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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF51BF it is the complementary color #00AE40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF51BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF51BF shade: #FF51BA, #FF63CD, #FF75E0, #FF87F3 and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF51BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF51BF shade: #FF51BF, #EE3FAC, #DD2D99, #CC1B86 and #BB0973

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF51BF shade: #FF51BF, #FF5190, #FF5161 and #FF5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF51BF shade: #FF51BF, #FF51ED, #E151FF, #B251FF and #8351FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF51BF shade matches the following richer shades: #FF51BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF51BF shade: #FF51BF, #F05FBB, #E26DB7, #D47BB4 and #C689B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF51BF shade: #E251FF, #FF51ED, #FF51BF, #FF5191 and #FF5162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF51BF shade: #FE00A0, #FF28B0, #FF51BF, #FF7ACE and #FFA4DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF51BF shade: #FF51BF, #FFB351 and #51FFF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF51BF shade: #FF51BF, #BFFF51 and #51BFFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF51BF shade: #FF51BF, #FFB351, #51FF91 and #519CFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF51BF shade: #FF51BF, #FFE751, #51FF91 and #5168FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

Complementary color

CMYK 100 / 0 / 63 / 32

HEX #00AE40

RGB 0 174 64

HSL 142.07, 1%, 0.34%

LAB 62.2, -60.66, 44.85

 

CMYK 0 / 68 / 27 / 0

HEX #FF51BA

RGB 255 81 186

HSL 323.79, 1%, 0.66%

LAB 62.25, 74.4, -18.96

 

CMYK 0 / 61 / 20 / 0

HEX #FF63CD

RGB 255 99 205

HSL 319.23, 1%, 0.69%

LAB 65.43, 69.97, -24.88

 

CMYK 0 / 54 / 12 / 0

HEX #FF75E0

RGB 255 117 224

HSL 313.48, 1%, 0.73%

LAB 69.01, 64.98, -29.98

 

CMYK 0 / 47 / 5 / 0

HEX #FF87F3

RGB 255 135 243

HSL 306, 1%, 0.76%

LAB 72.93, 59.62, -34.37

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 74 / 28 / 7

HEX #EE3FAC

RGB 238 63 172

HSL 322.63, 0.84%, 0.59%

LAB 56.79, 74.44, -19.45

 

CMYK 0 / 80 / 31 / 13

HEX #DD2D99

RGB 221 45 153

HSL 323.18, 0.72%, 0.52%

LAB 51.32, 73.27, -16.88

 

CMYK 0 / 87 / 34 / 20

HEX #CC1B86

RGB 204 27 134

HSL 323.73, 0.77%, 0.45%

LAB 46.1, 71.23, -13.67

 

CMYK 0 / 95 / 39 / 27

HEX #BB0973

RGB 187 9 115

HSL 324.27, 0.91%, 0.38%

LAB 41.21, 68.04, -9.65

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 68 / 44 / 0

HEX #FF5190

RGB 255 81 144

HSL 338.28, 1%, 0.66%

LAB 60.92, 69.95, 3.33

 

CMYK 0 / 68 / 62 / 0

HEX #FF5161

RGB 255 81 97

HSL 354.48, 1%, 0.66%

LAB 59.9, 66.39, 29.26

 

CMYK 0 / 68 / 68 / 0

HEX #FF5151

RGB 255 81 81

HSL 0, 1%, 0.66%

LAB 59.65, 65.53, 38.05

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 68 / 7 / 0

HEX #FF51ED

RGB 255 81 237

HSL 306.21, 1%, 0.66%

LAB 64.37, 81.22, -44.43

 

CMYK 12 / 68 / 0 / 0

HEX #E151FF

RGB 225 81 255

HSL 289.66, 1%, 0.66%

LAB 60.88, 77.67, -60.21

 

CMYK 30 / 68 / 0 / 0

HEX #B251FF

RGB 178 81 255

HSL 273.45, 1%, 0.66%

LAB 54.63, 68.24, -70.6

 

CMYK 49 / 68 / 0 / 0

HEX #8351FF

RGB 131 81 255

HSL 257.24, 1%, 0.66%

LAB 49.41, 59.82, -79.31

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 60 / 22 / 6

HEX #F05FBB

RGB 240 95 187

HSL 321.93, 0.83%, 0.66%

LAB 61.91, 65.09, -20.26

 

