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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B252FF it is the complementary color #4DAD00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B252FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B252FF shade: #B752FA, #C864FF, #D976FF, #EA88FF and #FB9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B252FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B252FF shade: #B252FF, #A140EC, #902ED9, #7F1CC6 and #6E0AB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B252FF shade: #B151FF, #E051FF, #FF51EE, #FF51BF and #FF5191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B252FF shade: #B151FF, #8351FF, #5451FF and #5151FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B252FF shade matches the following richer shades: #B151FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B252FF shade: #B151FF, #B05FF0, #AE6DE2, #AD7BD4 and #AB89C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B252FF shade: #5451FF, #8251FF, #B051FF, #DF51FF and #FF51F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B252FF shade: #8C00FE, #9F28FF, #B151FF, #C47AFF and #D6A4FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B252FF shade: #B252FF, #FF517C and #51FF6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B252FF shade: #B252FF, #FFB051 and #51FFB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B252FF shade: #B252FF, #FF517C, #9FFF51 and #51FFD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B252FF shade: #B252FF, #FF5A51, #9FFF51 and #51F6FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 68 / 0 / 0

HEX #B252FF

RGB 178 82 255

HSL 273.29, 1%, 0.66%

LAB 54.78, 67.8, -70.35

 

Complementary color

CMYK 55 / 0 / 100 / 32

HEX #4DAD00

RGB 77 173 0

HSL 93.29, 1%, 0.34%

LAB 62.9, -52.92, 63.82

 

CMYK 27 / 67 / 0 / 2

HEX #B752FA

RGB 183 82 250

HSL 276.07, 0.94%, 0.65%

LAB 55.08, 67.71, -67.07

 

CMYK 22 / 61 / 0 / 0

HEX #C864FF

RGB 200 100 255

HSL 278.71, 1%, 0.7%

LAB 60.44, 64.29, -61.1

 

CMYK 15 / 54 / 0 / 0

HEX #D976FF

RGB 217 118 255

HSL 283.36, 1%, 0.73%

LAB 65.69, 59.79, -52.61

 

CMYK 8 / 47 / 0 / 0

HEX #EA88FF

RGB 234 136 255

HSL 289.41, 1%, 0.77%

LAB 71.09, 55.39, -43.97

 

CMYK 2 / 40 / 0 / 0

HEX #FB9AFF

RGB 251 154 255

HSL 297.62, 1%, 0.8%

LAB 76.58, 51.15, -35.28

 

CMYK 30 / 68 / 0 / 0

HEX #B252FF

RGB 178 82 255

HSL 273.29, 1%, 0.66%

LAB 54.78, 67.8, -70.35

 

CMYK 32 / 73 / 0 / 7

HEX #A140EC

RGB 161 64 236

HSL 273.84, 0.82%, 0.59%

LAB 48.64, 68.04, -69.8

 

CMYK 34 / 79 / 0 / 15

HEX #902ED9

RGB 144 46 217

HSL 274.39, 0.69%, 0.52%

LAB 42.6, 67.78, -68.92

 

CMYK 36 / 86 / 0 / 22

HEX #7F1CC6

RGB 127 28 198

HSL 274.94, 0.75%, 0.44%

LAB 36.78, 66.69, -67.53

 

CMYK 39 / 94 / 0 / 30

HEX #6E0AB3

RGB 110 10 179

HSL 275.5, 0.89%, 0.37%

LAB 31.32, 64.29, -65.36

 

CMYK 31 / 68 / 0 / 0

HEX #B151FF

RGB 177 81 255

HSL 273.1, 1%, 0.66%

LAB 54.5, 68.05, -70.81

 

CMYK 12 / 68 / 0 / 0

HEX #E051FF

RGB 224 81 255

HSL 289.31, 1%, 0.66%

LAB 60.74, 77.46, -60.44

 

CMYK 0 / 68 / 7 / 0

HEX #FF51EE

RGB 255 81 238

HSL 305.86, 1%, 0.66%

LAB 64.42, 81.37, -44.91

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 68 / 43 / 0

HEX #FF5191

RGB 255 81 145

HSL 337.93, 1%, 0.66%

LAB 60.95, 70.04, 2.78

 

CMYK 31 / 68 / 0 / 0

HEX #B151FF

RGB 177 81 255

HSL 273.1, 1%, 0.66%

LAB 54.5, 68.05, -70.81

 

CMYK 49 / 68 / 0 / 0

HEX #8351FF

RGB 131 81 255

HSL 257.24, 1%, 0.66%

LAB 49.41, 59.82, -79.31

 

CMYK 67 / 68 / 0 / 0

HEX #5451FF

RGB 84 81 255

HSL 241.03, 1%, 0.66%

LAB 45.62, 53.25, -85.67

 

CMYK 68 / 68 / 0 / 0

HEX #5151FF

RGB 81 81 255

HSL 240, 1%, 0.66%

LAB 45.43, 52.91, -85.98

 

CMYK 31 / 68 / 0 / 0

HEX #B151FF

RGB 177 81 255

HSL 273.1, 1%, 0.66%

LAB 54.5, 68.05, -70.81

 

CMYK 31 / 68 / 0 / 0

HEX #B151FF

RGB 177 81 255

HSL 273.1, 1%, 0.66%

LAB 54.5, 68.05, -70.81

 

CMYK 27 / 60 / 0 / 6

HEX #B05FF0

RGB 176 95 240

HSL 273.52, 0.83%, 0.66%

LAB 55.79, 58, -60.39

 

