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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B440B4 it is the complementary color #4BBF4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B440B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B440B4 shade: #B940AF, #CA52C2, #DB64D5, #EC76E8 and #FD88FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B440B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B440B4 shade: #B440B4, #A32EA1, #921C8E, #810A7B and #700068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B440B4 shade: #B53FB5, #B53F95, #B53F75, #B53F56 and #B53F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B440B4 shade: #B53FB5, #953FB5, #753FB5, #563FB5 and #3F3FB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B440B4 shade matches the following richer shades: #B53FB5, #C82BC8, #DC18DC and #F004F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B440B4 shade: #B53FB5, #A153A1, #8D678D, #797B79 and #658E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B440B4 shade: #763FB5, #953FB5, #B53FB5, #B53F95 and #B53F76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B440B4 shade: #782A78, #963496, #B53FB5, #C459C4 and #CF77CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B440B4 shade: #B440B4, #B5573F and #3FB586

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B440B4 shade: #B440B4, #B5B53F and #3FB5B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B440B4 shade: #B440B4, #B5573F, #3FB53F and #3F9DB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B440B4 shade: #B440B4, #B57A3F, #3FB53F and #3F7AB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 0 / 29

HEX #B440B4

RGB 180 64 180

HSL 300, 0.48%, 0.48%

LAB 47.84, 61.04, -38.77

 

Complementary color

CMYK 61 / 0 / 61 / 25

HEX #4BBF4B

RGB 75 191 75

HSL 120, 0.48%, 0.52%

LAB 68.94, -55.45, 47.89

 

CMYK 0 / 65 / 5 / 27

HEX #B940AF

RGB 185 64 175

HSL 304.96, 0.49%, 0.49%

LAB 48.36, 61.44, -34.97

 

CMYK 0 / 59 / 4 / 21

HEX #CA52C2

RGB 202 82 194

HSL 304, 0.53%, 0.56%

LAB 54.54, 61.4, -36.12

 

CMYK 0 / 54 / 3 / 14

HEX #DB64D5

RGB 219 100 213

HSL 303.03, 0.62%, 0.63%

LAB 60.76, 61.07, -37.02

 

CMYK 0 / 50 / 2 / 7

HEX #EC76E8

RGB 236 118 232

HSL 302.03, 0.76%, 0.69%

LAB 66.99, 60.55, -37.75

 

CMYK 0 / 46 / 1 / 1

HEX #FD88FB

RGB 253 136 251

HSL 301.03, 0.97%, 0.76%

LAB 73.19, 59.93, -38.35

 

CMYK 0 / 64 / 0 / 29

HEX #B440B4

RGB 180 64 180

HSL 300, 0.48%, 0.48%

LAB 47.84, 61.04, -38.77

 

CMYK 0 / 72 / 1 / 36

HEX #A32EA1

RGB 163 46 161

HSL 301.03, 0.56%, 0.41%

LAB 41.71, 60.62, -37.38

 

CMYK 0 / 81 / 3 / 43

HEX #921C8E

RGB 146 28 142

HSL 302.03, 0.68%, 0.34%

LAB 35.78, 59.36, -35.44

 

CMYK 0 / 92 / 5 / 49

HEX #810A7B

RGB 129 10 123

HSL 303.03, 0.86%, 0.27%

LAB 30.19, 56.76, -32.68

 

CMYK 0 / 100 / 7 / 56

HEX #700068

RGB 112 0 104

HSL 304.29, 1%, 0.22%

LAB 25.09, 52.31, -28.81

 

CMYK 0 / 65 / 0 / 29

HEX #B53FB5

RGB 181 63 181

HSL 300, 0.48%, 0.48%

LAB 47.9, 61.85, -39.25

 

CMYK 0 / 65 / 18 / 29

HEX #B53F95

RGB 181 63 149

HSL 316.27, 0.48%, 0.48%

LAB 46.38, 56.78, -22.67

 

