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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7E19D it is the complementary color #481E62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7E19D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7E19D shade: #BCE198, #CDF3AB, #DEFFBE, #EFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7E19D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7E19D shade: #B7E19D, #A6CF8A, #95BD77, #84AB64 and #739951

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7E19D shade: #B7E19D, #C9E19D, #DBE19D, #E1D49D and #E1C19D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7E19D shade: #B7E19D, #A5E19D, #9DE1A8, #9DE1BA and #9DE1CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7E19D shade matches the following richer shades: #B7E19D, #B4EB93 and #B2F588

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7E19D shade: #B7E19D, #B9D6A7, #BCCCB2, #BEC2BC and #C1B7C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7E19D shade: #DBE19D, #C9E19D, #B7E19D, #A5E19D and #9DE1A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7E19D shade: #88CD5E, #A0D77D, #B7E19D, #CEEABD and #E5F4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7E19D shade: #B7E19D, #9DE1D4 and #E19DD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7E19D shade: #B7E19D, #9DB7E1 and #E19DB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7E19D shade: #B7E19D, #9DE1D4, #C79DE1 and #E19DA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7E19D shade: #B7E19D, #9DD9E1, #C79DE1 and #E1A59D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

Complementary color

CMYK 27 / 69 / 0 / 62

HEX #481E62

RGB 72 30 98

HSL 277.06, 0.53%, 0.25%

LAB 20.78, 32.97, -32.18

 

CMYK 16 / 0 / 32 / 12

HEX #BCE198

RGB 188 225 152

HSL 90.41, 0.55%, 0.74%

LAB 85.41, -24.7, 31.85

 

CMYK 16 / 0 / 30 / 5

HEX #CDF3AB

RGB 205 243 171

HSL 91.67, 0.75%, 0.81%

LAB 91.69, -24.64, 30.8

 

CMYK 13 / 0 / 25 / 0

HEX #DEFFBE

RGB 222 255 190

HSL 90.46, 1%, 0.87%

LAB 96.31, -21.71, 27.63

 

CMYK 6 / 0 / 18 / 0

HEX #EFFFD1

RGB 239 255 209

HSL 80.87, 1%, 0.91%

LAB 97.82, -12.96, 20.25

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 20 / 0 / 33 / 19

HEX #A6CF8A

RGB 166 207 138

HSL 95.65, 0.42%, 0.68%

LAB 78.79, -25.86, 30.01

 

CMYK 21 / 0 / 37 / 26

HEX #95BD77

RGB 149 189 119

HSL 94.29, 0.35%, 0.6%

LAB 72.31, -25.97, 31.14

 

CMYK 23 / 0 / 42 / 33

HEX #84AB64

RGB 132 171 100

HSL 92.96, 0.3%, 0.53%

LAB 65.71, -26.06, 32.32

 

CMYK 25 / 0 / 47 / 40

HEX #739951

RGB 115 153 81

HSL 91.67, 0.31%, 0.46%

LAB 58.99, -26.12, 33.55

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 11 / 0 / 30 / 12

HEX #C9E19D

RGB 201 225 157

HSL 81.18, 0.53%, 0.75%

LAB 86.36, -19.3, 30.72

 

CMYK 3 / 0 / 30 / 12

HEX #DBE19D

RGB 219 225 157

HSL 65.29, 0.53%, 0.75%

LAB 87.65, -12.62, 32.67

 

CMYK 0 / 6 / 30 / 12

HEX #E1D49D

RGB 225 212 157

HSL 48.53, 0.53%, 0.75%

LAB 84.76, -3.76, 28.88

 

CMYK 0 / 14 / 30 / 12

HEX #E1C19D

RGB 225 193 157

HSL 31.76, 0.53%, 0.75%

LAB 79.94, 6.13, 22.35

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 27 / 0 / 30 / 12

HEX #A5E19D

RGB 165 225 157

HSL 112.94, 0.53%, 0.75%

LAB 84.11, -31.9, 27.31

 

CMYK 30 / 0 / 25 / 12

HEX #9DE1A8

RGB 157 225 168

HSL 129.71, 0.53%, 0.75%

LAB 83.89, -32.65, 21.23

 

CMYK 30 / 0 / 17 / 12

HEX #9DE1BA

RGB 157 225 186

HSL 145.59, 0.53%, 0.75%

LAB 84.26, -29.35, 12.34

 

CMYK 30 / 0 / 9 / 12

HEX #9DE1CC

RGB 157 225 204

HSL 161.47, 0.53%, 0.75%

LAB 84.68, -25.73, 3.45

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 23 / 0 / 37 / 8

HEX #B4EB93

RGB 180 235 147

HSL 97.5, 0.69%, 0.75%

LAB 87.59, -32.93, 37.17

 

