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Color name
HEX #B4AC35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4AC35 it is the complementary color #4B53CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4AC35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4AC35 shade: #B9AC30, #CABE43, #DBD056, #ECE269 and #FDF47C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4AC35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4AC35 shade: #B4AC35, #A39A22, #92880F, #817600 and #706400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4AC35 shade: #B5AD34, #B58A34, #B56834, #B54534 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4AC35 shade: #B5AD34, #9BB534, #78B534, #55B534 and #34B536

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4AC35 shade matches the following richer shades: #B5AD34, #C8BE21 and #DBCE0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4AC35 shade: #B5AD34, #A29D47, #8F8C5A, #7C7B6D and #696B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4AC35 shade: #B56834, #B58A34, #B5AD34, #9CB534 and #79B534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4AC35 shade: #757022, #958F2B, #B5AD34, #CAC249 and #D3CC69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4AC35 shade: #B4AC35, #34B545 and #7934B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4AC35 shade: #B4AC35, #34B5AD and #AD34B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4AC35 shade: #B4AC35, #34B545, #343DB5 and #B534A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4AC35 shade: #B4AC35, #34B56C, #343DB5 and #B5347D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 71 / 29

HEX #B4AC35

RGB 180 172 53

HSL 56.22, 0.55%, 0.46%

LAB 69.09, -11.06, 59

 

Complementary color

CMYK 63 / 59 / 0 / 21

HEX #4B53CA

RGB 75 83 202

HSL 236.22, 0.55%, 0.54%

LAB 41.13, 33.54, -62.97

 

CMYK 0 / 7 / 74 / 27

HEX #B9AC30

RGB 185 172 48

HSL 54.31, 0.59%, 0.46%

LAB 69.49, -9.12, 61.38

 

CMYK 0 / 6 / 67 / 21

HEX #CABE43

RGB 202 190 67

HSL 54.67, 0.56%, 0.53%

LAB 75.94, -10.14, 61.02

 

CMYK 0 / 5 / 61 / 14

HEX #DBD056

RGB 219 208 86

HSL 55.04, 0.65%, 0.6%

LAB 82.29, -10.98, 60.26

 

CMYK 0 / 4 / 56 / 7

HEX #ECE269

RGB 236 226 105

HSL 55.42, 0.78%, 0.67%

LAB 88.56, -11.69, 59.28

 

CMYK 0 / 4 / 51 / 1

HEX #FDF47C

RGB 253 244 124

HSL 55.81, 0.97%, 0.74%

LAB 94.75, -12.3, 58.21

 

CMYK 0 / 4 / 71 / 29

HEX #B4AC35

RGB 180 172 53

HSL 56.22, 0.55%, 0.46%

LAB 69.09, -11.06, 59

 

CMYK 0 / 6 / 79 / 36

HEX #A39A22

RGB 163 154 34

HSL 55.81, 0.65%, 0.39%

LAB 62.52, -9.97, 58.94

 

CMYK 0 / 7 / 90 / 43

HEX #92880F

RGB 146 136 15

HSL 55.42, 0.81%, 0.32%

LAB 55.84, -8.62, 57.69

 

CMYK 0 / 9 / 100 / 49

HEX #817600

RGB 129 118 0

HSL 54.88, 1%, 0.25%

LAB 49.04, -6.97, 54.66

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 0 / 4 / 71 / 29

HEX #B5AD34

RGB 181 173 52

HSL 56.28, 0.55%, 0.46%

LAB 69.44, -11.2, 59.75

 

CMYK 0 / 24 / 71 / 29

HEX #B58A34

RGB 181 138 52

HSL 40, 0.55%, 0.46%

LAB 60.11, 7.62, 50.41

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 62 / 71 / 29

HEX #B54534

RGB 181 69 52

HSL 7.91, 0.55%, 0.46%

LAB 44.7, 44.44, 33.68

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 4 / 71 / 29

HEX #B5AD34

RGB 181 173 52

HSL 56.28, 0.55%, 0.46%

LAB 69.44, -11.2, 59.75

 

CMYK 14 / 0 / 71 / 29

HEX #9BB534

RGB 155 181 52

HSL 72.09, 0.55%, 0.46%

LAB 69.66, -26.3, 59.28

 

CMYK 34 / 0 / 71 / 29

HEX #78B534

RGB 120 181 52

HSL 88.37, 0.55%, 0.46%

LAB 67.49, -40, 56.4

 

CMYK 53 / 0 / 71 / 29

HEX #55B534

RGB 85 181 52

HSL 104.65, 0.55%, 0.46%

LAB 65.92, -51.38, 54.3

 

CMYK 71 / 0 / 70 / 29

HEX #34B536

RGB 52 181 54

HSL 120.93, 0.55%, 0.46%

LAB 65, -58.81, 52.27

 

CMYK 0 / 4 / 71 / 29

HEX #B5AD34

RGB 181 173 52

HSL 56.28, 0.55%, 0.46%

LAB 69.44, -11.2, 59.75

 

CMYK 0 / 5 / 84 / 22

HEX #C8BE21

RGB 200 190 33

HSL 56.41, 0.72%, 0.46%

LAB 75.59, -12.4, 71.77

 

CMYK 0 / 6 / 94 / 14

HEX #DBCE0E

RGB 219 206 14

HSL 56.2, 0.88%, 0.46%

LAB 81.42, -12.65, 80.39

 

CMYK 0 / 4 / 71 / 29

HEX #B5AD34

RGB 181 173 52

HSL 56.28, 0.55%, 0.46%

LAB 69.44, -11.2, 59.75

 