CMYK 0 / 65 / 35 / 29

HEX #B53F75

RGB 181 63 117

HSL 332.54, 0.48%, 0.48%

LAB 45.17, 52.56, -5.09

 

CMYK 0 / 65 / 52 / 29

HEX #B53F56

RGB 181 63 86

HSL 348.31, 0.48%, 0.48%

LAB 44.31, 49.43, 12.76

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 65 / 0 / 29

HEX #B53FB5

RGB 181 63 181

HSL 300, 0.48%, 0.48%

LAB 47.9, 61.85, -39.25

 

CMYK 18 / 65 / 0 / 29

HEX #953FB5

RGB 149 63 181

HSL 283.73, 0.48%, 0.48%

LAB 43.18, 54.26, -47.04

 

CMYK 35 / 65 / 0 / 29

HEX #753FB5

RGB 117 63 181

HSL 267.46, 0.48%, 0.48%

LAB 39.02, 47.03, -53.95

 

CMYK 52 / 65 / 0 / 29

HEX #563FB5

RGB 86 63 181

HSL 251.69, 0.48%, 0.48%

LAB 35.73, 40.8, -59.44

 

CMYK 65 / 65 / 0 / 29

HEX #3F3FB5

RGB 63 63 181

HSL 240, 0.48%, 0.48%

LAB 33.87, 37.02, -62.55

 

CMYK 0 / 65 / 0 / 29

HEX #B53FB5

RGB 181 63 181

HSL 300, 0.48%, 0.48%

LAB 47.9, 61.85, -39.25

 

CMYK 0 / 79 / 0 / 22

HEX #C82BC8

RGB 200 43 200

HSL 300, 0.65%, 0.48%

LAB 49.71, 75.52, -47.23

 

CMYK 0 / 89 / 0 / 14

HEX #DC18DC

RGB 220 24 220

HSL 300, 0.8%, 0.48%

LAB 52.99, 85.75, -53.27

 

CMYK 0 / 98 / 0 / 6

HEX #F004F0

RGB 240 4 240

HSL 300, 0.97%, 0.48%

LAB 56.98, 93.59, -57.98

 

CMYK 0 / 65 / 0 / 29

HEX #B53FB5

RGB 181 63 181

HSL 300, 0.48%, 0.48%

LAB 47.9, 61.85, -39.25

 

CMYK 0 / 48 / 0 / 37

HEX #A153A1

RGB 161 83 161

HSL 300, 0.32%, 0.48%

LAB 47.41, 43.68, -28.44

 

CMYK 0 / 27 / 0 / 45

HEX #8D678D

RGB 141 103 141

HSL 300, 0.16%, 0.48%

LAB 48.62, 22.02, -14.93

 

CMYK 2 / 0 / 2 / 52

HEX #797B79

RGB 121 123 121

HSL 120, 0.01%, 0.48%

LAB 51.39, -1.15, 0.82

 

CMYK 29 / 0 / 29 / 44

HEX #658E65

RGB 101 142 101

HSL 120, 0.17%, 0.48%

LAB 55.13, -22.73, 17.43

 

CMYK 35 / 65 / 0 / 29

HEX #763FB5

RGB 118 63 181

HSL 267.97, 0.48%, 0.48%

LAB 39.14, 47.24, -53.75

 

CMYK 18 / 65 / 0 / 29

HEX #953FB5

RGB 149 63 181

HSL 283.73, 0.48%, 0.48%

LAB 43.18, 54.26, -47.04

 

CMYK 0 / 65 / 0 / 29

HEX #B53FB5

RGB 181 63 181

HSL 300, 0.48%, 0.48%

LAB 47.9, 61.85, -39.25

 

CMYK 0 / 65 / 18 / 29

HEX #B53F95

RGB 181 63 149

HSL 316.27, 0.48%, 0.48%

LAB 46.38, 56.78, -22.67

 

