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Color name
HEX #B58C34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58C34 it is the complementary color #4A73CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58C34 shade: #BA8C2F, #CB9E42, #DCB055, #EDC268 and #FED47B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58C34 shade: #B58C34, #A47A21, #93680E, #825600 and #714400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58C34 shade: #B58C34, #B56A34, #B54734 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58C34 shade: #B58C34, #B5AF34, #99B534, #76B534 and #53B534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58C34 shade matches the following richer shades: #B58C34, #C89321 and #DB9A0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58C34 shade: #B58C34, #A28547, #8F7E5A, #7C786D and #697180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58C34 shade: #B54534, #B56834, #B58A34, #B5AD34 and #9CB534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58C34 shade: #755B22, #95742B, #B58C34, #CAA149 and #D3B169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58C34 shade: #B58C34, #45B534 and #5734B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58C34 shade: #B58C34, #34B58A and #8A34B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58C34 shade: #B58C34, #45B534, #345FB5 and #A434B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58C34 shade: #B58C34, #34B54A, #345FB5 and #B534A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

Complementary color

CMYK 64 / 43 / 0 / 20

HEX #4A73CB

RGB 74 115 203

HSL 220.93, 0.55%, 0.54%

LAB 49.53, 13.61, -50.01

 

CMYK 0 / 25 / 75 / 27

HEX #BA8C2F

RGB 186 140 47

HSL 40.14, 0.6%, 0.46%

LAB 61.13, 8.49, 53.73

 

CMYK 0 / 22 / 67 / 20

HEX #CB9E42

RGB 203 158 66

HSL 40.29, 0.57%, 0.53%

LAB 67.68, 7.12, 52.84

 

CMYK 0 / 20 / 61 / 14

HEX #DCB055

RGB 220 176 85

HSL 40.44, 0.66%, 0.6%

LAB 74.14, 5.95, 51.68

 

CMYK 0 / 18 / 56 / 7

HEX #EDC268

RGB 237 194 104

HSL 40.6, 0.79%, 0.67%

LAB 80.51, 4.96, 50.43

 

CMYK 0 / 17 / 52 / 0

HEX #FED47B

RGB 254 212 123

HSL 40.76, 0.98%, 0.74%

LAB 86.79, 4.09, 49.17

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 0 / 26 / 80 / 36

HEX #A47A21

RGB 164 122 33

HSL 40.76, 0.66%, 0.39%

LAB 53.94, 8.02, 51.54

 

CMYK 0 / 29 / 90 / 42

HEX #93680E

RGB 147 104 14

HSL 40.6, 0.83%, 0.32%

LAB 47.15, 9.85, 51.06

 

CMYK 0 / 34 / 100 / 49

HEX #825600

RGB 130 86 0

HSL 39.69, 1%, 0.25%

LAB 40.25, 12.05, 48.61

 

CMYK 0 / 40 / 100 / 56

HEX #714400

RGB 113 68 0

HSL 36.11, 1%, 0.22%

LAB 33.23, 14.65, 42.89

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 0 / 41 / 71 / 29

HEX #B56A34

RGB 181 106 52

HSL 25.12, 0.55%, 0.46%

LAB 52.26, 25.39, 42.13

 

CMYK 0 / 61 / 71 / 29

HEX #B54734

RGB 181 71 52

HSL 8.84, 0.55%, 0.46%

LAB 45.05, 43.51, 34.09

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 0 / 3 / 71 / 29

HEX #B5AF34

RGB 181 175 52

HSL 57.21, 0.55%, 0.46%

LAB 69.99, -12.23, 60.28

 

CMYK 15 / 0 / 71 / 29

HEX #99B534

RGB 153 181 52

HSL 73.02, 0.55%, 0.46%

LAB 69.52, -27.12, 59.09

 

CMYK 35 / 0 / 71 / 29

HEX #76B534

RGB 118 181 52

HSL 89.3, 0.55%, 0.46%

LAB 67.39, -40.72, 56.26

 

CMYK 54 / 0 / 71 / 29

HEX #53B534

RGB 83 181 52

HSL 105.58, 0.55%, 0.46%

LAB 65.85, -51.94, 54.2

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 0 / 27 / 84 / 22

HEX #C89321

RGB 200 147 33

HSL 40.96, 0.72%, 0.46%

LAB 64.37, 10.35, 62.3

 

