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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82201D it is the complementary color #7DDFE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82201D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82201D shade: #872018, #98322B, #A9443E, #BA5651 and #CB6864

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82201D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82201D shade: #82201D, #710E0A, #600000, #4F0000 and #3E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82201D shade: #811F1C and #811C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82201D shade: #811F1C, #813A1C, #81561C, #81711C and #76811C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82201D shade matches the following richer shades: #811F1C, #8E130F and #9B0702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82201D shade: #811F1C, #742B29, #683736, #5B4342 and #4E4F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82201D shade: #811C50, #811C35, #811E1C, #81391C and #81541C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82201D shade: #3D0F0D, #5F1715, #811F1C, #A32723 and #C52F2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82201D shade: #82201D, #6B811C and #1C4381

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82201D shade: #82201D, #1C811E and #1E1C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82201D shade: #82201D, #6B811C, #1C7F81 and #321C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82201D shade: #82201D, #4D811C, #1C7F81 and #501C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 78 / 49

HEX #82201D

RGB 130 32 29

HSL 1.78, 0.64%, 0.31%

LAB 29.08, 41.31, 27.04

 

Complementary color

CMYK 45 / 1 / 0 / 11

HEX #7DDFE2

RGB 125 223 226

HSL 181.78, 0.64%, 0.69%

LAB 83.25, -28.03, -10.46

 

CMYK 0 / 76 / 82 / 47

HEX #872018

RGB 135 32 24

HSL 4.32, 0.7%, 0.31%

LAB 30.03, 42.8, 31.34

 

CMYK 0 / 67 / 72 / 40

HEX #98322B

RGB 152 50 43

HSL 3.85, 0.56%, 0.38%

LAB 36.24, 42.17, 27.82

 

CMYK 0 / 60 / 63 / 34

HEX #A9443E

RGB 169 68 62

HSL 3.36, 0.46%, 0.45%

LAB 42.64, 41.13, 24.85

 

CMYK 0 / 54 / 56 / 27

HEX #BA5651

RGB 186 86 81

HSL 2.86, 0.43%, 0.52%

LAB 49.12, 39.95, 22.4

 

CMYK 0 / 49 / 51 / 20

HEX #CB6864

RGB 203 104 100

HSL 2.33, 0.5%, 0.59%

LAB 55.6, 38.77, 20.35

 

CMYK 0 / 75 / 78 / 49

HEX #82201D

RGB 130 32 29

HSL 1.78, 0.64%, 0.31%

LAB 29.08, 41.31, 27.04

 

CMYK 0 / 88 / 91 / 56

HEX #710E0A

RGB 113 14 10

HSL 2.33, 0.84%, 0.24%

LAB 23.16, 41.02, 30.49

 

CMYK 0 / 100 / 100 / 62

HEX #600000

RGB 96 0 0

HSL 0, 1%, 0.19%

LAB 17.86, 39.18, 27.56

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 76 / 78 / 49

HEX #811F1C

RGB 129 31 28

HSL 1.78, 0.64%, 0.31%

LAB 28.72, 41.31, 27.21

 

CMYK 0 / 78 / 78 / 49

HEX #811C1C

RGB 129 28 28

HSL 0, 0.64%, 0.31%

LAB 28.33, 42.4, 26.78

 

CMYK 0 / 76 / 78 / 49

HEX #811F1C

RGB 129 31 28

HSL 1.78, 0.64%, 0.31%

LAB 28.72, 41.31, 27.21

 

CMYK 0 / 55 / 78 / 49

HEX #813A1C

RGB 129 58 28

HSL 17.82, 0.64%, 0.31%

LAB 33.51, 28.57, 32.32

 

CMYK 0 / 33 / 78 / 49

HEX #81561C

RGB 129 86 28

HSL 34.46, 0.64%, 0.31%

LAB 40.26, 12.4, 39.13

 

CMYK 0 / 12 / 78 / 49

HEX #81711C

RGB 129 113 28

HSL 50.5, 0.64%, 0.31%

LAB 47.7, -3.37, 46.27

 

CMYK 9 / 0 / 78 / 49

HEX #76811C

RGB 118 129 28

HSL 66.53, 0.64%, 0.31%

LAB 51.42, -17.26, 49.37

 

CMYK 0 / 76 / 78 / 49

HEX #811F1C

RGB 129 31 28

HSL 1.78, 0.64%, 0.31%

LAB 28.72, 41.31, 27.21

 

CMYK 0 / 87 / 89 / 44

HEX #8E130F

RGB 142 19 15

HSL 1.89, 0.81%, 0.31%

LAB 30.04, 48.68, 36.75

 

CMYK 0 / 95 / 99 / 39

HEX #9B0702

RGB 155 7 2

HSL 1.96, 0.97%, 0.31%

LAB 32.09, 54.27, 45.09

 

CMYK 0 / 76 / 78 / 49

HEX #811F1C

RGB 129 31 28

HSL 1.78, 0.64%, 0.31%

LAB 28.72, 41.31, 27.21

 

CMYK 0 / 63 / 65 / 55

HEX #742B29

RGB 116 43 41

HSL 1.6, 0.48%, 0.31%

LAB 28.38, 32, 17.97

 

CMYK 0 / 47 / 48 / 59

HEX #683736

RGB 104 55 54

HSL 1.2, 0.32%, 0.31%

LAB 29.27, 21.62, 10.31

 

