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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B414CB it is the complementary color #4BEB34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B414CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B414CB shade: #B914C6, #CA26D9, #DB38EC, #EC4AFF and #FD5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B414CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B414CB shade: #B414CB, #A302B8, #9200A5, #810092 and #70007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B414CB shade: #B514CC, #CC14B1, #CC1480, #CC144E and #CC141C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B414CB shade: #B514CC, #8314CC, #5114CC, #2014CC and #1414CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B414CB shade matches the following richer shades: #B514CC and #C202DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B414CB shade: #B514CC, #A726BA, #9938A7, #8C4A95 and #7E5C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B414CB shade: #5114CC, #8214CC, #B314CC, #CC14B3 and #CC1482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B414CB shade: #720C81, #9310A6, #B514CC, #CF20E9 and #D746EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B414CB shade: #B414CB, #CC2014 and #14CC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B414CB shade: #B414CB, #CCB314 and #14CCB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B414CB shade: #B414CB, #CC2014, #2CCC14 and #14BFCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B414CB shade: #B414CB, #CC5714, #2CCC14 and #1488CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 90 / 0 / 20

HEX #B414CB

RGB 180 20 203

HSL 292.46, 0.82%, 0.44%

LAB 44.96, 77.1, -56.76

 

Complementary color

CMYK 68 / 0 / 78 / 8

HEX #4BEB34

RGB 75 235 52

HSL 112.46, 0.82%, 0.56%

LAB 82.46, -72.18, 70.53

 

CMYK 7 / 90 / 0 / 22

HEX #B914C6

RGB 185 20 198

HSL 295.62, 0.82%, 0.43%

LAB 45.49, 77.1, -52.98

 

CMYK 7 / 82 / 0 / 15

HEX #CA26D9

RGB 202 38 217

HSL 294.97, 0.7%, 0.5%

LAB 50.63, 79.76, -55.5

 

CMYK 7 / 76 / 0 / 7

HEX #DB38EC

RGB 219 56 236

HSL 294.33, 0.83%, 0.57%

LAB 56.03, 81.42, -57.45

 

CMYK 7 / 71 / 0 / 0

HEX #EC4AFF

RGB 236 74 255

HSL 293.7, 1%, 0.65%

LAB 61.61, 82.35, -58.95

 

CMYK 1 / 64 / 0 / 0

HEX #FD5CFF

RGB 253 92 255

HSL 299.26, 1%, 0.68%

LAB 66.33, 79.64, -51.29

 

CMYK 11 / 90 / 0 / 20

HEX #B414CB

RGB 180 20 203

HSL 292.46, 0.82%, 0.44%

LAB 44.96, 77.1, -56.76

 

CMYK 11 / 99 / 0 / 28

HEX #A302B8

RGB 163 2 184

HSL 293.08, 0.98%, 0.36%

LAB 40.07, 73.39, -53.7

 

CMYK 12 / 100 / 0 / 35

HEX #9200A5

RGB 146 0 165

HSL 293.09, 1%, 0.32%

LAB 35.65, 67.89, -49.65

 

CMYK 12 / 100 / 0 / 43

HEX #810092

RGB 129 0 146

HSL 293.01, 1%, 0.29%

LAB 31.21, 62.06, -45.39

 

CMYK 12 / 100 / 0 / 50

HEX #70007F

RGB 112 0 127

HSL 292.91, 1%, 0.25%

LAB 26.67, 56.09, -41.03

 

CMYK 11 / 90 / 0 / 20

HEX #B514CC

RGB 181 20 204

HSL 292.5, 0.82%, 0.44%

LAB 45.2, 77.42, -56.96

 

CMYK 0 / 90 / 13 / 20

HEX #CC14B1

RGB 204 20 177

HSL 308.8, 0.82%, 0.44%

LAB 47.64, 77.43, -37.06

 

CMYK 0 / 90 / 37 / 20

HEX #CC1480

RGB 204 20 128

HSL 324.78, 0.82%, 0.44%

LAB 45.49, 71.74, -10.92

 

CMYK 0 / 90 / 62 / 20

HEX #CC144E

RGB 204 20 78

HSL 341.09, 0.82%, 0.44%

LAB 44.07, 67.82, 18.13

 

CMYK 0 / 90 / 86 / 20

HEX #CC141C

RGB 204 20 28

HSL 357.39, 0.82%, 0.44%

LAB 43.39, 65.9, 46.7

 

CMYK 11 / 90 / 0 / 20

HEX #B514CC

RGB 181 20 204

HSL 292.5, 0.82%, 0.44%

LAB 45.2, 77.42, -56.96

 

CMYK 36 / 90 / 0 / 20

HEX #8314CC

RGB 131 20 204

HSL 276.2, 0.82%, 0.44%

LAB 37.27, 70.28, -70.2

 

CMYK 60 / 90 / 0 / 20

HEX #5114CC

RGB 81 20 204

HSL 259.89, 0.82%, 0.44%

LAB 30.9, 65.27, -80.92

 

CMYK 84 / 90 / 0 / 20

HEX #2014CC

RGB 32 20 204

HSL 243.91, 0.82%, 0.44%

LAB 27.21, 62.81, -87.17

 

CMYK 90 / 90 / 0 / 20

HEX #1414CC

RGB 20 20 204

HSL 240, 0.82%, 0.44%

LAB 26.76, 62.54, -87.93

 

CMYK 11 / 90 / 0 / 20

HEX #B514CC

RGB 181 20 204

HSL 292.5, 0.82%, 0.44%

LAB 45.2, 77.42, -56.96

 

CMYK 13 / 99 / 0 / 13

HEX #C202DE

RGB 194 2 222

HSL 292.36, 0.98%, 0.44%

LAB 47.99, 84.11, -62.68

 