CMYK 27 / 0 / 44 / 4

HEX #B2F588

RGB 178 245 136

HSL 96.88, 0.84%, 0.75%

LAB 90.11, -39.58, 45.76

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 14 / 0 / 22 / 16

HEX #B9D6A7

RGB 185 214 167

HSL 97.02, 0.36%, 0.75%

LAB 82.48, -18.13, 20.08

 

CMYK 8 / 0 / 13 / 20

HEX #BCCCB2

RGB 188 204 178

HSL 96.92, 0.2%, 0.75%

LAB 80.23, -10.17, 11.12

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 8 / 0 / 22

HEX #C1B7C6

RGB 193 183 198

HSL 280, 0.12%, 0.75%

LAB 75.63, 6.3, -6.31

 

CMYK 3 / 0 / 30 / 12

HEX #DBE19D

RGB 219 225 157

HSL 65.29, 0.53%, 0.75%

LAB 87.65, -12.62, 32.67

 

CMYK 11 / 0 / 30 / 12

HEX #C9E19D

RGB 201 225 157

HSL 81.18, 0.53%, 0.75%

LAB 86.36, -19.3, 30.72

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 27 / 0 / 30 / 12

HEX #A5E19D

RGB 165 225 157

HSL 112.94, 0.53%, 0.75%

LAB 84.11, -31.9, 27.31

 

CMYK 30 / 0 / 26 / 12

HEX #9DE1A7

RGB 157 225 167

HSL 128.82, 0.53%, 0.75%

LAB 83.87, -32.82, 21.73

 

CMYK 34 / 0 / 54 / 20

HEX #88CD5E

RGB 136 205 94

HSL 97.3, 0.53%, 0.59%

LAB 75.89, -41.11, 47.87

 

CMYK 26 / 0 / 42 / 16

HEX #A0D77D

RGB 160 215 125

HSL 96.67, 0.53%, 0.67%

LAB 80.49, -33.57, 38.77

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 12 / 0 / 19 / 8

HEX #CEEABD

RGB 206 234 189

HSL 97.33, 0.52%, 0.83%

LAB 89.69, -17.19, 18.84

 

CMYK 6 / 0 / 10 / 4

HEX #E5F4DC

RGB 229 244 220

HSL 97.5, 0.52%, 0.91%

LAB 94.54, -9.17, 9.87

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 30 / 0 / 6 / 12

HEX #9DE1D4

RGB 157 225 212

HSL 168.53, 0.53%, 0.75%

LAB 84.88, -24.03, -0.48

 

CMYK 0 / 30 / 7 / 12

HEX #E19DD2

RGB 225 157 210

HSL 313.24, 0.53%, 0.75%

LAB 72.74, 33.49, -16.88

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 30 / 19 / 0 / 12

HEX #9DB7E1

RGB 157 183 225

HSL 217.06, 0.53%, 0.75%

LAB 73.85, 0.76, -23.93

 

CMYK 0 / 30 / 19 / 12

HEX #E19DB7

RGB 225 157 183

HSL 337.06, 0.53%, 0.75%

LAB 71.92, 29.07, -3.21

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 30 / 0 / 6 / 12

HEX #9DE1D4

RGB 157 225 212

HSL 168.53, 0.53%, 0.75%

LAB 84.88, -24.03, -0.48

 

CMYK 12 / 30 / 0 / 12

HEX #C79DE1

RGB 199 157 225

HSL 277.06, 0.53%, 0.75%

LAB 70.66, 27.94, -28.53

 

CMYK 0 / 30 / 25 / 12

HEX #E19DA9

RGB 225 157 169

HSL 349.41, 0.53%, 0.75%

LAB 71.55, 27, 4

 

CMYK 19 / 0 / 30 / 12

HEX #B7E19D

RGB 183 225 157

HSL 97.06, 0.53%, 0.75%

LAB 85.18, -25.75, 28.93

 

CMYK 30 / 4 / 0 / 12

HEX #9DD9E1

RGB 157 217 225

HSL 187.06, 0.53%, 0.75%

LAB 83.04, -17.13, -10.09

 

CMYK 12 / 30 / 0 / 12

HEX #C79DE1

RGB 199 157 225

HSL 277.06, 0.53%, 0.75%

LAB 70.66, 27.94, -28.53

 

CMYK 0 / 27 / 30 / 12

HEX #E1A59D

RGB 225 165 157

HSL 7.06, 0.53%, 0.75%

LAB 73.12, 21.06, 12.87

 

Description

Color code: HEX #B7E19D | qconv.com Color code: HEX #B7E19D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 225 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 225 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 30 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 30% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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