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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4343 it is the complementary color #25BCBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4343. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4343 shade: #DF433E, #F05551, #FF6764, #FF7977 and #FF8B8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4343. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4343 shade: #DA4343, #C93130, #B81F1D, #A70D0A and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4343 shade: #D94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4343 shade: #D94343, #D96C43, #D99443, #D9BD43 and #CED943

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4343 shade matches the following richer shades: #D94343, #EC3131 and #FE1F1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4343 shade: #D94343, #C75555, #B56767, #A37A7A and #918C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4343 shade: #D94393, #D9436B, #D94343, #D96B43 and #D99343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4343 shade: #A92121, #CC2828, #D94343, #E06666 and #E78888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4343 shade: #DA4343, #BBD943 and #437FD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4343 shade: #DA4343, #43D943 and #4343D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4343 shade: #DA4343, #BBD943, #43D9D9 and #6143D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4343 shade: #DA4343, #8ED943, #43D9D9 and #8E43D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 69 / 15

HEX #DA4343

RGB 218 67 67

HSL 0, 0.67%, 0.56%

LAB 51.07, 58.52, 34.17

 

Complementary color

CMYK 80 / 0 / 0 / 26

HEX #25BCBC

RGB 37 188 188

HSL 180, 0.67%, 0.44%

LAB 69.46, -36.38, -10.79

 

CMYK 0 / 70 / 72 / 13

HEX #DF433E

RGB 223 67 62

HSL 1.86, 0.72%, 0.56%

LAB 51.89, 59.87, 38.21

 

CMYK 0 / 65 / 66 / 6

HEX #F05551

RGB 240 85 81

HSL 1.51, 0.84%, 0.63%

LAB 57.67, 59.22, 35.06

 

CMYK 0 / 60 / 61 / 0

HEX #FF6764

RGB 255 103 100

HSL 1.16, 1%, 0.7%

LAB 63.24, 57.68, 31.84

 

CMYK 0 / 53 / 53 / 0

HEX #FF7977

RGB 255 121 119

HSL 0.88, 1%, 0.73%

LAB 66.72, 50.81, 25.72

 

CMYK 0 / 45 / 46 / 0

HEX #FF8B8A

RGB 255 139 138

HSL 0.51, 1%, 0.77%

LAB 70.57, 43.68, 20.33

 

CMYK 0 / 69 / 69 / 15

HEX #DA4343

RGB 218 67 67

HSL 0, 0.67%, 0.56%

LAB 51.07, 58.52, 34.17

 

CMYK 0 / 76 / 76 / 21

HEX #C93130

RGB 201 49 48

HSL 0.39, 0.61%, 0.49%

LAB 45.4, 58.76, 37.73

 

CMYK 0 / 83 / 84 / 28

HEX #B81F1D

RGB 184 31 29

HSL 0.77, 0.73%, 0.42%

LAB 40.01, 58.31, 41.64

 

CMYK 0 / 92 / 94 / 35

HEX #A70D0A

RGB 167 13 10

HSL 1.15, 0.89%, 0.35%

LAB 35.05, 56.79, 45.02

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 50 / 69 / 15

HEX #D96C43

RGB 217 108 67

HSL 16.4, 0.66%, 0.56%

LAB 57.92, 39.71, 42.11

 

CMYK 0 / 32 / 69 / 15

HEX #D99443

RGB 217 148 67

HSL 32.4, 0.66%, 0.56%

LAB 66.78, 18.58, 51.87

 

CMYK 0 / 13 / 69 / 15

HEX #D9BD43

RGB 217 189 67

HSL 48.8, 0.66%, 0.56%

LAB 77.01, -3.22, 62.54

 

CMYK 5 / 0 / 69 / 15

HEX #CED943

RGB 206 217 67

HSL 64.4, 0.66%, 0.56%

LAB 83.52, -21.94, 68.76

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 79 / 79 / 7

HEX #EC3131

RGB 236 49 49

HSL 0, 0.83%, 0.56%

LAB 52.12, 68.96, 46.29

 

CMYK 0 / 88 / 88 / 0

HEX #FE1F1F

RGB 254 31 31

HSL 0, 0.99%, 0.56%

LAB 54.19, 77.13, 58.16

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 57 / 57 / 22

HEX #C75555

RGB 199 85 85

HSL 0, 0.5%, 0.56%

LAB 51.03, 45.51, 22.93

 

CMYK 0 / 43 / 43 / 29

HEX #B56767

RGB 181 103 103

HSL 0, 0.35%, 0.56%

LAB 52.4, 31.21, 13.73

 