CMYK 23 / 52 / 0 / 11

HEX #AE6DE2

RGB 174 109 226

HSL 273.33, 0.67%, 0.66%

LAB 57.49, 47.17, -49.87

 

CMYK 18 / 42 / 0 / 17

HEX #AD7BD4

RGB 173 123 212

HSL 273.71, 0.51%, 0.66%

LAB 59.71, 36.09, -38.51

 

CMYK 14 / 31 / 0 / 22

HEX #AB89C6

RGB 171 137 198

HSL 273.44, 0.35%, 0.66%

LAB 62.19, 24.51, -26.79

 

CMYK 67 / 68 / 0 / 0

HEX #5451FF

RGB 84 81 255

HSL 241.03, 1%, 0.66%

LAB 45.62, 53.25, -85.67

 

CMYK 49 / 68 / 0 / 0

HEX #8251FF

RGB 130 81 255

HSL 256.9, 1%, 0.66%

LAB 49.31, 59.65, -79.47

 

CMYK 31 / 68 / 0 / 0

HEX #B051FF

RGB 176 81 255

HSL 272.76, 1%, 0.66%

LAB 54.38, 67.85, -71.01

 

CMYK 13 / 68 / 0 / 0

HEX #DF51FF

RGB 223 81 255

HSL 288.97, 1%, 0.66%

LAB 60.6, 77.26, -60.68

 

CMYK 0 / 68 / 6 / 0

HEX #FF51F0

RGB 255 81 240

HSL 305.17, 1%, 0.66%

LAB 64.51, 81.67, -45.87

 

CMYK 45 / 100 / 0 / 0

HEX #8C00FE

RGB 140 0 254

HSL 273.07, 1%, 0.5%

LAB 42.36, 83.93, -90.3

 

CMYK 38 / 84 / 0 / 0

HEX #9F28FF

RGB 159 40 255

HSL 273.21, 1%, 0.58%

LAB 47.12, 79.75, -82.94

 

CMYK 31 / 68 / 0 / 0

HEX #B151FF

RGB 177 81 255

HSL 273.1, 1%, 0.66%

LAB 54.5, 68.05, -70.81

 

CMYK 23 / 52 / 0 / 0

HEX #C47AFF

RGB 196 122 255

HSL 273.38, 1%, 0.74%

LAB 64.06, 52.46, -55.35

 

CMYK 16 / 36 / 0 / 0

HEX #D6A4FF

RGB 214 164 255

HSL 272.97, 1%, 0.82%

LAB 74.87, 34.99, -38.24

 

CMYK 30 / 68 / 0 / 0

HEX #B252FF

RGB 178 82 255

HSL 273.29, 1%, 0.66%

LAB 54.78, 67.8, -70.35

 

CMYK 0 / 68 / 51 / 0

HEX #FF517C

RGB 255 81 124

HSL 345.17, 1%, 0.66%

LAB 60.43, 68.25, 14.29

 

CMYK 68 / 0 / 58 / 0

HEX #51FF6B

RGB 81 255 107

HSL 128.97, 1%, 0.66%

LAB 89.08, -72.67, 57

 

CMYK 30 / 68 / 0 / 0

HEX #B252FF

RGB 178 82 255

HSL 273.29, 1%, 0.66%

LAB 54.78, 67.8, -70.35

 

CMYK 0 / 31 / 68 / 0

HEX #FFB051

RGB 255 176 81

HSL 32.76, 1%, 0.66%

LAB 77.82, 20.32, 58.63

 

CMYK 68 / 0 / 31 / 0

HEX #51FFB0

RGB 81 255 176

HSL 152.76, 1%, 0.66%

LAB 90.05, -61.74, 25.17

 

CMYK 30 / 68 / 0 / 0

HEX #B252FF

RGB 178 82 255

HSL 273.29, 1%, 0.66%

LAB 54.78, 67.8, -70.35

 

CMYK 0 / 68 / 51 / 0

HEX #FF517C

RGB 255 81 124

HSL 345.17, 1%, 0.66%

LAB 60.43, 68.25, 14.29

 

CMYK 38 / 0 / 68 / 0

HEX #9FFF51

RGB 159 255 81

HSL 93.1, 1%, 0.66%

LAB 91.45, -55.42, 70.8

 

CMYK 68 / 0 / 17 / 0

HEX #51FFD3

RGB 81 255 211

HSL 164.83, 1%, 0.66%

LAB 90.77, -54.14, 8.24

 

CMYK 30 / 68 / 0 / 0

HEX #B252FF

RGB 178 82 255

HSL 273.29, 1%, 0.66%

LAB 54.78, 67.8, -70.35

 

CMYK 0 / 65 / 68 / 0

HEX #FF5A51

RGB 255 90 81

HSL 3.1, 1%, 0.66%

LAB 60.93, 62.06, 39.57

 

CMYK 38 / 0 / 68 / 0

HEX #9FFF51

RGB 159 255 81

HSL 93.1, 1%, 0.66%

LAB 91.45, -55.42, 70.8

 

CMYK 68 / 4 / 0 / 0

HEX #51F6FF

RGB 81 246 255

HSL 183.1, 1%, 0.66%

LAB 89.34, -38.91, -16.72

 

Description

Color code: HEX #B252FF | qconv.com Color code: HEX #B252FF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 82 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 82 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 68 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 68% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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