CMYK 0 / 65 / 35 / 29

HEX #B53F76

RGB 181 63 118

HSL 332.03, 0.48%, 0.48%

LAB 45.2, 52.68, -5.66

 

CMYK 0 / 65 / 0 / 53

HEX #782A78

RGB 120 42 120

HSL 300, 0.48%, 0.32%

LAB 31.82, 44.47, -28.31

 

CMYK 0 / 65 / 0 / 41

HEX #963496

RGB 150 52 150

HSL 300, 0.49%, 0.4%

LAB 39.82, 53.34, -33.88

 

CMYK 0 / 65 / 0 / 29

HEX #B53FB5

RGB 181 63 181

HSL 300, 0.48%, 0.48%

LAB 47.9, 61.85, -39.25

 

CMYK 0 / 55 / 0 / 23

HEX #C459C4

RGB 196 89 196

HSL 300, 0.48%, 0.56%

LAB 54.93, 57.02, -36.71

 

CMYK 0 / 43 / 0 / 19

HEX #CF77CF

RGB 207 119 207

HSL 300, 0.48%, 0.64%

LAB 62.48, 47.32, -31.1

 

CMYK 0 / 64 / 0 / 29

HEX #B440B4

RGB 180 64 180

HSL 300, 0.48%, 0.48%

LAB 47.84, 61.04, -38.77

 

CMYK 0 / 52 / 65 / 29

HEX #B5573F

RGB 181 87 63

HSL 12.2, 0.48%, 0.48%

LAB 48.26, 36.22, 31.63

 

CMYK 65 / 0 / 26 / 29

HEX #3FB586

RGB 63 181 134

HSL 156.1, 0.48%, 0.48%

LAB 66.39, -44.09, 14.46

 

CMYK 0 / 64 / 0 / 29

HEX #B440B4

RGB 180 64 180

HSL 300, 0.48%, 0.48%

LAB 47.84, 61.04, -38.77

 

CMYK 0 / 0 / 65 / 29

HEX #B5B53F

RGB 181 181 63

HSL 60, 0.48%, 0.48%

LAB 71.71, -14.71, 57.73

 

CMYK 65 / 0 / 0 / 29

HEX #3FB5B5

RGB 63 181 181

HSL 180, 0.48%, 0.48%

LAB 67.61, -32.04, -9.66

 

CMYK 0 / 64 / 0 / 29

HEX #B440B4

RGB 180 64 180

HSL 300, 0.48%, 0.48%

LAB 47.84, 61.04, -38.77

 

CMYK 0 / 52 / 65 / 29

HEX #B5573F

RGB 181 87 63

HSL 12.2, 0.48%, 0.48%

LAB 48.26, 36.22, 31.63

 

CMYK 65 / 0 / 65 / 29

HEX #3FB53F

RGB 63 181 63

HSL 120, 0.48%, 0.48%

LAB 65.33, -55.81, 49.01

 

CMYK 65 / 13 / 0 / 29

HEX #3F9DB5

RGB 63 157 181

HSL 192.2, 0.48%, 0.48%

LAB 60.34, -20.01, -20.62

 

CMYK 0 / 64 / 0 / 29

HEX #B440B4

RGB 180 64 180

HSL 300, 0.48%, 0.48%

LAB 47.84, 61.04, -38.77

 

CMYK 0 / 33 / 65 / 29

HEX #B57A3F

RGB 181 122 63

HSL 30, 0.48%, 0.48%

LAB 56.19, 17.17, 40.92

 

CMYK 65 / 0 / 65 / 29

HEX #3FB53F

RGB 63 181 63

HSL 120, 0.48%, 0.48%

LAB 65.33, -55.81, 49.01

 

CMYK 65 / 33 / 0 / 29

HEX #3F7AB5

RGB 63 122 181

HSL 210, 0.48%, 0.48%

LAB 49.87, -0.3, -36.86

 

Description

Color code: HEX #B440B4 | qconv.com Color code: HEX #B440B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 64 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 64 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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