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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B49042 it is the complementary color #4B6FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B49042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B49042 shade: #B9903D, #CAA250, #DBB463, #ECC676 and #FDD889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B49042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B49042 shade: #B49042, #A37E2F, #926C1C, #815A09 and #704800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B49042 shade: #B28F42, #B27042, #B25242 and #B24242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B49042 shade: #B28F42, #B2AD42, #99B242, #7BB242 and #5CB242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B49042 shade matches the following richer shades: #B28F42, #C6962E, #DA9D1A and #EEA506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B49042 shade: #B28F42, #9E8755, #8B8069, #77797D and #637191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B49042 shade: #B25242, #B27142, #B28F42, #B2AD42 and #9AB242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B49042 shade: #765E2B, #947736, #B28F42, #C2A25B and #CDB379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B49042 shade: #B49042, #4FB242 and #6242B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B49042 shade: #B49042, #42B28F and #8F42B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B49042 shade: #B49042, #4FB242, #4265B2 and #A542B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B49042 shade: #B49042, #42B256, #4265B2 and #B2429E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 63 / 29

HEX #B49042

RGB 180 144 66

HSL 41.05, 0.46%, 0.48%

LAB 61.69, 4.72, 45.61

 

Complementary color

CMYK 60 / 41 / 0 / 26

HEX #4B6FBD

RGB 75 111 189

HSL 221.05, 0.46%, 0.52%

LAB 47.67, 11.46, -44.93

 

CMYK 0 / 22 / 67 / 27

HEX #B9903D

RGB 185 144 61

HSL 40.16, 0.5%, 0.48%

LAB 62.17, 6.59, 48.64

 

CMYK 0 / 20 / 60 / 21

HEX #CAA250

RGB 202 162 80

HSL 40.33, 0.54%, 0.55%

LAB 68.73, 5.44, 47.43

 

CMYK 0 / 18 / 55 / 14

HEX #DBB463

RGB 219 180 99

HSL 40.5, 0.63%, 0.62%

LAB 75.2, 4.46, 46.14

 

CMYK 0 / 16 / 50 / 7

HEX #ECC676

RGB 236 198 118

HSL 40.68, 0.76%, 0.69%

LAB 81.58, 3.63, 44.85

 

CMYK 0 / 15 / 46 / 1

HEX #FDD889

RGB 253 216 137

HSL 40.86, 0.97%, 0.76%

LAB 87.87, 2.9, 43.59

 

CMYK 0 / 20 / 63 / 29

HEX #B49042

RGB 180 144 66

HSL 41.05, 0.46%, 0.48%

LAB 61.69, 4.72, 45.61

 

CMYK 0 / 23 / 71 / 36

HEX #A37E2F

RGB 163 126 47

HSL 40.86, 0.55%, 0.41%

LAB 54.98, 5.97, 46.72

 

CMYK 0 / 26 / 81 / 43

HEX #926C1C

RGB 146 108 28

HSL 40.68, 0.68%, 0.34%

LAB 48.16, 7.5, 47.36

 

CMYK 0 / 30 / 93 / 49

HEX #815A09

RGB 129 90 9

HSL 40.5, 0.87%, 0.27%

LAB 41.21, 9.4, 46.75

 

CMYK 0 / 36 / 100 / 56

HEX #704800

RGB 112 72 0

HSL 38.57, 1%, 0.22%

LAB 34.15, 11.74, 43.42

 

CMYK 0 / 20 / 63 / 30

HEX #B28F42

RGB 178 143 66

HSL 41.25, 0.46%, 0.48%

LAB 61.22, 4.39, 45.03

 

CMYK 0 / 37 / 63 / 30

HEX #B27042

RGB 178 112 66

HSL 24.64, 0.46%, 0.48%

LAB 53.43, 21.66, 36.06

 

CMYK 0 / 54 / 63 / 30

HEX #B25242

RGB 178 82 66

HSL 8.57, 0.46%, 0.48%

LAB 46.83, 37.83, 28.05

 

CMYK 0 / 63 / 63 / 30

HEX #B24242

RGB 178 66 66

HSL 0, 0.46%, 0.48%

LAB 43.88, 45.56, 24.33

 

CMYK 0 / 20 / 63 / 30

HEX #B28F42

RGB 178 143 66

HSL 41.25, 0.46%, 0.48%

LAB 61.22, 4.39, 45.03

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 14 / 0 / 63 / 30

HEX #99B242

RGB 153 178 66

HSL 73.39, 0.46%, 0.48%

LAB 68.76, -24.74, 52.7

 

CMYK 31 / 0 / 63 / 30

HEX #7BB242

RGB 123 178 66

HSL 89.46, 0.46%, 0.48%

LAB 66.86, -36.48, 50.09

 

CMYK 48 / 0 / 63 / 30

HEX #5CB242

RGB 92 178 66

HSL 106.07, 0.46%, 0.48%

LAB 65.36, -46.92, 48.01

 

CMYK 0 / 20 / 63 / 30

HEX #B28F42

RGB 178 143 66

HSL 41.25, 0.46%, 0.48%

LAB 61.22, 4.39, 45.03

 

CMYK 0 / 24 / 77 / 22

HEX #C6962E

RGB 198 150 46

HSL 41.05, 0.62%, 0.48%

LAB 64.98, 8.28, 58.28

 

CMYK 0 / 28 / 88 / 15

HEX #DA9D1A

RGB 218 157 26

HSL 40.94, 0.79%, 0.48%

LAB 68.82, 12.67, 68.66

 

CMYK 0 / 31 / 97 / 7

HEX #EEA506

RGB 238 165 6

HSL 41.12, 0.95%, 0.48%

LAB 72.96, 16.79, 75.99

 

