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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4BD5F it is the complementary color #4B42A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4BD5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4BD5F shade: #B9BD5A, #CACF6D, #DBE180, #ECF393 and #FDFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4BD5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4BD5F shade: #B4BD5F, #A3AB4C, #929939, #818726 and #707513

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4BD5F shade: #B4BD5F, #BDAD5F, #BD945F, #BD7A5F and #BD615F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4BD5F shade: #B4BD5F, #9BBD5F, #82BD5F, #68BD5F and #5FBD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4BD5F shade matches the following richer shades: #B4BD5F, #C3D04D, #D2E23B and #E0F429

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4BD5F shade: #B4BD5F, #A6AB71, #979983, #888796 and #7A75A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4BD5F shade: #BD935F, #BDAC5F, #B6BD5F, #9CBD5F and #83BD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4BD5F shade: #88903A, #A3AD46, #B4BD5F, #C2C97C and #D0D59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4BD5F shade: #B4BD5F, #5FBD7A and #A05FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4BD5F shade: #B4BD5F, #5FB6BD and #BD5FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4BD5F shade: #B4BD5F, #5FBD7A, #675FBD and #BD5FA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4BD5F shade: #B4BD5F, #5FBD96, #675FBD and #BD5F86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

Complementary color

CMYK 53 / 59 / 0 / 37

HEX #4B42A0

RGB 75 66 160

HSL 245.74, 0.42%, 0.44%

LAB 33.84, 30.28, -50.02

 

CMYK 2 / 0 / 52 / 26

HEX #B9BD5A

RGB 185 189 90

HSL 62.42, 0.43%, 0.55%

LAB 74.48, -15.13, 48.89

 

CMYK 2 / 0 / 47 / 19

HEX #CACF6D

RGB 202 207 109

HSL 63.06, 0.51%, 0.62%

LAB 80.9, -15.57, 47.76

 

CMYK 3 / 0 / 43 / 12

HEX #DBE180

RGB 219 225 128

HSL 63.71, 0.62%, 0.69%

LAB 87.23, -15.94, 46.6

 

CMYK 3 / 0 / 40 / 5

HEX #ECF393

RGB 236 243 147

HSL 64.38, 0.8%, 0.76%

LAB 93.47, -16.24, 45.46

 

CMYK 1 / 0 / 35 / 0

HEX #FDFFA6

RGB 253 255 166

HSL 61.35, 1%, 0.83%

LAB 98.1, -13.59, 42.35

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 5 / 0 / 56 / 33

HEX #A3AB4C

RGB 163 171 76

HSL 65.05, 0.38%, 0.48%

LAB 67.6, -16.28, 47.12

 

CMYK 5 / 0 / 63 / 40

HEX #929939

RGB 146 153 57

HSL 64.38, 0.46%, 0.41%

LAB 60.95, -15.71, 48.07

 

CMYK 4 / 0 / 72 / 47

HEX #818726

RGB 129 135 38

HSL 63.71, 0.56%, 0.34%

LAB 54.17, -14.97, 48.64

 

CMYK 4 / 0 / 84 / 54

HEX #707513

RGB 112 117 19

HSL 63.06, 0.72%, 0.27%

LAB 47.25, -13.97, 48.31

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 0 / 8 / 50 / 26

HEX #BDAD5F

RGB 189 173 95

HSL 49.79, 0.42%, 0.56%

LAB 70.55, -4.72, 41.86

 

CMYK 0 / 22 / 50 / 26

HEX #BD945F

RGB 189 148 95

HSL 33.83, 0.42%, 0.56%

LAB 64.02, 8.78, 33.78

 

CMYK 0 / 35 / 50 / 26

HEX #BD7A5F

RGB 189 122 95

HSL 17.23, 0.42%, 0.56%

LAB 57.62, 23.14, 25.56

 

CMYK 0 / 49 / 50 / 26

HEX #BD615F

RGB 189 97 95

HSL 1.28, 0.42%, 0.56%

LAB 52.06, 36.66, 18.14

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 18 / 0 / 50 / 26

HEX #9BBD5F

RGB 155 189 95

HSL 81.7, 0.42%, 0.56%

LAB 72.36, -26.67, 43.44

 

CMYK 31 / 0 / 50 / 26

HEX #82BD5F

RGB 130 189 95

HSL 97.66, 0.42%, 0.56%

LAB 70.85, -35.93, 41.26

 

CMYK 45 / 0 / 50 / 26

HEX #68BD5F

RGB 104 189 95

HSL 114.26, 0.42%, 0.56%

LAB 69.59, -44.45, 39.43

 

CMYK 50 / 0 / 41 / 26

HEX #5FBD70

RGB 95 189 112

HSL 130.85, 0.42%, 0.56%

LAB 69.47, -44.48, 30.56

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 6 / 0 / 63 / 18

HEX #C3D04D

RGB 195 208 77

HSL 65.95, 0.58%, 0.56%

LAB 80.32, -21.47, 61.36

 

