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Color name
HEX #B55656

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B55656 it is the complementary color #4AA9A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B55656. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B55656 shade: #BA5651, #CB6864, #DC7A77, #ED8C8A and #FE9E9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B55656. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B55656 shade: #B55656, #A44443, #933230, #82201D and #710E0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B55656 shade: #B45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B55656 shade: #B45454, #B46E54, #B48854, #B4A254 and #ACB454

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B55656 shade matches the following richer shades: #B45454, #C84141, #DB2D2D and #EF1919

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B55656 shade: #B45454, #A06868, #8C7C7C, #789090 and #65A4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B55656 shade: #B45487, #B4546E, #B45454, #B46E54 and #B48754

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B55656 shade: #7E3737, #9B4444, #B45454, #C07171 and #CD8E8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B55656 shade: #B55656, #A1B454 and #547BB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B55656 shade: #B55656, #54B454 and #5454B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B55656 shade: #B55656, #A1B454, #54B4B4 and #6754B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B55656 shade: #B55656, #84B454, #54B4B4 and #8454B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 52 / 29

HEX #B55656

RGB 181 86 86

HSL 0, 0.39%, 0.52%

LAB 48.45, 38.51, 18.41

 

Complementary color

CMYK 56 / 0 / 0 / 34

HEX #4AA9A9

RGB 74 169 169

HSL 180, 0.39%, 0.48%

LAB 63.91, -27.67, -8.46

 

CMYK 0 / 54 / 56 / 27

HEX #BA5651

RGB 186 86 81

HSL 2.86, 0.43%, 0.52%

LAB 49.12, 39.95, 22.4

 

CMYK 0 / 49 / 51 / 20

HEX #CB6864

RGB 203 104 100

HSL 2.33, 0.5%, 0.59%

LAB 55.6, 38.77, 20.35

 

CMYK 0 / 45 / 46 / 14

HEX #DC7A77

RGB 220 122 119

HSL 1.78, 0.59%, 0.66%

LAB 62.05, 37.64, 18.59

 

CMYK 0 / 41 / 42 / 7

HEX #ED8C8A

RGB 237 140 138

HSL 1.21, 0.73%, 0.74%

LAB 68.46, 36.58, 17.06

 

CMYK 0 / 38 / 38 / 0

HEX #FE9E9D

RGB 254 158 157

HSL 0.62, 0.98%, 0.81%

LAB 74.8, 35.59, 15.69

 

CMYK 0 / 52 / 52 / 29

HEX #B55656

RGB 181 86 86

HSL 0, 0.39%, 0.52%

LAB 48.45, 38.51, 18.41

 

CMYK 0 / 59 / 59 / 36

HEX #A44443

RGB 164 68 67

HSL 0.62, 0.42%, 0.45%

LAB 41.89, 39.65, 20.7

 

CMYK 0 / 66 / 67 / 42

HEX #933230

RGB 147 50 48

HSL 1.21, 0.51%, 0.38%

LAB 35.4, 40.67, 23.53

 

CMYK 0 / 75 / 78 / 49

HEX #82201D

RGB 130 32 29

HSL 1.78, 0.64%, 0.31%

LAB 29.08, 41.31, 27.04

 

CMYK 0 / 88 / 91 / 56

HEX #710E0A

RGB 113 14 10

HSL 2.33, 0.84%, 0.24%

LAB 23.16, 41.02, 30.49

 

CMYK 0 / 53 / 53 / 29

HEX #B45454

RGB 180 84 84

HSL 0, 0.39%, 0.52%

LAB 47.86, 38.98, 18.78

 

CMYK 0 / 53 / 53 / 29

HEX #B45454

RGB 180 84 84

HSL 0, 0.39%, 0.52%

LAB 47.86, 38.98, 18.78

 

CMYK 0 / 39 / 53 / 29

HEX #B46E54

RGB 180 110 84

HSL 16.25, 0.39%, 0.52%

LAB 53.49, 25.05, 26.19

 

CMYK 0 / 24 / 53 / 29

HEX #B48854

RGB 180 136 84

HSL 32.5, 0.39%, 0.52%

LAB 59.85, 10.56, 34.24

 

CMYK 0 / 10 / 53 / 29

HEX #B4A254

RGB 180 162 84

HSL 48.75, 0.39%, 0.52%

LAB 66.66, -3.66, 42.51

 

CMYK 4 / 0 / 53 / 29

HEX #ACB454

RGB 172 180 84

HSL 65, 0.39%, 0.52%

LAB 70.91, -16.44, 47.33

 

CMYK 0 / 53 / 53 / 29

HEX #B45454

RGB 180 84 84

HSL 0, 0.39%, 0.52%

LAB 47.86, 38.98, 18.78

 

CMYK 0 / 68 / 68 / 22

HEX #C84141

RGB 200 65 65

HSL 0, 0.55%, 0.52%

LAB 47.55, 53.4, 30.34

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 90 / 90 / 6

HEX #EF1919

RGB 239 25 25

HSL 0, 0.87%, 0.52%

LAB 50.82, 74.13, 56.85

 

CMYK 0 / 53 / 53 / 29

HEX #B45454

RGB 180 84 84

HSL 0, 0.39%, 0.52%

LAB 47.86, 38.98, 18.78

 

CMYK 0 / 35 / 35 / 37

HEX #A06868

RGB 160 104 104

HSL 0, 0.23%, 0.52%

LAB 49.95, 22.49, 9.3

 