CMYK 0 / 3 / 56 / 36

HEX #A29D47

RGB 162 157 71

HSL 56.7, 0.39%, 0.46%

LAB 63.55, -9.82, 44.84

 

CMYK 0 / 2 / 37 / 44

HEX #8F8C5A

RGB 143 140 90

HSL 56.6, 0.23%, 0.46%

LAB 57.4, -6.84, 27.13

 

CMYK 0 / 1 / 12 / 51

HEX #7C7B6D

RGB 124 123 109

HSL 56, 0.06%, 0.46%

LAB 51.33, -2.26, 7.79

 

CMYK 18 / 16 / 0 / 50

HEX #696B80

RGB 105 107 128

HSL 234.78, 0.1%, 0.46%

LAB 45.74, 3.96, -11.87

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 24 / 71 / 29

HEX #B58A34

RGB 181 138 52

HSL 40, 0.55%, 0.46%

LAB 60.11, 7.62, 50.41

 

CMYK 0 / 4 / 71 / 29

HEX #B5AD34

RGB 181 173 52

HSL 56.28, 0.55%, 0.46%

LAB 69.44, -11.2, 59.75

 

CMYK 14 / 0 / 71 / 29

HEX #9CB534

RGB 156 181 52

HSL 71.63, 0.55%, 0.46%

LAB 69.73, -25.88, 59.37

 

CMYK 33 / 0 / 71 / 29

HEX #79B534

RGB 121 181 52

HSL 87.91, 0.55%, 0.46%

LAB 67.55, -39.63, 56.47

 

CMYK 0 / 4 / 71 / 54

HEX #757022

RGB 117 112 34

HSL 56.39, 0.55%, 0.3%

LAB 46.29, -8.15, 42.07

 

CMYK 0 / 4 / 71 / 42

HEX #958F2B

RGB 149 143 43

HSL 56.6, 0.55%, 0.38%

LAB 58.23, -9.98, 51.25

 

CMYK 0 / 4 / 71 / 29

HEX #B5AD34

RGB 181 173 52

HSL 56.28, 0.55%, 0.46%

LAB 69.44, -11.2, 59.75

 

CMYK 0 / 4 / 64 / 21

HEX #CAC249

RGB 202 194 73

HSL 56.28, 0.55%, 0.54%

LAB 77.05, -11.83, 59.73

 

CMYK 0 / 3 / 50 / 17

HEX #D3CC69

RGB 211 204 105

HSL 56.04, 0.55%, 0.62%

LAB 80.77, -10.79, 49.69

 

CMYK 0 / 4 / 71 / 29

HEX #B4AC35

RGB 180 172 53

HSL 56.22, 0.55%, 0.46%

LAB 69.09, -11.06, 59

 

CMYK 71 / 0 / 62 / 29

HEX #34B545

RGB 52 181 69

HSL 127.91, 0.55%, 0.46%

LAB 65.13, -57.26, 46.08

 

CMYK 33 / 71 / 0 / 29

HEX #7934B5

RGB 121 52 181

HSL 272.09, 0.55%, 0.46%

LAB 37.58, 53.23, -56.25

 

CMYK 0 / 4 / 71 / 29

HEX #B4AC35

RGB 180 172 53

HSL 56.22, 0.55%, 0.46%

LAB 69.09, -11.06, 59

 

CMYK 71 / 0 / 4 / 29

HEX #34B5AD

RGB 52 181 173

HSL 176.28, 0.55%, 0.46%

LAB 67.12, -35.88, -5.98

 

CMYK 4 / 71 / 0 / 29

HEX #AD34B5

RGB 173 52 181

HSL 296.28, 0.55%, 0.46%

LAB 45.19, 64.14, -43.63

 

CMYK 0 / 4 / 71 / 29

HEX #B4AC35

RGB 180 172 53

HSL 56.22, 0.55%, 0.46%

LAB 69.09, -11.06, 59

 

CMYK 71 / 0 / 62 / 29

HEX #34B545

RGB 52 181 69

HSL 127.91, 0.55%, 0.46%

LAB 65.13, -57.26, 46.08

 

CMYK 71 / 66 / 0 / 29

HEX #343DB5

RGB 52 61 181

HSL 235.81, 0.55%, 0.46%

LAB 32.71, 36.81, -64.49

 

CMYK 0 / 71 / 9 / 29

HEX #B534A4

RGB 181 52 164

HSL 307.91, 0.55%, 0.46%

LAB 45.58, 63.19, -32.87

 

CMYK 0 / 4 / 71 / 29

HEX #B4AC35

RGB 180 172 53

HSL 56.22, 0.55%, 0.46%

LAB 69.09, -11.06, 59

 

CMYK 71 / 0 / 40 / 29

HEX #34B56C

RGB 52 181 108

HSL 146.05, 0.55%, 0.46%

LAB 65.64, -51.33, 27.4

 

CMYK 71 / 66 / 0 / 29

HEX #343DB5

RGB 52 61 181

HSL 235.81, 0.55%, 0.46%

LAB 32.71, 36.81, -64.49

 

CMYK 0 / 71 / 31 / 29

HEX #B5347D

RGB 181 52 125

HSL 326.05, 0.55%, 0.46%

LAB 43.89, 57.83, -11.92

 

Description

Color code: HEX #B4AC35 | qconv.com Color code: HEX #B4AC35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 172 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 172 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 71% 29% C M Y K

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Provide designers and agencies with accurate color values.

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