CMYK 7 / 0 / 74 / 11

HEX #D2E23B

RGB 210 226 59

HSL 65.75, 0.74%, 0.56%

LAB 86.21, -25.01, 74.17

 

CMYK 8 / 0 / 83 / 4

HEX #E0F429

RGB 224 244 41

HSL 65.91, 0.9%, 0.56%

LAB 92, -28.44, 84.48

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 3 / 0 / 34 / 33

HEX #A6AB71

RGB 166 171 113

HSL 65.17, 0.26%, 0.56%

LAB 68.33, -11.13, 29.33

 

CMYK 1 / 0 / 14 / 40

HEX #979983

RGB 151 153 131

HSL 65.45, 0.1%, 0.56%

LAB 62.51, -4.71, 11.33

 

CMYK 9 / 10 / 0 / 41

HEX #888796

RGB 136 135 150

HSL 244, 0.07%, 0.56%

LAB 56.84, 3.45, -7.86

 

CMYK 27 / 30 / 0 / 34

HEX #7A75A8

RGB 122 117 168

HSL 245.88, 0.23%, 0.56%

LAB 51.48, 13.57, -26.55

 

CMYK 0 / 22 / 50 / 26

HEX #BD935F

RGB 189 147 95

HSL 33.19, 0.42%, 0.56%

LAB 63.76, 9.33, 33.46

 

CMYK 0 / 9 / 50 / 26

HEX #BDAC5F

RGB 189 172 95

HSL 49.15, 0.42%, 0.56%

LAB 70.28, -4.19, 41.54

 

CMYK 4 / 0 / 50 / 26

HEX #B6BD5F

RGB 182 189 95

HSL 64.47, 0.42%, 0.56%

LAB 74.3, -15.91, 46.23

 

CMYK 17 / 0 / 50 / 26

HEX #9CBD5F

RGB 156 189 95

HSL 81.06, 0.42%, 0.56%

LAB 72.42, -26.28, 43.54

 

CMYK 31 / 0 / 50 / 26

HEX #83BD5F

RGB 131 189 95

HSL 97.02, 0.42%, 0.56%

LAB 70.9, -35.58, 41.34

 

CMYK 6 / 0 / 60 / 44

HEX #88903A

RGB 136 144 58

HSL 65.58, 0.43%, 0.4%

LAB 57.55, -15.27, 43.67

 

CMYK 6 / 0 / 60 / 32

HEX #A3AD46

RGB 163 173 70

HSL 65.83, 0.42%, 0.48%

LAB 68.11, -17.79, 50.45

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 3 / 0 / 38 / 21

HEX #C2C97C

RGB 194 201 124

HSL 65.45, 0.42%, 0.64%

LAB 78.87, -14.16, 37.66

 

CMYK 2 / 0 / 28 / 16

HEX #D0D59A

RGB 208 213 154

HSL 65.08, 0.41%, 0.72%

LAB 83.62, -11.12, 28.68

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 50 / 0 / 35 / 26

HEX #5FBD7A

RGB 95 189 122

HSL 137.23, 0.42%, 0.56%

LAB 69.64, -42.76, 25.53

 

CMYK 15 / 50 / 0 / 26

HEX #A05FBD

RGB 160 95 189

HSL 281.49, 0.42%, 0.56%

LAB 51.07, 42.69, -39.08

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 50 / 4 / 0 / 26

HEX #5FB6BD

RGB 95 182 189

HSL 184.47, 0.42%, 0.56%

LAB 69.16, -24.25, -11.65

 

CMYK 0 / 50 / 4 / 26

HEX #BD5FB6

RGB 189 95 182

HSL 304.47, 0.42%, 0.56%

LAB 54.43, 49.69, -29.52

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 50 / 0 / 35 / 26

HEX #5FBD7A

RGB 95 189 122

HSL 137.23, 0.42%, 0.56%

LAB 69.64, -42.76, 25.53

 

CMYK 46 / 50 / 0 / 26

HEX #675FBD

RGB 103 95 189

HSL 245.11, 0.42%, 0.56%

LAB 45.28, 27.56, -48.64

 

CMYK 0 / 50 / 14 / 26

HEX #BD5FA3

RGB 189 95 163

HSL 316.6, 0.42%, 0.56%

LAB 53.65, 46.49, -19.68

 

CMYK 5 / 0 / 50 / 26

HEX #B4BD5F

RGB 180 189 95

HSL 65.74, 0.42%, 0.56%

LAB 74.14, -16.72, 46.01

 

CMYK 50 / 0 / 21 / 26

HEX #5FBD96

RGB 95 189 150

HSL 155.11, 0.42%, 0.56%

LAB 70.2, -37.18, 11.25

 

CMYK 46 / 50 / 0 / 26

HEX #675FBD

RGB 103 95 189

HSL 245.11, 0.42%, 0.56%

LAB 45.28, 27.56, -48.64

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

Description

Color code: HEX #B4BD5F | qconv.com Color code: HEX #B4BD5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 189 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 189 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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