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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56767 it is the complementary color #4A9898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56767 shade: #BA6762, #CB7975, #DC8B88, #ED9D9B and #FEAFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56767 shade: #B56767, #A45554, #934341, #82312E and #711F1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56767 shade: #B66767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56767 shade: #B66767, #B67C67, #B69167, #B6A767 and #AFB667

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56767 shade matches the following richer shades: #B66767, #C85555, #DA4343, #EC3131 and #FE1E1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56767 shade: #B66767, #A37979, #918B8B, #7F9D9D and #6DB0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56767 shade: #B66791, #B6677C, #B66767, #B67C67 and #B69167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56767 shade: #894242, #A44F4F, #B66767, #C38383 and #D09F9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56767 shade: #B56767, #A6B667 and #6786B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56767 shade: #B56767, #67B667 and #6767B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56767 shade: #B56767, #A6B667, #67B6B6 and #7767B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56767 shade: #B56767, #8EB667, #67B6B6 and #8E67B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 43 / 29

HEX #B56767

RGB 181 103 103

HSL 0, 0.35%, 0.56%

LAB 52.4, 31.21, 13.73

 

Complementary color

CMYK 51 / 0 / 0 / 40

HEX #4A9898

RGB 74 152 152

HSL 180, 0.35%, 0.44%

LAB 58.21, -23.86, -7.37

 

CMYK 0 / 45 / 47 / 27

HEX #BA6762

RGB 186 103 98

HSL 3.41, 0.39%, 0.56%

LAB 52.97, 32.62, 17.56

 

CMYK 0 / 40 / 42 / 20

HEX #CB7975

RGB 203 121 117

HSL 2.79, 0.45%, 0.63%

LAB 59.58, 31.52, 15.97

 

CMYK 0 / 37 / 38 / 14

HEX #DC8B88

RGB 220 139 136

HSL 2.14, 0.55%, 0.7%

LAB 66.1, 30.51, 14.59

 

CMYK 0 / 34 / 35 / 7

HEX #ED9D9B

RGB 237 157 155

HSL 1.46, 0.69%, 0.77%

LAB 72.55, 29.59, 13.35

 

CMYK 0 / 31 / 31 / 0

HEX #FEAFAE

RGB 254 175 174

HSL 0.75, 0.98%, 0.84%

LAB 78.92, 28.76, 12.23

 

CMYK 0 / 43 / 43 / 29

HEX #B56767

RGB 181 103 103

HSL 0, 0.35%, 0.56%

LAB 52.4, 31.21, 13.73

 

CMYK 0 / 48 / 49 / 36

HEX #A45554

RGB 164 85 84

HSL 0.75, 0.32%, 0.49%

LAB 45.67, 32.34, 15.43

 

CMYK 0 / 54 / 56 / 42

HEX #934341

RGB 147 67 65

HSL 1.46, 0.39%, 0.42%

LAB 38.9, 33.54, 17.47

 

CMYK 0 / 62 / 65 / 49

HEX #82312E

RGB 130 49 46

HSL 2.14, 0.48%, 0.35%

LAB 32.12, 34.73, 20.03

 

CMYK 0 / 73 / 76 / 56

HEX #711F1B

RGB 113 31 27

HSL 2.79, 0.61%, 0.27%

LAB 25.47, 35.68, 23.31

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 32 / 43 / 29

HEX #B67C67

RGB 182 124 103

HSL 15.95, 0.35%, 0.56%

LAB 57.4, 20, 20.59

 

CMYK 0 / 20 / 43 / 29

HEX #B69167

RGB 182 145 103

HSL 31.9, 0.35%, 0.56%

LAB 62.66, 8.31, 27.56

 

CMYK 0 / 8 / 43 / 29

HEX #B6A767

RGB 182 167 103

HSL 48.61, 0.35%, 0.56%

LAB 68.43, -3.66, 35

 

CMYK 4 / 0 / 43 / 29

HEX #AFB667

RGB 175 182 103

HSL 65.32, 0.35%, 0.56%

LAB 71.93, -14.39, 39.26

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 58 / 58 / 22

HEX #C85555

RGB 200 85 85

HSL 0, 0.51%, 0.56%

LAB 51.19, 45.86, 23.17

 

CMYK 0 / 69 / 69 / 15

HEX #DA4343

RGB 218 67 67

HSL 0, 0.67%, 0.56%

LAB 51.07, 58.52, 34.17

 

CMYK 0 / 79 / 79 / 7

HEX #EC3131

RGB 236 49 49

HSL 0, 0.83%, 0.56%

LAB 52.12, 68.96, 46.29

 

CMYK 0 / 88 / 88 / 0

HEX #FE1E1E

RGB 254 30 30

HSL 0, 0.99%, 0.56%

LAB 54.13, 77.27, 58.54

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 26 / 26 / 36

HEX #A37979

RGB 163 121 121

HSL 0, 0.19%, 0.56%

LAB 54.91, 16.39, 6.41

 

