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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE749B it is the complementary color #318B64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE749B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE749B shade: #D37496, #E486A9, #F598BC, #FFAACF and #FFBCE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE749B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE749B shade: #CE749B, #BD6288, #AC5075, #9B3E62 and #8A2C4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE749B shade: #CD739A, #CD7382 and #CD7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE749B shade: #CD739A, #CD73B3, #CD73CB, #B773CD and #9F73CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE749B shade matches the following richer shades: #CD739A, #DD6498, #EC5496 and #FB4594

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE749B shade: #CD739A, #BE829C, #AF919E, #A0A1A0 and #90B0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE749B shade: #CD73CA, #CD73B2, #CD739A, #CD7382 and #CD7C73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE749B shade: #B03E6F, #C35484, #CD739A, #D891B0 and #E3B0C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE749B shade: #CE749B, #CDB873 and #73BECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE749B shade: #CE749B, #9ACD73 and #739ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE749B shade: #CE749B, #CDB873, #73CDA6 and #7388CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE749B shade: #CE749B, #C7CD73, #73CDA6 and #7973CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 25 / 19

HEX #CE749B

RGB 206 116 155

HSL 334, 0.48%, 0.63%

LAB 59.87, 40.07, -5.44

 

Complementary color

CMYK 65 / 0 / 28 / 45

HEX #318B64

RGB 49 139 100

HSL 154, 0.48%, 0.37%

LAB 51.88, -36.3, 13.17

 

CMYK 0 / 45 / 29 / 17

HEX #D37496

RGB 211 116 150

HSL 338.53, 0.52%, 0.64%

LAB 60.37, 41.11, -1.74

 

CMYK 0 / 41 / 26 / 11

HEX #E486A9

RGB 228 134 169

HSL 337.66, 0.64%, 0.71%

LAB 66.83, 40.26, -2.83

 

CMYK 0 / 38 / 23 / 4

HEX #F598BC

RGB 245 152 188

HSL 336.77, 0.82%, 0.78%

LAB 73.22, 39.44, -3.8

 

CMYK 0 / 33 / 19 / 0

HEX #FFAACF

RGB 255 170 207

HSL 333.88, 1%, 0.83%

LAB 78.76, 36.26, -5.91

 

CMYK 0 / 26 / 11 / 0

HEX #FFBCE2

RGB 255 188 226

HSL 325.97, 1%, 0.87%

LAB 83.29, 29.8, -9.43

 

CMYK 0 / 44 / 25 / 19

HEX #CE749B

RGB 206 116 155

HSL 334, 0.48%, 0.63%

LAB 59.87, 40.07, -5.44

 

CMYK 0 / 48 / 28 / 26

HEX #BD6288

RGB 189 98 136

HSL 334.95, 0.41%, 0.56%

LAB 53.31, 40.91, -4.32

 

CMYK 0 / 53 / 32 / 33

HEX #AC5075

RGB 172 80 117

HSL 335.87, 0.37%, 0.49%

LAB 46.7, 41.73, -2.99

 

CMYK 0 / 60 / 37 / 39

HEX #9B3E62

RGB 155 62 98

HSL 336.77, 0.43%, 0.43%

LAB 40.07, 42.45, -1.34

 

CMYK 0 / 68 / 43 / 46

HEX #8A2C4F

RGB 138 44 79

HSL 337.66, 0.52%, 0.36%

LAB 33.5, 42.89, 0.8

 

CMYK 0 / 44 / 25 / 20

HEX #CD739A

RGB 205 115 154

HSL 334, 0.47%, 0.63%

LAB 59.5, 40.11, -5.43

 

CMYK 0 / 44 / 37 / 20

HEX #CD7382

RGB 205 115 130

HSL 350, 0.47%, 0.63%

LAB 58.84, 36.95, 7.48

 

CMYK 0 / 44 / 44 / 20

HEX #CD7373

RGB 205 115 115

HSL 0, 0.47%, 0.63%

LAB 58.49, 35.26, 15.66

 

CMYK 0 / 44 / 25 / 20

HEX #CD739A

RGB 205 115 154

HSL 334, 0.47%, 0.63%

LAB 59.5, 40.11, -5.43

 

CMYK 0 / 44 / 13 / 20

HEX #CD73B3

RGB 205 115 179

HSL 317.33, 0.47%, 0.63%

LAB 60.33, 43.93, -18.54

 

CMYK 0 / 44 / 1 / 20

HEX #CD73CB

RGB 205 115 203

HSL 301.33, 0.47%, 0.63%

LAB 61.27, 48.06, -30.74

 

CMYK 11 / 44 / 0 / 20

HEX #B773CD

RGB 183 115 205

HSL 285.33, 0.47%, 0.63%

LAB 58.73, 41.91, -36.02

 

CMYK 22 / 44 / 0 / 20

HEX #9F73CD

RGB 159 115 205

HSL 269.33, 0.47%, 0.63%

LAB 56.13, 34.93, -40.28

 

CMYK 0 / 44 / 25 / 20

HEX #CD739A

RGB 205 115 154

HSL 334, 0.47%, 0.63%

LAB 59.5, 40.11, -5.43

 

CMYK 0 / 55 / 31 / 13

HEX #DD6498

RGB 221 100 152

HSL 334.21, 0.64%, 0.63%

LAB 58.75, 52.65, -5.14

 

CMYK 0 / 64 / 36 / 7

HEX #EC5496

RGB 236 84 150

HSL 333.95, 0.8%, 0.63%

LAB 58.39, 63.98, -4.24

 

CMYK 0 / 73 / 41 / 2

HEX #FB4594

RGB 251 69 148

HSL 333.96, 0.96%, 0.63%

LAB 58.88, 73.33, -2.06

 

