62, 0.48%, 0.47%

LAB 44.38, 51.61, -3.86

 

CMYK 0 / 16 / 65 / 31

HEX #B1943E

RGB 177 148 62

HSL 44.87, 0.48%, 0.47%

LAB 62.4, 0.94, 48.19

 

CMYK 65 / 0 / 29 / 31

HEX #3EB17D

RGB 62 177 125

HSL 152.87, 0.48%, 0.47%

LAB 64.92, -44.57, 17.34

 

CMYK 65 / 49 / 0 / 31

HEX #3E5BB1

RGB 62 91 177

HSL 224.87, 0.48%, 0.47%

LAB 40.7, 17.51, -49.12

 

CMYK 0 / 65 / 37 / 30

HEX #B23E71

RGB 178 62 113

HSL 333.62, 0.48%, 0.47%

LAB 44.38, 51.61, -3.86

 

CMYK 3 / 0 / 65 / 31

HEX #ABB13E

RGB 171 177 62

HSL 63.13, 0.48%, 0.47%

LAB 69.79, -16.99, 55.89

 

CMYK 65 / 0 / 29 / 31

HEX #3EB17D

RGB 62 177 125

HSL 152.87, 0.48%, 0.47%

LAB 64.92, -44.57, 17.34

 

CMYK 62 / 65 / 0 / 31

HEX #443EB1

RGB 68 62 177

HSL 243.13, 0.48%, 0.47%

LAB 33.67, 37.05, -60.51

 

Description

Color code: HEX #B23E71 | qconv.com Color code: HEX #B23E71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 62 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 62 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 37 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 37% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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