CMYK 11 / 90 / 0 / 20

HEX #B514CC

RGB 181 20 204

HSL 292.5, 0.82%, 0.44%

LAB 45.2, 77.42, -56.96

 

CMYK 10 / 80 / 0 / 27

HEX #A726BA

RGB 167 38 186

HSL 292.3, 0.66%, 0.44%

LAB 42.98, 68.21, -50.15

 

CMYK 8 / 66 / 0 / 35

HEX #9938A7

RGB 153 56 167

HSL 292.43, 0.5%, 0.44%

LAB 41.83, 55.51, -40.88

 

CMYK 6 / 50 / 0 / 42

HEX #8C4A95

RGB 140 74 149

HSL 292.8, 0.34%, 0.44%

LAB 42.22, 39.8, -29.6

 

CMYK 4 / 30 / 0 / 49

HEX #7E5C83

RGB 126 92 131

HSL 292.31, 0.17%, 0.44%

LAB 43.84, 21.15, -16.37

 

CMYK 60 / 90 / 0 / 20

HEX #5114CC

RGB 81 20 204

HSL 259.89, 0.82%, 0.44%

LAB 30.9, 65.27, -80.92

 

CMYK 36 / 90 / 0 / 20

HEX #8214CC

RGB 130 20 204

HSL 275.87, 0.82%, 0.44%

LAB 37.13, 70.16, -70.44

 

CMYK 12 / 90 / 0 / 20

HEX #B314CC

RGB 179 20 204

HSL 291.85, 0.82%, 0.44%

LAB 44.86, 77.11, -57.51

 

CMYK 0 / 90 / 12 / 20

HEX #CC14B3

RGB 204 20 179

HSL 308.15, 0.82%, 0.44%

LAB 47.74, 77.69, -38.07

 

CMYK 0 / 90 / 36 / 20

HEX #CC1482

RGB 204 20 130

HSL 324.13, 0.82%, 0.44%

LAB 45.56, 71.94, -12.04

 

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

CMYK 11 / 90 / 0 / 35

HEX #9310A6

RGB 147 16 166

HSL 292.4, 0.82%, 0.36%

LAB 36.61, 66.12, -48.7

 

CMYK 11 / 90 / 0 / 20

HEX #B514CC

RGB 181 20 204

HSL 292.5, 0.82%, 0.44%

LAB 45.2, 77.42, -56.96

 

CMYK 11 / 86 / 0 / 9

HEX #CF20E9

RGB 207 32 233

HSL 292.24, 0.82%, 0.52%

LAB 52.04, 84.37, -62.27

 

CMYK 9 / 70 / 0 / 7

HEX #D746EC

RGB 215 70 236

HSL 292.41, 0.81%, 0.6%

LAB 56.96, 76.23, -56

 

CMYK 11 / 90 / 0 / 20

HEX #B414CB

RGB 180 20 203

HSL 292.46, 0.82%, 0.44%

LAB 44.96, 77.1, -56.76

 

CMYK 0 / 84 / 90 / 20

HEX #CC2014

RGB 204 32 20

HSL 3.91, 0.82%, 0.44%

LAB 44.12, 63.53, 50.86

 

CMYK 90 / 0 / 48 / 20

HEX #14CC6A

RGB 20 204 106

HSL 148.04, 0.82%, 0.44%

LAB 72.48, -63.24, 37.16

 

CMYK 11 / 90 / 0 / 20

HEX #B414CB

RGB 180 20 203

HSL 292.46, 0.82%, 0.44%

LAB 44.96, 77.1, -56.76

 

CMYK 0 / 12 / 90 / 20

HEX #CCB314

RGB 204 179 20

HSL 51.85, 0.82%, 0.44%

LAB 72.98, -5.27, 72.52

 

CMYK 90 / 0 / 12 / 20

HEX #14CCB3

RGB 20 204 179

HSL 171.85, 0.82%, 0.44%

LAB 73.93, -47.11, 0.68

 

CMYK 11 / 90 / 0 / 20

HEX #B414CB

RGB 180 20 203

HSL 292.46, 0.82%, 0.44%

LAB 44.96, 77.1, -56.76

 

CMYK 0 / 84 / 90 / 20

HEX #CC2014

RGB 204 32 20

HSL 3.91, 0.82%, 0.44%

LAB 44.12, 63.53, 50.86

 

CMYK 78 / 0 / 90 / 20

HEX #2CCC14

RGB 44 204 20

HSL 112.17, 0.82%, 0.44%

LAB 72.08, -69.16, 68.4

 

CMYK 90 / 6 / 0 / 20

HEX #14BFCC

RGB 20 191 204

HSL 184.24, 0.82%, 0.44%

LAB 70.71, -34.01, -17.7

 

CMYK 11 / 90 / 0 / 20

HEX #B414CB

RGB 180 20 203

HSL 292.46, 0.82%, 0.44%

LAB 44.96, 77.1, -56.76

 

CMYK 0 / 57 / 90 / 20

HEX #CC5714

RGB 204 87 20

HSL 21.85, 0.82%, 0.44%

LAB 51.5, 43.46, 56.2

 

CMYK 78 / 0 / 90 / 20

HEX #2CCC14

RGB 44 204 20

HSL 112.17, 0.82%, 0.44%

LAB 72.08, -69.16, 68.4

 

CMYK 90 / 33 / 0 / 20

HEX #1488CC

RGB 20 136 204

HSL 202.17, 0.82%, 0.44%

LAB 54.15, -5.02, -43.33

 

Description

Color code: HEX #B414CB | qconv.com Color code: HEX #B414CB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 20 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 20 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 90 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 90% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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