CMYK 0 / 44 / 25 / 20

HEX #CD739A

RGB 205 115 154

HSL 334, 0.47%, 0.63%

LAB 59.5, 40.11, -5.43

 

CMYK 0 / 32 / 18 / 25

HEX #BE829C

RGB 190 130 156

HSL 334, 0.32%, 0.63%

LAB 61.06, 26.99, -4.48

 

CMYK 0 / 17 / 10 / 31

HEX #AF919E

RGB 175 145 158

HSL 334, 0.16%, 0.63%

LAB 63.2, 13.45, -2.63

 

CMYK 1 / 0 / 1 / 37

HEX #A0A1A0

RGB 160 161 160

HSL 120, 0.01%, 0.63%

LAB 66.14, -0.55, 0.39

 

CMYK 18 / 0 / 8 / 31

HEX #90B0A2

RGB 144 176 162

HSL 153.75, 0.17%, 0.63%

LAB 69.18, -13.78, 3.55

 

CMYK 0 / 44 / 1 / 20

HEX #CD73CA

RGB 205 115 202

HSL 302, 0.47%, 0.63%

LAB 61.22, 47.88, -30.24

 

CMYK 0 / 44 / 13 / 20

HEX #CD73B2

RGB 205 115 178

HSL 318, 0.47%, 0.63%

LAB 60.3, 43.76, -18.02

 

CMYK 0 / 44 / 25 / 20

HEX #CD739A

RGB 205 115 154

HSL 334, 0.47%, 0.63%

LAB 59.5, 40.11, -5.43

 

CMYK 0 / 44 / 37 / 20

HEX #CD7382

RGB 205 115 130

HSL 350, 0.47%, 0.63%

LAB 58.84, 36.95, 7.48

 

CMYK 0 / 40 / 44 / 20

HEX #CD7C73

RGB 205 124 115

HSL 6, 0.47%, 0.63%

LAB 60.46, 30.46, 18.37

 

CMYK 0 / 65 / 37 / 31

HEX #B03E6F

RGB 176 62 111

HSL 334.21, 0.48%, 0.47%

LAB 43.98, 50.76, -3.26

 

CMYK 0 / 57 / 32 / 24

HEX #C35484

RGB 195 84 132

HSL 334.05, 0.48%, 0.55%

LAB 51.39, 49.35, -4.69

 

CMYK 0 / 44 / 25 / 20

HEX #CD739A

RGB 205 115 154

HSL 334, 0.47%, 0.63%

LAB 59.5, 40.11, -5.43

 

CMYK 0 / 33 / 19 / 15

HEX #D891B0

RGB 216 145 176

HSL 333.8, 0.48%, 0.71%

LAB 68.01, 31.25, -5.19

 

CMYK 0 / 22 / 13 / 11

HEX #E3B0C6

RGB 227 176 198

HSL 334.12, 0.48%, 0.79%

LAB 76.96, 21.95, -4

 

CMYK 0 / 44 / 25 / 19

HEX #CE749B

RGB 206 116 155

HSL 334, 0.48%, 0.63%

LAB 59.87, 40.07, -5.44

 

CMYK 0 / 10 / 44 / 20

HEX #CDB873

RGB 205 184 115

HSL 46, 0.47%, 0.63%

LAB 75.14, -1.95, 37.7

 

CMYK 44 / 7 / 0 / 20

HEX #73BECD

RGB 115 190 205

HSL 190, 0.47%, 0.63%

LAB 72.81, -19.37, -14.84

 

CMYK 0 / 44 / 25 / 19

HEX #CE749B

RGB 206 116 155

HSL 334, 0.48%, 0.63%

LAB 59.87, 40.07, -5.44

 

CMYK 25 / 0 / 44 / 20

HEX #9ACD73

RGB 154 205 115

HSL 94, 0.47%, 0.63%

LAB 77.14, -32.32, 39.45

 

CMYK 44 / 25 / 0 / 20

HEX #739ACD

RGB 115 154 205

HSL 214, 0.47%, 0.63%

LAB 62.65, 0.1, -30.36

 

CMYK 0 / 44 / 25 / 19

HEX #CE749B

RGB 206 116 155

HSL 334, 0.48%, 0.63%

LAB 59.87, 40.07, -5.44

 

CMYK 0 / 10 / 44 / 20

HEX #CDB873

RGB 205 184 115

HSL 46, 0.47%, 0.63%

LAB 75.14, -1.95, 37.7

 

CMYK 44 / 0 / 19 / 20

HEX #73CDA6

RGB 115 205 166

HSL 154, 0.47%, 0.63%

LAB 76.11, -35.97, 11.11

 

CMYK 44 / 34 / 0 / 20

HEX #7388CD

RGB 115 136 205

HSL 226, 0.47%, 0.63%

LAB 57.71, 10.52, -38.05

 

CMYK 0 / 44 / 25 / 19

HEX #CE749B

RGB 206 116 155

HSL 334, 0.48%, 0.63%

LAB 59.87, 40.07, -5.44

 

CMYK 3 / 0 / 44 / 20

HEX #C7CD73

RGB 199 205 115

HSL 64, 0.47%, 0.63%

LAB 80.2, -15.18, 43.93

 

CMYK 44 / 0 / 19 / 20

HEX #73CDA6

RGB 115 205 166

HSL 154, 0.47%, 0.63%

LAB 76.11, -35.97, 11.11

 

CMYK 41 / 44 / 0 / 20

HEX #7973CD

RGB 121 115 205

HSL 244, 0.47%, 0.63%

LAB 52.66, 24.57, -45.99

 

Description

Color code: HEX #CE749B | qconv.com Color code: HEX #CE749B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 116 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 116 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 25 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 25% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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