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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B34B75 it is the complementary color #4CB48A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B34B75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B34B75 shade: #B84B70, #C95D83, #DA6F96, #EB81A9 and #FC93BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B34B75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B34B75 shade: #B34B75, #A23962, #91274F, #80153C and #6F0329

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B34B75 shade: #B34B75, #B34B59 and #B34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B34B75 shade: #B34B75, #B34B91, #B34BAD, #9D4BB3 and #814BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B34B75 shade matches the following richer shades: #B34B75, #C83671, #DD216D and #F10D69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B34B75 shade: #B34B75, #9F5F79, #8A747D, #758981 and #619D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B34B75 shade: #B34BAE, #B34B92, #B34B76, #B34B5A and #B3574B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B34B75 shade: #79324F, #963F62, #B34B75, #BF688B and #CC85A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B34B75 shade: #B34B75, #B39D4B and #4BA0B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B34B75 shade: #B34B75, #76B34B and #4B76B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B34B75 shade: #B34B75, #B39D4B, #4BB388 and #4B61B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B34B75 shade: #B34B75, #ABB34B, #4BB388 and #534BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

Complementary color

CMYK 58 / 0 / 23 / 29

HEX #4CB48A

RGB 76 180 138

HSL 155.77, 0.41%, 0.5%

LAB 66.53, -40.19, 12.53

 

CMYK 0 / 59 / 39 / 28

HEX #B84B70

RGB 184 75 112

HSL 339.63, 0.43%, 0.51%

LAB 47.49, 47.6, 1.42

 

CMYK 0 / 54 / 35 / 21

HEX #C95D83

RGB 201 93 131

HSL 338.89, 0.5%, 0.58%

LAB 53.9, 46.88, -0.3

 

CMYK 0 / 49 / 31 / 15

HEX #DA6F96

RGB 218 111 150

HSL 338.13, 0.59%, 0.65%

LAB 60.32, 46.06, -1.72

 

CMYK 0 / 45 / 28 / 8

HEX #EB81A9

RGB 235 129 169

HSL 337.36, 0.73%, 0.71%

LAB 66.69, 45.22, -2.93

 

CMYK 0 / 42 / 25 / 1

HEX #FC93BC

RGB 252 147 188

HSL 336.57, 0.95%, 0.78%

LAB 73.02, 44.39, -4

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 0 / 65 / 40 / 36

HEX #A23962

RGB 162 57 98

HSL 336.57, 0.48%, 0.43%

LAB 40.39, 47.05, -0.73

 

CMYK 0 / 73 / 46 / 43

HEX #91274F

RGB 145 39 79

HSL 337.36, 0.58%, 0.36%

LAB 34.06, 47.12, 1.78

 

CMYK 0 / 84 / 53 / 50

HEX #80153C

RGB 128 21 60

HSL 338.13, 0.72%, 0.29%

LAB 27.98, 46.34, 5.18

 

CMYK 0 / 97 / 63 / 56

HEX #6F0329

RGB 111 3 41

HSL 338.89, 0.95%, 0.22%

LAB 22.32, 44.3, 9.79

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 0 / 58 / 50 / 30

HEX #B34B59

RGB 179 75 89

HSL 351.92, 0.41%, 0.5%

LAB 46.09, 43.53, 13.34

 

CMYK 0 / 58 / 58 / 30

HEX #B34B4B

RGB 179 75 75

HSL 0, 0.41%, 0.5%

LAB 45.8, 42.34, 21.43

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 0 / 58 / 19 / 30

HEX #B34B91

RGB 179 75 145

HSL 319.62, 0.41%, 0.5%

LAB 47.83, 50.35, -18.07

 

CMYK 0 / 58 / 3 / 30

HEX #B34BAD

RGB 179 75 173

HSL 303.46, 0.41%, 0.5%

LAB 49.05, 54.87, -32.77

 

CMYK 12 / 58 / 0 / 30

HEX #9D4BB3

RGB 157 75 179

HSL 287.31, 0.41%, 0.5%

LAB 46.25, 50.13, -40.91

 

CMYK 28 / 58 / 0 / 30

HEX #814BB3

RGB 129 75 179

HSL 271.15, 0.41%, 0.5%

LAB 42.69, 42.94, -46.79

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 0 / 73 / 44 / 22

HEX #C83671

RGB 200 54 113

HSL 335.75, 0.57%, 0.5%

LAB 47.12, 61.1, 0.6

 

CMYK 0 / 85 / 51 / 13

HEX #DD216D

RGB 221 33 109

HSL 335.74, 0.74%, 0.5%

LAB 48.96, 71.84, 6.22

 

