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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4C958 it is the complementary color #4B36A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4C958. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4C958 shade: #B9C953, #CADB66, #DBED79, #ECFF8C and #FDFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4C958. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4C958 shade: #B4C958, #A3B745, #92A532, #81931F and #70810C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4C958 shade: #B4C959, #C9BF59, #C9A159, #C98359 and #C96559

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4C958 shade: #B4C959, #96C959, #78C959, #5AC959 and #59C977

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4C958 shade matches the following richer shades: #B4C959, #BFDB47, #CAEC35 and #D5FE24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4C958 shade: #B4C959, #A9B76B, #9EA57C, #93948E and #8782A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4C958 shade: #C9A259, #C9BF59, #B4C959, #96C959 and #79C959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4C958 shade: #899D33, #A4BC3D, #B4C959, #C2D378 and #D0DD97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4C958 shade: #B4C958, #59C984 and #B159C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4C958 shade: #B4C958, #59B4C9 and #C959B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4C958 shade: #B4C958, #59C984, #6D59C9 and #C9599E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4C958 shade: #B4C958, #59C9A5, #6D59C9 and #C9597C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 56 / 21

HEX #B4C958

RGB 180 201 88

HSL 71.15, 0.51%, 0.57%

LAB 77.39, -23.31, 53.07

 

Complementary color

CMYK 55 / 68 / 0 / 35

HEX #4B36A7

RGB 75 54 167

HSL 251.15, 0.51%, 0.43%

LAB 31.63, 39.78, -57.82

 

CMYK 8 / 0 / 59 / 21

HEX #B9C953

RGB 185 201 83

HSL 68.14, 0.52%, 0.56%

LAB 77.7, -21.69, 55.76

 

CMYK 8 / 0 / 53 / 14

HEX #CADB66

RGB 202 219 102

HSL 68.72, 0.62%, 0.63%

LAB 84.06, -22.12, 54.78

 

CMYK 8 / 0 / 49 / 7

HEX #DBED79

RGB 219 237 121

HSL 69.31, 0.76%, 0.7%

LAB 90.33, -22.47, 53.71

 

CMYK 7 / 0 / 45 / 0

HEX #ECFF8C

RGB 236 255 140

HSL 69.91, 1%, 0.77%

LAB 96.51, -22.75, 52.6

 

CMYK 1 / 0 / 38 / 0

HEX #FDFF9F

RGB 253 255 159

HSL 61.25, 1%, 0.81%

LAB 98, -14.36, 45.64

 

CMYK 10 / 0 / 56 / 21

HEX #B4C958

RGB 180 201 88

HSL 71.15, 0.51%, 0.57%

LAB 77.39, -23.31, 53.07

 

CMYK 11 / 0 / 62 / 28

HEX #A3B745

RGB 163 183 69

HSL 70.53, 0.45%, 0.49%

LAB 70.93, -22.87, 53.97

 

CMYK 12 / 0 / 70 / 35

HEX #92A532

RGB 146 165 50

HSL 69.91, 0.53%, 0.42%

LAB 64.36, -22.3, 54.54

 

CMYK 12 / 0 / 79 / 42

HEX #81931F

RGB 129 147 31

HSL 69.31, 0.65%, 0.35%

LAB 57.69, -21.55, 54.47

 

CMYK 13 / 0 / 91 / 49

HEX #70810C

RGB 112 129 12

HSL 68.72, 0.83%, 0.28%

LAB 50.89, -20.54, 53.1

 

CMYK 10 / 0 / 56 / 21

HEX #B4C959

RGB 180 201 89

HSL 71.25, 0.51%, 0.57%

LAB 77.4, -23.22, 52.63

 

CMYK 0 / 5 / 56 / 21

HEX #C9BF59

RGB 201 191 89

HSL 54.64, 0.51%, 0.57%

LAB 76.31, -9.6, 51.82

 

CMYK 0 / 20 / 56 / 21

HEX #C9A159

RGB 201 161 89

HSL 38.57, 0.51%, 0.57%

LAB 68.48, 6.24, 42.66

 