CMYK 0 / 4 / 4 / 43

HEX #918B8B

RGB 145 139 139

HSL 0, 0.03%, 0.56%

LAB 58.37, 2.23, 0.79

 

CMYK 19 / 0 / 0 / 38

HEX #7F9D9D

RGB 127 157 157

HSL 180, 0.13%, 0.56%

LAB 62.56, -10.36, -3.46

 

CMYK 38 / 0 / 0 / 31

HEX #6DB0B0

RGB 109 176 176

HSL 180, 0.3%, 0.56%

LAB 67.6, -21.18, -6.72

 

CMYK 0 / 43 / 20 / 29

HEX #B66791

RGB 182 103 145

HSL 328.1, 0.35%, 0.56%

LAB 53.7, 37.17, -9.15

 

CMYK 0 / 43 / 32 / 29

HEX #B6677C

RGB 182 103 124

HSL 344.05, 0.35%, 0.56%

LAB 53.06, 34.15, 2.29

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 32 / 43 / 29

HEX #B67C67

RGB 182 124 103

HSL 15.95, 0.35%, 0.56%

LAB 57.4, 20, 20.59

 

CMYK 0 / 20 / 43 / 29

HEX #B69167

RGB 182 145 103

HSL 31.9, 0.35%, 0.56%

LAB 62.66, 8.31, 27.56

 

CMYK 0 / 52 / 52 / 46

HEX #894242

RGB 137 66 66

HSL 0, 0.35%, 0.4%

LAB 37.13, 30.24, 14.2

 

CMYK 0 / 52 / 52 / 36

HEX #A44F4F

RGB 164 79 79

HSL 0, 0.35%, 0.48%

LAB 44.3, 35.05, 16.59

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 33 / 33 / 24

HEX #C38383

RGB 195 131 131

HSL 0, 0.35%, 0.64%

LAB 61.2, 24.67, 10.09

 

CMYK 0 / 24 / 24 / 18

HEX #D09F9F

RGB 208 159 159

HSL 0, 0.34%, 0.72%

LAB 69.97, 18.17, 7.04

 

CMYK 0 / 43 / 43 / 29

HEX #B56767

RGB 181 103 103

HSL 0, 0.35%, 0.56%

LAB 52.4, 31.21, 13.73

 

CMYK 9 / 0 / 43 / 29

HEX #A6B667

RGB 166 182 103

HSL 72.15, 0.35%, 0.56%

LAB 71.24, -18, 38.26

 

CMYK 43 / 26 / 0 / 29

HEX #6786B6

RGB 103 134 182

HSL 216.46, 0.35%, 0.56%

LAB 55.39, 1.87, -28.67

 

CMYK 0 / 43 / 43 / 29

HEX #B56767

RGB 181 103 103

HSL 0, 0.35%, 0.56%

LAB 52.4, 31.21, 13.73

 

CMYK 43 / 0 / 43 / 29

HEX #67B667

RGB 103 182 103

HSL 120, 0.35%, 0.56%

LAB 67.52, -40.61, 32.76

 

CMYK 43 / 43 / 0 / 29

HEX #6767B6

RGB 103 103 182

HSL 240, 0.35%, 0.56%

LAB 46.92, 20.55, -41.95

 

CMYK 0 / 43 / 43 / 29

HEX #B56767

RGB 181 103 103

HSL 0, 0.35%, 0.56%

LAB 52.4, 31.21, 13.73

 

CMYK 9 / 0 / 43 / 29

HEX #A6B667

RGB 166 182 103

HSL 72.15, 0.35%, 0.56%

LAB 71.24, -18, 38.26

 

CMYK 43 / 0 / 0 / 29

HEX #67B6B6

RGB 103 182 182

HSL 180, 0.35%, 0.56%

LAB 69.27, -24.23, -7.6

 

CMYK 35 / 43 / 0 / 29

HEX #7767B6

RGB 119 103 182

HSL 252.15, 0.35%, 0.56%

LAB 48.26, 24.82, -39.75

 

CMYK 0 / 43 / 43 / 29

HEX #B56767

RGB 181 103 103

HSL 0, 0.35%, 0.56%

LAB 52.4, 31.21, 13.73

 

CMYK 22 / 0 / 43 / 29

HEX #8EB667

RGB 142 182 103

HSL 90.38, 0.35%, 0.56%

LAB 69.6, -27.29, 35.85

 

CMYK 43 / 0 / 0 / 29

HEX #67B6B6

RGB 103 182 182

HSL 180, 0.35%, 0.56%

LAB 69.27, -24.23, -7.6

 

CMYK 22 / 43 / 0 / 29

HEX #8E67B6

RGB 142 103 182

HSL 269.62, 0.35%, 0.56%

LAB 50.49, 31.41, -36.09

 

Description

Color code: HEX #B56767 | qconv.com Color code: HEX #B56767 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 103 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 103 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 43 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 43% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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