CMYK 0 / 11 / 11 / 45

HEX #8C7C7C

RGB 140 124 124

HSL 0, 0.07%, 0.52%

LAB 53.43, 6.12, 2.24

 

CMYK 17 / 0 / 0 / 44

HEX #789090

RGB 120 144 144

HSL 180, 0.1%, 0.52%

LAB 57.99, -8.48, -2.85

 

CMYK 38 / 0 / 0 / 36

HEX #65A4A4

RGB 101 164 164

HSL 180, 0.26%, 0.52%

LAB 63.34, -20.17, -6.4

 

CMYK 0 / 53 / 25 / 29

HEX #B45487

RGB 180 84 135

HSL 328.13, 0.39%, 0.52%

LAB 49.24, 44.86, -9.92

 

CMYK 0 / 53 / 39 / 29

HEX #B4546E

RGB 180 84 110

HSL 343.75, 0.39%, 0.52%

LAB 48.47, 41.63, 3.98

 

CMYK 0 / 53 / 53 / 29

HEX #B45454

RGB 180 84 84

HSL 0, 0.39%, 0.52%

LAB 47.86, 38.98, 18.78

 

CMYK 0 / 39 / 53 / 29

HEX #B46E54

RGB 180 110 84

HSL 16.25, 0.39%, 0.52%

LAB 53.49, 25.05, 26.19

 

CMYK 0 / 25 / 53 / 29

HEX #B48754

RGB 180 135 84

HSL 31.88, 0.39%, 0.52%

LAB 59.59, 11.12, 33.92

 

CMYK 0 / 56 / 56 / 51

HEX #7E3737

RGB 126 55 55

HSL 0, 0.39%, 0.35%

LAB 32.8, 30.79, 15.04

 

CMYK 0 / 56 / 56 / 39

HEX #9B4444

RGB 155 68 68

HSL 0, 0.39%, 0.44%

LAB 40.44, 36.35, 17.9

 

CMYK 0 / 53 / 53 / 29

HEX #B45454

RGB 180 84 84

HSL 0, 0.39%, 0.52%

LAB 47.86, 38.98, 18.78

 

CMYK 0 / 41 / 41 / 25

HEX #C07171

RGB 192 113 113

HSL 0, 0.39%, 0.6%

LAB 56.3, 31.15, 13.51

 

CMYK 0 / 31 / 31 / 20

HEX #CD8E8E

RGB 205 142 142

HSL 0, 0.39%, 0.68%

LAB 65.18, 23.93, 9.66

 

CMYK 0 / 52 / 52 / 29

HEX #B55656

RGB 181 86 86

HSL 0, 0.39%, 0.52%

LAB 48.45, 38.51, 18.41

 

CMYK 11 / 0 / 53 / 29

HEX #A1B454

RGB 161 180 84

HSL 71.88, 0.39%, 0.52%

LAB 70.08, -20.96, 46.15

 

CMYK 53 / 32 / 0 / 29

HEX #547BB4

RGB 84 123 180

HSL 215.63, 0.39%, 0.52%

LAB 51.09, 3.06, -34.31

 

CMYK 0 / 52 / 52 / 29

HEX #B55656

RGB 181 86 86

HSL 0, 0.39%, 0.52%

LAB 48.45, 38.51, 18.41

 

CMYK 53 / 0 / 53 / 29

HEX #54B454

RGB 84 180 84

HSL 120, 0.39%, 0.52%

LAB 65.88, -47.91, 40.13

 

CMYK 53 / 53 / 0 / 29

HEX #5454B4

RGB 84 84 180

HSL 240, 0.39%, 0.52%

LAB 40.44, 27.3, -51.23

 

CMYK 0 / 52 / 52 / 29

HEX #B55656

RGB 181 86 86

HSL 0, 0.39%, 0.52%

LAB 48.45, 38.51, 18.41

 

CMYK 11 / 0 / 53 / 29

HEX #A1B454

RGB 161 180 84

HSL 71.88, 0.39%, 0.52%

LAB 70.08, -20.96, 46.15

 

CMYK 53 / 0 / 0 / 29

HEX #54B4B4

RGB 84 180 180

HSL 180, 0.39%, 0.52%

LAB 67.89, -28.05, -8.62

 

CMYK 43 / 53 / 0 / 29

HEX #6754B4

RGB 103 84 180

HSL 251.88, 0.39%, 0.52%

LAB 42.03, 31.59, -48.59

 

CMYK 0 / 52 / 52 / 29

HEX #B55656

RGB 181 86 86

HSL 0, 0.39%, 0.52%

LAB 48.45, 38.51, 18.41

 

CMYK 27 / 0 / 53 / 29

HEX #84B454

RGB 132 180 84

HSL 90, 0.39%, 0.52%

LAB 68.16, -32.31, 43.41

 

CMYK 53 / 0 / 0 / 29

HEX #54B4B4

RGB 84 180 180

HSL 180, 0.39%, 0.52%

LAB 67.89, -28.05, -8.62

 

CMYK 27 / 53 / 0 / 29

HEX #8454B4

RGB 132 84 180

HSL 270, 0.39%, 0.52%

LAB 45, 38.98, -43.68

 

Description

Color code: HEX #B55656 | qconv.com Color code: HEX #B55656 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 86 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 86 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 52 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 52% 29% C M Y K

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Provide designers and agencies with accurate color values.

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