CMYK 0 / 35 / 56 / 21

HEX #C98359

RGB 201 131 89

HSL 22.5, 0.51%, 0.57%

LAB 61.11, 22.6, 33.64

 

CMYK 0 / 50 / 56 / 21

HEX #C96559

RGB 201 101 89

HSL 6.43, 0.51%, 0.57%

LAB 54.5, 38.61, 25.2

 

CMYK 10 / 0 / 56 / 21

HEX #B4C959

RGB 180 201 89

HSL 71.25, 0.51%, 0.57%

LAB 77.4, -23.22, 52.63

 

CMYK 25 / 0 / 56 / 21

HEX #96C959

RGB 150 201 89

HSL 87.32, 0.51%, 0.57%

LAB 75.44, -34.84, 49.86

 

CMYK 40 / 0 / 56 / 21

HEX #78C959

RGB 120 201 89

HSL 103.39, 0.51%, 0.57%

LAB 73.86, -45.26, 47.62

 

CMYK 55 / 0 / 56 / 21

HEX #5AC959

RGB 90 201 89

HSL 119.46, 0.51%, 0.57%

LAB 72.67, -53.91, 45.92

 

CMYK 56 / 0 / 41 / 21

HEX #59C977

RGB 89 201 119

HSL 136.07, 0.51%, 0.57%

LAB 73.04, -49.78, 31.56

 

CMYK 10 / 0 / 56 / 21

HEX #B4C959

RGB 180 201 89

HSL 71.25, 0.51%, 0.57%

LAB 77.4, -23.22, 52.63

 

CMYK 13 / 0 / 68 / 14

HEX #BFDB47

RGB 191 219 71

HSL 71.35, 0.67%, 0.57%

LAB 83.02, -28.75, 66.43

 

CMYK 14 / 0 / 78 / 7

HEX #CAEC35

RGB 202 236 53

HSL 71.15, 0.83%, 0.57%

LAB 88.35, -33.16, 77.74

 

CMYK 16 / 0 / 86 / 0

HEX #D5FE24

RGB 213 254 36

HSL 71.28, 0.99%, 0.57%

LAB 93.95, -37.51, 86.8

 

CMYK 10 / 0 / 56 / 21

HEX #B4C959

RGB 180 201 89

HSL 71.25, 0.51%, 0.57%

LAB 77.4, -23.22, 52.63

 

CMYK 8 / 0 / 42 / 28

HEX #A9B76B

RGB 169 183 107

HSL 71.05, 0.35%, 0.57%

LAB 71.8, -16.86, 36.97

 

CMYK 4 / 0 / 25 / 35

HEX #9EA57C

RGB 158 165 124

HSL 70.24, 0.19%, 0.57%

LAB 66.24, -9.59, 20.47

 

CMYK 1 / 0 / 4 / 42

HEX #93948E

RGB 147 148 142

HSL 70, 0.03%, 0.57%

LAB 61.08, -1.51, 3.03

 

CMYK 16 / 19 / 0 / 37

HEX #8782A0

RGB 135 130 160

HSL 250, 0.14%, 0.57%

LAB 55.74, 8.2, -15.3

 

CMYK 0 / 19 / 56 / 21

HEX #C9A259

RGB 201 162 89

HSL 39.11, 0.51%, 0.57%

LAB 68.74, 5.7, 42.97

 

CMYK 0 / 5 / 56 / 21

HEX #C9BF59

RGB 201 191 89

HSL 54.64, 0.51%, 0.57%

LAB 76.31, -9.6, 51.82

 

CMYK 10 / 0 / 56 / 21

HEX #B4C959

RGB 180 201 89

HSL 71.25, 0.51%, 0.57%

LAB 77.4, -23.22, 52.63

 

CMYK 25 / 0 / 56 / 21

HEX #96C959

RGB 150 201 89

HSL 87.32, 0.51%, 0.57%

LAB 75.44, -34.84, 49.86

 