CMYK 0 / 30 / 94 / 14

HEX #DB9A0E

RGB 219 154 14

HSL 40.98, 0.88%, 0.46%

LAB 68.17, 14.52, 70.58

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 0 / 18 / 56 / 36

HEX #A28547

RGB 162 133 71

HSL 40.88, 0.39%, 0.46%

LAB 56.99, 3.28, 37.19

 

CMYK 0 / 12 / 37 / 44

HEX #8F7E5A

RGB 143 126 90

HSL 40.75, 0.23%, 0.46%

LAB 53.49, 0.97, 22

 

CMYK 0 / 3 / 12 / 51

HEX #7C786D

RGB 124 120 109

HSL 44, 0.06%, 0.46%

LAB 50.48, -0.54, 6.58

 

CMYK 18 / 12 / 0 / 50

HEX #697180

RGB 105 113 128

HSL 219.13, 0.1%, 0.46%

LAB 47.46, 0.39, -9.28

 

CMYK 0 / 62 / 71 / 29

HEX #B54534

RGB 181 69 52

HSL 7.91, 0.55%, 0.46%

LAB 44.7, 44.44, 33.68

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 24 / 71 / 29

HEX #B58A34

RGB 181 138 52

HSL 40, 0.55%, 0.46%

LAB 60.11, 7.62, 50.41

 

CMYK 0 / 4 / 71 / 29

HEX #B5AD34

RGB 181 173 52

HSL 56.28, 0.55%, 0.46%

LAB 69.44, -11.2, 59.75

 

CMYK 14 / 0 / 71 / 29

HEX #9CB534

RGB 156 181 52

HSL 71.63, 0.55%, 0.46%

LAB 69.73, -25.88, 59.37

 

CMYK 0 / 22 / 71 / 54

HEX #755B22

RGB 117 91 34

HSL 41.2, 0.55%, 0.3%

LAB 40.21, 4.04, 35.78

 

CMYK 0 / 22 / 71 / 42

HEX #95742B

RGB 149 116 43

HSL 41.32, 0.55%, 0.38%

LAB 50.75, 5.02, 43.67

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 0 / 20 / 64 / 21

HEX #CAA149

RGB 202 161 73

HSL 40.93, 0.55%, 0.54%

LAB 68.41, 5.5, 50.39

 

CMYK 0 / 16 / 50 / 17

HEX #D3B169

RGB 211 177 105

HSL 40.75, 0.55%, 0.62%

LAB 73.75, 3.24, 41.19

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 62 / 0 / 71 / 29

HEX #45B534

RGB 69 181 52

HSL 112.09, 0.55%, 0.46%

LAB 65.41, -55.5, 53.6

 

CMYK 52 / 71 / 0 / 29

HEX #5734B5

RGB 87 52 181

HSL 256.28, 0.55%, 0.46%

LAB 33.6, 47.07, -62.92

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 71 / 0 / 24 / 29

HEX #34B58A

RGB 52 181 138

HSL 160, 0.55%, 0.46%

LAB 66.22, -44.98, 12.01

 

CMYK 24 / 71 / 0 / 29

HEX #8A34B5

RGB 138 52 181

HSL 280, 0.55%, 0.46%

LAB 39.91, 56.66, -52.38

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 62 / 0 / 71 / 29

HEX #45B534

RGB 69 181 52

HSL 112.09, 0.55%, 0.46%

LAB 65.41, -55.5, 53.6

 

CMYK 71 / 48 / 0 / 29

HEX #345FB5

RGB 52 95 181

HSL 220, 0.55%, 0.46%

LAB 41.61, 14.78, -50.03

 

CMYK 9 / 71 / 0 / 29

HEX #A434B5

RGB 164 52 181

HSL 292.09, 0.55%, 0.46%

LAB 43.78, 62.18, -45.96

 

CMYK 0 / 23 / 71 / 29

HEX #B58C34

RGB 181 140 52

HSL 40.93, 0.55%, 0.46%

LAB 60.63, 6.52, 50.94

 

CMYK 71 / 0 / 59 / 29

HEX #34B54A

RGB 52 181 74

HSL 130.23, 0.55%, 0.46%

LAB 65.18, -56.65, 43.85

 

CMYK 71 / 48 / 0 / 29

HEX #345FB5

RGB 52 95 181

HSL 220, 0.55%, 0.46%

LAB 41.61, 14.78, -50.03

 

CMYK 0 / 71 / 12 / 29

HEX #B534A0

RGB 181 52 160

HSL 309.77, 0.55%, 0.46%

LAB 45.38, 62.59, -30.8

 

Description

Color code: HEX #B58C34 | qconv.com Color code: HEX #B58C34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 140 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 140 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 71% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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