CMYK 0 / 26 / 27 / 64

HEX #5B4342

RGB 91 67 66

HSL 2.4, 0.16%, 0.31%

LAB 30.95, 10.2, 4.64

 

CMYK 1 / 0 / 0 / 69

HEX #4E4F4F

RGB 78 79 79

HSL 180, 0.01%, 0.31%

LAB 33.51, -0.4, -0.15

 

CMYK 0 / 78 / 38 / 49

HEX #811C50

RGB 129 28 80

HSL 329.11, 0.64%, 0.31%

LAB 29.61, 46.47, -5.78

 

CMYK 0 / 78 / 59 / 49

HEX #811C35

RGB 129 28 53

HSL 345.15, 0.64%, 0.31%

LAB 28.78, 43.88, 11.03

 

CMYK 0 / 77 / 78 / 49

HEX #811E1C

RGB 129 30 28

HSL 1.19, 0.64%, 0.31%

LAB 28.59, 41.68, 27.07

 

CMYK 0 / 56 / 78 / 49

HEX #81391C

RGB 129 57 28

HSL 17.23, 0.64%, 0.31%

LAB 33.3, 29.12, 32.1

 

CMYK 0 / 35 / 78 / 49

HEX #81541C

RGB 129 84 28

HSL 33.27, 0.64%, 0.31%

LAB 39.73, 13.58, 38.62

 

CMYK 0 / 75 / 79 / 76

HEX #3D0F0D

RGB 61 15 13

HSL 2.5, 0.65%, 0.15%

LAB 11.71, 22.37, 12.61

 

CMYK 0 / 76 / 78 / 63

HEX #5F1715

RGB 95 23 21

HSL 1.62, 0.64%, 0.23%

LAB 20.44, 32.27, 20.45

 

CMYK 0 / 76 / 78 / 49

HEX #811F1C

RGB 129 31 28

HSL 1.78, 0.64%, 0.31%

LAB 28.72, 41.31, 27.21

 

CMYK 0 / 76 / 79 / 36

HEX #A32723

RGB 163 39 35

HSL 1.88, 0.65%, 0.39%

LAB 36.67, 49.83, 33.61

 

CMYK 0 / 76 / 78 / 23

HEX #C52F2B

RGB 197 47 43

HSL 1.56, 0.64%, 0.47%

LAB 44.34, 58.01, 39.19

 

CMYK 0 / 75 / 78 / 49

HEX #82201D

RGB 130 32 29

HSL 1.78, 0.64%, 0.31%

LAB 29.08, 41.31, 27.04

 

CMYK 17 / 0 / 78 / 49

HEX #6B811C

RGB 107 129 28

HSL 73.07, 0.64%, 0.31%

LAB 50.58, -22.16, 48.29

 

CMYK 78 / 48 / 0 / 49

HEX #1C4381

RGB 28 67 129

HSL 216.83, 0.64%, 0.31%

LAB 29.02, 9.87, -38.94

 

CMYK 0 / 75 / 78 / 49

HEX #82201D

RGB 130 32 29

HSL 1.78, 0.64%, 0.31%

LAB 29.08, 41.31, 27.04

 

CMYK 78 / 0 / 77 / 49

HEX #1C811E

RGB 28 129 30

HSL 121.19, 0.64%, 0.31%

LAB 47.03, -47.52, 42.89

 

CMYK 77 / 78 / 0 / 49

HEX #1E1C81

RGB 30 28 129

HSL 241.19, 0.64%, 0.31%

LAB 18.76, 36.41, -55.67

 

CMYK 0 / 75 / 78 / 49

HEX #82201D

RGB 130 32 29

HSL 1.78, 0.64%, 0.31%

LAB 29.08, 41.31, 27.04

 

CMYK 17 / 0 / 78 / 49

HEX #6B811C

RGB 107 129 28

HSL 73.07, 0.64%, 0.31%

LAB 50.58, -22.16, 48.29

 

CMYK 78 / 2 / 0 / 49

HEX #1C7F81

RGB 28 127 129

HSL 181.19, 0.64%, 0.31%

LAB 48.27, -25.99, -9.01

 

CMYK 61 / 78 / 0 / 49

HEX #321C81

RGB 50 28 129

HSL 253.07, 0.64%, 0.31%

LAB 20.41, 38.67, -52.89

 

CMYK 0 / 75 / 78 / 49

HEX #82201D

RGB 130 32 29

HSL 1.78, 0.64%, 0.31%

LAB 29.08, 41.31, 27.04

 

CMYK 40 / 0 / 78 / 49

HEX #4D811C

RGB 77 129 28

HSL 90.89, 0.64%, 0.31%

LAB 48.71, -34.39, 45.85

 

CMYK 78 / 2 / 0 / 49

HEX #1C7F81

RGB 28 127 129

HSL 181.19, 0.64%, 0.31%

LAB 48.27, -25.99, -9.01

 

CMYK 38 / 78 / 0 / 49

HEX #501C81

RGB 80 28 129

HSL 270.89, 0.64%, 0.31%

LAB 24.07, 43.51, -46.76

 

Description

Color code: HEX #82201D | qconv.com Color code: HEX #82201D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 32 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 32 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 78 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 78% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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