CMYK 40 / 0 / 56 / 21

HEX #79C959

RGB 121 201 89

HSL 102.86, 0.51%, 0.57%

LAB 73.91, -44.94, 47.69

 

CMYK 13 / 0 / 68 / 38

HEX #899D33

RGB 137 157 51

HSL 71.32, 0.51%, 0.41%

LAB 61.37, -22.04, 50.87

 

CMYK 13 / 0 / 68 / 26

HEX #A4BC3D

RGB 164 188 61

HSL 71.34, 0.51%, 0.49%

LAB 72.36, -25.45, 58.78

 

CMYK 10 / 0 / 56 / 21

HEX #B4C959

RGB 180 201 89

HSL 71.25, 0.51%, 0.57%

LAB 77.4, -23.22, 52.63

 

CMYK 8 / 0 / 43 / 17

HEX #C2D378

RGB 194 211 120

HSL 71.21, 0.51%, 0.65%

LAB 81.52, -19.6, 43.02

 

CMYK 6 / 0 / 32 / 13

HEX #D0DD97

RGB 208 221 151

HSL 71.14, 0.51%, 0.73%

LAB 85.68, -15.53, 32.98

 

CMYK 10 / 0 / 56 / 21

HEX #B4C958

RGB 180 201 88

HSL 71.15, 0.51%, 0.57%

LAB 77.39, -23.31, 53.07

 

CMYK 56 / 0 / 34 / 21

HEX #59C984

RGB 89 201 132

HSL 143.04, 0.51%, 0.57%

LAB 73.26, -47.48, 25.09

 

CMYK 12 / 56 / 0 / 21

HEX #B159C9

RGB 177 89 201

HSL 287.14, 0.51%, 0.57%

LAB 52.63, 52.91, -43.38

 

CMYK 10 / 0 / 56 / 21

HEX #B4C958

RGB 180 201 88

HSL 71.15, 0.51%, 0.57%

LAB 77.39, -23.31, 53.07

 

CMYK 56 / 10 / 0 / 21

HEX #59B4C9

RGB 89 180 201

HSL 191.25, 0.51%, 0.57%

LAB 68.74, -21.14, -18.91

 

CMYK 0 / 56 / 10 / 21

HEX #C959B4

RGB 201 89 180

HSL 311.25, 0.51%, 0.57%

LAB 54.93, 55.71, -27.46

 

CMYK 10 / 0 / 56 / 21

HEX #B4C958

RGB 180 201 88

HSL 71.15, 0.51%, 0.57%

LAB 77.39, -23.31, 53.07

 

CMYK 56 / 0 / 34 / 21

HEX #59C984

RGB 89 201 132

HSL 143.04, 0.51%, 0.57%

LAB 73.26, -47.48, 25.09

 

CMYK 46 / 56 / 0 / 21

HEX #6D59C9

RGB 109 89 201

HSL 250.71, 0.51%, 0.57%

LAB 45.1, 36.11, -55.85

 

CMYK 0 / 56 / 21 / 21

HEX #C9599E

RGB 201 89 158

HSL 323.04, 0.51%, 0.57%

LAB 54.06, 52.37, -15.97

 

CMYK 10 / 0 / 56 / 21

HEX #B4C958

RGB 180 201 88

HSL 71.15, 0.51%, 0.57%

LAB 77.39, -23.31, 53.07

 

CMYK 56 / 0 / 18 / 21

HEX #59C9A5

RGB 89 201 165

HSL 160.71, 0.51%, 0.57%

LAB 73.94, -40.58, 8.43

 

CMYK 46 / 56 / 0 / 21

HEX #6D59C9

RGB 109 89 201

HSL 250.71, 0.51%, 0.57%

LAB 45.1, 36.11, -55.85

 

CMYK 0 / 56 / 38 / 21

HEX #C9597C

RGB 201 89 124

HSL 341.25, 0.51%, 0.57%

LAB 52.97, 47.99, 2.49

 

Description

Color code: HEX #B4C958 | qconv.com Color code: HEX #B4C958 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 201 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 201 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 56 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 56% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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