CMYK 0 / 52 / 19 / 11

HEX #E26DB7

RGB 226 109 183

HSL 322.05, 0.67%, 0.66%

LAB 62.1, 54.13, -17.87

 

CMYK 0 / 42 / 15 / 17

HEX #D47BB4

RGB 212 123 180

HSL 321.57, 0.51%, 0.66%

LAB 62.89, 42.21, -15.14

 

CMYK 0 / 31 / 11 / 22

HEX #C689B0

RGB 198 137 176

HSL 321.64, 0.35%, 0.66%

LAB 64.19, 29.28, -11.09

 

CMYK 11 / 68 / 0 / 0

HEX #E251FF

RGB 226 81 255

HSL 290, 1%, 0.66%

LAB 61.02, 77.88, -59.97

 

CMYK 0 / 68 / 7 / 0

HEX #FF51ED

RGB 255 81 237

HSL 306.21, 1%, 0.66%

LAB 64.37, 81.22, -44.43

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 68 / 43 / 0

HEX #FF5191

RGB 255 81 145

HSL 337.93, 1%, 0.66%

LAB 60.95, 70.04, 2.78

 

CMYK 0 / 68 / 62 / 0

HEX #FF5162

RGB 255 81 98

HSL 354.14, 1%, 0.66%

LAB 59.91, 66.45, 28.7

 

CMYK 0 / 100 / 37 / 0

HEX #FE00A0

RGB 254 0 160

HSL 322.2, 1%, 0.5%

LAB 55.69, 86.97, -13.82

 

CMYK 0 / 84 / 31 / 0

HEX #FF28B0

RGB 255 40 176

HSL 322.05, 1%, 0.58%

LAB 57.95, 84.42, -19.74

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 52 / 19 / 0

HEX #FF7ACE

RGB 255 122 206

HSL 322.11, 1%, 0.74%

LAB 69.21, 60.06, -19.67

 

CMYK 0 / 36 / 13 / 0

HEX #FFA4DD

RGB 255 164 221

HSL 322.42, 1%, 0.82%

LAB 77.89, 41.53, -14.81

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 30 / 68 / 0

HEX #FFB351

RGB 255 179 81

HSL 33.79, 1%, 0.66%

LAB 78.52, 18.75, 59.38

 

CMYK 68 / 0 / 2 / 0

HEX #51FFF9

RGB 81 255 249

HSL 177.93, 1%, 0.66%

LAB 91.73, -44.57, -10.02

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 25 / 0 / 68 / 0

HEX #BFFF51

RGB 191 255 81

HSL 82.07, 1%, 0.66%

LAB 93.1, -44.38, 73.01

 

CMYK 68 / 25 / 0 / 0

HEX #51BFFF

RGB 81 191 255

HSL 202.07, 1%, 0.66%

LAB 73.7, -11.69, -40.67

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 30 / 68 / 0

HEX #FFB351

RGB 255 179 81

HSL 33.79, 1%, 0.66%

LAB 78.52, 18.75, 59.38

 

CMYK 68 / 0 / 43 / 0

HEX #51FF91

RGB 81 255 145

HSL 142.07, 1%, 0.66%

LAB 89.54, -67.35, 39.94

 

CMYK 68 / 39 / 0 / 0

HEX #519CFF

RGB 81 156 255

HSL 214.14, 1%, 0.66%

LAB 63.95, 7.96, -56.01

 

CMYK 0 / 68 / 25 / 0

HEX #FF51BF

RGB 255 81 191

HSL 322.07, 1%, 0.66%

LAB 62.43, 75, -21.54

 

CMYK 0 / 9 / 68 / 0

HEX #FFE751

RGB 255 231 81

HSL 51.72, 1%, 0.66%

LAB 91.24, -7.91, 72.59

 

CMYK 68 / 0 / 43 / 0

HEX #51FF91

RGB 81 255 145

HSL 142.07, 1%, 0.66%

LAB 89.54, -67.35, 39.94

 

CMYK 68 / 59 / 0 / 0

HEX #5168FF

RGB 81 104 255

HSL 232.07, 1%, 0.66%

LAB 50.53, 39.42, -77.63

 

Description

Color code: HEX #FF51BF | qconv.com Color code: HEX #FF51BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 81 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 81 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 25 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 25% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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