CMYK 0 / 95 / 56 / 5

HEX #F10D69

RGB 241 13 105

HSL 335.79, 0.9%, 0.5%

LAB 51.85, 79, 13.29

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 0 / 40 / 24 / 38

HEX #9F5F79

RGB 159 95 121

HSL 335.63, 0.25%, 0.5%

LAB 48.18, 29.62, -3.43

 

CMYK 0 / 16 / 9 / 46

HEX #8A747D

RGB 138 116 125

HSL 335.45, 0.09%, 0.5%

LAB 51.12, 10.18, -1.75

 

CMYK 15 / 0 / 6 / 46

HEX #758981

RGB 117 137 129

HSL 156, 0.08%, 0.5%

LAB 55.34, -8.89, 1.86

 

CMYK 38 / 0 / 15 / 38

HEX #619D85

RGB 97 157 133

HSL 156, 0.24%, 0.5%

LAB 60.2, -25.13, 6.44

 

CMYK 0 / 58 / 3 / 30

HEX #B34BAE

RGB 179 75 174

HSL 302.88, 0.41%, 0.5%

LAB 49.1, 55.04, -33.29

 

CMYK 0 / 58 / 18 / 30

HEX #B34B92

RGB 179 75 146

HSL 319.04, 0.41%, 0.5%

LAB 47.87, 50.5, -18.61

 

CMYK 0 / 58 / 34 / 30

HEX #B34B76

RGB 179 75 118

HSL 335.19, 0.41%, 0.5%

LAB 46.87, 46.66, -3.22

 

CMYK 0 / 58 / 50 / 30

HEX #B34B5A

RGB 179 75 90

HSL 351.35, 0.41%, 0.5%

LAB 46.12, 43.62, 12.76

 

CMYK 0 / 51 / 58 / 30

HEX #B3574B

RGB 179 87 75

HSL 6.92, 0.41%, 0.5%

LAB 48.14, 36.3, 24.47

 

CMYK 0 / 59 / 35 / 53

HEX #79324F

RGB 121 50 79

HSL 335.49, 0.42%, 0.34%

LAB 31.6, 34.25, -2.32

 

CMYK 0 / 58 / 35 / 41

HEX #963F62

RGB 150 63 98

HSL 335.86, 0.41%, 0.42%

LAB 39.45, 40.26, -2.35

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 0 / 46 / 27 / 25

HEX #BF688B

RGB 191 104 139

HSL 335.86, 0.4%, 0.58%

LAB 54.91, 38.89, -3.7

 

CMYK 0 / 35 / 21 / 20

HEX #CC85A1

RGB 204 133 161

HSL 336.34, 0.41%, 0.66%

LAB 63.5, 31.17, -3.55

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 0 / 12 / 58 / 30

HEX #B39D4B

RGB 179 157 75

HSL 47.31, 0.41%, 0.5%

LAB 65.13, -2.14, 45.12

 

CMYK 58 / 11 / 0 / 30

HEX #4BA0B3

RGB 75 160 179

HSL 190.96, 0.41%, 0.5%

LAB 61.56, -20.01, -17.61

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 34 / 0 / 58 / 30

HEX #76B34B

RGB 118 179 75

HSL 95.19, 0.41%, 0.5%

LAB 66.98, -37.89, 46.09

 

CMYK 58 / 34 / 0 / 30

HEX #4B76B3

RGB 75 118 179

HSL 215.19, 0.41%, 0.5%

LAB 49.14, 3.77, -36.82

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 0 / 12 / 58 / 30

HEX #B39D4B

RGB 179 157 75

HSL 47.31, 0.41%, 0.5%

LAB 65.13, -2.14, 45.12

 

CMYK 58 / 0 / 24 / 30

HEX #4BB388

RGB 75 179 136

HSL 155.19, 0.41%, 0.5%

LAB 66.15, -40.41, 13.08

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 0 / 58 / 35 / 30

HEX #B34B75

RGB 179 75 117

HSL 335.77, 0.41%, 0.5%

LAB 46.84, 46.54, -2.66

 

CMYK 4 / 0 / 58 / 30

HEX #ABB34B

RGB 171 179 75

HSL 64.62, 0.41%, 0.5%

LAB 70.46, -17.09, 50.97

 

CMYK 58 / 0 / 24 / 30

HEX #4BB388

RGB 75 179 136

HSL 155.19, 0.41%, 0.5%

LAB 66.15, -40.41, 13.08

 

CMYK 54 / 58 / 0 / 30

HEX #534BB3

RGB 83 75 179

HSL 244.62, 0.41%, 0.5%

LAB 38.07, 32.39, -54.48

 

Description

Color code: HEX #B34B75 | qconv.com Color code: HEX #B34B75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 75 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 75 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 35 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 35% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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