CMYK 0 / 25 / 25 / 36

HEX #A37A7A

RGB 163 122 122

HSL 0, 0.18%, 0.56%

LAB 55.19, 15.97, 6.23

 

CMYK 0 / 3 / 3 / 43

HEX #918C8C

RGB 145 140 140

HSL 0, 0.02%, 0.56%

LAB 58.67, 1.85, 0.65

 

CMYK 0 / 69 / 32 / 15

HEX #D94393

RGB 217 67 147

HSL 328, 0.66%, 0.56%

LAB 52.81, 64.8, -11.13

 

CMYK 0 / 69 / 51 / 15

HEX #D9436B

RGB 217 67 107

HSL 344, 0.66%, 0.56%

LAB 51.64, 60.84, 11.12

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 51 / 69 / 15

HEX #D96B43

RGB 217 107 67

HSL 16, 0.66%, 0.56%

LAB 57.72, 40.21, 41.88

 

CMYK 0 / 32 / 69 / 15

HEX #D99343

RGB 217 147 67

HSL 32, 0.66%, 0.56%

LAB 66.54, 19.12, 51.62

 

CMYK 0 / 80 / 80 / 34

HEX #A92121

RGB 169 33 33

HSL 0, 0.67%, 0.4%

LAB 37.17, 53.51, 35.66

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 54 / 54 / 12

HEX #E06666

RGB 224 102 102

HSL 0, 0.66%, 0.64%

LAB 58.33, 47.6, 23.39

 

CMYK 0 / 41 / 41 / 9

HEX #E78888

RGB 231 136 136

HSL 0, 0.66%, 0.72%

LAB 66.81, 36.22, 15.77

 

CMYK 0 / 69 / 69 / 15

HEX #DA4343

RGB 218 67 67

HSL 0, 0.67%, 0.56%

LAB 51.07, 58.52, 34.17

 

CMYK 14 / 0 / 69 / 15

HEX #BBD943

RGB 187 217 67

HSL 72, 0.66%, 0.56%

LAB 82.16, -29.64, 66.96

 

CMYK 69 / 41 / 0 / 15

HEX #437FD9

RGB 67 127 217

HSL 216, 0.66%, 0.56%

LAB 53.36, 9.99, -51.85

 

CMYK 0 / 69 / 69 / 15

HEX #DA4343

RGB 218 67 67

HSL 0, 0.67%, 0.56%

LAB 51.07, 58.52, 34.17

 

CMYK 69 / 0 / 69 / 15

HEX #43D943

RGB 67 217 67

HSL 120, 0.66%, 0.56%

LAB 76.81, -66.81, 59.77

 

CMYK 69 / 69 / 0 / 15

HEX #4343D9

RGB 67 67 217

HSL 240, 0.66%, 0.56%

LAB 38.23, 47.11, -76.38

 

CMYK 0 / 69 / 69 / 15

HEX #DA4343

RGB 218 67 67

HSL 0, 0.67%, 0.56%

LAB 51.07, 58.52, 34.17

 

CMYK 14 / 0 / 69 / 15

HEX #BBD943

RGB 187 217 67

HSL 72, 0.66%, 0.56%

LAB 82.16, -29.64, 66.96

 

CMYK 69 / 0 / 0 / 15

HEX #43D9D9

RGB 67 217 217

HSL 180, 0.66%, 0.56%

LAB 79.52, -38.1, -11.42

 

CMYK 55 / 69 / 0 / 15

HEX #6143D9

RGB 97 67 217

HSL 252, 0.66%, 0.56%

LAB 40.52, 51.09, -72.54

 

CMYK 0 / 69 / 69 / 15

HEX #DA4343

RGB 218 67 67

HSL 0, 0.67%, 0.56%

LAB 51.07, 58.52, 34.17

 

CMYK 35 / 0 / 69 / 15

HEX #8ED943

RGB 142 217 67

HSL 90, 0.66%, 0.56%

LAB 79.49, -46.57, 63.38

 

CMYK 69 / 0 / 0 / 15

HEX #43D9D9

RGB 67 217 217

HSL 180, 0.66%, 0.56%

LAB 79.52, -38.1, -11.42

 

CMYK 35 / 69 / 0 / 15

HEX #8E43D9

RGB 142 67 217

HSL 270, 0.66%, 0.56%

LAB 45.32, 58.94, -64.5

 

Description

Color code: HEX #DA4343 | qconv.com Color code: HEX #DA4343 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 67 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 67 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 69 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 69% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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