CMYK 0 / 20 / 63 / 30

HEX #B28F42

RGB 178 143 66

HSL 41.25, 0.46%, 0.48%

LAB 61.22, 4.39, 45.03

 

CMYK 0 / 15 / 46 / 38

HEX #9E8755

RGB 158 135 85

HSL 41.1, 0.3%, 0.48%

LAB 57.32, 1.75, 30.04

 

CMYK 0 / 8 / 24 / 45

HEX #8B8069

RGB 139 128 105

HSL 40.59, 0.14%, 0.48%

LAB 53.97, 0.27, 14.01

 

CMYK 5 / 3 / 0 / 51

HEX #77797D

RGB 119 121 125

HSL 220, 0.02%, 0.48%

LAB 50.78, 0.08, -2.45

 

CMYK 32 / 22 / 0 / 43

HEX #637191

RGB 99 113 145

HSL 221.74, 0.19%, 0.48%

LAB 47.63, 2.72, -19.15

 

CMYK 0 / 54 / 63 / 30

HEX #B25242

RGB 178 82 66

HSL 8.57, 0.46%, 0.48%

LAB 46.83, 37.83, 28.05

 

CMYK 0 / 37 / 63 / 30

HEX #B27142

RGB 178 113 66

HSL 25.18, 0.46%, 0.48%

LAB 53.67, 21.1, 36.34

 

CMYK 0 / 20 / 63 / 30

HEX #B28F42

RGB 178 143 66

HSL 41.25, 0.46%, 0.48%

LAB 61.22, 4.39, 45.03

 

CMYK 0 / 3 / 63 / 30

HEX #B2AD42

RGB 178 173 66

HSL 57.32, 0.46%, 0.48%

LAB 69.29, -11.69, 53.85

 

CMYK 13 / 0 / 63 / 30

HEX #9AB242

RGB 154 178 66

HSL 72.86, 0.46%, 0.48%

LAB 68.83, -24.33, 52.8

 

CMYK 0 / 20 / 64 / 54

HEX #765E2B

RGB 118 94 43

HSL 40.8, 0.47%, 0.32%

LAB 41.27, 3.37, 32.36

 

CMYK 0 / 20 / 64 / 42

HEX #947736

RGB 148 119 54

HSL 41.49, 0.47%, 0.4%

LAB 51.56, 3.56, 39.22

 

CMYK 0 / 20 / 63 / 30

HEX #B28F42

RGB 178 143 66

HSL 41.25, 0.46%, 0.48%

LAB 61.22, 4.39, 45.03

 

CMYK 0 / 16 / 53 / 24

HEX #C2A25B

RGB 194 162 91

HSL 41.36, 0.46%, 0.56%

LAB 68.07, 2.9, 40.99

 

CMYK 0 / 13 / 41 / 20

HEX #CDB379

RGB 205 179 121

HSL 41.43, 0.46%, 0.64%

LAB 73.93, 1.33, 33.04

 

CMYK 0 / 20 / 63 / 29

HEX #B49042

RGB 180 144 66

HSL 41.05, 0.46%, 0.48%

LAB 61.69, 4.72, 45.61

 

CMYK 56 / 0 / 63 / 30

HEX #4FB242

RGB 79 178 66

HSL 113.04, 0.46%, 0.48%

LAB 64.88, -50.59, 47.34

 

CMYK 45 / 63 / 0 / 30

HEX #6242B2

RGB 98 66 178

HSL 257.14, 0.46%, 0.48%

LAB 37.31, 40.53, -55.05

 

CMYK 0 / 20 / 63 / 29

HEX #B49042

RGB 180 144 66

HSL 41.05, 0.46%, 0.48%

LAB 61.69, 4.72, 45.61

 

CMYK 63 / 0 / 20 / 30

HEX #42B28F

RGB 66 178 143

HSL 161.25, 0.46%, 0.48%

LAB 65.73, -40.16, 8.62

 

CMYK 20 / 63 / 0 / 30

HEX #8F42B2

RGB 143 66 178

HSL 281.25, 0.46%, 0.48%

LAB 42.69, 50.79, -46.11

 

CMYK 0 / 20 / 63 / 29

HEX #B49042

RGB 180 144 66

HSL 41.05, 0.46%, 0.48%

LAB 61.69, 4.72, 45.61

 

CMYK 56 / 0 / 63 / 30

HEX #4FB242

RGB 79 178 66

HSL 113.04, 0.46%, 0.48%

LAB 64.88, -50.59, 47.34

 

CMYK 63 / 43 / 0 / 30

HEX #4265B2

RGB 66 101 178

HSL 221.25, 0.46%, 0.48%

LAB 43.77, 12.19, -44.78

 

CMYK 7 / 63 / 0 / 30

HEX #A542B2

RGB 165 66 178

HSL 293.04, 0.46%, 0.48%

LAB 45.78, 56.17, -40.99

 

CMYK 0 / 20 / 63 / 29

HEX #B49042

RGB 180 144 66

HSL 41.05, 0.46%, 0.48%

LAB 61.69, 4.72, 45.61

 

CMYK 63 / 0 / 52 / 30

HEX #42B256

RGB 66 178 86

HSL 130.71, 0.46%, 0.48%

LAB 64.7, -51.21, 37.58

 

CMYK 63 / 43 / 0 / 30

HEX #4265B2

RGB 66 101 178

HSL 221.25, 0.46%, 0.48%

LAB 43.77, 12.19, -44.78

 

CMYK 0 / 63 / 11 / 30

HEX #B2429E

RGB 178 66 158

HSL 310.71, 0.46%, 0.48%

LAB 46.75, 56.08, -27.51

 

Description

Color code: HEX #B49042 | qconv.com Color code: HEX #B49042 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 144 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 144 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 63 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 63% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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